Divas and Scholars
Page 95
Baucardé, Carlo, 125–26, 546n49
Bayreuth Festival, 433, 473, 481
Bazzini, Antonio, 576n6
Beckett, Edward, 476
Beckett, Samuel, Footfalls, 476
Beecham, Thomas, 107, 109
Beethoven, Ludwig van
“authentic” performance of works by, 172
Italian opera viewed by, 75
Bellini, Vincenzo. See also Index of Principal Operas Discussed
appoggiaturas used by, 301–2
autograph manuscripts of, 52, 64, 100, 118, 269, 272–73, 354, 356, 561n94, 569n78, 569–70n79
cabalettas of, 313, 315
cadential formulas of, 273
collaborations with Romani, 37
compositional methods of, 34, 42, 370–71
critical editions of operas, 363
Malibran and, 354–55
orchestration insecurities of, 117–18
orchestration techniques of, 64, 67, 428
ornamentation of operas, 265, 272, 320, 321
paper structure preferred by, 56, 58
pirated editions viewed by, 82–83
recitatives of, 44–45
skeleton scores of, 60
sketches of, 50
stagings of, 453, 481, 484
theatrical system viewed by, 209
transpositions in operas, 334, 344–48, 353–62
Bellinzaghi, Giovannina, 298
Bellotto, Francesco, 597n58
Benini, Maurizio, 19
Bennett, Robert Russell, 64
Bentivoglio, Loretta, 124
Beolco, Angelo (Il Ruzzante), 517–18
Beresford, Bruce, 447, 479
Berganza, Teresa, 116, 545n31
Berghaus, Ruth, 481
Berlioz, Hector
arrangement of Gluck Orfeo ed Euridice, 229
Le Comte Ory viewed by, 269
description of rehearsals, 539n71
La Favorite viewed by, 584n59
La Fille du Régiment viewed by, 397
instrumentation treatise of, 408, 425, 587n15, 588n25, 590n51
memoirs of, 293
Symphonie fantastique, 429
Berti, Giuseppe, 464
Bertini, Filippo, 214
Bertini, Maria Chiara, 565n37
Bertoja, Giuseppe, 466
Bevan, Clifford, 590n51, 591n58
Bevilacqua Aldobrandini, Gherardo, 548n19
Bevilacqua family, 548n19
Bibliothèque de l’Association de la Régie Théâtrale, 456
Bibliothèque de l’Opéra (Paris), xiii, 300, 382–83, 462, 463
Bibliothèque du Conservatoire (Paris), xiii, 78
Bibliothèque Nationale (Paris), xiii, 143, 153–55, 544n22, 576n2
Bidera, Emanuele, 84–85
Bieto, Calixto, 446, 450–51, 502, 504–5, 507
bifolios, 56–58, 86–87, 154–55, 602n29
Biggi, Maria Ida, 462, 463
Bigonzetti, Mauro, 20
Bilson, Malcolm, 172
Bini, Annalisa, 434, 437, 549n47, 558n47, 578n36
Biondi, Fabio, 83–84, 172–73, 408–9, 411–13
Biondi, Fabrizio, 83–84
Bishop, Henry, 354, 355, 356
Bizet, Georges, Carmen, 204, 365
Björling, Jussi, 491–92
Black, John, 457
Blake, Rockwell, xiv, 6, 182, 197, 260, 305
Blitzstein, Marc, 233
Blyth, Alan, 581n2
BMG Ricordi. See Casa Ricordi
Boccabadati, Luigia, 271
Boito, Arrigo
librettos for Verdi, 48
Mefistofele, 393, 459, 460
Otello libretto, 138, 593n7
pitch standards and, 333
Simon Boccanegra libretto, 288
Bologna Conservatory library, 114, 115
Bonini, Emilia, 299
Bonisolli, Franco, 12–13
Bonynge, Richard, 180, 199, 268, 549n35, 562n107
Boosey (publishing firm), 355
Bordogni, Giulio, 226
Borsato, Giuseppe, 463, 464
Boston Lyric Opera, 236
Botticelli, Bartolomeo, 558n47
boulevard theaters, Parisian, 448, 454, 472
Bourbon restoration in France, 515–16
Boyé, Pascal, 583n23
Brambilla, Marietta, 208
Branca, Emilia, 290
Brando, Marlon, 304
Brauner, Charles, 556n28, 566n39
Brauner, Patricia, 8–11, 54, 181, 184, 502, 556n28
Brecht, Bertolt, 481
The Threepenny Opera, 233
Breitkopf & Härtel, 99
Brendel, Alfred, 173
Brenna, Guglielmo, 40–41, 251
Brewer, Bruce, 580n55
