The Length of a String

by Elissa Brent Weissman

  DIAL BOOKS FOR YOUNG READERS

  PENGUIN YOUNG READERS GROUP

  An imprint of Penguin Random House LLC

  375 Hudson Street

  New York, NY 10014

  Copyright © 2018 by Elissa Brent Weissman

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  Library of Congress Cataloging-in-Publication Data

  Names: Weissman, Elissa Brent, author.

  Title: The length of a string / by Elissa Brent Weissman.

  Description: New York, NY : Dial Books, [2018] | Summary: Twelve-year-old Imani, the only black girl in Hebrew school, is preparing for her bat mitzvah and hoping to find her birth parents when she discovers the history of adoption in her own family through her great-grandma Anna’s Holocaust-era diary. Identifiers: LCCN 2017043498 | ISBN 9780735229471 (hardback) | ISBN 9780735229495 (epub)

  Subjects: | CYAC: Adoption—Fiction. | Identity—Fiction. | Families—Fiction. | Jews—United States—Fiction. | African Americans—Fiction. | Holocaust, Jewish (1939-1945)—Fiction. | BISAC: JUVENILE FICTION / Family / Adoption. | JUVENILE FICTION / People & Places / United States / African American. | JUVENILE FICTION / Historical / Holocaust.

  Classification: LCC PZ7.W448182 Le 2018 | DDC [Fic]—dc23

  LC record available at https://lccn.loc.gov/2017043498

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

  Jacket art © 2018 by Olaf Hajek

  Jacket design by Tony Sahara

  Version_1

  FOR MY BROTHERS,

  MATT AND MIKE

  CONTENTS

  TITLE PAGE

  COPYRIGHT

  DEDICATION

  INTRODUCTION

  CHAPTER 1: OCTOBER 2014

  CHAPTER 2

  CHAPTER 3

  CHAPTER 4

  CHAPTER 5

  CHAPTER 6

  CHAPTER 7

  CHAPTER 8

  CHAPTER 9

  CHAPTER 10

  CHAPTER 11

  CHAPTER 12

  CHAPTER 13

  CHAPTER 14

  CHAPTER 15

  CHAPTER 16

  CHAPTER 17

  CHAPTER 18

  CHAPTER 19

  CHAPTER 20

  CHAPTER 21

  CHAPTER 22

  CHAPTER 23

  CHAPTER 24

  CHAPTER 25

  CHAPTER 26

  CHAPTER 27

  CHAPTER 28

  CHAPTER 29

  CHAPTER 30

  CHAPTER 31

  CHAPTER 32

  CHAPTER 33

  CHAPTER 34

  CHAPTER 35

  CHAPTER 36

  CHAPTER 37

  CHAPTER 38

  CHAPTER 39

  CHAPTER 40

  CHAPTER 41

  CHAPTER 42

  CHAPTER 43

  CHAPTER 44

  CHAPTER 45

  CHAPTER 46

  CHAPTER 47

  ACKNOWLEDGMENTS

  22 August 1941

  t. 1950

  Dear Belle,

  All my life I’ve shared with you. Before we were born, we shared Mama’s belly, splitting the resources so equally that we weighed the exact same amount at birth. The story of our arrival was our bedtime story for years and years. How the doctor didn’t realize there were two of us until nine minutes after I was born, when you followed me into life. (How you have always loved a good surprise!) How in those nine minutes, Mama and Papa had already named me Annabelle. How they were so shocked at your arrival, they didn’t think to come up with a second name. Instead, they split mine in two. I became Anna, you Belle.

  Twelve years later, we share more than a name. To strangers, we’re identical. We have the same straight brown hair cropped to the same place beneath our ears, the same gray-green eyes, the same pattern to our forehead wrinkles when we squint without our same-prescription glasses. We have the same height, the same weight, the same narrow heels that make buying shoes the same type of challenge. Save the mole on my left elbow that you lack, we are mirror replicas. So, like a name, we share our appearance.

