Far from the Madding Crowd

by Pan Zador

  Far from the Madding Crowd

  Wild and Wanton Edition

  Pan Zador and Thomas Hardy

  Avon, Massachusetts

  This edition published by

  Crimson Romance

  an imprint of F+W Media, Inc.

  10151 Carver Road, Suite 200

  Blue Ash, Ohio 45242

  www.crimsonromance.com

  Copyright © 2013 by Pan Zador

  ISBN 10: 1-4405-6832-4

  ISBN 13: 978-1-4405-6832-9

  eISBN 10: 1-4405-6833-2

  eISBN 13: 978-1-4405-6833-6

  This is a work of fiction. Names, characters, corporations, institutions, organizations, events, or locales in this novel are either the product of the author’s imagination or, if real, used fictitiously. The resemblance of any character to actual persons (living or dead) is entirely coincidental.

  Cover art © 123rf.com

  Contents

  CHAPTER I

  CHAPTER II

  CHAPTER III

  CHAPTER IV

  CHAPTER V

  CHAPTER VI

  CHAPTER VII

  CHAPTER VIII

  CHAPTER IX

  CHAPTER X

  CHAPTER XI

  CHAPTER XII

  CHAPTER XIII

  CHAPTER XIV

  CHAPTER XV

  CHAPTER XVI

  CHAPTER XVII

  CHAPTER XVIII

  CHAPTER XIX

  CHAPTER XX

  CHAPTER XXI

  CHAPTER XXII

  CHAPTER XXIII

  CHAPTER XXIV

  CHAPTER XXV

  CHAPTER XXVI

  CHAPTER XXVII

  CHAPTER XXVIII

  CHAPTER XXIX

  CHAPTER XXX

  CHAPTER XXXI

  CHAPTER XXXII

  CHAPTER XXXIII

  CHAPTER XXXIV

  CHAPTER XXXV

  CHAPTER XXXVI

  CHAPTER XXXVII

  CHAPTER XXXVIII

  CHAPTER XXXIX

  CHAPTER XL

  CHAPTER XLI

  CHAPTER XLII

  CHAPTER XLIII

  CHAPTER XLIV

  CHAPTER XLV

  CHAPTER XLVI

  CHAPTER XLVII

  CHAPTER XLVIII

  CHAPTER XLIX

  CHAPTER L

  CHAPTER LI

  CHAPTER LII

  CHAPTER LIII

  CHAPTER LIV

  CHAPTER LV

  CHAPTER LVI

  CHAPTER LVII

  About the Collaborating Author

  A Sneak Peek from Crimson Romance

  Also Available

  CHAPTER I

  Description of Farmer Oak — An Incident

  When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun. At night, when he removed his shepherd’s clothing, it was possible to glimpse this modest man in his entire naked beauty; his form was strong and well-balanced, with a fine broad chest, muscular thighs and legs, and between those limbs, a curly tangle of light brown hair amidst which his long and supple wand of generation nestled, supported by twin plums of rosy pink flesh, as yet unseen or untouched by any woman save his mother, when he was but a babe.

  His Christian name was Gabriel, and on working days he was a young man of sound judgment, easy motions, proper dress, and general good character. On Sundays he was a man of misty views, rather given to postponing, and hampered by his best clothes and umbrella: upon the whole, one who felt himself to occupy morally that vast middle space of lukewarm neutrality which lay between the Communion people of the parish and the drunken section, — that is, he went to church, but yawned privately by the time the congregation reached the creed, and thought of what there would be for dinner when he meant to be listening to the sermon. Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper-and-salt mixture.

  Since he lived six times as many working-days as Sundays, Oak’s appearance in his old clothes was most peculiarly his own — the mental picture formed by his neighbours in imagining him being always dressed in that way. He wore a low-crowned felt hat, spread out at the base by tight jamming upon the head for security in high winds, and a brown cloth coat with large pockets like Dr. Johnson’s; his lower extremities being encased in ordinary leather leggings and boots emphatically large, affording to each foot a roomy apartment so constructed that any wearer might stand in a river all day long and know nothing of damp — their maker being a conscientious man who endeavoured to compensate for any weakness in his cut by unstinted dimension and solidity.

