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Helliconia: Helliconia Spring, Helliconia Summer, Helliconia Winter

Page 60

by Brian Aldiss


  Beside the pavilion, MyrdemInggala’s chief lady-in-waiting, Mai TolramKetinet, played with Princess Tatro. She amused her with a painted wooden bird which flapped its wings. Other toys and storybooks lay scattered on the tesserae of the pavilion.

  Scarcely aware of her daughter’s prattle, the queen allowed the bird to fly free in her mind. She had it flutter up into the branches of a gwing-gwing tree, where the ripe fruit hung in bunches. In the magic of her thought, Freyr became a harmless gwing-gwing. Its threatening advance towards the world became nothing more than fructiferous ripeness. Under the same magic which drowsed beneath the queen’s lids, she both was and was not the soft gwing-gwing flesh.

  Their flesh came down and touched the ground. The globes of their summery weight were furred. They rolled under the hedges, sprawled in the velvets of the moss beneath, their cheeks gentle against the verdure. And the wild boar came.

  It was a boar but it was her husband, her master, her king.

  The boar pranced upon the fruit, crushed it, devoured it, until juices suppurated at its chin. Even as she filled the garden with her syruped thought, she prayed to Akhanaba to deliver her from the rape – or, rather, to let her enjoy and not to punish her for her excess. Comets flew through the sky, mists boiled above the city, the burn of Freyr fell on them because she allowed herself to dream of the great boar.

  The king was upon her now in her reverie. His immense bristled back arched over her. There were nights, there were nights in the summer, when he would call her to his bedchamber. She would go barefoot, anointed. Mai trailed beside her with the whale-oil lamp, its flame carried in a bubble of glass like some incandescent wine. She would appear before him knowing that she was the queen of queens. Her eyes would be wide and dark, her nipples already aglow, her thighs alive with an orchard of gwing-gwings ripe for the tusk.

  The pair of them would throw themselves into their embraces with a passion which was ever new. He would call her by her pet name, like a child calling in its sleep. Their flesh, their souls, seemed to rise up like steam from two hot streams mingling.

  Mai TolramKetinet’s duty was to stand beside their couch and throw a light upon their transports. They were not to be denied the sight of each other’s naked body.

  Sometimes the girl, staid though she was in her daylight nature, would be overcome, and thrust her hand into her own kooni. Then JandolAnganol, ruthless in his khmir, would harvest the girl down beside the queen and take her as if there were nothing to choose between the two women.

  Of this, no word was ever spoken by the queen in daylight. But her intuition informed her that Mai told her brother, now the general of the Second Army, what occurred; she knew by the way that young general looked at her. Sometimes in her hammock, daydreaming, she wondered how it would be if Hanra TolramKetinet also joined in those encounters in the king’s bedchamber.

  The khmir sometimes failed. On occasions, when dusk moths flew and her lamp again waxed incandescent, JandolAnganol came by secret passage to where she lay. No one else had his footfall. It was, she thought, at once rapid and indecisive, the very footprint of his character. He flung himself upon her. The gwing-gwings were there, but not the tusk. Fury would seize him at this betrayal of his own body. In a court where he trusted few, that was the ultimate treason.

  Then intellectual khmir would seize him. He would flagellate himself with a hatred as intense as his previous passion. The queen screamed and wept. In the morning, slave women would go down on their knees, bitter-mouthed and sly-eyed, to mop his blood from the tiles beside her bed.

  To this characteristic of her master’s, the queen of queens never made reference. Not to Mai TolramKetinet, not to the other ladies of the court. Like his footfall, it was part of him. He was as impatient with his own desires as he was with those of his courtiers. He could not be still enough to face himself, and while his wounds healed he had been alone with his thoughts.

  Summoning more branches of gwing-gwings to soften what she was saying to herself, she told herself that the vein of weakness was part of his strength. He would be weaker without it. But she could never tell him she understood. She screamed instead. And the next night, the humpbacked animal would be rooting among the hedgerows again.

