The New Annotated Sherlock Holmes: The Complete Short Stories: The Return of Sherlock Holmes, His Last Bow and The Case-Book of Sherlock Holmes (Non-slipcased edition) (Vol. 2) (The Annotated Books)

by Doyle, Arthur Conan

  “Dear me, Hopkins. That is certainly rather against your theory that they committed a murder in Kent last night.”

  “It is fatal, Mr. Holmes, absolutely fatal. Still, there are other gangs of three besides the Randalls, or it may be some new gang of which the police have never heard.”

  “Quite so, it is perfectly possible. What, are you off?”

  “Yes, Mr. Holmes; there is no rest for me until I have got to the bottom of the business. I suppose you have no hint to give me?”

  “I have given you one.”

  “Which?”

  “Well, I suggested a blind.”

  “But why, Mr. Holmes, why?”

  “Ah, that’s the question, of course. But I commend the idea to your mind. You might possibly find that there was something in it. You won’t stop for dinner? Well, good-bye, and let us know how you get on.”

  Dinner was over, and the table cleared before Holmes alluded to the matter again. He had lit his pipe and held his slippered feet to the cheerful blaze of the fire. Suddenly he looked at his watch.

  “I expect developments, Watson.”

  “When?”

  “Now—within a few minutes. I dare say you thought I acted rather badly to Stanley Hopkins just now?”

  “I trust your judgment.”

  “A very sensible reply, Watson. You must look at it this way: what I know is unofficial; what he knows is official. I have the right to private judgment, but he has none. He must disclose all, or he is a traitor to his service. In a doubtful case I would not put him in so painful a position, and so I reserve my information until my own mind is clear upon the matter.”

  “But when will that be?”

  “The time has come. You will now be present at the last scene of a remarkable little drama.”

  There was a sound upon the stairs, and our door was opened to admit as fine a specimen of manhood as ever passed through it. He was a very tall young man, golden-moustached, blue-eyed, with a skin which had been burned by tropical suns, and a springy step which showed that the huge frame was as active as it was strong. He closed the door behind him, and then he stood with clenched hands and heaving breast, choking down some overmastering emotion.

  “Sit down, Captain Croker. You got my telegram?”

  Our visitor sank into an arm-chair and looked from one to the other of us with questioning eyes.

  “I got your telegram, and I came at the hour you said. I heard that you had been down to the office. There was no getting away from you. Let’s hear the worst. What are you going to do with me? Arrest me? Speak out, man! You can’t sit there and play with me like a cat with a mouse.”

  “The door was opened to admit as fine a specimen of manhood as ever passed through it.”

  Sidney Paget, Strand Magazine, 1904

  He stood with clenched hands and heaving breast.

  Frederick Dorr Steele, Collier’s, 1904

  “Give him a cigar,” said Holmes. “Bite on that, Captain Croker, and don’t let your nerves run away with you. I should not sit here smoking with you if I thought that you were a common criminal, you may be sure of that. Be frank with me, and we may do some good. Play tricks with me, and I’ll crush you.”

  “What do you wish me to do?”

  “To give me a true account of all that happened at the Abbey Grange last night—a true account, mind you, with nothing added and nothing taken off. I know so much already that if you go one inch off the straight, I’ll blow this police whistle from my window and the affair goes out of my hands forever.”

  The sailor thought for a little. Then he struck his leg with his great sunburned hand.

  “I’ll chance it,” he cried. “I believe you are a man of your word, and a white man,31 and I’ll tell you the whole story. But one thing I will say first. So far as I am concerned, I regret nothing and I fear nothing, and I would do it all again and be proud of the job. Curse the beast, if he had as many lives as a cat, he would owe them all to me! But it’s the lady, Mary—Mary Fraser—for never will I call her by that accursed name. When I think of getting her into trouble, I who would give my life just to bring one smile to her dear face, it’s that that turns my soul into water. And yet—and yet—what less could I do? I’ll tell you my story, gentlemen, and then I’ll ask you, as man to man, what less could I do?

