Guys and Dolls and Other Writings

by Damon Runyon

  So this is where the football starts getting into this story.

  One old guy that I figure must be a Harvard from the way he talks seems to have a party all his own, and he is getting so much attention from one and all in the party that I figure he must be a guy of some importance, because they laugh heartily at his remarks, and although I listen very carefully to everything he says he does not sound so very humorous to me.

  He is a heavy-set guy with a bald head and deep voice, and anybody can see that he is such a guy as is accustomed to plenty of authority. I am wondering out loud to Meyer Marmalade who the guy can be, and Meyer Marmalade states as follows:

  “Why,” he says, “he is nobody but Mr. Phillips Randolph, who makes the automobiles. He is the sixth richest guy in this country,” Meyers says, “or maybe it is the seventh. Anyway, he is pretty well up with the front runners. I spot his monicker on his suitcase, and then I ask the porter, to make sure. It is a great honor for us to be traveling with Mr. Phillips Randolph,” Meyer says, “because of him being such a public benefactor and having so much dough, especially having so much dough.”

  Well, naturally everybody knows who Mr. Phillips Randolph is, and I am surprised that I do not recognize his face myself from seeing it so often in the newspapers alongside the latest model automobile his factory turns out, and I am as much pleasured up as Meyer Marmalade over being in the same car with Mr. Phillips Randolph.

  He seems to be a good-natured old guy, at that, and he is having a grand time, what with talking, and laughing, and taking a dram now and then out of a bottle, and when old Crip McGonnigle comes gimping through the car selling his football souvenirs, such as red and blue feathers, and little badges and pennants, and one thing and another, as Crip is doing around the large football games since Hickory Slim is a two-year-old, Mr. Phillips Randolph stops him and buys all of Crip’s red feathers, which have a little white H on them to show they are for the Harvards.

  Then Mr. Phillips Randolph distributes the feathers around among his party, and the guys and dolls stick them in their hats, or pin them on their coats, but he has quite a number of feathers left over, and about this time who comes through the car but Joey Perhaps, and Mr. Phillips Randolph steps out in the aisle and stops Joey and politely offers him a red feather, and speaks as follows:

  “Will you honor us by wearing our colors?”

  Well, of course Mr. Phillips Randolph is only full of good spirits, and means no harm whatever, and the guys and dolls in his party laugh heartily as if they consider his action very funny, but maybe because they laugh, and maybe because he is just naturally a hostile guy, Joey Perhaps knocks Mr. Phillips Randolph’s hand down, and says like this:

  “Get out of my way,” Joey says. “Are you trying to make a sucker out of somebody?”

  Personally, I always claim that Joey Perhaps has a right to reject the red feather, because for all I know he may prefer a blue feather, which means the Yales, but what I say is he does not need to be so impolite to an old guy such as Mr. Phillips Randolph, although of course Joey has no way of knowing at this time about Mr. Phillips Randolph having so much dough.

  Anyway, Mr. Phillips Randolph stands staring at Joey as if he is greatly startled, and the chances are he is, at that, for the chances are nobody ever speaks to him in such a manner in all his life, and Joey Perhaps also stands there a minute staring back at Mr. Phillips Randolph, and finally Joey speaks as follows:

  “Take a good peek,” Joey Perhaps says. “Maybe you will remember me if you ever see me again.”

  “Yes,” Mr. Phillips Randolph says, very quiet. “Maybe I will. They say I have a good memory for faces. I beg your pardon for stopping you, sir. It is all in fun, but I am sorry,” he says.

  Then Joey Perhaps goes on, and he does not seem to notice Meyer Marmalade and me sitting there in the car, and Mr. Phillips Randolph sits down, and his face is redder than somewhat, and all the joy is gone out of him, and out of his party, too. Personally, I am very sorry Joey Perhaps comes along, because I figure Mr. Phillips Randolph will give me one of his spare feathers, and I will consider it a wonderful keepsake.

  But now there is not much more talking, and no laughing whatever in Mr. Phillips Randolph’s party, and he just sits there as if he is thinking, and for all I know he may be thinking that there ought to be a law against a guy speaking so disrespectfully to a guy with all his dough as Joey Perhaps speaks to him.

  Well, the contest of skill and science between Lefty Ledoux and Pile Driver turns out to be something of a disappointment, and, in fact, it is a stinkeroo, because there is little skill and no science whatever in it, and by the fourth round the customers are scuffling their feet, and saying throw these bums out, and making other derogatory remarks, and furthermore it seems that this Koons does not have either one of the judges, or even as much as the referee, in the satchel, and Ledoux gets the duke by unanimous vote of the officials.

  So Meyer Marmalade is out a couple of C’s, which is all he can wager at the ringside, because it seems that nobody in Boston, Mass., cares a cuss about who wins the contest, and Meyer is much disgusted with life, and so am I, and we go back to the Copley Plaza Hotel, where we are stopping, and sit down in the lobby to meditate on the injustice of everything.

