The Golden Bowl - Complete

by Henry James

  "It's all right, eh?"

  "Oh, my dear—rather!"

  He had applied the question to the great fact of the picture, as she had spoken for the picture in reply, but it was as if their words for an instant afterwards symbolised another truth, so that they looked about at everything else to give them this extension. She had passed her arm into his, and the other objects in the room, the other pictures, the sofas, the chairs, the tables, the cabinets, the "important" pieces, supreme in their way, stood out, round them, consciously, for recognition and applause. Their eyes moved together from piece to piece, taking in the whole nobleness—quite as if for him to measure the wisdom of old ideas. The two noble persons seated, in conversation, at tea, fell thus into the splendid effect and the general harmony: Mrs. Verver and the Prince fairly "placed" themselves, however unwittingly, as high expressions of the kind of human furniture required, esthetically, by such a scene. The fusion of their presence with the decorative elements, their contribution to the triumph of selection, was complete and admirable; though, to a lingering view, a view more penetrating than the occasion really demanded, they also might have figured as concrete attestations of a rare power of purchase. There was much indeed in the tone in which Adam Verver spoke again, and who shall say where his thought stopped? "Le compte y est. You've got some good things."

  Maggie met it afresh—"Ah, don't they look well?" Their companions, at the sound of this, gave them, in a spacious intermission of slow talk, an attention, all of gravity, that was like an ampler submission to the general duty of magnificence; sitting as still, to be thus appraised, as a pair of effigies of the contemporary great on one of the platforms of Madame Tussaud. "I'm so glad—for your last look."

  With which, after Maggie—quite in the air—had said it, the note was struck indeed; the note of that strange accepted finality of relation, as from couple to couple, which almost escaped an awkwardness only by not attempting a gloss. Yes, this was the wonder, that the occasion defied insistence precisely because of the vast quantities with which it dealt—so that separation was on a scale beyond any compass of parting. To do such an hour justice would have been in some degree to question its grounds—which was why they remained, in fine, the four of them, in the upper air, united in the firmest abstention from pressure. There was no point, visibly, at which, face to face, either Amerigo or Charlotte had pressed; and how little she herself was in danger of doing so Maggie scarce needed to remember. That her father wouldn't, by the tip of a toe—of that she was equally conscious: the only thing was that, since he didn't, she could but hold her breath for what he would do instead. When, at the end of three minutes more, he had said, with an effect of suddenness, "Well, Mag—and the Principino?" it was quite as if that were, by contrast, the hard, the truer voice.

  She glanced at the clock. "I 'ordered' him for half-past five—which hasn't yet struck. Trust him, my dear, not to fail you!"

  "Oh, I don't want HIM to fail me!" was Mr. Verver's reply; yet uttered in so explicitly jocose a relation to the possibilities of failure that even when, just afterwards, he wandered in his impatience to one of the long windows and passed out to the balcony, she asked herself but for a few seconds if reality, should she follow him, would overtake or meet her there. She followed him of necessity—it came, absolutely, so near to his inviting her, by stepping off into temporary detachment, to give the others something of the chance that she and her husband had so fantastically discussed. Beside him then, while they hung over the great dull place, clear and almost coloured now, coloured with the odd, sad, pictured, "old-fashioned" look that empty London streets take on in waning afternoons of the summer's end, she felt once more how impossible such a passage would have been to them, how it would have torn them to pieces, if they had so much as suffered its suppressed relations to peep out of their eyes. This danger would doubtless indeed have been more to be reckoned with if the instinct of each—she could certainly at least answer for her own—had not so successfully acted to trump up other apparent connexions for it, connexions as to which they could pretend to be frank.

  "You mustn't stay on here, you know," Adam Verver said as a result of his unobstructed outlook. "Fawns is all there for you, of course—to the end of my tenure. But Fawns so dismantled," he added with mild ruefulness, "Fawns with half its contents, and half its best things, removed, won't seem to you, I'm afraid, particularly lively."

  "No," Maggie answered, "we should miss its best things. Its best things, my dear, have certainly been removed. To be back there," she went on, "to be back there—!" And she paused for the force of her idea.

