The Dark Side of the Screen: Film Noir

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The Dark Side of the Screen: Film Noir Page 31

by Foster Hirsch


  victim theme

  The Big Sleep (Chandler, R.)

  quoted

  The Big Sleep

  Bacall and Bogart in

  city in

  complex plot structure

  exotic setting

  private eye’s vantage point

  remake

  The Birds

  Black Alabi (Woolrich.)

  The Black Angel (Woolrich.)

  quoted

  The Black Angel

  manhunt theme

  The Black Bird

  The Black Curtain (Woolrich.)

  Blackmailers Don’t Shoot (Chandler, R.)

  Black Mask

  pulp magazine

  school, as genre

  The Black Path of Fear

  Blaine, Rick

  character in Casablanca

  Blast of Silence

  The Blue Dahlia

  city in

  Ladd and Lake in

  manhunt theme

  A Blueprint for Murder

  Body and Soul

  boxing milieu

  documentary look

  Bogart, Humphrey

  appearance

  as Philip Marlowe

  compared to Dick Powell as Marlowe

  as Sam Spade

  delivery of lines

  directed by Howard Hawks

  early films

  film noir actor

  film partner to Bacall

  in Conflict

  in Dark Passage

  in Key Largo

  noir psychopath

  other than detective

  playing detectives

  victim in film noir

  Bogdanovich, Peter

  Bonjour Tristesse

  Bonnie and Clyde

  Boom

  Boomerang

  documentary look

  narrative quoted

  Borde, Raymond

  Born to Kill

  Bowie character in They Live by Night

  Boxing milieu in film noir

  The Boy Who Cried Wolf (Woolrich.)

  The Boy with Green Hair

  Brando, Marlon

  Brandon character in Rope

  Brattle Street Cinema

  The Breaking Point

  narrative quoted

  plot summary

  Breathless

  The Bride Wore Black (Woolrich.)

  Brooks, Mel

  Brother Orchid

  Brute Force

  prison setting

  Bullets or Ballots

  Bunny Lake is Missing

  late film noir

  The Burglar

  Burnham, Don character in The Lost Weekend

  Burr, Raymond

  Buttons, Red

  The Cabinet of Doctor Caligari

  visually described

  Cagney, James

  playing gangsters

  Cahiers du cinema

  Cain, James M.

  collaboration with Raymond Chandler

  hard-boiled writer

  influence on film noir

  viewed by Raymond Chandler

  works analyzed

  Calamari, Clara

  Caligari, Dr.

  character in The Cabinet of Doctor Caligari

  Call Northside

  plot summary

  semi-documentary style

  Campbell, Beverly

  Camus, Albert

  hard-boiled style

  The Rebel, quoted

  The Stranger

  Cape Fear

  The Cardinal

  Carl character in Human Desire

  Carney, Art

  Carr, John Dickson

  Carson, Jack

  Carter, Nick character in early crime stories

  Caught

  Cause for Alarm

  Cesare character in The Cabinet of Doctor Caligari

  Champion boxing milieu

  Chandler, Raymond

  background

  collaboration with James M. Cain

  compared with Mickey Spillane

  film noir remakes

  hard-boiled writer

  literary style

  misogynist

  plot structures

  The Simple Art of Murder, quoted

  view of works of James M. Cain

  view of works of Dashiell Hammett

  Charlie two characters in Shadow of a Doubt

  The Chase

  Chaumenton, Etienne

  The Cheap Detective

  Chinatown

  Christie, Agatha

  Christmas Holiday

  analysis

  Citizen Kane

  fragmented time reconstruction

  primal film noir

  style elements

  City, the

  in film noir

  compared with American art

  compared with gangster films

  studio sets vs. locations

  visualized

  Clark, Candy

  Clarke, Mae

  Clash by Night

  Collins, Kitty character in Scarlet Street

  Collins, Ray

  Comingore, Dorothy

  Communist witch-hunt in film industry

  Conflict

  Bogart vehicle

  Greenstreet Vehicle

  quoted

  Conte, Richard

  in The Big Combo

  in Call Northside

  in Cry of the City

  Continental Op

  character in Dashiell Hammett stories

  hard-boiled hero

  The Conversation

  Coogan’s Bluff

  Cooper, Gary

  Cop, the character in The Driver

  Corey, Wendell

  in The File on Thelma Jordan

  noir victim

  weak man role

  Cornered

  manhunt theme

  Powell vehicle

  Cotten, Joseph

  in Niagara

  in Shadow of a Doubt

  in The Steel Trap

  Coward, Noel

  Crain, Jeanne

  Crane, Marion character in Psycho

  Crawford, Broderick

  Crawford, Joan

  film noir actress

  in Mildred Pierce

  in Possessed

  in Sudden Fear

  noir psychopath

  Crime of Passion

  Crime Wave

  Crime writing

  prior to hard-boiled school

  use of language

  The Criminal (U.S.: The Concrete Jungle)

  Criss Cross

  angle shots

  femmes fatales theme

  Burt Lancaster in

  location film

  voice-over narration

  Cronyn, Hume

  Cross, Christopher

  character in Scarlet Street

  Crossfire

  Gloria Grahame in

  noir psychopath theme

  returned war veteran theme

  Robert Ryan in

  Robert Young in

  Cry of the City

  Victor Mature in

  noir set-piece

  Richard Conte in

  wrong man theme

  Cry of the Hunted

  Cry Terror!

