Eastchester was a suburban farming community, with a small shoe factory. The institutions which pandered to the factory workers were the ones patronized by the boys--a movie house, a quick-lunch wagon on wheels known as the Dog and the Bostonian Candy Kitchen. Basil tried the Dog first and happened immediately upon a prospect.
This was Bugs Brown, a hysterical boy, subject to fits and strenuously avoided. Years later he became a brilliant lawyer, but at that time he was considered by the boys of St Regis to be a typical lunatic because of the peculiar series of sounds with which he assuaged his nervousness all day long.
He consorted with boys younger than himself, who were without the prejudices of their elders, and was in the company of several when Basil came in.
‘Who-ee!’ he cried. ‘Ee-ee-ee!’ He put his hand over his mouth and bounced it quickly, making a wah-wah-wah sound. ‘It’s Bossy Lee! It’s Bossy Lee! It’s Boss-Boss-Boss-Boss-Bossy Lee!’
‘Wait a minute, Bugs,’ said Basil anxiously, half afraid that Bugs would go finally crazy before he could persuade him to come to town. ‘Say, Bugs, listen. Don’t, Bugs--wait a minute. Can you come up to New York Saturday afternoon?’
‘Whe-ee-ee!’ cried Bugs to Basil’s distress.’ Wee-ee-ee!’
‘Honestly, Bugs, tell me, can you? We could go up together if you could go.’
‘I’ve got to see a doctor,’ said Bugs, suddenly calm. ‘He wants to see how crazy I am.’
‘Can’t you have him see about it some other day?’ said Basil without humour.
‘Whee-ee-ee!’ cried Bugs.
‘All right then,’ said Basil hastily. ‘Have you seen Fat Gaspar in town?’
Bugs was lost in shrill noise, but someone had seen Fat: Basil was directed to the Bostonian Candy Kitchen.
This was a gaudy paradise of cheap sugar. Its odour, heavy and sickly and calculated to bring out a sticky sweat upon an adult’s palms, hung suffocatingly over the whole vicinity and met one like a strong moral dissuasion at the door. Inside, beneath a pattern of flies, material as black point lace, a line of boys sat eating heavy dinners of banana splits, maple nut, and chocolate marshmallow nut sundaes. Basil found Fat Gaspar at a table on the side.
Fat Gaspar was at once Basil’s most unlikely and most ambitious quest. He was considered a nice fellow--in fact he was so pleasant that he had been courteous to Basil and had spoken to him politely all fall. Basil realized that he was like that to everyone, yet it was just possible that Fat liked him, as people used to in the past, and he was driven desperately to take a chance. But it was undoubtedly a presumption, and as he approached the table and saw the stiffened faces which the other two boys turned towards him, Basil’s hope diminished.
‘Say, Fat--’ he said, and hesitated. Then he burst forth suddenly. ‘I’m on bounds, but I ran off because I had to see you. Doctor Bacon told me I could go to New York Saturday if I could get two other boys to go. I asked Bugs Brown and he couldn’t go, and I thought I’d ask you.’
He broke off, furiously embarrassed, and waited. Suddenly the two boys with Fat burst into a shout of laughter.
‘Bugs wasn’t crazy enough!’
Fat Gaspar hesitated. He couldn’t go to New York Saturday and ordinarily he would have refused without offending. He had nothing against Basil; nor, indeed, against anybody; but boys have only a certain resistance to public opinion and he was influenced by the contemptuous laughter of the others.
‘I don’t want to go,’ he said indifferently. ‘Why do you want to ask me?’
Then, half in shame, he gave a deprecatory little laugh and bent over his ice cream.
‘I just thought I’d ask you,’ said Basil.
Turning quickly away, he went to the counter and in a hollow and unfamiliar voice ordered a strawberry sundae. He ate it mechanically, hearing occasional whispers and snickers from the table behind. Still in a daze, he started to walk out without paying his check, but the clerk called him back and he was conscious of more derisive laughter.
For a moment he hesitated whether to go back to the table and hit one of those boys in the face, but he saw nothing to be gained. They would say the truth--that he had done it because he couldn’t get anybody to go to New York. Clenching his fists with impotent rage, he walked from the store.