  "Oh, to be back there without anything good—!" But she didn't hesitate now; she brought her idea forth. "To be back there without Charlotte is more than I think would do." And as she smiled at him with it, so she saw him the next instant take it—take it in a way that helped her smile to pass all for an allusion to what she didn't and couldn't say. This quantity was too clear—that she couldn't at such an hour be pretending to name to him what it was, as he would have said, "going to be," at Fawns or anywhere else, to want for HIM. That was now—and in a manner exaltedly, sublimely—out of their compass and their question; so that what was she doing, while they waited for the Principino, while they left the others together and their tension just sensibly threatened, what was she doing but just offer a bold but substantial substitute? Nothing was stranger moreover, under the action of Charlotte's presence, than the fact of a felt sincerity in her words. She felt her sincerity absolutely sound—she gave it for all it might mean. "Because Charlotte, dear, you know," she said, "is incomparable." It took thirty seconds, but she was to know when these were over that she had pronounced one of the happiest words of her life. They had turned from the view of the street; they leaned together against the balcony rail, with the room largely in sight from where they stood, but with the Prince and Mrs. Verver out of range. Nothing he could try, she immediately saw, was to keep his eyes from lighting; not even his taking out his cigarette-case and saying before he said anything else: "May I smoke?" She met it, for encouragement, with her "My dear!" again, and then, while he struck his match, she had just another minute to be nervous—a minute that she made use of, however, not in the least to falter, but to reiterate with a high ring, a ring that might, for all she cared, reach the pair inside: "Father, father—Charlotte's great!"

  It was not till after he had begun to smoke that he looked at her. "Charlotte's great."

  They could close upon it—such a basis as they might immediately feel it make; and so they stood together over it, quite gratefully, each recording to the other's eyes that it was firm under their feet. They had even thus a renewed wait, as for proof of it; much as if he were letting her see, while the minutes lapsed for their concealed companions, that this was finally just why—but just WHY! "You see," he presently added, "how right I was. Right, I mean, to do it for you."

  "Ah, rather!" she murmured with her smile. And then, as to be herself ideally right: "I don't see what you would have done without her."

  "The point was," he returned quietly, "that I didn't see what you were to do. Yet it was a risk."

  "It was a risk," said Maggie—"but I believed in it. At least for myself!" she smiled.

  "Well NOW," he smoked, "we see."

  "We see."

  "I know her better."

  "You know her best."

  "Oh, but naturally!" On which, as the warranted truth of it hung in the air—the truth warranted, as who should say, exactly by the present opportunity to pronounce, this opportunity created and accepted—she found herself lost, though with a finer thrill than she had perhaps yet known, in the vision of all he might mean. The sense of it in her rose higher, rose with each moment that he invited her thus to see him linger; and when, after a little more, he had said, smoking again and looking up, with head thrown back and hands spread on the balcony rail, at the grey, gaunt front of the house, "She's beautiful, beautiful!" her sensibility reported to her the shade of a
new note. It was all she might have wished, for it was, with a kind of speaking competence, the note of possession and control; and yet it conveyed to her as nothing till now had done the reality of their parting. They were parting, in the light of it, absolutely on Charlotte's VALUE—the value that was filling the room out of which they had stepped as if to give it play, and with which the Prince, on his side, was perhaps making larger acquaintance. If Maggie had desired, at so late an hour, some last conclusive comfortable category to place him in for dismissal, she might have found it here in its all coming back to his ability to rest upon high values. Somehow, when all was said, and with the memory of her gifts, her variety, her power, so much remained of Charlotte's! What else had she herself meant three minutes before by speaking of her as great? Great for the world that was before her—that he proposed she should be: she was not to be wasted in the application of his plan. Maggie held to this then—that she wasn't to be wasted. To let his daughter know it he had sought this brief privacy. What a blessing, accordingly, that she could speak her joy in it! His face, meanwhile, at all events, was turned to her, and as she met his eyes again her joy went straight. "It's success, father."

