It was then that he laid a friendly hand on my shoulder. I felt his will taking power over me. “Ha-ha! I see I’ve whetted your appetite, I’ve tempted you, dear Bustos. You’ll need a couple of months or so to get your affairs in order and to have your stock portfolio signed over to us. As far as the operation goes, naturally, as a friend, I want to save you a little something. Instead of our usual fee of ten thousand dollars, for you, ninety-five hundred—in cash, of course. The rest is yours. It goes to pay your lodging, care, and service. The medical procedure in itself is painless. No more than a question of amputation and replacement. Nothing to worry about. On the eve, just keep yourself calm, untroubled. Avoid heavy meals, tobacco, and alcohol, apart from your accustomed and imported, I hope, Scotch or two. Above all, refrain from impatience.”
“Why two months?” I asked him. “One’s enough, and then some. I come out of the anesthesia and I’m one more of your cubes. You have my address and phone number. We’ll keep in touch. I’ll be back next Friday at the latest.”
At the escape hatch he handed me the card of Nemirovski, Nemirovski, & Nemirovski, Counsellors at Law, who would put themselves at my disposal for all the details of drawing up the will. With perfect composure I walked to the subway entrance, then took the stairs at a run. I lost no time. That same night, without leaving the slightest trace behind, I moved to the New Impartial, in whose register I figure under the assumed name of Aquiles Silberman. Here, in my bedroom at the far rear of this modest hotel, wearing a false beard and dark spectacles, I am setting down this account of the facts.
The Meeting
To Susana Bombal
Anyone leafing his way through the morning paper does so either to escape his surroundings or to provide himself with small talk for later in the day, so it is not to be wondered at that no one any longer remembers—or else remembers as in a dream—the famous and once widely discussed case of Maneco Uriarte and of Duncan. The event took place, furthermore, back around 1910, the year of the comet and the Centennial, and since then we have had and have lost so many things. Both protagonists are now dead; those who witnessed the episode solemnly swore silence. I, too, raised my hand for the oath, feeling the importance of the ritual with all the romantic seriousness of my nine or ten years. I do not know whether the others noticed that I had given my word; I do not know whether they kept theirs. Anyway, here is the story, with all the inevitable variations brought about by time and by good or bad writing.
My cousin Lafinur took me to a barbecue that evening at a country house called The Laurels, which belonged to some friends of his. I cannot fix its exact location; let us take any of those suburban towns lying just to the north, shaded and quiet, that slope down to the river and that have nothing in common with sprawling Buenos Aires and its surrounding prairie. The journey by train lasted long enough to seem endless to me, but time for children—as is well known—flows slowly. It was already dark when we passed through the villa’s main gate. Here, I felt, were all the ancient, elemental things: the smell of meat cooking golden brown, the trees, the dogs, the kindling wood, and the fire that brings men together.