He came immediately upon his third prospect, Treadway. Treadway had entered St Regis late in the year and had been put in to room with Basil the week before. The fact that Treadway hadn’t witnessed his humiliations of the autumn encouraged Basil to behave naturally towards him, and their relations had been, if not intimate, at least tranquil.
‘Hey, Treadway,’ he called, still excited from the affair in the Bostonian, ‘can you come up to New York to a show Saturday afternoon?’
He stopped, realizing that Treadway was in the company of Brick Wales, a boy he had had a fight with and one of his bitterest enemies. Looking from one to the other, Basil saw a look of impatience in Treadway’s face and a faraway expression in Brick Wales’s, and he realized what must have been happening. Treadway, making his way into the life of the school, had just been enlightened as to the status of his room-mate. Like Fat Gaspar, rather than acknowledge himself eligible to such an intimate request, he preferred to cut their friendly relations short.
‘Not on your life,’ he said briefly. ‘So long.’ The two walked past him into the Candy Kitchen.
Had these slights, so much the bitterer for their lack of passion, been visited upon Basil in September, they would have been unbearable. But since then he had developed a shell of hardness which, while it did not add to his attractiveness, spared him certain delicacies of torture. In misery enough, and despair and self-pity, he went the other way along the street for a little distance until he could control the violent contortions of his face. Then, taking a roundabout route, he started back to school.
He reached the adjoining estate, intending to go back the way he had come. Half-way through a hedge, he heard footsteps approaching along the sidewalk and stood motionless, fearing the proximity of masters. Their voices grew nearer and louder; before he knew it he was listening with horrified fascination:
‘--so, after he tried Bugs Brown, the poor nut asked Fat Gaspar to go with him and Fat said, “What do you ask me for?” It serves him right if he couldn’t get anybody at all.’
It was the dismal but triumphant voice of Lewis Crum.
III
Up in his room, Basil found a package lying on his bed. He knew its contents and for a long time he had been eagerly expecting it, but such was his depression that he opened it listlessly. It was a series of eight colour reproductions of Harrison Fisher girls ‘on glossy paper, without printing or advertising matter and suitable for framing’.
The pictures were named Dora, Marguerite, Babette, Lucille, Gretchen, Rose, Katherine, and Mina. Two of them--Marguerite and Rose--Basil looked at, slowly tore up, and dropped in the waste-basket, as one who disposes of the inferior pups from a litter. The other six he pinned at intervals around the room. Then he lay down on his bed and regarded them.
Dora, Lucille, and Katherine were blonde; Gretchen was medium; Babette and Mina were dark. After a few minutes, he found that he was looking oftenest at Dora and Babette and, to a lesser extent, at Gretchen, though the latter’s Dutch cap seemed unromantic and precluded the element of mystery. Babette, a dark little violet-eyed beauty in a tight-fitting hat, attracted him most; his eyes came to rest on her at last.
‘Babette,’ he whispered to himself--’beautiful Babette.’
The sound of the word, so melancholy and suggestive, like ‘Vilia’ or ‘I’m happy at Maxim’s’ on the phonograph, softened him and, turning over on his face, he sobbed into the pillow. He took hold of the bed rails over his head and, sobbing and straining, began to talk to himself brokenly--how he hated them and whom he hated--he listed a dozen--and what he would do to them when he was great and powerful. In previous moments like these he had always rewarded Fat Gaspar for his kindness, but now he w
as like the rest. Basil set upon him, pummelling him unmercifully, or laughed sneeringly when he passed him blind and begging on the street.
He controlled himself as he heard Treadway come in, but did not move or speak. He listened as the other moved about the room, and after a while became conscious that there was an unusual opening of closets and bureau drawers. Basil turned over, his arm concealing his tear-stained face. Treadway had an armful of shirts in his hand.
‘What are you doing?’ Basil demanded.
His room-mate looked at him stonily. ‘I’m moving in with Wales,’ he said.
‘Oh!’
Treadway went on with his packing. He carried out a suitcase full, then another, took down some pennants and dragged his trunk into the hall. Basil watched him bundle his toilet things into a towel and take one last survey about the room’s new barrenness to see if there was anything forgotten.
‘Good-bye,’ he said to Basil, without a ripple of expression on his face.