  “I must go back a bit. You seem to know everything, so I expect that you know that I met her when she was a passenger and I was first officer of the Rock of Gibraltar. From the first day I met her, she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.

  “Next time I came back from sea, I heard of her marriage. Well, why shouldn’t she marry whom she liked? Title and money—who could carry them better than she? She was born for all that is beautiful and dainty. I didn’t grieve over her marriage. I was not such a selfish hound as that. I just rejoiced that good luck had come her way, and that she had not thrown herself away on a penniless sailor.32 That’s how I loved Mary Fraser.

  “Well, I never thought to see her again, but last voyage I was promoted, and the new boat was not yet launched, so I had to wait for a couple of months with my people at Sydenham. One day out in a country lane I met Theresa Wright, her old maid. She told me all about her, about him, about everything. I tell you, gentlemen, it nearly drove me mad. This drunken hound, that he should dare to raise his hand to her whose boots he was not worthy to lick! I met Theresa again. Then I met Mary herself—and met her again. Then she would meet me no more. But the other day I had a notice that I was to start on my voyage within a week, and I determined that I would see her once before I left. Theresa was always my friend, for she loved Mary and hated this villain almost as much as I did. From her I learned the ways of the house. Mary used to sit up reading in her own little room downstairs. I crept round there last night and scratched at the window. At first she would not open to me, but in her heart I know that now she loves me, and she could not leave me in the frosty night. She whispered to me to come round to the big front window, and I found it open before me, so as to let me into the dining-room. Again I heard from her own lips things that made my blood boil, and again I cursed this brute who mishandled the woman I loved. Well, gentlemen, I was standing with her just inside the window, in all innocence, as Heaven is my judge, when he rushed like a madman into the room, called her the vilest name that a man could use to a woman,33 and welted her across the face with the stick he had in his hand. I had sprung for the poker, and it was a fair fight between us. See here on my arm where his first blow fell. Then it was my turn, and I went through him as if he had been a rotten pumpkin. Do you think I was sorry? Not I! It was his life or mine; but far more than that, it was his life or hers, for how could I leave her in the power of this madman? That was how I killed him. Was I wrong? Well, then, what would either of you gentlemen have done if you had been in my position?

  “She had screamed when he struck her, and that brought old Theresa down from the room above. There was a bottle of wine on the sideboard, and I opened it and poured a little between Mary’s lips, for she was half dead with shock. Then I took a drop myself.34 Theresa was as cool as ice, and it was her plot as much as mine. We must make it appear that burglars had done the thing. Theresa kept on repeating our story to her mistress, while I swarmed up and cut the rope of the bell. Then I lashed her in her chair, and frayed out the end of the rope to make it look natural, else they would wonder how in the world a burglar could have got up there to cut it. Then I gathered up a few plates and pots of silver, to carry out the idea of the robbery, and there I left them, with orders to give the alarm when I had a quarter of a
n hour’s start. I dropped the silver into the pond and made off for Sydenham, feeling that for once in my life I had done a real good night’s work. And that’s the truth and the whole truth, Mr. Holmes, if it costs me my neck.”

  Holmes smoked for some time in silence. Then he crossed the room and shook our visitor by the hand.

  “That’s what I think,” said he. “I know that every word is true, for you have hardly said a word which I did not know. No one but an acrobat or a sailor could have got up to that bell-rope from the bracket, and no one but a sailor could have made the knots with which the cord was fastened to the chair. Only once had this lady been brought into contact with sailors, and that was on her voyage, and it was someone of her own class of life, since she was trying hard to shield him, and so showing that she loved him. You see how easy it was for me to lay my hands upon you when once I had started upon the right trail.”

  “I thought the police never could have seen through our dodge.”

  “And the police haven’t; nor will they, to the best of my belief. Now, look here, Captain Croker, this is a very serious matter, though I am willing to admit that you acted under the most extreme provocation to which any man could be subjected. I am not sure that in defence of your own life your action will not be pronounced legitimate. However, that is for a British jury to decide. Meanwhile I have so much sympathy for you that if you choose to disappear in the next twenty-four hours I will promise you that no one will hinder you.”