  Cummins, Peggy

  in Gun Crazy

  Curtis, Tony

  Custer of the West

  The Dain Curse (Hammett.)

  Dall, John

  Dancer character in The Lineup

  Dangerous Crossing

  The Dark Corner

  quoted

  Clifton Webb vehicle

  wrong man theme

  The Dark Mirror

  plot summary

  Dark Passage

  wrong man theme

  The Dark Past

  Darnell, Linda

  da Silva, Howard

  Dassin, Jules

  film noir director

  David

  character in Posses
sed

  Davis, Bette

  de Carlo, Yvonne

  in Criss Cross

  Deadline at Dawn

  city in

  manhunt theme

  Dead Man Blues (Woolrich.)

  Dead Pigeon on Beethoven Street

  Dead Reckoning

  Dead Ringer

  noir psychopath theme

  de Haviland, Olivia

  Delon, Alain

  DeMille, Cecil B.

  Deming, Barbara

  De Niro, Robert

  Depression-era crime stories and film noir compared

  Dern, Bruce

  de Rochemont, Louis

  Desert Fury

  De Sica, Vittorio

  Desmond, Norma character in Sunset Boulevard

  Detour

  The Devil Thumbs a Ride

  Dial M for Murder

  Diamond.A.L.

  Die Niebelungen

  Dietrichson, Phyllis character in Double Indemnity

  Dirty Harry

  Divided personalities in film noir

  The Dividing Line victim theme

  D.O.A.

  city in

  investigator as central character

  location film

  plot summary

  Don’t Bother to Knock

  noir psychopath theme

  plot summary

  quoted

  Double Indemnity (Cain, J. M.)

  character analysis

  quoted

  Double Indemnity

  first film noir

  money and sex theme

  plot analysis

  plot summary

  quoted

  Edward G. Robinson in

  social commentary

  Barbara Stanwyck in

  victim theme

  voice-over narration

  weak man theme

  women in

  Douglas, Kirk

  anti-hero

  film noir leading man

  in Ace in the Hole

  in Champion

  in Out of the Past

  Douglas, Paul

  Doyle, Arthur Conan contributions to detective writing

  A Dream of Passion

  Dreiser, Theodore

  Driscoll, Bobby

  Driver, the character in The Driver

  The Driver

  city in

  Dullea, Keir

  Durbin, Deanna

  in Christmas Holiday

  noir psychopath

  Durgnat, Raymond

  Duryea, Dan

  in The Woman in the Window

  in Scarlet Street

  Dvorak, Ann

  Earle, Roy

  character in High Sierra

  East of Eden

  Eastwood, Clint

  Edge of Doom

  city in

  Farley Granger in

  wrong man theme

  Eisner, Lotte

  Eliot, T. S.

  Elmer Gantry

  Emerson, Hope

  character in Cry of the City

  The Enforcer

  Escape from Alcatraz

  Evelyn, Judith

  Exodus

  Expressionism. See German Expressionism

  Fairbanks, Douglas, Jr.

  Fallen Angel

  The Family Tree of Film Noir (Durgnat, R.)

  Farber, Manny

  Farewell My Lovely (Chandler, R.) quoted

  Farewell My Lovely

  Dick Powell in

  remake

  women in

  A Farewell to Arms (Hemingway, E.)

  Farrow, John

  Faulkner, William

  Fedora

  55 Days at Peking

  The File on Thelma Jordan

  money and sex theme

  Barbara Stanwyck in

  weak man theme

  Film noir

  acting couples in

  acting styles in

  actors in

  basic characters

  boxing milieu

  B pictures

  basis for auteur theory

  directors

  camera as eye of central character

  character actors

  character types

  cinematic origins

  city as background

  compared with gangster films

  classification by motif and tone

  compared with Depression-era crime films

  compared with gangster sagas

  compared with Neo-Realistic films

  continuing influence of

  deceptive settings in

  decline of

  decorative objects in

  defined

  directorial range within genre

  directors unsuited to genre

  divided personalities in

  effect on American directors

  exaggerated camera angles

  examples shot on location

  first-person narration

  flashbacks as plot element

  French critics’ characterization

  gangster figures in

  genre debated

  happy endings

  historical context

  influence of crime writing

  influence of gangster films

  influences, various

  in the fifties

  in the sixties and seventies

  light and shadow in

  major Germanic directors

  manhunt theme in

 

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