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The Annotated Collected Poems

Page 10

by Edna Longley


  Than sweetest voice that sings in tune sweet words.

  This was the best of May – the small brown birds

  Wisely reiterating endlessly

  What no man learnt yet, in or out of school.

  I built myself a house of glass

  I built myself a house of glass:

  It took me years to make it:

  And I was proud. But now, alas,

  Would God someone would break it.

  5

  But it looks too magnificent.

  No neighbour casts a stone

  From where he dwells, in tenement

  Or palace of glass, alone.

  Words

  Out of us all

  That make rhymes,

  Will you choose

  Sometimes –

  5

  As the winds use

  A crack in a wall

  Or a drain,

  Their joy or their pain

  To whistle through –

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  Choose me,

  You English words?

  I know you:

  You are light as dreams,

  Tough as oak,

  15

  Precious as gold,

  As poppies and corn,

  Or an old cloak:

  Sweet as our birds

  To the ear,

  20

  As the burnet rose

  In the heat

  Of Midsummer:

  Strange as the races

  Of dead and unborn:

  25

  Strange and sweet

  Equally,

  And familiar,

  To the eye,

  As the dearest faces

  30

  That a man knows,

  And as lost homes are:

  But though older far

  Than oldest yew, –

  As our hills are, old, –

  35

  Worn new

  Again and again:

  Young as our streams

  After rain:

  And as dear

  40

  As the earth which you prove

  That we love.

  Make me content

  With some sweetness

  From Wales

  45

  Whose nightingales

  Have no wings, –

  From Wiltshire and Kent

  And Herefordshire,

  And the villages there, –

  50

  From the names, and the things

  No less.

  Let me sometimes dance

  With you,

  Or climb

  55

  Or stand perchance

  In ecstasy,

  Fixed and free

  In a rhyme,

  As poets do.

  The Word

  There are so many things I have forgot,

  That once were much to me, or that were not,

  All lost, as is a childless woman’s child

  And its child’s children, in the undefiled

  5

  Abyss of what can never be again.

  I have forgot, too, names of the mighty men

  That fought and lost or won in the old wars,

  Of kings and fiends and gods, and most of the stars.

  Some things I have forgot that I forget.

  10

  But lesser things there are, remembered yet,

  Than all the others. One name that I have not –

  Though ’tis an empty thingless name – forgot

  Never can die because Spring after Spring

  Some thrushes learn to say it as they sing.

  15

  There is always one at midday saying it clear

  And tart – the name, only the name I hear.

  While perhaps I am thinking of the elder scent

  That is like food, or while I am content

  With the wild rose scent that is like memory,

  20

  This name suddenly is cried out to me

  From somewhere in the bushes by a bird

  Over and over again, a pure thrush word.

  Under the Woods

  When these old woods were young

  The thrushes’ ancestors

  As sweetly sung

  In the old years.

  5

  There was no garden here,

  Apples nor mistletoe;

  No children dear

  Ran to and fro.

  New then was this thatched cot,

  10

  But the keeper was old,

  And he had not

  Much lead or gold.

  Most silent beech and yew:

  As he went round about

  15

  The woods to view

  Seldom he shot.

  But now that he is gone

  Out of most memories,

  Still lingers on

  20

  A stoat of his,

  But one, shrivelled and green,

  And with no scent at all,

  And barely seen

  On this shed wall.

  Haymaking

  After night’s thunder far away had rolled

  The fiery day had a kernel sweet of cold,

  And in the perfect blue the clouds uncurled,

  Like the first gods before they made the world

  5

  And misery, swimming the stormless sea

  In beauty and in divine gaiety.

  The smooth white empty road was lightly strewn

  With leaves – the holly’s Autumn falls in June –

  And fir cones standing stiff up in the heat.

  10

  The mill-foot water tumbled white and lit

  With tossing crystals, happier than any crowd

  Of children pouring out of school aloud.

  And in the little thickets where a sleeper

  For ever might lie lost, the nettle-creeper

  15

  And garden warbler sang unceasingly;

  While over them shrill shrieked in his fierce glee

  The swift with wings and tail as sharp and narrow

  As if the bow had flown off with the arrow.