British Library (London), 143
Britten, Benjamin, Billy Budd, 443
Broadway musicals, 64
Brockhaus, Henning, 447
Brook, Peter, 204, 237, 531
Broude Brothers (publisher), 115
Broussard, Fausto, 542n55, 585n60, 585n62
Brown, Clive, Classical and Romantic Performing Practice 1750–1900, xvi–xvii
Bruckner, Anton, 173
Brüggen, Frans, 410–11
Bruson, Renato, 12, 13
Brussels Conservatory library, 143
Bucarelli, Mauro, 54, 181
Buckley, Emerson, 16
Buckley, Richard, 15, 16–17
Budden, Julian, 128–29, 144, 283, 285, 338, 340, 550n57
Burgess, Geoffrey, 587–88n23
Burgtheater (Vienna), 239
Burke, Richard, 593n98
Burnacini, Ludovico, 594n21
Busch, Fritz, 442
Busch, Hans, 596n44
Butt, John, 553–54n31
Byron, George Gordon, Lord, 36, 545n37
Bywater, Isabella, 10–11
cabalettas, 19, 529–30
cuts to, 264, 265, 267–68, 272–77, 278–79
form of, 265, 270–71, 306, 313, 315, 318–19
ornamentation of, 245, 265–69, 272, 321
role of, 245, 277–78, 311
Caballé, Montserrat, 7–8, 228, 327, 515
cadenzas, 198–99
in Bellini operas, 321
in Donizetti operas, 297–98, 308, 320–21, 351–53
improvisation of, 330–31
of Liebling, 328–29
in Rossini operas, 295–97, 302–3, 305–10, 315–16, 328–29
in Verdi operas, 264, 283, 307–8, 323
Cafaro, Pasquale, 439
Cagli, Bruno, 150, 408, 446
Caimi, Ettore, 402, 585n72
Calì, Santuzza, 23
Callas, Maria, 206, 254–55, 271, 452, 570n81, 581n61
Calvino, Italo
The Baron in the Trees, 135
If on a winter’s night a traveler..., 135
Cambi, Luisa, 581n62
Cametti, Alberto, 558n47
Cammarano, Salvadore, 37, 47–48, 457–58, 465, 566n46
cantabile, 19, 306, 311–13, 529–30, 574n36
Capobianco, Tito, 206
Cappuccilli, Piero, 229, 367
Caradori Allan, Rosalbina, 227
Carafa, Michele
“A rispettarmi apprenda,” 261
Gabriella di Vergy, 37
Carli (publisher), 576n1
Carnegie Hall (New York), 509
carnival, 35, 215
Carrara-Verdi family, 601n18
Carsen, Robert, 566n48
Cartoni, Pietro, 78
Casa Ricordi
archives, 158, 160, 178, 498–99
Bellini works published by, 212, 274, 355, 356–57
Bellini’s dealings with, 83
cooperation with music scholars, 113, 162
costume designs published by, 466
critical editions published by, 14
development of, 99–101, 103–5
disposizioni sceniche published by, 451–52, 460–61
Donizetti works published by, 348–50, 353, 561n92, 585n60
Donizetti’s dealings with, 82, 84–85, 102–3, 343
orchestral scores engraved by, 104–5, 208
Rossini works published by, 74, 96–97, 114–16, 179, 220, 377–78
Rossini’s dealings with, 85–86, 377–78
Verdi works published by, 13, 67, 107–13, 122, 128, 129–31, 132, 141, 159, 208, 255, 342
Verdi’s dealings with, 70–71, 72, 101–2, 137–38, 209, 402–3, 406, 432, 451, 458–59, 543n78, 570n80, 598n74
vocal scores published by, 101–2, 207–8
Casaccia, Carlo, 369–70
Casti, Giambattista, 367
castrati, 226, 297, 485
Castri, Massimo, 19–22
Caswell, Austin, 573n23
Cattelan, Paolo, 382, 392
cavatina, 574n36
Cavicchi, Adriano, 440
Cencetti, Giovanni Battista, 79–80, 99, 177, 596n41
Cencetti, Giuseppe, 459
censorship
of Bellini, 235
of Donizetti, 158, 394–96, 542n55
of Rossini, 90–94, 224–25, 383–86, 391–92
of Verdi, 136–37, 158–60, 162–63, 224, 283, 402–5, 450, 477–78, 492, 493–94, 499–501, 513, 587n20
Centroni, Baldassare, 588n23
Cesti, Antonio, Il pomo d’oro, 594n21
Chailly, Riccardo, xiv, 220, 318, 544n7
Chamber Orchestra of Europe, 331, 429
Charles X, King of France, xii, 152–53, 515–16, 521, 527–31