  Well, the lobby is a scene of gaiety, as it seems there are a number of football dinners and dances going on in the hotel, and guys and dolls in evening clothes are all around and about, and the dolls are so young and beautiful that I get to thinking that this is not such a bad old world, after all, and even Meyer Marmalade begins taking notice.

  All of a sudden, a very, very beautiful young doll who is about forty per cent in and sixty per cent out of an evening gown walks right up to us sitting there, and holds out her hand to me, and speaks as follows:

  “Do you remember me?”

  Naturally, I do not remember her, but naturally I am not going to admit it, because it is never my policy to discourage any doll who wishes to strike up an acquaintance with me, which is what I figure this doll is trying to do; then I see that she is nobody but Doria Logan, one of the prettiest dolls that ever hits Broadway, and about the same time Meyer Marmalade also recognizes her.

  Doria changes no little since last I see her, which is quite some time back, but there is no doubt the change is for the better, because she is once a very rattle-headed young doll, and now she seems older, and quieter, and even prettier than ever. Naturally, Meyer Marmalade and I are glad to see her looking so well, and we ask her how are tricks, and what is the good word, and all this and that, and finally Doria Logan states to us as follows:

  “I am in great trouble,” Doria says. “I am in terrible trouble, and you are the first ones I see that I can talk to about it.”

  Well, at this, Meyer Marmalade begins to tuck in somewhat, because he figures it is the old lug coming up, and Meyer Marmalade is not such a guy as will go for the lug from a doll unless he gets something more than a story. But I can see Doria Logan is in great earnest.

  “Do you remember Joey Perhaps?” she says.

  “A wrong gee,” Meyer Marmalade says. “A dead wrong gee.”

  “I not only remember Joey Perhaps,” I say, “but I see him on the train to-day.”

  “Yes,” Doria says, “he is here in town. He hunts me up only a few hours ago. He is here to do me great harm. He is here to finish ruining my life.”

  “A wrong gee,” Meyer Marmalade puts in again. “Always a hundred per cent wrong gee.”

  Then Doria Logan gets us to go with her to a quiet corner of the lobby, and she tells us a strange story, as follows, and also to wit:

  It seems that she is once tangled up with Joey Perhaps, which is something I never know before, and neither does Meyer Marmalade, and, in fact, the news shocks us quite some. It is back in the days when she is just about sixteen and is in the chorus of Earl Carroll’s Vanities, and I remember well what a standout she is for looks, to be sure.

  Naturally, at sixteen, Doria is qui
te a chump doll, and does not know which way is south, or what time it is, which is the way all dolls at sixteen are bound to be, and she has no idea what a wrong gee Joey Perhaps is, as he is good-looking, and young, and seems very romantic, and is always speaking of love and one thing and another.

  Well, the upshot of it all is the upshot of thousands of other cases since chump dolls commence coming to Broadway, and the first thing she knows, Doria Logan finds herself mixed up with a very bad character, and does not know what to do about it.

  By and by, Joey Perhaps commences mistreating her no little, and finally he tries to use her in some nefarious schemes of his, of course everybody along Broadway knows that most of Joey’s schemes are especially nefarious, because Joey is on the shake almost since infancy.

  Well, one day Doria says to herself that if this is love, she has all she can stand, and she hauls off and runs away from Joey Perhaps. She goes back to her people, who live in the city of Cambridge, Mass., which is the same place where the Harvards have their college, and she goes there because she does not know of any other place to go.

  It seems that Doria’s people are poor, and Doria goes to a business school and learns to be a stenographer, and she is working for a guy in the real estate dodge by the name of Poopnoodle, and doing all right for herself, and in the meantime she hears that Joey Perhaps gets sent away, so she figures her troubles are all over as far as he is concerned.

  Now Doria Logan goes along quietly through life, working for Mr. Poopnoodle, and never thinking of love, or anything of a similar nature, when she meets up with a young guy who is one of the Harvards, and who is maybe twenty-one years old, and is quite a football player, and where Doria meets up with this guy is in a drug store over a banana split.

  Well, the young Harvard takes quite a fancy to Doria and, in fact, he is practically on fire about her, but by this time Doria is going on twenty, and is no longer a chump doll, and she has no wish to get tangled up in love again.

  In fact, whenever she thinks of Joey Perhaps, Doria takes to hating guys in general, but somehow she cannot seem to get up a real good hate on the young Harvard, because, to hear her tell it, he is handsome, and noble, and has wonderful ideals.

  Now as time goes on, Doria finds she is growing pale, and is losing her appetite, and cannot sleep, and this worries her no little, as she is always a first-class feeder, and finally she comes to the conclusion that what ails her is that she is in love with the young Harvard, and can scarcely live without him, so she admits as much to him one night when the moon is shining on the Charles River, and everything is a dead cold set-up for love.