  “And then it will all come out?”

  “Certainly it will come out.”

  The sailor flushed with anger.

  “What sort of proposal is that to make a man? I know enough of law to understand that Mary would be had as accomplice. Do you think I would leave her alone to face the music while I slunk away? No, sir; let them do their worst upon me, but for Heaven’s sake, Mr. Holmes, find some way of keeping my poor Mary out of the courts.”

  Holmes for the second time held out his hand to the sailor.

  “I was only testing you, and you ring true every time. Well, it is a great responsibility that I take upon myself, but I have given Hopkins an excellent hint, and if he can’t avail himself of it I can do no more. See here, Captain Croker, we’ll do this in due form of law. You are the prisoner. Watson, you are a British jury, and I never met a man who was more eminently fitted to represent one. I am the judge. Now, gentleman of the jury, you have heard the evidence. Do you find the prisoner guilty or not guilty?”

  “Not guilty, my lord,” said I.

  “Vox populi, vox Dei.35 You are acquitted, Captain Croker. So long as the law does not find some other victim you are safe from me. Come back to this lady in a year, and may her future and yours justify us in the judgment which we have pronounced this night!”36

  1 “The Abbey Grange” was published in the Strand Magazine in September 1904 and in Collier’s Weekly on December 31, 1904.

  2 The manuscript of “The Abbey Grange” is owned by the Bibliotheca Bodmeriana, Cologny/Geneva. Both the manuscript and the Collier’s Weekly appearance have the opening line as: “It was a bitterly cold and frosty morning towards the end of ’97,” which would place the story in December 1897, as compared to “the end of the winter of ’97,” which most chronologists take to mean January 1897.

  3 Holmes, drawing on his knowledge of Shakespeare (learnt, some suggest, in the course of a brief acting career), paraphrases The First Part of Henry the Fourth, Act I, Scene 3: “Before the game’s a-foot . . .” and The Life of Henry the Fifth, Act III, Scene 1: “The game’s afoot!” Despite the public identification of the phrase with Holmes, he is not recorded as uttering it in any other context; Watson himself uses the phrase once, in “Wisteria Lodge.” It is therefore one degree more respectable than the popular “Elementary, my dear Watson,” which appears nowhere in the Canon.

  4 “Chislehurst” in the manuscript.

  5 Abbey Wood is a hamlet near Chislehurst, eleven miles from London. “Marsham” is the name of a village in Norfolk.

  6 Holmes also worked with Hopkins in “The Golden Pince-Nez,” “Black Peter,” and “The Missing Three-Quarter,” none of which had yet seen print in 1897. What were the other three or four cases?

  7 “The Blanched Soldier” and “The Lion’s Mane,” both written by Holmes, were first published in 1926. In both, Holmes acknowledges that his “plain way” of writing will not have the reader-appeal of Watson’s work.

  8 Michael Harrison suggests that “Marsham, Kent” may reasonably be identified with the town of St. Mary Cray. In In the Footsteps of Sherlock Holmes, he writes: “Most of the old houses in this once most select of all London’s suburbs remain: turned . . . into golf-clubs, or hospitals or schools or lunatic asylums . . . if ‘Abbey Grange’ . . . still survives, it will no longer be in private occupation.”

  9 Andrea Palladio (1508–1580) was an Italian Renaissance architect celebrated for his palaces and villas, most notably the Villa Rotonda near Vicenza. Combining a classic Roman style with principles of simplicity and order, Palladio favored temple-like arches and columns; strict symmetry (a central hall surrounded by smaller rooms, for example) governed the interiors of his structures. In the eighteenth century Palladio’s style was widely imitated in England, Italy, and the United States. His influence may be seen in the façade of Thomas Jefferson’s Monticello, completed in 1809. Palladio’s most famous published work is I quattro libri dell’architectura (1570, translated as The Four Books of Architecture in 1716), a landmark study of classical architecture.

  10 “Heppenstall” in the manuscript.