  Mr. Oak carried about him, by way of watch, what may be called a small silver clock; in other words, it was a watch as to shape and intention, and a small clock as to size. This instrument being several years older than Oak’s grandfather, had the peculiarity of going either too fast or not at all. The smaller of its hands, too, occasionally slipped round on the pivot, and thus, though the minutes were told with precision, nobody could be quite certain of the hour they belonged to. The stopping peculiarity of his watch Oak remedied by thumps and shakes, and he escaped any evil consequences from the other two defects by constant comparisons with and observations of the sun and stars, and by pressing his face close to the glass of his neighbours’ windows, till he could discern the hour marked by the green-faced timekeepers within. It may be mentioned that Oak’s fob being difficult of access, by reason of its somewhat high situation in the waistband of his trousers (which also lay at a remote height under his waistcoat), the watch was as a necessity pulled out by throwing the body to one side, compressing the mouth and face to a mere mass of ruddy flesh on account of the exertion required, and drawing up the watch by its chain, like a bucket from a well.

  But some thoughtful persons, who had seen him walking across one of his fields on a certain December morning — sunny and exceedingly mild — might have regarded Gabriel Oak in other aspects than these. In his face one might notice that many of the hues and curves of youth had tarried on to manhood: there even remained in his remoter crannies some relics of the boy. His height and breadth would have been sufficient to make his presence imposing, had they been exhibited with due consideration. But there is a way some men have, rural and urban alike, for which the mind is more responsible than flesh and sinew: it is a way of curtailing their dimensions by their manner of showing them. And from a quiet modesty that would have become a virginal girl, which seemed continually to impress upon him that he had no great claim on the world’s room, Oak walked unassumingly and with a faintly perceptible bend, yet distinct from a bowing of the shoulders. This may be said to be a defect in an individual if he depends for his valuation more upon his appearance than upon his capacity to wear well, which Oak did not.

  He had just reached the time of life at which “young” is ceasing to be the prefix of “man” in speaking of one. He was at the brightest period of masculine growth, for his intellect and his emotions were clearly separated: he had passed the time during which the influence of youth indiscriminately mingles them in the character of impul
se, and he had not yet arrived at the stage wherein they become united again, in the character of prejudice, by the influence of a wife and family. In short, he was twenty-eight, and a bachelor.

  We may surmise that Oak had yearnings for a future that held, not himself alone, but a rosy vision of a family, with himself as a husband and father, several pretty daughters and stalwart sons to inherit his little farm; as yet these were but vague and shadowy images, since in his life to date no woman had yet entered his cognizance whose beauty might cause his heart to beat faster, or his mind to indulge in thoughts of future marital pleasures. To be sure, he was only human; how, then, were his natural proclivities for the act of generation to be satisfied? For, being a shepherd and attuned to the ways of nature, he had often had occasion to witness his ewes and their rams in the very act of coition, and knew it to arise from an entirely innocent force of nature.

  So it was that when in springtime his natural bodily urges made themselves known to him by their insistent promptings, he would betake himself to the river bank, and, stripping himself of his garments, would plunge himself into the cool water and let himself be pulled downstream by the current, which flowed sluggishly and was home to undulating, soft weeds, in appearance not unlike the long hair of a beautiful woman, save that they were a brilliant green.

  The amorous weeds would wrap themselves around his manhood, and in their rhythmic, stroking embraces he would surrender to a pleasure he felt to be entirely natural and good, as innocent as the impulse that drives the ram to the ewe, the stallion to the mare, or the bull to the heifer. So uncomplicated was the life of Farmer Oak, that these outings to the river were part and parcel of his pattern, and he would gaze with easy contentment as the milky issue of his seed was pumped vigorously forth, to mingle with the green weeds, finally drifting out of sight along the river bank. No other being had ever witnessed these moments, for he was a discreet man and not prey to mad impulse.