‘Good-bye.’
Treadway went out. Basil turned over once more and choked into the pillow.
‘Oh, poor Babette!’ he cried huskily. ‘Poor little Babette! Poor little Babette!’ Babette, svelte and piquante, looked down at him coquettishly from the wall.
IV
Doctor Bacon, sensing Basil’s predicament and perhaps the extremity of his misery, arranged it that he should go into New York, after all. He went in the company of Mr Rooney, the football coach and history teacher. At twenty Mr Rooney had hesitated for some time between joining the police force and having his way paid through a small New England college; in fact he was a hard specimen and Doctor Bacon was planning to get rid of him at Christmas. Mr Rooney’s contempt for Basil was founded on the latter’s ambiguous and unreliable conduct on the football field during the past season--he had consented to take him to New York for reasons of his own.
Basil sat meekly beside him on the train, glancing past Mr Rooney’s bulky body at the Sound and the fallow fields of WestchesterCounty. Mr Rooney finished his newspaper, folded it up and sank into a moody silence. He had eaten a large breakfast and the exigencies of time had not allowed him to work it off with exercise. He remembered that Basil was a fresh boy, and it was time he did something fresh and could be called to account. This reproachless silence annoyed him.
‘Lee,’ he said suddenly, with a thinly assumed air of friendly interest, ‘why don’t you get wise to yourself?’
‘What, sir?’ Basil was startled from his excited trance of this morning.
‘I said why don’t you get wise to yourself?’ said Mr Rooney in a somewhat violent tone. ‘Do you want to be the butt of the school all your time here?’
‘No, I don’t.’ Basil was chilled. Couldn’t all this be left behind for just one day?
‘You oughtn’t to get so fresh all the time. A couple of times in history class I could just about have broken your neck.’ Basil could think of no appropriate answer. ‘Then out playing football,’ continued Mr Rooney, ‘--you didn’t have any nerve. You could play better than a lot of ‘em when you wanted, like that day against the Pomfret seconds, but you lost your nerve.’
‘I shouldn’t have tried for the second team,’ said Basil. ‘I was too light. I should have stayed on the third.’
‘You were yellow, that was all the trouble. You ought to get wise to yourself. In class, you’re always thinking of something else. If you don’t study, you’ll never get to college.’
‘I’m the youngest boy in the fifth form,’ Basil said rashly.
‘You think you’re pretty bright, don’t you?’ He eyed Basil ferociously. Then something seemed to occur to him that changed his attitude and they rode for a while in silence. When the train began to run through the thickly clustered communities near New York, he spoke again in a milder voice and with an air of having considered the matter for a long time:
‘Lee, I’m going to trust you.’
‘Yes, sir.’
‘You go and get some lunch and then go on to your show. I’ve got some business of my own I got to attend to, and when I’ve finished I’ll try to get to the show. If I can’t, I’ll anyhow meet you outside.’ Basil’s heart leaped up. ‘Yes, sir.’
‘I don’t want you to open your mouth about this at school--I mean, about me doing some business of my own.’
‘No, sir.’
‘We’ll see if you can keep your mouth shut for once,’ he said, making it fun. Then he added, on a note of moral sternness, ‘And no drinks, you understand that?’
‘Oh, no, sir!’ The idea shocked Basil. He had never tasted a drink, nor even contemplated the possibility, save the intangible and nonalcoholic champagne of his café dreams.
On the advice of Mr Rooney he went for luncheon to the Manhattan Hotel, near the station, where he ordered a club sandwich, French fried potatoes, and a chocolate parfait. Out of the corner of his eye he watched the nonchalant, debonair, blasé New Yorkers at neighbouring tables, investing them with a romance by which these possible fellow citizens of his from the Middle West lost nothing. School had fallen from him like a burden; it was no more than an unheeded clamour, faint and far away. He even delayed opening the letter from the morning’s mail which he found in his pocket, because it was addressed to him at school.
