Alice Isn't Dead

by Joseph Fink

  No way from the trailer to the cab, and so she just wouldn’t stop. She would drive and drive forever. She wouldn’t eat, her truck wouldn’t take fuel, she would be saved by the miracle of sheer movement. Because she couldn’t bear to think what would happen when her body or her truck forced her to stop.

  THUMP, and her heart echoed the sound with a beat so hard she felt the skin of her chest pulse outward. Thanks to her anxiety, fear was a constant pulse in her life. And now this terrible racket. And she was alone in Kansas. Grassland out to the end of it.

  When it gets dark over the grass, it really gets dark. Like being on an ocean, the distant lights of towns like ships. Only her on the road and a fuel tank that was down to a quarter. She would need to stop soon. There was no avoiding this conflict, but she could control how it was confronted. She had to find a way to do it that would be least likely to get her killed. Good luck to her. In the darkness of the fields there was a single billboard, well lit and maintained. It had a picture of a smiling family, and against a soft pink background it said a company name. praxis.

  She settled on pulling off in the parking lot of a Target. At least the crowds. Or if not crowds, then at least other people. And if not other people, then at least the lights, bright and sterile across the vast lot. The lights would keep her calm after the long empty of the grassland.

  Keisha clutched her heavy flashlight, and she crept around the trailer. There was no noise, not a hint of movement. She had parked as close to the entrance of the store as possible, a bank of automatic doors blaring a welcoming fluorescence out into the cool evening, but still there were only a few cars around. Her hand shuddered as she reached for the latch. A metallic clink. The groan of the handle upward. The rattling complaint of the door opening.

  She squinted into the darkness. Her cargo had been pallets of paper towels, and the boxes were torn open by swipes of what seemed to be giant claws. The towels were shredded and tossed about. And there was no need to search for the cause. A yellow baseball hat. Yellow fingernails. Skin in loose folds in places and in other places stretched over angular protrusions. Sharp teeth. Eyes, yellow and pink. Polo shirt, yellow and dirty. The word Thistle on the right breast.

  “It seems we keep running into each other,” he said, in his hollow, rattling voice. “How crazy is that?”

  4

  Keisha backed away, holding the heavy flashlight in front of her as a club. The man smelled like a compost pile that is almost soil.

  “Where do you think you’re going? I mean, where would you even go that I couldn’t follow? Don’t you know who I work for?” He indicated the Thistle on his pit-stained shirt. He was sweating thick mildew.

  “There are people all over this parking lot,” she said. This was self-evidently not true. It was a Target parking lot, but it was also late, and in the middle of nowhere. There were a few cars, yes, some people, but she didn’t expect help from the world, and generally the world met her expectations.

  He coughed up laughter, continuing to hobble toward her. “People?” he said. “People!” He shook his head and grabbed her arm. She didn’t know how he got that close, but he was there, and he took her arm like a dance partner, gentle but insistent, and then with a tremendous strength, well beyond what even his large frame would seem capable of, he twirled her up against the truck. His skin writhed, like there were insects crawling back and forth under it. The smell was overpowering. His tongue was swollen and covered in a white film.

  It was over. His arm was on her throat and he was pushing enough to let her know he could do it, but not enough to cut off air. She drew shallow, frightened breaths against the weight of him. She kicked for the crotch, of course, but it was like he felt nothing. And then she flailed at him with the flashlight. His body dented with the blows, whatever was under his loose skin sinking with the force, but he didn’t stop smiling. Didn’t even grunt. Pushed a little harder on her throat. The flashlight dropped and rolled away.

  “I could take a bite of you right now and it would be over. I could devour you. And then what would become of Alice?”

  Alice’s name in the monster’s mouth made Keisha slump, made her give up. If he knew about Alice, then he knew about everything, and then what was left? She had been searching for her wife for a long and terrible year. All those miles upon her, and now a monster. She adjusted to accepting her own death. As she did, a feeling sparked. It wasn’t a feeling she recognized, but it spread like her anxiety, tingling at her skin, zipping up her spine, and exploding in her brain.