  The field he was in this morning sloped to a ridge called Norcombe Hill. Through a spur of this hill ran the highway between Emminster and Chalk-Newton. Casually glancing over the hedge, Oak saw coming down the incline before him an ornamental spring waggon, painted yellow and gaily marked, drawn by two horses, a waggoner walking alongside bearing a whip perpendicularly. The waggon was laden with household goods and window plants, and on the apex of the whole sat a woman, young and attractive. Gabriel had not beheld the sight for more than half a minute, when the vehicle was brought to a standstill just beneath his eyes.

  “The tailboard of the waggon is gone, Miss,” said the waggoner.

  “Then I heard it fall,” said the girl, in a soft, though not particularly low voice. “I heard a noise I could not account for when we were coming up the hill.”

  “I’ll run back.”

  “Do,” she answered.

  The sensible horses stood — perfectly still, and the waggoner’s steps sank fainter and fainter in the distance.

  The girl on the summit of the load sat motionless, surrounded by tables and chairs with their legs upwards, backed by an oak settle, and ornamented in front by pots of geraniums, myrtles, and cactuses, together with a caged canary — all probably from the windows of the house just vacated. There was also a cat in a willow basket, from the partly-opened lid of which she gazed with half-closed eyes, and affectionately surveyed the small birds around.

  The handsome girl waited for some time idly in her place, and the only sound heard in the stillness was the hopping of the canary up and down the perches of its prison. Then she looked attentively downwards. It was not at the bird, nor at the cat; it was at an oblong package tied in paper, and lying between them. She turned her head to learn if the waggoner were coming. He was not yet in sight; and her eyes crept back to the package, her thoughts seeming to run upon what was inside it. At length she drew the article into her lap, and untied the paper covering; a small swing looking-glass was disclosed, in which she proceeded to survey herself attentively. She parted her lips and smiled.

  It was a fine morning, and the sun lighted up to a scarlet glow the crimson jacket she wore, and painted a soft lustre upon her bright face and dark hair. The myrtles, geraniums, and cactuses packed around her were fresh and green, and at such a leafless season they invested the whole concern of horses, waggon, furniture, and girl with a peculiar vernal charm. What possessed her to indulge in such a performance in the sight of the sparrows, blackbirds, and unperceived farmer who were alone its spectators, — whether the smile began as a factitious one, to test her capacity in that art, — nobody knows; it ended certainly in a real smile. She blushed at herself, and seeing her reflection blush, blushed the more.

  The change from the customary spot and necessary occasion of such an act — from the dressing hour in a bedroom to a time of travelling out of doors — lent to the idle deed a novelty it did not intrinsically possess. The picture was a delicate one. Woman’s prescriptive infirmity had stalked into the sunlight, which had clothed it in the freshness of an originality. A cynical inference was irresistible by Gabriel Oak as he regarded the scene, generous though he fain would have been. There was no necessity whatever for her looking in the glass. She did not adjust her hat, or pat her hair, or press a dimple into shape, or do one thing to signify that any such intention had been her motive in taking up the glass. She simply observed herself as a fair product of Nature in the feminine kind, her thoughts seeming to glide into far-off though likely dramas in which men would play a part — vistas of probable triumphs — the smiles being of a phase suggesting that hearts, minds and bodies were imagined as lost and won. Still, this was but conjecture, and the whole series of actions was so idly put forth as to make it rash to assert that intention had any part in them at all.

  The waggoner’s steps were heard returning. She put the glass in the paper, and the whole again into its place.