Chéreau, Patrick, 481
Chiaro, Carlo de, 75–76, 77
Chicago Lyric Opera
Donizetti productions, 579n44
Handel productions, 566n48
Rossini productions, 306
Verdi productions, 144, 229, 230, 254–55, 324, 443, 445–46, 480
Chicago Opera Theater, 479
Chicago Symphony Orchestra, 429
Chicago Tribune, 443
Christie’s auction house, 145
church calendar, 35
Chusid, Martin, 136
Cicéri, Pierre-Luc-Charles, 454, 455, 462
Cimarosa, Domenico
Gli Orazi ed i Curiazi, 229
paper used by, 54
cimbasso, 96, 428–29, 537n51
Cinti-Damoreau, Laure, xiv, 265, 298–99, 301, 309, 322–23, 329, 568n71
Cioffi, Patrizia, 447
Claborne, Conrad, 148
Clément, Catherine, 592n76
Clurman, Judith, 551n71
Coccia, Carlo, 36
Cohen, H. Robert, 455–56, 594n22, 595n28
“col basso” indication, 67–68
“col canto” indication, 312
Colas, Damien, 546n38
Colbran, Isabella, 38, 75, 143
Collegiate Chorale (New York), 509
Collins, Michael, 305–6, 555–56n17, 556n24, 564n21, 572n16
“Come Sopra” indication, 64, 67, 313
commissioning and payment process, 73–74
Commons, Jeremy, 434, 437, 578n36
conductors. See also specific names
critical editions and, 292
cuts and, 231
early, 72–73
period instruments and, 407–9
tempo flexibility and, 291–92
version choice and, 231
Conklin, John, 175
Conlon, James, 175, 188, 199
“continuity drafts,” 50–52, 60, 496–98, 502–8
contract stipulations, composers’, xv, 35, 36, 71–72, 73, 74–77, 118, 586n12
contracts, union, 230
Copley, John, 175, 193, 593n1
copyists, 74, 76–77, 79–90, 97–100, 177
copyright legislation, history of, 97–99, 104
Corbelli, Alessandro, 27
Corelli, Franco, 271, 330
Corghi, Azio, 86, 96–97, 565n38
Corriere della Sera, 127, 128 Corriere Milanese, 541n39 Corsaire, Le (newspaper), 437
Corsaro, Frank, 231, 484
Cossiga, Francesco, 161
costume changes, cuts and, 262
costume designs, original, 465–66
Coulisses, Les (newspaper), 437
couplets, 397
Covent Garden Opera House (London), 165, 323–24, 354–55, 453, 495, 515, 579n38, 592n81
Cox, John, 515
Craig, Gordon, 600n106
critical editions. See also specific composers and works
aims and tasks of, 106, 119, 134–35, 178, 207, 231, 292–94, 363, 413, 433, 450–52
authorial concept and, 237
battle for, 122–23
computer typesetting of, 184–85, 187, 547n3
editorial interventions in, 141–42, 238–39
finding sources for, 142–65
first performances of, xiii–xv, 7, 116–19, 186
instrumentation questions for, 413–42
of literary works, 116, 133–34, 138, 207
prejudices against, 112–13, 122, 124–27, 133, 176–77, 185, 186–87, 242, 254
publication of, 14–15
staging documentation and, 450–52
Crivelli, Giuseppe, 226–27
Croft, Dwayne, 307
Crosby, John, 8
Crutchfield, Will, 352, 365–67, 533n6, 541n40, 541n42, 564n25, 576n1, 578n36
Cuberli, Lella, 156, 176, 186, 199, 249
cultural tourism, 3–4
cuts, 241–89
in Bellini operas, 205, 235–36, 269–70, 271–77, 289
to choral movements, 193–94
complete numbers, 194, 254–63
in Donizetti operas, 269–71, 289
formal ramifications of, 266–69
internal, 195–96, 260, 263–83, 278–83
operatic integrity and, 244–46, 256–57, 260–62, 263–64, 278–80, 289
practicality of, 10, 216, 230, 241–44, 254, 260, 262, 289
to recitatives, 29, 192, 246–54
in Rossini operas, 27, 191–96, 265–69, 289
significance of, 246, 253–54, 263
tonal/harmonic ramifications of, 253–54, 274–77
transmission of, 74
“vanity,” 180, 195, 263, 289
in Verdi operas, 277–88, 325