  Only the scent of woodbine and hay new-mown

  20

  Travelled the road. In the field sloping down,

  Park-like, to where its willows showed the brook,

  Haymakers rested. The tosser lay forsook

  Out in the sun; and the long waggon stood

  Without its team, it seemed it never would

  25

  Move from the shadow of that single yew.

  The team, as still, until their task was due,

  Beside the labourers enjoyed the shade

  That three squat oaks mid-field together made

  Upon a circle of grass and weed uncut,

  30

  And on the hollow, once a chalk-pit, but

  Now brimmed with nut and elder-flower so clean.

  The men leaned on their rakes, about to begin,

  But still. And all were silent. All was old,

  This morning time, with a great age untold,

  35

  Older than Clare and Cobbett, Morland and Crome,

  Than, at the field’s far edge, the farmer’s home,

  A white house crouched at the foot of a great tree.

  Under the heavens that know not what years be

  The men, the beasts, the trees, the implements

  40

  Uttered even what they will in times far hence –

  All of us gone out of the reach of change –

  Immortal in a picture of an old grange.

  A Dream

  Over known fields with an old friend in dream

  I walked, but came sudden to a strange stream.

  Its dark waters were bursting out most bright

  From a great mountain’s heart into the light.

  5

  They ran a short course under the sun, then back

&nb
sp; Into a pit they plunged, once more as black

  As at their birth; and I stood thinking there

  How white, had the day shone on them, they were,

  Heaving and coiling. So by the roar and hiss

  10

  And by the mighty motion of the abyss

  I was bemused, that I forgot my friend

  And neither saw nor sought him till the end,

  When I awoke from waters unto men

  Saying: ‘I shall be here some day again.’

  The Brook

  Seated once by a brook, watching a child

  Chiefly that paddled, I was thus beguiled.

  Mellow the blackbird sang and sharp the thrush

  Not far off in the oak and hazel brush,

  5

  Unseen. There was a scent like honeycomb

  From mugwort dull. And down upon the dome

  Of the stone the cart-horse kicks against so oft

  A butterfly alighted. From aloft

  He took the heat of the sun, and from below.

  10

  On the hot stone he perched contented so,

  As if never a cart would pass again

  That way; as if I were the last of men

  And he the first of insects to have earth

  And sun together and to know their worth.

  15

  I was divided between him and the gleam,

  The motion, and the voices, of the stream,

  The waters running frizzled over gravel,

  That never vanish and for ever travel.

  A grey flycatcher silent on a fence

  20

  And I sat as if we had been there since

  The horseman and the horse lying beneath

  The fir-tree-covered barrow on the heath,

  The horseman and the horse with silver shoes,

  Galloped the downs last. All that I could lose

  25

  I lost. And then the child’s voice raised the dead.

  ‘No one’s been here before’ was what she said

  And what I felt, yet never should have found

  A word for, while I gathered sight and sound.

  Aspens

  All day and night, save winter, every weather,

  Above the inn, the smithy, and the shop,

  The aspens at the cross-roads talk together

  Of rain, until their last leaves fall from the top.

  5

  Out of the blacksmith’s cavern comes the ringing

  Of hammer, shoe, and anvil; out of the inn

  The clink, the hum, the roar, the random singing –

  The sounds that for these fifty years have been.

  The whisper of the aspens is not drowned,

  10

  And over lightless pane and footless road,

  Empty as sky, with every other sound

  Not ceasing, calls their ghosts from their abode,

  A silent smithy, a silent inn, nor fails

  In the bare moonlight or the thick-furred gloom,

  15

  In tempest or the night of nightingales,

  To turn the cross-roads to a ghostly room.

  And it would be the same were no house near.

  Over all sorts of weather, men, and times,

  Aspens must shake their leaves and men may hear

  20

  But need not listen, more than to my rhymes.

  Whatever wind blows, while they and I have leaves

  We cannot other than an aspen be

  That ceaselessly, unreasonably grieves,

  Or so men think who like a different tree.

  The Mill-Water

  Only the sound remains

  Of the old mill;

  Gone is the wheel;

  On the prone roof and walls the nettle reigns.

  5

  Water that toils no more

  Dangles white locks

  And, falling, mocks

  The music of the mill-wheel’s busy roar.

  Pretty to see, by day

  10

  Its sound is naught

  Compared with thought

  And talk and noise of labour and of play.