  We certainly don’t share a personality. You are carefree and adventurous, while I am careful and cautious. You are quick to laugh, but also quick to cry. Your emotions flap back and forth like clothes drying on the line. We are both 12 but in many ways you are like our baby sister Mina, lashing out in anger in one moment, then jumping with delight the next, your hurt erased at the sight of something pretty.

  Don’t be angry at that comparison. You are the fun twin, the mischievous twin, the reckless and funny and passionate twin. I am the dull twin, the quiet twin, the responsible and reserved twin. I’m more careful than you, and more deliberate. I compared you to Mina, but you always compare me to Oliver. That is a compliment as well. Oliver is only 4, but he’s wiser than most adults. We all love his story too. How he had so many ear infections as a baby that Mama used to worry he wouldn’t hear. How he now hears every whisper, and how nothing escapes his big blue eyes. We know it’s more than that, however. He understands. People, ideas, feelings . . . it’s as though the tubes the doctor put in his ears made a path all the way to his heart. I am quiet like Oliver, and I like to think I share at least some of his intuition.

  Of course I’ve arrived back at sharing. With so many brothers and sisters, we know nothing besides sharing. Me, you, Oliver, Mina, Greta (who is every bit 9), and Kurt, now 14 . . . Our house was quite full enough with 8 people. When the occupation pushed Grandmother and Grandfather to move in, it became nearly unbearable for us all. I know you too have wished to have something for yourself . . . a bed, a hairbrush, a whole potato, or an entire magazine. The only thing I’ve ever had for me and me alone are my thoughts. I try to keep them for just me, but in that I even fail, for you, Belle, know me to my core. You speak for me and through me, and often (does this happen to you?) it’s as though I don’t know my own opinion until I hear you speak yours.

  I’ve often wished for some time alone . . . some moments, belongings, or experiences just for me. I wanted to be like the magician who performs at the Luxembourg Fair and make my 5 siblings, even you, even Oliver, vanish.

  Now here I am, crossing the ocean, my wish come regrettably true. Who is vanishing, you or me?

  CHAPTER 1

  October 2014

  You’re invited!”

  Parker Applebaum dangled two postcards over the low shelves in the synagogue library. Even though I couldn’t see her from my spot on the floor with Madeline, I knew it was Parker because there was a giant photo of her face taking up half the postcard. Madeline and I looked at each other and suppressed giggles. The picture looked like it was meant for a department store ad. Parker’s long red hair was blowing
in the wind, and her mouth was open in a hearty grin, like the photographer—no doubt a professional one—had caught her mid-laugh.

  Madeline squinted at the postcard. “Where are her braces?”

  Parker’s actual face appeared over the bookshelf. “Photoshopped out,” she explained. “This photographer’s amazing. He doesn’t usually do bat mitzvahs, but he’s willing to do mine because we used him for my modeling portfolio. Let me know if you want his number. I can probably get you guys in too. And,” Parker sang, her lips curling up, “guess who else is invited.” She cocked her head in the direction of the tables in the center of the library.

  “The whole class?” Madeline deadpanned.

  The corners of Parker’s lips dropped. “I was talking to Imani,” she said. She smiled at me and did a double-raise of her eyebrows. “I’m inviting Ethan Bloom.”

  “Okay,” I said, trying to sound casual. Ethan and I are both on our school tennis team, and ever since Parker heard him compliment my backhand a couple weeks ago, she’s been convinced that he likes me. I’m not as convinced. It’s not like he complimented my serve (which stinks). Everyone compliments my backhand, because it’s killer.

  “I’m going to sit you and Ethan at the same table,” Parker said with some more eyebrow wiggling.

  Mrs. Coleman’s face appeared above Parker’s. “Girls,” she said. “Back to your projects, please.”

  Parker smiled and handed Mrs. Coleman a postcard. “You’re invited, Mrs. Coleman.”