  When the waggon had passed on, Gabriel withdrew from his point of espial, and descending into the road, followed the vehicle to the turnpike-gate some way beyond the bottom of the hill, where the object of his contemplation now halted for the payment of toll. About twenty steps still remained between him and the gate, when he heard a dispute. It was a difference concerning twopence between the persons with the waggon and the man at the toll-bar.

  “Mistress’s niece is upon the top of the things, and she says that’s enough that I’ve offered ye, you great miser, and she won’t pay any more.” These were the waggoner’s words.

  “Very well; then mis’ess’s niece can’t pass,” said the turnpike-keeper, closing the gate.

  Oak looked from one to the other of the disputants, and fell into a reverie. There was something in the tone of twopence remarkably insignificant. Threepence had a definite value as money — it was an appreciable infringement on a day’s wages, and, as such, a higgling matter; but twopence — “Here,” he said, stepping forward and handing twopence to the gatekeeper; “let the young woman pass.” He looked up at her then; she heard his words, and looked down.

  Gabriel’s features adhered throughout their form so exactly to the middle line between the beauty of St. John and the ugliness of Judas Iscariot, as represented in a window of the church he attended, that not a single lineament could be selected and called worthy either of distinction or notoriety. The red-jacketed and dark-haired maiden seemed to think so too, for she carelessly glanced over him, and told her man to drive on. She might have looked her thanks to Gabriel on a minute scale, but she did not speak them; more probably she felt none, for in gaining her a passage he had lost her her point, and we know how women take a favour of that kind.

  The gatekeeper surveyed the retreating vehicle. “That’s a handsome maid,” he said to Oak.

  “But she has her faults,” said Gabriel.

  “True, farmer.”

  “And the greatest of them is — well, what it is always.”

  “Beating people down? aye,
‘tis so.”

  “O no.”

  “What, then?”

  Gabriel, perhaps a little piqued by the comely traveller’s indifference, glanced back to where he had witnessed her performance over the hedge, and said, “Vanity.”

  CHAPTER II

  NIGHT — THE FLOCK — AN INTERIOR — ANOTHER INTERIOR

  It was nearly midnight on the eve of St. Thomas’s, the shortest day in the year. A desolating wind wandered from the north over the hill whereon Oak had watched the yellow waggon and its occupant in the sunshine of a few days earlier.

  Norcombe Hill — not far from lonely Toller-Down — was one of the spots which suggest to a passer-by that he is in the presence of a shape approaching the indestructible as nearly as any to be found on earth. It was a featureless convexity of chalk and soil — an ordinary specimen of those smoothly-outlined protuberances of the globe which may remain undisturbed on some great day of confusion, when far grander heights and dizzy granite precipices topple down.

  The hill was covered on its northern side by an ancient and decaying plantation of beeches, whose upper verge formed a line over the crest, fringing its arched curve against the sky, like a mane. Tonight these trees sheltered the southern slope from the keenest blasts, which smote the wood and floundered through it with a sound as of grumbling, or gushed over its crowning boughs in a weakened moan. The dry leaves in the ditch simmered and boiled in the same breezes, a tongue of air occasionally ferreting out a few, and sending them spinning across the grass. A group or two of the latest in date amongst the dead multitude had remained till this very mid-winter time on the twigs which bore them, and in falling rattled against the trunks with smart taps.

  Between this half-wooded half-naked hill, and the vague still horizon that its summit indistinctly commanded, was a mysterious sheet of fathomless shade — the sounds from which suggested that what it concealed bore some reduced resemblance to features here. The thin grasses, more or less coating the hill, were touched by the wind in breezes of differing powers, and almost of differing natures — one rubbing the blades heavily, another raking them piercingly, another brushing them like a soft broom. The instinctive act of humankind was to stand and listen, and learn how the trees on the right and the trees on the left wailed or chanted to each other in the regular antiphonies of a cathedral choir; how hedges and other shapes to leeward then caught the note, lowering it to the tenderest sob; and how the hurrying gust then plunged into the south, to be heard no more.