‘Rose--Rose--Rose of the night
When the spring moon is bright you’ll be fair--’
A few minutes later, feeling oddly shaken and exalted, Basil drifted outside with the crowd. The first thing upon which his eyes fell was the almost forgotten and now curiously metamorphosed spectre of Mr Rooney.
Mr Rooney had, in fact, gone a little to pieces. He was, to begin with, wearing a different and much smaller hat than when he left Basil at noon. Secondly, his face had lost its somewhat gross aspect and turned a pure and even delicate white, and he was wearing his necktie and even portions of his shirt on the outside of his unaccountably wringing-wet overcoat. How, in the short space of four hours, Mr Rooney had got himself in such shape is explicable only by the pressure of confinement in a boys’ school upon a fiery outdoor spirit. Mr Rooney was born to toil under the clear light of heaven and, perhaps half-consciously, he was headed towards his inevitable destiny.
‘Lee,’ he said dimly, ‘you ought to get wise to y’self. I’m going to put you wise y’self.’
To avoid the ominous possibility of being put wise to himself in the lobby, Basil uneasily changed the subject.
‘Aren’t you coming to the show?’ he asked, flattering Mr Rooney by implying that he was in any condition to come to the show. ‘It’s a wonderful show.’
Mr Rooney took off his hat, displaying wringing-wet matted hair. A picture of reality momentarily struggled for development in the back of his brain.
‘We got to get back to school,’ he said in a sombre and unconvinced voice.
‘But there’s another act,’ protested Basil in horror. ‘I’ve got to stay for the last act.’
Swaying, Mr Rooney looked at Basil dimly realizing that he had put himself in the hollow of this boy’s hand.
‘All righ’,’ he admitted. ‘I’m going to get somethin’ to eat. I’ll wait for you next door.’
He turned abruptly, reeled a dozen steps, and curved dizzily into a bar adjoining the theatre. Considerably shaken, Basil went back inside.
Act 3. The Roof Garden of Mr Van Astor’s House.
Night
Half an hour passed. Everything was going to be all right, after all. The comedian was at his best now, with the glad appropriateness of laughter after tears, and there was a promise of felicity in the bright tropical sky. One lovely plaintive duet, and then abruptly the long moment of incomparable beauty was over.
Basil went into the lobby and stood in thought while the crowd passed out. His mother’s letter and the show had cleared his mind of bitterness and vindictiveness--he was his old self and he wanted to do the right thing. He wondered if it was the right thing to get Mr Rooney back to school. He walked towards the saloon, slowed up as he came to it and, gingerly opening the swinging door, took a quick peer inside. He saw only that Mr Rooney was not one of those drinking at the bar. He walked down the street a little way, came back and tried again. It was as if he thought the doors were teeth to bite him, for he had the old-fashioned Middle-Western boy’s horror of the saloon. The third time he was successful. Mr Rooney was sound asleep at a table in the back of the room.
Outside again Basil walked up and down, considering. He would give Mr Rooney half an hour. If, at the end of that time, he had not come out, he would go back to school. After all, Mr Rooney had laid for him ever since football season--Basil was simply washing his hands of the whole affair, as in a day or so he would wash his hands of school.
He had made several turns up and down, when glancing up an alley that ran beside the theatre his eye was caught by the sign, Stage Entrance. He could watch the actors come forth.
He waited. Women streamed by him, but those were the days before Glorification and he took these drab people for wardrobe women or something. Then suddenly a girl came out and with her a man, and Basil turned and ran a few steps up the street as if afraid they would recognize him--and ran back, breathing as if with a heart attack--for the girl, a radiant little beauty of nineteen, was Her and the young man by her side was Ted Fay.
Arm in arm, they walked past him, and irresistibly Basil followed. As they walked, she leaned towards Ted Fay in a way that gave them a fascinating air of intimacy. They crossed Broadway and turned into the Knickerbocker Hotel, and twenty feet behind them Basil followed, in time to see them go into a long room set for afternoon tea. They sat at a table for two, spoke vaguely to a waiter, and then, alone at last, bent eagerly towards each other. Basil saw that Ted Fay was holding her gloved hand.
The tea room was separated only by a hedge of potted firs from the main corridor. Basil went along this to a lounge which was almost up against their table and sat down.
Her voice was low and faltering, less certain than it had been in the play, and very sad: ‘Of course I do, Ted.’ For a long time, as their conversation continued, she repeated, ‘Of course I do,’ or ‘But I do, Ted.’ Ted Fay’s remarks were too low for Basil to hear.
‘--says next month, and he won’t be put off any more . . . I do in a way, Ted. It’s hard to explain, but he’s done everything for mother and me . . . There’s no use kidding myself. It was a foolproof part and any girl he gave it to was made right then and there . . . He’s been awfully thoughtful. He’s done everything for me.’
Basil’s ears were sharpened by the intensity of his emotion; now he could hear Ted Fay’s voice too:
‘And you say you love me.’
‘But don’t you see I promised to marry him more than a year ago.’
‘Tell him the truth--that you love me. Ask him to let you off.’
‘This isn’t musical comedy, Ted.’