  Sometimes in the day, when it seemed the gwing-gwings blushed for their devouring, she would plunge naked into her pool, sinking down into the embrace of the water – and looking upwards would see the bright scattered blast of Freyr across the surface. One day – oh, she knew it in her eddre – Freyr would come blasting down into the depths of the pool to burn her for the intensity of her desires. Good Akhanaba, spare me. I am the queen of queens, I too have khmir.

  And of course she watched him in the day.

  Talking with his courtiers, with wise men or fools – or perhaps even with that ambassador from Sibornal who fixed her with a look she feared – the king would stretch forth a hand and pluck an apple from a bowl. He would snatch without looking. It might be one of the cinnabrian apples, brought upriver from Ottassol. He would bite into it. He would eat it – not as his courtiers ate apples, who nibbled round the flesh and left a fat central spindle to be thrown on the floor. The King of Borlien ate whole-heartedly, yet without apparent enjoyment, and devoured the entire fruit, skin, flesh, core, plump brown pips. All would go, ground down, while he talked. He would then wipe his beard, apparently never giving a thought to the fruit. And secretly MyrdemInggala would think of the boar in the hedges.

  Akhanaba punished her for her wanton thoughts. He punished her with the understanding that she would never know Jan, however close they were. By the same token – this was more painful – he would never know her as she desired to be known. As Hanra TolramKetinet mysteriously knew her, without a word being exchanged.

  The spell of her reverie was broken by approaching footsteps. Opening one eye, MyrdemInggala saw the chancellor approaching. SartoriIrvrash was the only man in the court allowed into her private garden; it was a right she had granted him on the death of his wife. From her perspective of twenty-four and a half years, SartoriIrvrash was old at thirty-seven years and several tenners. He would not interfere with her women.

  Yet she shut her eye again. This was the time of day when he returned from a certain nearby quarry. JandolAnganol had told her, laughing harshly, about the experiments SartoriIrvrash carried out on wretched captives in cages. His wife had been killed by those experiments.

  His bald pate shone in the sun as he removed his hat to Tatro and Mai. The child liked him. The queen would not intervene.

  SartoriIrvrash bowed to the recumbent form of the queen, and then to her daughter. He spoke to the child as if she were an adult, which possibly explained why Tatro liked him. There were few people in Matrassyl who could claim to be his friend.

  This retiring man, of medium height and dishevelled dress, had been a power in Borlien for a long while. Thus when the king lay incapacitated by the wound received in the Cosgatt, SartoriIrvrash had ruled in his stead, directing the affairs of state from his untidy desk. If no one was his friend, all respected him. For SartoriIrvrash was disinterested. He played no favourites.

  He was too solitary for favourites. Even the death of his wife appeared to have made no difference to his regime. He did not hunt or drink. He rarely laughed. He was too cautious to be caught in a mistake.

  Nor had he even the customary swarm of relations on whom to bestow patronage. His brothers were dead, his sister lived far away. SartoriIrvrash passed muster as that impossible creature, a man without faults, serving a king who was full of them.

  In a religious court, he had only one point of vulnerability. He was an intellectual and an atheist.

  Even the insult of his atheism had to be overlooked. He tried to convert nobody to his way of thinking. When not occupied with affairs of state, he worked on his book, filtering truth from lies and legends. But that did not stop him occasionally showing a more human side of his nature and reading fairy tales to the princess.

  S
artoriIrvrash’s enemies in the scritina often wondered how he – so cold-blooded – and King JandolAnganol – so hot-blooded – kept from each other’s throat. The fact was, SartoriIrvrash was a self-effacing man; he knew how to swallow insults. And he was too remote from other people to be offended by them – until pressed too far. That time would come, but it was not yet.

  ‘I thought you weren’t coming, Rushven,’ said Tatro.

  ‘Then you must learn to have more faith in me. I always appear when I am needed.’

  Soon Tatro and SartoriIrvrash were sitting together in the pavilion and the princess was thrusting one of her books at him, demanding a story. He read the one which always made the queen uneasy, the fairy tale of the silver eye.

  ‘Once upon a time, there was a king who ruled over the kingdom of Ponptpandum in the West where all the suns set. The people and phagors of Ponptpandum feared their king for they thought he had magic powers.