The guests numbered about a dozen; all were grown-ups. The eldest, I learned later, was not yet thirty. They were also—this I was soon to find out—well versed in matters about which I am still somewhat backward: race horses, the right tailors, motorcars, and notoriously expensive women. No one ruffled my shyness, no one paid any attention to me. The lamb, slowly and skillfully prepared by one of the hired men, kept us a long time in the big dining room. The dates of vintages were argued back and forth. There was a guitar; my cousin, if I remember correctly, sang a couple of Elías Regules’ ballads about gauchos in the back country of Uruguay and some verses in dialect, in the incipient lunfardo of those days, about a knife fight in a brothel on Junín Street. Coffee and Havana cigars were brought in. Not a word about getting back. I felt (in the words of the poet Lugones) the fear of what is suddenly too late. I dared not look at the clock. In order to disguise my boyish loneliness among grown-ups, I put away—not really liking it—a glass or two of wine. Uriarte, in a loud voice, proposed to Duncan a two-handed game of poker. Someone objected that that kind of play made for a poor game and suggested a hand of four. Duncan agreed, but Uriarte, with a stubbornness that I did not understand and that I did not try to understand, insisted on the first scheme. Outside of truco—a game whose real aim is to pass time with mischief and verses—and of the modest mazes of solitaire, I never enjoyed cards. I slipped away without anyone’s noticing. A rambling old house, unfamiliar and dark (only in the dining room was there light), means more to a boy than a new country means to a traveler. Step by step, I explored the rooms; I recall a billiard room, a long gallery with rectangular and diamond-shaped panes, a couple of rocking chairs, and a window from which you could just make out a summerhouse. In the darkness I lost my way; the owner of the house, whose name, as I recall after all these years, may have been Acevedo or Acebal, finally came across me somehow. Out of kindness or perhaps out of a collector’s vanity, he led me to a display cabinet. On lighting a lamp, I saw the glint of steel. It was a collection of knives that had once been in the hands of famous fighters. He told me that he had a bit of land somewhere to the north around Pergamino, and that he had been picking up these things on his travels back and forth across the province. He opened the cabinet and, without looking at what was written on the tags, he began giving me accounts of each item; they were more or less the same except for dates and place names. I asked him whether among the weapons he might have the dagger of Juan Moreira, who was in that day the archetype of the gaucho, as later Martín Fierro and Don Segundo Sombra would be. He had to confess that he hadn’t but that he could show me one like it, with a U-shaped crosspiece in the hilt. He was interrupted by the sound of angry voices. At once he shut the cabinet and turned to leave; I followed him.
Uriarte was shouting that his opponent had tried to cheat him. All the others stood around the two players. Duncan, I remember, was a taller man than the rest of the company, and was well built, though somewhat round-shouldered; his face was expressionless, and his hair was so light it was almost white. Maneco Uriarte was nervous, dark, with perhaps a touch of Indian blood, and wore a skimpy, petulant moustache. It was obvious that everybody was drunk; I do not know whether there were two or three emptied bottles on the floor or whether an excess of movies suggests this false memory to me. Uriarte’s insults did not let up; at first sharp, they now grew obscene. Duncan appeared not to hear, but finally, as though weary, he got up and threw a punch. From the floor, Uriarte snarled that he was not going to take this outrage, and he challenged Duncan to fight.
Duncan said no, and added, as though to explain, “The trouble is I’m afraid of you.”
Everybody howled with laughter.
Uriarte, picking himself up, answered, “I’m going to have it out with you, and right now.”
Someone—may he be forgiven for it—remarked that weapons were not lacking.
I do not know who went and opened the glass cabinet. Maneco Uriarte picked out the showiest and longest dagger, the one with the U-shaped crosspiece; Duncan, almost absentmindedly, picked a wooden-handled knife with the stamp of a tiny tree on the blade. Someone else said it was just like Maneco to play it safe, to choose a sword. It astonished no one that his hand began shaking; what was astonishing is that the same thing happened with Duncan.
Tradition demands that men about to fight should respect the house in which they are guests, and step outside. Half on a spree, half seriously, we all went out into the damp night. I was not drunk—at least, not on wine—but I was reeling with adventure; I wished very hard that someone would be killed, so that later I could tell about it and always remember it. Maybe at that moment the others were no more adult than I was, I also had the feeling that an overpowering current was dragging us on and would drown us. Nobody believed the least bit in Maneco’s accusation; everyone saw it as the fruit of an
old rivalry, exacerbated by the wine.
We pushed our way through a clump of trees, leaving behind the summerhouse. Uriarte and Duncan led the way, wary of each other. The rest of us strung ourselves out around the edge of an opening of lawn. Duncan had stopped there in the moonlight and said, with mild authority, “This looks like the right place.”
The two men stood in the center, not quite knowing what to do. A voice rang out: “Let go of all that hardware and use your hands!”