‘That was a mean one,’ he said bitterly.
‘I’m sorry, dear, Ted darling, but you’re driving me crazy going on this way. You’re making it so hard for me.’
‘I’m going to leave New Haven, anyhow.’
‘No, you’re not. You’re going to stay and play baseball this spring. Why, you’re an ideal to all those boys! Why, if you--’
He laughed shortly. ‘You’re a fine one to talk about ideals.’
‘Why not? I’m living up to my responsibility to Beltzman; you’ve got to make up your mind just like I have--that we can’t have each other.’
‘Jerry! Think what you’re doing! All my life, whenever I hear that waltz--’
Basil got to his feet and hurried down the corridor, through the lobby and out of the hotel. He was in a state of wild emotional confusion. He did not understand all he had heard, but from his clandestine glimpse into the privacy of these two, with all the world that his short experience could conceive of at their feet, he had gathered that life for everybody was a struggle, sometimes magnificent from a distance, but always difficult and surprisingly simple and a little sad.
They would go on. Ted Fay would go back to Yale, put her picture in his bureau drawer and knock out home runs with the bases full this spring--at 8.30 the curtain would go up and She would miss something warm and young out of her life, something she had had this afternoon.
It was dark outside and Broadway was a blazing forest fire as Basil walked slowly along towards the point of brightest light. He looked up at the great intersecting planes of radiance with a vague sense of approval and possession. He would see it a lot now, lay his restless heart upon this greater restlessness of a nation--he would come whenever he could get off from school.
But that was all changed--he was going to Europe. Suddenly Basil realized that he wasn’t going to Europe. He could not forgo the moulding of his own destiny just to alleviate a few months of pain. The conquest of the successive worlds of school, college and New York--why, that was his true dream that he had carried from boyhood into adolescence, and because of the jeers of a few boys he had been about to abandon it and run ignominiously up a back alley! He shivered violently, like a dog coming out of the water, and simultaneously he was reminded of Mr Rooney.
A few minutes later he walked into the bar, past the quizzical eyes of the bartender and up to the tabl
e where Mr Rooney still sat asleep. Basil shook him gently, then firmly. Mr Rooney stirred and perceived Basil.
‘G’wise to yourself,’ he muttered drowsily. ‘G’wise to yourself an’ let me alone.’
‘I am wise to myself,’ said Basil. ‘Honest, I am wise to myself, Mr Rooney. You got to come with me into the washroom and get cleaned up, and then you can sleep on the train again, Mr Rooney. Come on, Mr Rooney, please--’
V
It was a long hard time. Basil got on bounds again in December and wasn’t free again until March. An indulgent mother had given him no habits of work and this was almost beyond the power of anything but life itself to remedy, but he made numberless new starts and failed and tried again.
He made friends with a new boy named Maplewood after Christmas, but they had a silly quarrel; and through the winter term, when a boys’ school is shut in with itself and only partly assuaged from its natural savagery by indoor sports, Basil was snubbed and slighted a good deal for his real and imaginary sins, and he was much alone. But on the other hand, there was Ted Fay, and Rose of the Night on the phonograph--’All my life whenever I hear that waltz’--and the remembered lights of New York, and the thought of what he was going to do in football next autumn and the glamorous image of Yale and the hope of spring in the air.
Fat Gaspar and a few others were nice to him now. Once when he and Fat walked home together by accident from down-town they had a long talk about actresses--a talk that Basil was wise enough not to presume upon afterwards. The smaller boys suddenly decided that they approved of him, and a master who had hitherto disliked him put his hand on his shoulder walking to a class one day. They would all forget eventually--maybe during the summer. There would be new fresh boys in September; he would have a clean start next year.
One afternoon in February, playing basketball, a great thing happened. He and Brick Wales were at forward on the second team and in the fury of the scrimmage the gymnasium echoed with sharp slapping contacts and shrill cries.
‘Here yar!’
‘Bill! Bill!’
Basil had dribbled the ball down the court and Brick Wales, free, was crying for it.
‘Here yar! Lee! Hey! Lee-y!’
Lee-y!
Basil flushed and made a poor pass. He had been called by a nickname. It was a poor makeshift, but it was something more than the stark bareness of his surname or a term of derision. Brick Wales went on playing, unconscious that he had done anything in particular or that he had contributed to the events by which another boy was saved from the army of the bitter, the selfish, the neurasthenic and the unhappy. It isn’t given to us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world. They will not be cured by our most efficacious drugs or slain with our sharpest swords.
Lee-y! it could scarcely be pronounced. But Basil took it to bed with him that night, and thinking of it, holding it to him happily to the last, fell easily to sleep.
HE THINKS HE’S WONDERFUL
I
After the college-board examinations in June, Basil Duke Lee and five other boys from St.RegisSchool boarded the train for the West. Two got out at Pittsburgh, one slanted south toward St. Louis and two stayed in Chicago; from then on Basil was alone. It was the first time in his life that he had ever felt the need of tranquillity, but now he took long breaths of it; for, though things had gone better toward the end, he had had an unhappy year at school.