He wanted another chocolate parfait, but being reluctant to bother the busy waiter any more, he opened the letter and spread it before him instead. It was from his mother:
Dear Basil:
This is written in great haste, as I didn’t want to frighten you by telegraphing. Grandfather is going abroad to take the waters and he wants you and me to come too. The idea is that you’ll go to school at Grenoble or Montreux for the rest of the year and learn the language and we’ll be close by. That is, if you want to. I know how you like St Regis and playing football and baseball, and of course there would be none of that; but on the other hand, it would be a nice change, even if it postponed your entering Yale by an extra year. So, as usual, I want you to do just as you like. We will be leaving home almost as soon as you get this and will come to the Waldorf in New York, where you can come in and see us for a few days, even if you decide to stay. Think it over, dear.
With love to my dearest boy,
Mother.
Basil got up from his chair with a dim idea of walking over to the Waldorf and having himself locked up safely until his mother came. Then, impelled to some gesture, he raised his voice and in one of his first basso notes called boomingly and without reticence for the waiter. No more St Regis! No more St Regis! He was almost strangling with happiness.
‘Oh, gosh!’ he cried to himself. ‘Oh, golly! Oh, gosh! Oh, gosh!’ No more Doctor Bacon and Mr Rooney and Brick Wales and Fat Gaspar. No more Bugs Brown and on bounds and being called Bossy. He need no longer hate them, for they were impotent shadows in the stationary world that he was sliding away from, sliding past, waving his hand. ‘Good-bye!’ he pitied them. ‘Good-bye!’
It required the din of Forty-second Street to sober his maudlin joy. With his hand on his purse to guard against the omnipresent pickpocket, he moved cautiously towards Broadway. What a day! He would tell Mr Rooney--Why, he needn’t ever go back! Or perhaps it would be better to go back and let them know what he was going to do, while they went on and on in the dismal, dreary round of school.
He found the theatre and entered the lobby with its powdery feminine atmosphere of a matinée. As he took out his ticket, his gaze was caught and held by a sculptured profile a few feet away. It was that of a well-built blond young man of about twenty with a strong chin and direct grey eyes. Basil’s brain spun wildly for a moment and then came to rest upon a name--more than a name--upon a legend, a sign in the sky. What a day! He had never seen the young man before, but from a thousand pictures he knew beyond the possibility of a doubt that it was Ted Fay, the Yale football captain, who had almost single-handed beaten Harvard and Princeton last fall. Basil felt a sort of exquisite pain. The profile turned away; the crowd revol
ved; the hero disappeared. But Basil would know all through the next hours that Ted Fay was here too.
In the rustling, whispering, sweet-smelling darkness of the theatre he read the programme. It was the show of all shows that he wanted to see, and until the curtain actually rose the programme itself had a curious sacredness--a prototype of the thing itself. But when the curtain rose it became waste paper to be dropped carelessly to the floor.
Act I. The Village Green of a Small Town near New York
It was too bright and blinding to comprehend all at once, and it went so fast that from the very first Basil felt he had missed things; he would make his mother take him again when she came--next week--tomorrow.
An hour passed. It was very sad at this point--a sort of gay sadness, but sad. The girl--the man. What kept them apart even now? Oh, those tragic errors, and misconceptions. So sad. Couldn’t they look into each other’s eyes and see?
In a blaze of light and sound, of resolution, anticipation and imminent trouble, the act was over.
He went out. He looked for Ted Fay and thought he saw him leaning rather moodily on the plush wall at the rear of the theatre, but he could not be sure. He bought cigarettes and lit one, but fancying at the first puff he heard a blare of music he rushed back inside.
Act 2. The Foyer of the Hotel Astor
Yes, she was, indeed, like a song--a Beautiful Rose of the Night. The waltz buoyed her up, brought her with it to a point of aching beauty and then let her slide back to life across its last bars as a leaf slants to earth across the air. The high life of New York! Who could blame her if she was carried away by the glitter of it all, vanishing into the bright morning of the amber window borders or into distant and entrancing music as the door opened and closed that led to the ballroom? The toast of the shining town.
Half an hour passed. Her true love brought her roses like herself and she threw them scornfully at his feet. She laughed and turned to the other, and danced--danced madly, wildly. Wait! That delicate treble among the thin horns, the low curving note from the great strings. There it was again, poignant and aching, sweeping like a great gust of emotion across the stage, catching her again like a leaf helpless in the wind:
Complete Works of F. Scott Fitzgerald UK (Illustrated) Page 203