  Fuck the Thistle Man, the feeling said.

  She kicked and screamed with all the energy she had left. Perhaps she would go down, but it would not be quietly. Other people in the parking lot were finally turning, finally seeing. Even if she couldn’t beat him, she could get them to look. A family, a father and two kids, and the kids were pointing, and the father was on his phone. He was talking urgently and gesturing toward her. She fought until the Thistle Man’s arm on her throat lowered her into a quiet darkness she had apparently always carried somewhere in her mind, and then there was a siren, and the arm was off her throat, and the world returned to her, and a police car pulled up.

  The police officer got out. A white man. No partner. Big. Not big as in muscular or big as in fat, just big.

  She stumbled a few paces away from the Thistle Man, out of his reach. The policeman sauntered over. He was a man used to the world waiting for him. He must have seen the Thistle Man attacking her, but he didn’t seem worried about that. He examined Keisha with heavy-lidded eyes.

  “What seems to be the problem here?” he said.

  She did her best to tell him. The noises, the stopping, the Thistle Man, the air, the lack of air, the struggle. He frowned. Made no notes. He turned to the Thistle Man, who hadn’t moved, hadn’t interrupted, had leaned with crossed arms on her truck.

  “That true?” the policeman asked him.

  The Thistle Man giggled, a high, childish sound.

  “Doesn’t sound like it’s true,” said the policeman.

  She didn’t know what to do. On one side, the police. On the other side, a literal monster. The policeman nodded to the Thistle Man. “If he has to come talk to you,” he said, “then you’ve been asking the wrong questions.” He lumbered back to his squad car, opened the door. “My advice,” he said to Keisha, “is to stop asking the wrong questions.” He tipped his hat at the Thistle Man. “You have a nice night now.”

  The Thistle Man did a lazy wave in return, as the policeman folded his towering frame into the car.

  “I will, Officer,” the Thistle Man said. “You know I will.”

  The police car drove away, but the Thistle Man made no move toward her.

  “You see now. You see how it stands. Go home.” He made a face of concern, worry even. “You can still go home.”

  He turned and stalked away into the night. To the lit edges of the parking lot, and into the sparse landscaping, and the vacant grassland beyond. Keisha stood frozen until she found it in herself to get back in her truck and drive away. No one in the lot talked to her or checked to see if she was alright. They looked at her and then looked away.

  Police cars followed her for a few days after. No siren, no lights, but staying close on her tail. She had well and truly gotten their attention now.

  But the Thistle Man was wrong. She couldn’t go home. Because home wasn’t a place. Home was a person. And she hadn’t found that person yet. After five days the police stopped following her. They had let her off with a warning. It was a warning she was going to ignore.

  5

  It’s a long and desolate way from Florida to Atlanta. The landscape is constructed of billboards. There are no natural features, only a constant chatter along the side of the road. A one-sided conversation. Lots of anti-evolution stuff. Advertisements for truck stops with names like the Jade Palace or the Chinese Fan, written in racist faux-Chinese fonts, and wink-wink language about the massages available. Keisha winced. Lor
d, get her to Atlanta. At least there was cruise control, and a road so straight all she had to do was make sure she didn’t go crashing off into a billboard telling her the Confederacy still could win, which was an actual billboard she had passed. The subtext of America wasn’t just text here, it was in letters five feet tall.

  Business wasn’t booming. Many of the ads on the billboards were ancient. Announcements of local fairs from 2005. Fire sales for stores long since buried under pitch and concrete. A lot of vacancies, phone numbers to call for renting the space. She wondered how much an ad on a stretch like this would cost. Even on her wage she might be able to buy herself one, maybe this bare one between an ad for dog grooming whose tagline was decadent dogs and yet another thinly veiled ad for sex work. She could reach out to Alice that way, even if Alice could never respond. Shout at the passing cars long enough and maybe someone somewhere would hear it. Or, hell, she could pick up her radio again and tell her entire story to every bored trucker in range. But instead she would keep driving, keep moving, and hope eventually she would arrive somewhere. A conclusion, a great transformation, or, failing that, Atlanta by the afternoon.