But the men were already fighting. They began clumsily, almost as if they were afraid of hurting each other; they began by watching the blades, but later their eyes were on one another. Uriarte had laid aside his anger, Duncan his contempt or aloofness. Danger, in some way, had transfigured them; these were now two men fighting, not boys. I had imagined the fight as a chaos of steel; instead, I was able to follow it, or almost follow it, as though it were a game of chess. The intervening years may, of course, have exaggerated or blurred what I saw. I do not know how long it lasted; there are events that fall outside the common measure of time.
Without ponchos to act as shields, they used their forearms to block each lunge of the knife. Their sleeves, soon hanging in shreds, grew black with blood. I thought that we had gone wrong in supposing that they knew nothing about this kind of fencing. I noticed right off that they handled themselves in different ways. Their weapons were unequal. Duncan, in order to make up for his disadvantage, tried to stay in close to the other man; Uriarte kept stepping back to be able to lunge out with long, low thrusts. The same voice that had called attention to the display cabinet shouted out now: “They’re killing each other! Stop them!”
But no one dared break it up. Uriarte had lost ground; Duncan charged him. They were almost body to body now. Uriarte’s weapon sought Duncan’s face. Suddenly the blade seemed shorter, for it was piercing the taller man’s chest. Duncan lay stretched out on the grass. It was at this point that he said, his voice very low, “How strange. All this is like a dream.”
He did not shut his eyes, he did not move, and I had seen a man kill another man.
Maneco Uriarte bent over the body, sobbing openly, and begged to be forgiven. The thing he had just done was beyond him. I know now that he regretted less having committed a crime than having carried out a senseless act.
I did not want to look anymore. What I had wished for so much had happened, and it left me shaken. Lafinur told me later that they had had to struggle hard to pull out the weapon. A makeshift council was formed. They decided to lie as little as possible and to elevate this duel with knives to a duel with swords. Four of them volunteered as seconds, among them Acebal. In Buenos Aires anything can be fixed; someone always has a friend.
On top of the mahogany table where the men had been playing, a pack of English cards and a pile of bills lay in a jumble that nobody wanted to look at or to touch.
In the years that followed, I often considered revealing the story to some friend, but always I felt that there was a greater pleasure in being the keeper of a secret than in telling it. However, around 1929, a chance conversation suddenly moved me one day to break my long silence. The retired police captain, don José Olave, was recalling stories about men from the tough riverside neighborhood of the Retiro who had been handy with their knives; he remarked that when they were out to kill their man, scum of this kind had no use for the rules of the game, and that before all the fancy playing with daggers that you saw now on the stage, knife fights were few and far between. I said I had witnessed one, and gave him an account of what had happened nearly twenty years earlier.
He listened to me with professional attention, then said, “Are you sure Uriarte and What’s-His-Name never handled a knife before? Maybe they had picked up a thing or two around their fathers’ ranches.”
“I don’t think so,” I said. “Everybody there that night knew one another pretty well, and I can tell you they were all amazed at the way the two men fought.”
Olave went on in his quiet manner, as if thinking aloud, “One of the weapons had a U-shaped crosspiece in the handle. There were two daggers of that kind which became quite famous—Moreira’s and Juan Almada’s. Almada was from down south, in Tapalquén.”
Something seemed to come awake in my memory. Olave continued. “You also mentioned a knife with a wooden handle, one with the Little Tree brand. There are thousands of them, but there was one—”
He broke off for a moment, then said, “Señor Acevedo had a big property up around Pergamino. There was another of these famous tough, from up that way—Juan Almanza was his name. This was along about the turn of the century. When he was fourteen, he killed his first man with one of these knives. From then on, for luck, he stuck to the same one. Juan Almanza and Juan Almada had it in for each other, jealous of the fact that many people confused the two. For a long time they searched high and low for one another, but they never met. Juan Almanza was killed by a stray bullet during some election brawl or other. The other man, I think, died a natural death in a hospital bed in Las Flores.”
Nothing more was said. Each of us was left with his own conclusions.
