Dolls Behaving Badly
Page 33
One night—it was winter, I remember, and storming—I suddenly heard a voice, a woman’s voice, heavy with a Polish accent. “Ach, my feet hurt.” And did I imagine this or did a Polish grandmother close the toilet seat, sit down, take off her shoes, and massage her gnarled and veined feet?
Well, I was tired at the time, and probably slightly dehydrated. I closed my eyes and when I opened them, she was gone.
But she came back. She followed me up mountains, as I swam laps at the YMCA pool, and while I drove my son to school. She pushed her way into my life, and no amount of pushing could convince her to leave. Soon I looked forward to her visits, and I began jotting down the things she said.
Before long other voices appeared: Carla’s sardonic tone, Sandee’s wisdom, Laurel’s slight whining. I wrote everything down; I wrote on envelopes and the backs of grocery bags, and slowly it came to me, not the book so much as the idea for the book. I saw it so acutely it was as if remembering images from a movie: a woman with scattered hair living in a trailer and raising a child by herself. I saw the mess and disorder, the stacks of unpaid bills, the overflowing laundry basket, and behind it all, strands of love and obligation so thick they threatened to strangle her.
It took me seven years to finish Dolls Behaving Badly. During that time I quit waitressing and began working as a journalist. I graduated from my MFA program. My son entered middle and then high school. I fell in love and later, out of love. I got a dog and two cats, and then a couple fish. My life, like Carla’s, was messy and hectic and filled with unexpected love and turmoil.
Sometimes even now I think: I wrote a book. I really and truly wrote a book!
Other times I think: What if I hadn’t taken a bath that night? What if I had showered instead?
But mostly, I find myself cocking my head as if listening for their voices: Gramma and Carla, Stephanie and Jay-Jay, Laurel and Sandee. They’re gone now; I had to let them go. I hope that they’re happy, wherever they are now, and that they found what they were looking for, these imaginary characters that became more real than the actual living, breathing people in my life.
Maybe one day it will happen again. I’ll walk in the bathroom and Gramma will be sitting on the toilet seat. “Ach,” she’ll say, “my feet hurt.” And we’ll eat Polish pastries and talk, and maybe we’ll write another book together, who knows?
I’ve been waiting. I’ve been taking a lot of baths.
About the Author
CINTHIA RITCHIE is a former news editor at Alaska Newspapers. She spent eight years as features writer and columnist at the Anchorage Daily News and received her MFA from the University of Alaska Anchorage. Dolls Behaving Badly is Ritchie’s first novel. She lives in Anchorage with her partner and pets.
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Contents
Welcome
Dedication
Acknowledgments
Lesson One: The Giant on the Oprah Show
Chapter 1
Chapter 2
Lesson Two: Remember to Praise Thy Mailman
Chapter 3
Chapter 4
Chapter 5
Lesson Three: Can You See Abundance in This Picture?
Chapter 6
Chapter 7
Chapter 8
Lesson Four: The Things We Carry
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Lesson Five: Loosening the Load
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Lesson Six: The Hard Task of Happiness
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Lesson Seven: Moving On
Chapter 28
Chapter 29
Reading Group Guide
About the Author
Newsletters
Copyright
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. Mention of specific brand-name toys and toy companies in this book does not imply endorsement of, or affiliation between, such companies or trademark owners and this book.
Copyright © 2013 by Cinthia Ritchie
Reading group guide Copyright © 2013 by Hachette Book Group, Inc.
All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the author’s rights.
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ISBN 978-1-4555-1827-2