  She was weighing the merits of stopping for a coffee when she spotted a billboard that didn’t fit. For one, it was spotless, installed maybe in the last week. It was a black billboard that said in tall white letters, hungry? Was it advertising the concept of food? The idea of eating? If so, it wasn’t effective, because when she looked at it her gut twisted. The billboard pointed her somewhere bleak and horrible, even as her conscious mind hadn’t picked out why.

  Another billboard, a few miles later. Same design; black background, white text, plain capitalized letters. bernard hamilton, it said. Then another that said sylvia parker. With each one she felt sicker and sicker. Someone was sending a message to someone, and the message felt to her monstrous and wild.

  After Alice’s funeral, Keisha had mourned privately for weeks, refusing to see friends, missing work. She had sat at home and allowed the grief to weigh on her, a physical pressing on her chest that strained the muscles if she tried to get up or even turn her head. If she had had someone else to look after, a child, an elderly relative, even a pet, then maybe she would have forced herself into something resembling the person she had been before. But even then, inside she would be a vessel of fluids and mourning. She wasn’t the person she had been before and she never would be again. Sure, she had always been anxious and shy, but it had never been what defined her. She was able to relax when with friends and family. She had her hobbies and dreams. For some time she had been thinking about quitting her job to start a bakery, because the idea of arriving to work at four in the morning to make bread sounded like the best possible job in the world, but it had never been quite the right time for her to do that. All those parts of her were gone. It wasn’t only Alice who had died. Each death leads to smaller, invisible deaths inside the hearts of those left behind.

  Alice never called Keisha by her name. This is true for many couples. Chipmunk, Alice would call Keisha. Chanterelle. Often Chanterelle. Walnut Jones. Alice found that last one especially funny. Now everyone called Keisha by her name. “Keisha,” they would say, in soft and worried voices, and Keisha just wanted someone with a laugh in her voice to call her Chanterelle, to call her Walnut Jones.

  It wasn’t an intervention from her friends that broke her out of her stasis, although to their credit they tried. Showing up with food and with concerned frowns and busy hands tidying a house she couldn’t care less about. But none of them were able to reach her. Because they were trying to reach the Keisha they had known, and that Keisha was gone. No, it was not her friends who changed her, but that after two months she grew bored with her absolute grief, and so she pulled herself up against the weight of it and started going to grief counseling groups.

  She sat in circles and described the shape of the monster that was devouring her. Because that’s what, as a civilization, we do. We try to talk our way through the ineffable in the hope that, like a talisman, our description will provide some shelter against it. But the monster continued to devour her, no matter how specific her description of it, no matter how honest the shell-shocked sympathy of her fellow mourners.

  And when she wasn’t describing Alice, over and over talking about Alice, as though her wife could be resurrected with stories, Keisha watched the news. The news was good, full of tragedy and loss that had nothing to do with her. So many people in pain, she couldn’t possibly be alone, even though she felt as alone as could be. And then, six months after the funeral, somewhere in the third hour of Keisha’s daily news binge: a murder, brutal, somewhere in the Midwest. Bystanders gawking, standing in a circle and trying to describe with only their faces the shape of the monster they had seen. Behind the witnesses being interviewed, unmistakable, staring at the camera as person after person babbled their way through the horrible story—Alice. Keisha laughed, and then sobbed, and then threw up, and then looked again and there was Alice still, looking back at her, not dead at all.

  The names on the billboards kept coming. One every three miles. tracy drummond. leo sullivan. cynthia o’brien. They felt more like a memorial than an advertisement.

  At the next stop she pulled off the road and searched the names, one after the other. It didn’t take long, because one name was connected to the next, and most of the articles were the same articles. Anxiety bubbled in her blood.