  ‘They longed to be rid of him, and to have a king who would not oppress them, but nobody knew what to do.

  ‘Whenever the citizens thought of a scheme, the king found out. He was such a great magician that he conjured up a huge silver eye. This eye floated in the sky all night spying on everything that happened in the unhappy kingdom. The eye opened and shut. It came fully open ten times every year, as everyone knew. Then it saw most.

  ‘When the eye saw a conspiracy, the king knew about it. He would then execute all the conspirators, whether men or phagors, outside the palace gate.

  ‘The queen was sad to see such cruelty, but she could do nothing. The king swore that whatever else he did, he would never harm his lovely queen. When she begged him to be merciful, he did not strike her, as he would have done anyone else, even his advisors.

  ‘In the lowest dungeon of the castle was a room guarded by seven blind phagor guards. They had no horns, because all phagors when they grew up sawed off their horns at the annual fair in Ponptpandum, so as to try and look more human. The guards let the king enter the cell.

  ‘In the cell lived a gillot, an old female phagor. She was the only horned phagor in the kingdom. She was the source of all the king’s magic. By himself, the king was nothing. Every evening, the king would beseech the gillot to send the silver eye up into the sky. Every evening, she did as requested.

  ‘Then the king saw all that was happening in his kingdom. He also asked the old gillot many searching questions about nature, which she answered without fail.

  ‘One night when it was bitterly cold she said to him, “O King, why do you seek such knowledge?”

  ‘“Because there is power in knowledge,” replied the king. “Knowledge sets people free.”

  ‘To this the gillot said nothing. She was a wizard and yet she was his prisoner. At last she said in a terrible voice, “Then the time has come to set me free.”

  ‘At her words, the king fell into a swoon. The gillot walked from her dungeon, and commenced to climb the stairs. Now the queen had long wondered why her husband went to an underground room every night. On this night her curiosity had got the better of her. She was descending the stairs to spy on him when she encountered the gillot in the dark.

  ‘The queen screamed in terror. In order that she should not scream again, the phagor struck her a heavy blow and killed her. Roused by the sound of his queen’s much-loved voice, the king woke and ran upstairs. Finding what had occurred, he drew his sword and slew the phagor.

  ‘Even as she fell to the ground, the silver eye in the sky began to spiral away. Farther and farther it went, growing smaller and smaller, until it was lost to view. At last the people knew they were free, and the silver eye was never seen again.’

  Tatro was silent for a moment.

  ‘Isn’t that an awful bit where the gillot gets killed?’ she said. ‘Would you read it again?’

  Raising herself on one elbow, the queen said, teasingly, ‘Why do you read Tatro that silly story, Rushven? It’s a pure fairy story.’

  ‘I read it because Tatro likes it, ma’am,’ he said, smoothing his whiskers, as he often did in her presence, and smiling.

  ‘Knowing your opinion of the ancipital race, I cannot imagine you relish the notion that humankind once looked up to phagors for wisdom.’

  ‘Madam, what I relish about the story is that kings once looked up to others for wisdom.’

  MyrdemInggala clapped her hands with pleasure at the answer. ‘Let us hope that that at least is no fairy story …’

  In the course of their Ahd, the Madis came once more to Oldorando, and to the city bearing that name.

  A sector of the city called the Port, beyond the South Gate, was set aside for the migrants. There they made one of their rare halts, for a few days. Celebrations of a modest sort took place. Spiced arang were eaten, elaborate zyganke were danced.

  Water and wool. In Oldorando, the garments and rugs woven during the Journey were bartered with merchants for a few necessities. One or two human merchants had gained the trust of the Madis. The tribes always needed pans and goat bells; they were not workers of metal.

  It also happened that some members of the tribe always arranged to remain in Oldorando, either until the tribe next returned or permanently. Lameness or illness was reason for leaving the Ahd.

  Some years earlier, a lame Madi girl had left the Ahd and gained employment as a sweeper in the palace of King Sayren Stund. Her name was Bathkaarnet-she. Bathkaarnet-she had the traditional Madi face, part flower, part bird, and she would sweep where she was put to sweep without tiring, unlike the lazy Oldorandans. While she swept, small birds would cluster round her without fear, and listen to her song.