He wore one of those extremely flat derbies in vogue during the twelfth year of the century, and a blue business suit become a little too short for his constantly lengthening body. Within he was by turns a disembodied spirit, almost unconscious of his person and moving in a mist of impressions and emotions, and a fiercely competitive individual trying desperately to control the rush of events that were the steps in his own evolution from child to man. He believed that everything was a matter of effort--the current principle of American education--and his fantastic ambition was continually leading him to expect too much. He wanted to be a great athlete, popular, brilliant and always happy. During this year at school, where he had been punished for his “freshness,” for fifteen years of thorough spoiling at home, he had grown uselessly introspective, and this interfered with that observation of others which is the beginning of wisdom. It was apparent that before he obtained much success in dealing with the world he would know that he’d been in a fight.
He spent the afternoon in Chicago, walking the streets and avoiding members of the underworld. He bought a detective story called “In the Dead of the Night,” and at five o’clock recovered his suitcase from the station check room and boarded the Chicago, Milwaukee and St. Paul. Immediately he encountered a contemporary, also bound home from school.
Margaret Torrence was fourteen; a serious girl, considered beautiful by a sort of tradition, for she had been beautiful as a little girl. A year and a half before, after a breathless struggle, Basil had succeeded in kissing her on the forehead. They met now with extraordinary joy; for a moment each of them to the other represented home, the blue skies of the past, the summer afternoons ahead.
He sat with Margaret and her mother in the dining car that night. Margaret saw that he was no longer the ultraconfident boy of a year before; his brightness was subdued, and the air of consideration in his face--a mark of his recent discovery that others had wills as strong as his, and more power--appeared to Margaret as a charming sadness. The spell of peace after a struggle was still upon him. Margaret had always liked him--she was of the grave, conscientious type who sometimes loved him and whose love he could never return--and now she could scarcely wait to tell people how attractive he had grown.
After dinner they went back to the observation car and sat on the deserted rear platform while the train pulled them visibly westward between the dark wide farms. They talked of people they knew, of where they had gone for Easter vacation, of the plays they had seen in New York.
“Basil, we’re going to get an automobile,” she said, “and I’m going to learn to drive.”
“That’s fine.” He wondered if his grandfather would let him drive the electric sometimes this summer.
The light from inside the car fell on her young face, and he spoke impetuously, borne on by the rush of happiness that he was going home: “You know something? You know you’re the prettiest girl in the city?”
At the moment when the remark blurred with the thrilling night in Margaret’s heart, Mrs. Torrence appeared to fetch her to bed.
Basil sat alone on the platform for a while, scarcely realizing that she was gone, at peace with himself for another hour and content that everything should remain patternless and shapeless until tomorrow.
II
Fifteen is of all ages the most difficult to locate--to put one’s fingers on and say, “That’s the way I was.” The melancholy Jacques does not select it for mention, and all one can know is that somewhere between thirteen, boyhood’s majority, and seventeen, when one is a sort of counterfeit young man, there is a time when youth fluctuates hourly between one world and another--pushed ceaselessly forward into unprecedented experiences and vainly trying to struggle back to the days when nothing had to be paid for. Fortunately none of our contemporaries remember much more than we do of how we behaved in those days; nevertheless the curtain is about to be drawn aside for an inspection of Basil’s madness that summer.
To begin with, Margaret Torrence, in one of those moods of idealism which overcome the most matter-of-fact girls, gave it as her rapt opinion that Basil was wonderful. Having practised believing things all year at school, and having nothing much to believe at that moment, her friends accepted the fact. Basil suddenly became a legend. There were outbreaks of giggling when girls encountered him on the street, but he suspected nothing at all.
One night, when he had been home a week, he and Riply Buckner went on to an after-dinner gathering on Imogene Bissel’s veranda. As they
came up the walk Margaret and two other girls suddenly clung together, whispered convulsively and pursued one another around the yard, uttering strange cries--an inexplicable business that ended only when Gladys Van Schellinger, tenderly and impressively accompanied by her mother’s maid, arrived in a limousine.
All of them were a little strange to one another. Those who had been East at school felt a certain superiority, which, however, was more than counterbalanced by the fact that romantic pairings and quarrels and jealousies and adventures, of which they were lamentably ignorant, had gone on while they had been away.
After the ice cream at nine they sat together on the warm stone steps in a quiet confusion that was halfway between childish teasing and adolescent coquetry. Last year the boys would have ridden their bicycles around the yard; now they had all begun to wait for something to happen.
They knew it was going to happen, the plainest girls, the shyest boys; they had begun to associate with others the romantic world of summer night that pressed deeply and sweetly on their senses. Their voices drifted in a sort of broken harmony in to Mrs. Bissel, who sat reading beside an open window.
“No, look out. You’ll break it. Bay-zil!”
“Rip-lee!”
“Sure I did!”
Laughter.
“--on MoonlightBay
We could hear their voices call--”
“Did you see--”
“Connie, don’t--don’t! You tickle. Look out!”
Laughter.
“Going to the lake tomorrow?”
Complete Works of F. Scott Fitzgerald UK (Illustrated) Page 204