Da Ponte, Lorenzo, 562n110
Dadelsen, Georg von, 551n5
Dahlhaus, Carl, 208
“Dall’A al B” indication, 64, 315
Dallapiccola, Luigi, 582n21
d’Amico, Fedele, 118
Dara, Enzo, 156
Dardanelli, Girolama, 209–10
David, Félicien, Le Désert, 464
David, Giovanni, 36, 580n59
Davis, Andrew, 8
Davis, Anthony, Amistad, 443
Davis, Peter G., 593n2
De Ana, Hugo, 28
De Bosio, Gianfranco, 467, 591n74
de Filippo, Eduardo, 23
de Filippo, Luca, 23–25
De Giuli Borsi, Teresa, 93
De Lullo, Giorgio, 254
De Sanctis, Cesarino, 499–500
De Simone, Roberto, 6–7
decasillabi, 44, 286, 389, 536–37n30
Degrada, Francesco, 128–29
Delibes, Léo, Lakmé, 294, 328
Della Seta, Fabrizio, 164, 338, 419, 561n94
Dent, Edward, 495
Dessay, Natalie, 490, 579n44, 593n1
Deutsche Oper (Berlin), 481
Diaghilev, Sergei, 552n12
Dickie, Brian, 479
disposizioni sceniche, 451–52, 453, 457–61, 467–68, 474–75, 521
Dolci, Antonio, 398
Dolukhanova, Zara, 86
domestic music-making, 80
Domingo, Placido, 156, 162, 242, 365
Donizetti, Gaetano. See also Index of Principal Operas Discussed
appoggiaturas used by, 301–2, 303–5
autograph manuscripts of, 52, 64, 100, 145, 269, 351–52, 434�
��35, 568n63
cabalettas of, 313, 315
censors and, 158
collaborations with Cammarano, 37
compositional habits, 34, 245, 270
cuts in operas of, 269–71
death scenes in, 287
as Genoa music director, 231
Halévy’s La Juive viewed by, 462
letters of, 271
opera overtures of, 59
orchestration techniques of, 63, 64, 67, 428
ornamentation of operas, 265, 281, 297–98, 320–21
paper structure preferred by, 56
participation in librettos, 38
pirated editions viewed by, 82
recitatives of, 44–45, 249, 438
romanze of, 280–81
in Rossini operas, 302–3
skeleton scores of, 60
sketches of, 50
stagings of, 453, 481, 484
theatrical system viewed by, 209
timpani writing of, 588n27
transpositions in operas, 334, 342–43, 363
variants of operas introduced by, 216
as Vienna opera director, 226, 325
doppi settenari, 393
Dotto, Gabriele, 578–79n38, 579n45, 580n48, 592n82
double basses, 414–15, 430, 440–41, 586n10, 587n15
Dragonetti, Domenico, 414, 440–41
Dreiser, Theodore, Sister Carrie, 207
Drottningholm Court Theater (Stockholm), 471
Drury Lane Theater (London), 354–55
Dumas, Alexandre, La Dame aux Camélias, 371
Duprez, Gilbert-Louis, 548n27
Dupuy, Martine, 291
Dürr, Alfred, 551n5
Duveyrier, Charles, 60
dynamic markings, 88–89, 110, 140–41, 183–84, 189, 293, 426–27, 429
Early Music, 551n1
Eco, Umberto, 135
eighteenth-century music, performance
practice of, 293, 307, 310
Ekerlin, Fanny, 259
Elder, Mark, 411
en travesti roles, 60, 117, 120, 121, 148–49, 208
encores, 235
endecasillabi, 44, 87, 149, 247, 386–87, 392
English National Opera, 447
Escudier, Léon, 284, 287, 324, 465, 585n71, 585n72
Esposito, Valeria, 514
Euripides, 134
Europa galante, 408–9, 412–13
Evenhuis, J. R., 543n3
Eyre, Richard, 453
Fabbri, Paolo, 565n37
Fabbricatore, Gennaro, 84, 102–3
Fabbricini, Tiziana, 363
Falkner’s Opera Music Warehouse, 576n2
farse, 22
Fehling, Jürgen, 481
Felsenstein, Walter, 481
Ferlito, Vincenzo, 360, 562n103
Ferrarese, Adriana, 239–40
Ferrario, Carlo, 467
Ferretti, Jacopo, 29, 37, 374
Ferretti, Luigi, 226
Filippi, Filippo, 377
Finch, Hilary, 411
Finnish National Opera (Helsinki), 491, 518–31
Fioravanti, Valentino, 220
Fischer-Dieskau, Dietrich, 281
Flauto, Vincenzo, 284
Fleming, Renée, xiv, 303, 446, 581n68