  This the king saw from his balcony. In those days, Sayren Stund had not surrounded himself with protocol and religious advisors. He had Bathkaarnet-she brought to him. Unlike most Madis, this girl had an active gaze which could focus like a human’s. She was very humble, which suited the nervous Sayren Stund.

  He decided to have her taught Olonets, and a good master was employed. No progress was made until the king was inspired to sing to the girl. She sang in response. More language came to her, but she could never speak, only sing.

  This shortcoming would have maddened many. It pleased the king. He found that her father had been human and had joined the journey when a youth, running away from slavery.

  The king, despite contrary advice, married Bathkaarnet-she, converting her to his faith. Soon she bore him a two-headed son, who died. Then she bore two normal daughters who lived. First Simoda Tal, and then the mercurial Milua Tal.

  Prince RobaydayAnganol had heard this story when a boy. Now, as Roba, and dressed as a Madi, he made his way from the Port to one of the gates at the rear of the palace. He wrote a note to Bathkaarnet-she, which a servant bore away.

  He stood waiting patiently in the heat, where a nocturnal-flowering zaldal climbed and spread. To the prince, Oldorando was a strange city. Not a phagor was to be seen.

  His intention was to learn as much about the Madis as he could from the Madi queen before returning to the Journey. He had determined that he would be the first man to sing the Madi tongue fluently. Before leaving his father’s court, he had often talked to Chancellor SartoriIrvrash, who had inspired in him a love of learning – another reason for his falling out with his father, the king.

  Roba waited by the gate. He had kissed the rough cheek of his female, talced with the dust of the roadside, knowing that he could never find her again even when he rejoined the Journey. For then the Look of Acceptance might be flashed by someone else – or, if by her again, how was he to recognise her for sure? He felt strongly that the quality of individuality was a precious thing, granted only to humans and, to a lesser degree, to phagors.

  After an hour, he saw the servant returning, watched his self-important human strut, so unlike that Madi shamble which carried them safe across a lifetime. The man walked round two sides of the palace square, under shady cloisters, rather than brave the breath of Freyr in the open.

&nbs
p; ‘Very well, the queen will grant you five minutes’ audience. Be sure to bow to her, you rogue.’

  He slipped through the side gate and began to walk across the square, using the Madi shamble, which kept the spine supple. A man was walking towards him with a hesitant kind of arrogance which needed no display. It was his father, King JandolAnganol.

  Roba removed his old sack hood and bent down, sweeping the ground with it, using languid but steady strokes, Madi-fashion. JandolAnganol passed him, talking animatedly to another man, and never even gave him a glance. Roba straightened up and continued on his way to the queen.

  The lame queen sat in a silver swing. Her toes were brown and ringed. She was rocked by a green-clad lackey. The room in which she greeted Roba was overgrown with vegetation, among which pecubeas flitted and preets sang.

  When she discovered who he was, as she soon did, she refused to sing of her earlier life and instead warbled in fulsome terms about JandolAnganol.

  This was not to Roba’s taste. A kind of madness came over him, and he said to the queen, ‘I want to sing the song of your birth-tongue. But your song is of my birth-curse. To know that man you praise, you must become his son. There’s no room for flesh and blood in that man’s heart, only for abstracts. Religion and country. Religion and country, not Tatro and Roba, in his harneys.’

  ‘Kings believe in such matters. I know it. I know they are set above us to dream of grand things we cannot,’ the queen sang. ‘It’s empty where kings live.’

  ‘Grandeur’s a stone,’ he said emphatically. ‘Under that stone he imprisons his own father. And I, his own son – he would imprison me for two years in a monastery. Two years to teach me grandeur! A vow of silence in a Matrassyl monastery, to introduce me to that stone Akhanaba …

  ‘How could I bear it? Am I a rickyback or slug, to crawl beneath a stone? Oh, my father’s heart is stone, so I ran, ran like a footless wind, to join the Ahd of your kind, kind queen.’

 

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