  "It's success. And even this," he added as the Principino, appearing alone, deep within, piped across an instant greeting—"even this isn't altogether failure!"

  They went in to receive the boy, upon whose introduction to the room by Miss Bogle Charlotte and the Prince got up—seemingly with an impressiveness that had caused Miss Bogle not to give further effect to her own entrance. She had retired, but the Principino's presence, by itself, sufficiently broke the tension—the subsidence of which, in the great room, ten minutes later, gave to the air something of the quality produced by the cessation of a sustained rattle. Stillness, when the Prince and Princess returned from attending the visitors to their carriage, might have been said to be not so much restored as created; so that whatever next took place in it was foredoomed to remarkable salience. That would have been the case even with so natural, though so futile, a movement as Maggie's going out to the balcony again to follow with her eyes her father's departure. The carriage was out of sight—it had taken her too long solemnly to reascend, and she looked awhile only at the great grey space, on which, as on the room still more, the shadow of dusk had fallen. Here, at first, her husband had not rejoined her; he had come up with the boy, who, clutching his hand, abounded, as usual, in remarks worthy of the family archives; but the two appeared then to have proceeded to report to Miss Bogle. It meant something for the Princess that her husband had thus got their son out of the way, not bringing him back to his mother; but everything now, as she vaguely moved about, struck her as meaning so much that the unheard chorus swelled. Yet THIS above all—her just being there as she was and waiting for him to come in, their freedom to be together there always—was the meaning most disengaged: she stood in the cool twilight and took in, all about her, where it lurked, her reason for what she had done. She knew at last really why—and how she had been inspired and guided, how she had been persistently able, how, to her soul, all the while, it had been for the sake of this end. Here it was, then, the moment, the golden fruit that had shone from afar; only, what were these things, in the fact, for the hand and for the lips, when tested, when tasted—what were they as a reward? Closer than she had ever been to the measure of her course and the full face of her act, she had an instant of the terror that, when there has been suspense, always precedes, on the part of the creature to be paid, the certification of the amount. Amerigo knew it, the amount; he still held it, and the delay in his return, making her heart beat too fast to go on, was like a sudden blinding light on a wild speculation. She had thrown the dice, but his hand was over her cast.

  He opened the door, however, at last—he hadn't been away ten minutes; and then, with her sight of him renewed to intensity, she seemed to have a view of the number. His presence alone, as he paused to look at her, somehow made it the highest, and even before he had spoken she had begun to be paid in full. With that consciousness, in fact, an extraordinary thing occurred; the assurance of her safety so making her terror drop that already, within the minute, it had been changed to concern for his own anxiety, for everything that was deep in his being and everything that was fair in his face. So far as seeing that she was "paid" went, he might have been holding out the money-bag for her to come and take it. But what instantly rose, for her, between the act and her acceptance was the sense that she must strike him as waiting for a confession. This, in turn, charged her with a new horror: if that was her proper payment she would go without money. His acknowledgment hung there, too monstrously, at the expense of Charlotte, before whose mastery of the greater style she had just been standing dazzled. All she now knew, accordingly, was that she should be ashamed to listen to the uttered word; all, that is, but that she might dispose of it on the spot forever.

  "Isn't she too splendid?" she simply said, offering it to explain and to finish.

  "Oh, splendid!" With which he came over to her.

  "That's our help, you see," she added—to point further her moral.

  It kept him before her therefore, taking in—or trying to—what she so wonderfully gave. He tried, too clearly, to please her—to meet her in her own way; but with the result only that, close to her, her face kept before him, his hands holding her shoulders, his whole act enclosing her, he presently echoed: "'See'? I see nothing but you." And the truth of it had, with this force, after a moment, so strangely lighted his eyes that, as for pity and dread of them, she buried her own in his breast.

  End of the Project Gutenberg EBook of The Golden Bowl, by Henry James

  *** END OF THIS PROJECT GUTENBERG EBOOK THE GOLDEN BOWL ***

  ***** This file should be named 4264-h.htm or 4264-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/4/2/6/4264/

  Produced by Eve Sobol, and David Widger

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks. Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.org/license).