  “December sixth,” our teacher said without needing to look. “Will you have your haftorah ready by then? How about the research project you’re supposed to be working on as we speak?”

  “Yeah, yeah.” Parker rolled her eyes and reminded us, “December sixth,” before walking away.

  Madeline and I went back to our Holocaust books. As if we didn’t have to do enough to prepare for our bat mitzvahs (write a speech, know all the prayers, read nine lines of Torah, sing a long haftorah portion . . .), we each had to research some aspect of the Holocaust. Like we hadn’t heard enough about the Holocaust every year of our lives. I’m usually pretty good about doing classwork, even for Hebrew school, but this assignment was seriously uninspiring. We couldn’t even use the internet to look stuff up the easy way; Mrs. Coleman was making us use actual books, which was why our Hebrew school class had permanently relocated from a classroom to the synagogue library.

  Not wanting to think about Ethan or my Holocaust project, I waited till Mrs. Coleman was out of earshot and then poked Madeline with Parker’s postcard. “Are you going to have your photo on your invitations?” I whispered.

  Madeline blew air through her lips, like a bike tire deflating. “I don’t think so. We’re not even going to do paper invites; wastes too many trees.”

  Figures. Madeline’s parents are green to the extreme.

  “When are you going to tell your parents what you want for your present?” she asked.

  I sighed and leaned back into the bookshelf. Instead of having a blowout party for my bat mitzvah (like Parker) or a tasteful luncheon (like Madeline), I’m going to get a big present. My parents said they’d get me whatever gift I want, within reason. I know exactly what I want, but so far I’ve only worked up the nerve to tell Madeline. I also told Madeline to make sure I don’t chicken out of asking, and boy, was she keeping that promise.

  “Imani.” She poked my arm with her pointer finger. “Just tell them. They said you can have anything.”

  “Within reason,” I reminded her.

  “What could be more reasonable than wanting to know who you are?” Madeline flipped through the pages of the book she was holding. It was full of old pictures of white people, emaciated, with sunken cheeks and resigned eyes. “Remember when we used to look at that Children of the World book? The one with the people from all different countries?”

  “Oh yeah,” I said, as though just now remembering. “You used to hold it up next to me and try to see which country my ancestors might be from.” This was always a one-way game, since there’s nothing mysterious about where Madeline gets her appearance. She looks exactly like her mom, only shorter.

  “We thought that girl from Ghana could be your twin!” Madeline laughed, which made Mrs. Coleman appear again.

  “Mayim. Emunah.” She said our Hebrew names like she was too tired to be stern, which made me feel worse than if she’d just yelled at us.

  “Sorry,” I said.

  We looked back at our books, but now my mind was with the Children of the World. That book was about how everyone’s the same on the inside, but I always liked it more for how different everyone looks on the outside. In my town, everyone looks pretty much the same, and it’s not like me. Nobody in my own family even looks like me. My mom is tall and sturdy, like she’s built to survive a Nordic winter. My dad is also tall, but angular and spindly, like he’d have to spend that Nordic winter huddled close to the fireplace (probably stocked with wood my mom had chopped). They both have fair skin, thick brown hair, and icy blue eyes.

  My brother Jaime’s skin is a shade darker. His eyes are brown, and his hair is a shiny black. Not surprising, given that he’s adopted from Guatemala.

  Then there’s me. I’m short and skinny. My arms and legs look like toothpicks no matter how much tennis I play or how many bowls of tortellini I eat. (My records, by the way, are fifteen hours of tennis in one week and five bowls of tortellini in one sitting. I like tennis, but I’m obsessed with tortellini.) My complexion’s a little darker than Jaime’s, but my light brown eyes are flecked with green. My hair is soft and springy, with tight coils that extend up and out, challenging gravity. Parker says I look “exotic”—she’s actually used that word, straight out of an ad for some honeymoon resort—and she’s always lamenting that she doesn’t. She says I’d get a ton of modeling jobs if I wanted them. Apparently, talent agents want people whose ethnicity “keeps you guessing.”