Nine or ten men, none of whom is any longer living, saw what my eyes saw—that sudden stab and the body under the night sky—but perhaps what we were really seeing was the end of another story, an older story. I began to wonder whether it was Maneco Uriarte who killed Duncan or whether in some uncanny way it could have been the weapons, not the men, which fought. I still remember how Uriarte’s hand shook when he first gripped his knife, and the same with Duncan, as though the knives were coming awake after a long sleep side by side in the cabinet. Even
after their gauchos were dust, the knives—the knives, not their tools, the men—knew how to fight. And that night they fought well.
Things last longer than people; who knows whether these knives will meet again, who knows whether the story ends here.
Pedro Salvadores
To Juan Murchison
I want to leave a written record (perhaps the first to be attempted) of one of the strangest and grimmest happenings in Argentine history. To meddle as little as possible in the telling, to abstain from picturesque details or personal conjectures is, it seems to me, the only way to do this.
A man, a woman, and the overpowering shadow of a dictator are the three characters. The man’s name was Pedro Salvadores; my grandfather Acevedo saw him days or weeks after the dictator’s downfall in the battle of Caseros. Pedro Salvadores may have been no different from anyone else, but the years and his fate set him apart. He was a gentleman like many other gentlemen of his day. He owned (let us suppose) a ranch in the country and, opposed to the tyranny, was on the Unitarian side. His wife’s family name was Planes; they lived together on Suipacha Street near the corner of Temple in what is now the heart of Buenos Aires. The house in which the event took place was much like any other, with its street door, long arched entranceway, inner grillwork gate, its rooms, its row of two or three patios. The dictator, of course, was Rosas.
One night, around 1842, Salvadores and his wife heard the growing, muffled sound of horses’ hooves out on the unpaved street and the riders shouting their drunken vivas and their threats. This time Rosas’ henchmen did not ride on. After the shouts came repeated knocks at the door; while the men began forcing it, Salvadores was able to pull the dining-room table aside, lift the rug, and hide himself down in the cellar. His wife dragged the table back in place. The mazorca broke into the house; they had come to take Salvadores. The woman said her husband had run away to Montevideo. The men did not believe her; they flogged her, they smashed all the blue chinaware (blue was the Unitarian color), they searched the whole house, but they never thought of lifting the rug. At midnight they rode away, swearing that they would soon be back.
Here is the true beginning of Pedro Salvadores’ story. He lived nine years in the cellar. For all we may tell ourselves that years are made of days and days of hours and that nine years is an abstract te
rm and an impossible sum, the story is nonetheless gruesome. I suppose that in the darkness, which his eyes somehow learned to decipher, he had no particular thoughts, not even of his hatred or his danger. He was simply there—in the cellar—with echoes of the world he was cut off from sometimes reaching him from overhead: his wife’s footsteps, the bucket clanging against the lip of the well, a heavy rainfall in the patio. Every day of his imprisonment, for all he knew, could have been the last.
His wife let go all the servants, who could possibly have informed against them, and told her family that Salvadores was in Uruguay. Meanwhile, she earned a living for them both sewing uniforms for the army. In the course of time, she gave birth to two children; her family turned from her, thinking she had a lover. After the tyrant’s fall, they got down on their knees and begged to be forgiven.
What was Pedro Salvadores? Who was he? Was it his fear, his love, the unseen presence of Buenos Aires, or—in the long run—habit that held him prisoner? In order to keep him with her, his wife would make up news to tell him about whispered plots and rumored victories. Maybe he was a coward and she loyally hid it from him that she knew. I picture him in his cellar perhaps without a candle, without a book. Darkness probably sank him into sleep. His dreams, at the outset, were probably of that sudden night when the blade sought his throat, of the streets he knew so well, of the open plains. As the years went on, he would have been unable to escape even in his sleep; whatever he dreamed would have taken place in the cellar. At first, he may have been a man hunted down, a man in danger of his life; later (we will never know for certain), an animal at peace in its burrow or a sort of dim god.
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