  Found near major highways all over the country. Lives torn short under overpasses, on frontage roads, in broad wooded shoulders. Lost even in the age of GPS and Siri. Gashes on the torsos. Defensive wounds on the hands. Victims of an unsolved serial killings from a murderer who reporters had nicknamed the Hungry Man. The nickname came from the single common thread between all the murders. A human bite on the neck or shoulder or armpit. Not elegant pinpricks, the romance of a vampire, but ragged and clumsy. Every name was a human being who had died alone on the sides of highways. Or, worse, not alone.

  6

  Bernard Hamilton left for San Francisco immediately after graduating from college. He had no job set up there, no friends or acquaintances waiting for him. He had never even been to San Francisco. But youth is the time for great leaps of faith, and so he packed everything he owned into his Corolla and started the drive from Connecticut because he believed that to experience America is to experience its distance.

  He called his mother every night, because she was worried he would be murdered, and he was willing to humor her silly fears. He was driving on major highways, staying in budget chain hotels with free coffee in the lobby. This was transit, not hedonism, and lots of people do it every year. He was no different from lots of people. Of course, lots of people get murdered every year, but he thought he was different from those people, for reasons he could not have articulated because the idea that nothing horrible could ever happen to us personally exists not in our thoughts but in the base of our necks.

  Bernard told his mother about the Great Lakes, how Lake Michigan looked like the ocean, how he couldn’t see the far shore even from the high floor of an office building in Chicago that he snuck into because he couldn’t afford any of the viewing platforms or skyscraper restaurants. He told her about the flats of the Midwest, how there were no physical landmarks to divide anything from anything else. And then he got to Utah and he stopped calling. His mother contacted the police the first night she didn’t hear from him, but the police told her that they weren’t going to look for an adult man because he hadn’t called his mother. But she was right, because he was dead and shoved into a bush in the parking lot of a budget chain hotel with free coffee in the lobby and his body wouldn’t be found for four days. There is some version of the world where he made it to San Francisco, grew lifelong friendships there, found a career, found a partner, grew old. But that never happened in our world, which is a sadder, emptier place.

  Each name on each billboard was a story with a promising start and an unhappy ending. Tracy Drummond was a church v
olunteer leading a trip to Mexico to build houses when she vanished during a dinner break in Waco, a day short of the border. Leo Sullivan was a trucker, who had last been seen eating dinner with a man in a yellow hat and was found a day later by a group of prison laborers clearing garbage from the side of a highway.

  Keisha read the stories, scrolling down and down, and feeling sick with what she knew, and scared with what she didn’t know.

  The Hungry Man, who she thought of as that nightmare creature, the Thistle Man, had been active for almost two decades. He only struck occasionally, only sometimes left behind a life torn open and bleeding out. And now he was following Keisha. How long had he followed the others before he killed them? How long before those brutally strong fingers reached out of parking lot darkness?

  Perhaps soon, because she knew that this was him taunting her. He had discovered her upcoming routes and had arranged for these billboards to be erected as a message to her. This is who I am, the message said. This is what is coming for you.

  She pulled out of the truck stop, back onto the highway. Because what else was there? She had no hope that surrender would save her. No, if she were to be murdered, then it would be while moving. Alice wasn’t dead, and neither, yet, was Keisha.

  Another billboard. ned flynn. A body somewhere with a big bite out of him. All of these names were dots on a map. Last known whereabouts. Keisha was a dot on a map, too, but she hadn’t settled into a final location yet. Her last known whereabouts were somewhere behind her and her body kept driving.

  A few miles later she saw the final billboard. In design it was similar to the others, but there were more words on it, and the text was smaller to fit the space. She squinted as she tried to read it with eyes that she hadn’t admitted to herself were approaching middle age. The words came into focus. She gasped and almost swerved off the road, almost did the Thistle Man’s job for him. Her eyes were stinging and blinking with tears, but she managed to put on her emergency blinkers and pull slowly to the side of the road under the sign. She got out on the door not against the highway and leaned on the truck to support herself. Once she felt somewhat steady, she looked up again at the billboard.