  I’m no stranger to guessing. I know I was born in Philadelphia, and I know my birth mother was black. The rest has been left to my imagination, and boy, has my imagination embraced the challenge. Long after Madeline outgrew Children of the World, I kept playing on my own, holding up pages next to my reflection in the mirror. Picture by picture, I’d compare the tone of my skin, the shape of my nose, lips, eyes. Is my father Irish or Italian? Am I a quarter Filipino? Part Indian or Latina or Arab? I never have an answer when people ask, “What are you?” I usually tell them I’m human, but sometimes I also add that I’m Jewish, just to make them more confused.

  When Madeline and I were in third grade, and she said that Ghanaian girl looked like my twin, I started to wonder if I really might have a twin somewhere in the world. I imagined that my mother gave birth to twins, but she could only afford to keep one child, so she placed me for adoption. Unlikely, I know, and not the happiest story. But even if it were true—that I was a twin and my birth mother kept my sister but not me—I told myself I could handle it. I just wanted to know.

  I still want to know.

  That’s why, for my bat mitzvah gift, I want to find my family. My first family. My blood-and-guts, double-helix, you’re-as-stubborn-as-your-father family.

  Does that sound reasonable?

  My phone vibrated in my pocket, and I nearly jumped. I glanced around to make sure Mrs. Coleman was out of sight, then I took it out. A text from Madeline, who was still, like, twenty inches away. I rolled my eyes at her, but she was pretending to be very interested in Kristallnacht. (Like, too interested. She was pointing at something in the book and nodding and saying “hmm.”)

  I opened her text. Tell your parents tonight.

  I sighed again. Maybe I shouldn’t have asked Madeline to make sure I do this. She wants to be an investigative reporter when she grows up—like one of the people on NPR, this boring radio station her parents always have on in the car—and I was starting to wonder if sh
e was in this for me, or if she was just hoping for her first big story: From NPR News in Baltimore, I’m Madeline Winter with the latest on Imani’s adoption story.

  I guess I could tell her to back off, but I do want to investigate this too. More than anything. I just wish I could do it in a way that won’t hurt my parents beyond repair.

  Another vibration. Another text from the reporter-in-training. Play the bat mitzvah card. Adult in Judaism, etc. etc.

  This was a convincing point. When we turn thirteen and have our bat mitzvahs, we’ll be considered adults in the Jewish religion. It doesn’t get us much in the real world—I won’t be able to see R-rated movies or buy a scratch-off lotto ticket or anything—but Mrs. Coleman and Rabbi Seider like to remind us that it does mean something symbolically. The symbolism seems extra applicable to me, since the odds that I’m genetically Jewish are probably, like, zero. Madeline thinks I should milk that symbolism for all it’s worth. I’m the only black girl in Hebrew school, gamely researching a heritage that has no biological connection to me. The least my parents can do is let me research my real history too, right? If I’m considered an adult in Judaism, I should be old enough to deal with whatever I discover.

  Ok, I texted back. I will. I was feeling strong and sure. I was really going to do it. That night.

  I watched Madeline’s eyes move down to the phone hidden in her book. Then she looked up at me and nodded, her freckled face lit up with satisfaction. “Just don’t run away and live with your biological family, wherever they are, okay?” she whispered.

  “No way,” I said. I held up Parker’s invitation. “Then I’d miss the event of the century.”

  Madeline shook her head. I thought she might bring up Ethan, who I could see cleaning his glasses with the bottom of his T-shirt, but instead she said, “I can’t believe her braces are Photoshopped out.”

  “Parker always looks good in pictures,” I said, “even without Photoshop. How come I always look like I’m about to sneeze?”

  “You look great in pictures,” Madeline insisted. “I’m the one who always has, like, one eye half blinking and the other looking at the wrong camera.”