  Night makes the difference.

  In calm moonlight,

  15

  Gloom infinite,

  The sound comes surging in upon the sense:

  Solitude, company, –

  When it is night, –

  Grief or delight

  20

  By it must haunted or concluded be.

  Often the silentness

  Has but this one

  Companion;

  Wherever one creeps in the other is:

  25

  Sometimes a thought is drowned

  By it, sometimes

  Out of it climbs;

  All thoughts begin or end upon this sound,

  Only the idle foam

  30

  Of water falling

  Changelessly calling,

  Where once men had a work-place and a home.

  For These

  An acre of land between the shore and the hills,

  Upon a ledge that shows my kingdoms three,

  The lovely visible earth and sky and sea,

  Where what the curlew needs not, the farmer tills:

  5

  A house that shall love me as I love it,

  Well-hedged, and honoured by a few ash-trees

  That linnets, greenfinches, and goldfinches

  Shall often visit and make love in and flit:

  A garden I need never go beyond,

  10

  Broken but neat, whose sunflowers every one

  Are fit to be the sign of the Rising Sun:

  A spring, a brook’s bend, or at least a pond:

  For these I ask not, but, neither too late

  Nor yet too early, for what men call content,

  15

  And also that something may be sent

  To be contented with, I ask of fate.

  Digging

  What matter makes my spade for tears or mirth,

  Letting down two clay pipes into the earth?

  The one I smoked, the other a soldier

  Of Blenheim, Ramillies, and Malplaquet

  5

  Perhaps. The dead man’s immortality

  Lies represented lightly with my own,

  A yard or two nearer the living air

  Than bones of ancients who, amazed to see

  Almighty God erect the mastodon,

  10

  Once laughed, or wept, in this same light of day.

  Two Houses

  Between a sunny bank and the sun

  The farmhouse smiles

  On the riverside plat:

  No other one

  5

  So pleasant to look at

  And remember, for many miles,

  So velvet-hushed and cool under the warm tiles.

  Not far from the road it lies, yet caught

  Far out of reach

  10

  Of the road’s dust

  And the dusty thought

  Of passers-by, though each

  Stops, and turns, and must

  Look down at it like a wasp at the muslined peach.

  15

  But another house stood there long before:

  And as if above graves

  Still the turf heaves

  Above its stones:

  Dark hangs the sycamore,

  20

  Shadowing kennel and bones

  And the black dog that shakes his chain and moans.

  And when he barks, over the river

  Flashing fast,

  Dark echoes reply,

  25

  And the hollow past

  Half yields the dead that never

  More than half hidden lie:

  And out they creep and back again for ever.

  Cock-Crow

  Out of the wood of thoughts that grows by night

 
To be cut down by the sharp axe of light, –

  Out of the night, two cocks together crow,

  Cleaving the darkness with a silver blow:

  5

  And bright before my eyes twin trumpeters stand,

  Heralds of splendour, one at either hand,

  Each facing each as in a coat of arms:

  The milkers lace their boots up at the farms.

  October

  The green elm with the one great bough of gold

  Lets leaves into the grass slip, one by one, –

  The short hill grass, the mushrooms small milk-white,

  Harebell and scabious and tormentil,

  5

  That blackberry and gorse, in dew and sun,

  Bow down to; and the wind travels too light

  To shake the fallen birch leaves from the fern;

  The gossamers wander at their own will.

  At heavier steps than birds’ the squirrels scold.

  10

  The rich scene has grown fresh again and new

  As Spring and to the touch is not more cool

  Than it is warm to the gaze; and now I might

  As happy be as earth is beautiful,

  Were I some other or with earth could turn

  15

  In alternation of violet and rose,

  Harebell and snowdrop, at their season due,

  And gorse that has no time not to be gay.

  But if this be not happiness, – who knows?

  Some day I shall think this a happy day,

  20

  And this mood by the name of melancholy

  Shall no more blackened and obscured be.

  There’s nothing like the sun

  There’s nothing like the sun as the year dies,

  Kind as it can be, this world being made so,

  To stones and men and beasts and birds and flies,

  To all things that it touches except snow,

  5

  Whether on mountain side or street of town.

  The south wall warms me: November has begun,

  Yet never shone the sun as fair as now

 

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