  11 Curiously, “to-night” in the American editions.

  12 What Lady Brackenstall likely refers to here is the 1857 Divorce and Matrimonial Causes Act, which laid out provisions by which men and women could divorce and created a civil court to handle such matters. (Prior to passage of the bill, anyone seeking a divorce had to do so through the Church of England, in a process that essentially entailed men suing their wives for adultery.) While the new law purported to afford more rights to women, historian Simon Schama reveals that “it was not what it seemed. Enacted specifically to pre-empt a measure that would have given married women property rights, this piece of legislation perpetuated, rather than corrected, the inequities between the sexes.” A man was now allowed to file for divorce on grounds of adultery, whereas a woman could do so only if her husband’s adultery also involved rape, sodomy, incest, bestiality, physical cruelty, or two years’ desertion. In addition, the cost of getting a divorce was well beyond the means of most Victorian women. Sir Eustace’s being a drunken, abusive lout would never have earned his wife a hearing in court; certainly, today’s complaints of irreconcilable differences or emotional cruelty were a long way off. As Schama writes, “The notion that a divorce action might be brought . . . for mere incompatibility remained the most fantastic prospect.” See “A Case of Identity” for more on the property rights (or lack thereof) of married women in the Victorian age.

  13 The editor of the American edition makes a number of changes in phraseology in the story, coarsening the dialogue, perhaps in an effort to appeal to what the editor perceived to be a less-refined readership. Here the word “God” is substituted for “Heaven;” elsewhere, “devil” replaces “fiend,” and “curse” replaces “damn.”

  14 “Nightshirt” in the American edition. There is specific reference later to Brackenstall’s nightshirt, and the American editor apparently did not want the readers confused by the use of this British colloquialism.

  15 A “cudgel” is a weapon of punishment—why, one may ask, did Sir Eustace have a “favourite” (implying more than one)? Perhaps Lady Brackenstall meant that when he felt threatened, he favoured a cudgel rather than a poker or other object with which to defend himself.

  16 “One of” is omitted in American editions.

  17 “One of the younger ones” in the manuscript. Note that, a few sentences before, Lady Brackenstall refers to “a broad-shouldered e
lderly man.” Why would she here say “an” elderly man, not “the” elderly man? In other words, the manuscript record is more likely to be accurate. Did Watson go back and deliberately introduce inconsistencies in her account after the truth was known, as hints?

  18 Curiously changed to “with” in American editions.

  19 Dishes, cups, or other household articles covered in precious metals such as silver or gold.

  20 Beeswing is a translucent, flaky film found in older wines, particularly those, such as port, that are bottle-aged for many years. The Dictionary of Phrase and Fable provides that “A port drinker is very particular not to ‘break the beeswing’ by shaking the bottle, or turning it the wrong way up.”

  21 What was the wine? The most important clue is the presence of the beeswing, which generally manifests itself in crusted port, a rare and costly wine. But there are other telling signs: (a) The wine had been left on the sideboard after dinner, suggesting that it was not drunk with dinner but perhaps was intended for later drinking. This confirms that the wine was an “after-dinner” wine such as port. (b) Sir Eustace was “one of the richest men in Kent,” according to Hopkins. His life style was more nouveau riche than that of the landed gentry, and he made a show of his wealth, using monogrammed paper, displaying a coat-of-arms, and sporting a “foppish” nightshirt. Thus, despite the fact that he was a “confirmed drunkard” and probably no longer particular about his own source of intoxication, for the sake of appearances he would have stocked his wine cellar with the showiest, most expensive wines available. This suggests a bottle from the 1834 vintage, “one of the most renowned of the mid-19th century,” according to Michael Broadbent’s The New Great Vintage Wine Book. The “giant of the vintage” was Kopke’s Quinta do Roriz. Although this type of port is no longer in existence, Nicholas Utechin verifies, in “Some Remarkable Wines,” that it was sold by Harrod’s in 1895 for £60 a dozen. Of course, there can be no certainty with such scant evidence, but the 1834 Kopke’s Quinta do Roriz does seem a likely candidate for the sideboard.