  Well, naturally, after a little off-hand guzzling, which is quite permissible under the circumstances, the young guy wishes her to name the happy day, and Doria has half a notion to make it the following Monday, this being a Sunday night, but then she gets to thinking about her past with Joey Perhaps, and all, and she figures it will be bilking the young Harvard to marry him unless she has a small talk with him first about Joey, because she is well aware that many young guys may have some objection to wedding a doll with a skeleton in her closet, and especially a skeleton such as Joey Perhaps.

  But she is so happy she does not wish to run the chance of spoiling everything by these narrations right away, so she keeps her trap closed about Joey, although she promises to marry the young Harvard when he gets out college, which will be the following year, if he still insists, because Doria figures that by then she will be able to break the news to him about Joey very gradually, and gently, and especially gently.

  Anyway, Doria says she is bound and determined to tell him before the wedding, even if he takes the wind on her as a consequence, and personally I claim this is very considerate of Doria, because many dolls never tell before the wedding, or even after. So Doria and the young Harvard are engaged, and great happiness prevails, when all of a sudden, in pops Joey Perhaps.

  It seems that Joey learns of Doria’s engagement as soon as he gets out of the state institution, and he hastens to Boston, Mass., with an inside coat pocket packed with letters that Doria writes him long ago, and also a lot of pictures they have taken together, as young guys and dolls are bound to do, and while there is nothing much out of line about these letters and pictures, put them all together they spell a terrible pain in the neck to Doria at this particular time.

  “A wrong gee,” Meyer Marmalade says. “But,” he says, “he is only going back to his old shakedown dodge, so all you have to do is to buy him off.”

  Well, at this, Doria Logan laughs one of these little short dry laughs that go “hah,” and says like this:

  “Of course he is looking to get bought off, but,” she says, “where will I get any money to buy him off? I do not have a dime of my own, and Joey is talking large figures, because he knows my fiancé’s papa has plenty. He wishes me to go to my fiancé and make him get the money off his papa, or he threatens to personally deliver the letters and pictures to my fiancé’s papa.

  “You can see the predicament I am in,” Doria says, “and you can see what my fiancé’s papa will think of me if he learns I am once mixed up with a blackmailer such as Joey Perhaps.

  “Besides,” Doria says, “it is something besides money with Joey Perhaps, and I am not so sure he will not double-cross me even if I can pay him his price. Joey Perhaps is very angry at me. I think,” she says, “if he can spoil my happiness, it will mean more to him than money.”

  Well, Doria states that all she can think of when she is talking to Joey Perhaps is to stall for time, and she tells Joey that, no matter what, she cannot see her fiancé until after the large football game between the Harvards and the Yales as he has to do a little football playing for the Harvards, and Joey asks her if she is going to see the game, and naturally she is.

  And then Joey says he thinks he will look up a ticket speculator, and buy a ticket and attend the game himself, as he is very fond of football, and where will she be sitting, as he hopes and trusts he will be able to see something of her during the game, and this statement alarms Doria Logan no little, for who is she going with but her fiancé’s papa, and a party of his friends, and she feels that there is no telling what Joey Perhaps may be up to.

  She explains to Joey that she does not know exactly where she will be sitting, except that it will be on the Harvards’ side of the field, but Joey is anxious for more details than this.

  “In fact,” Doria says, “he is most insistent, and he stands at my elbow while I call up Mr. Randolph at this very hotel, and he tells me the exact location of our seats. Then Joey says he will endeavor to get a seat as close to me as possible, and he goes away.”

  “What Mr. Randolph?” Meyer says. “Which Mr. Randolph?” he says. “You do not mean Mr. Phillips Randolph, by any chance, do you?”

  “Why, to be sure,” Doria says. “Do you know him?”

  Naturally, from now on Meyer Marmalade gazes at Doria Logan with deep respect, and so do I, although by now she is crying a little, and I am by no means in favor of crying dolls. But while she is crying, Meyer Marmalade seems to be doing some more thinking, and finally he speaks as follows:

  “Kindly see if you can recall these locations you speak of.”

  So here is where the football game comes in once more.

  Only I regret to state that personally I do not witness this game, and the reason I do not witness it is because nobody wakes me up the next day in time for me to witness it, and the way I look at it, this is all for the best, as I am scarcely a football enthusiast.

  So from now on the story belongs to Meyer Marmalade, and I will tell it to you as Meyer tells it to me.

  It is a most exciting game (Meyer says). The place is full of people, and there are bands playing, and much cheering, and more lovely dolls than you can shake a stick at, although I do not believe there are any lovelier present than Doria Logan.

  It is a good thing she remembers the seat locations, otherwise I will never find her, but there she is surrounded by
some very nice-looking people, including Mr. Phillips Randolph, and there I am two rows back of Mr. Phillips Randolph, and the ticket spec I get my seat off of says he cannot understand why everybody wishes to sit near Mr. Phillips Randolph to-day when there are other seats just as good, and maybe better, on the Harvards’ side.

  So I judge he has other calls similar to mine for this location, and a sweet price he gets for it, too, and I judge that maybe at least one call is from Joey Perhaps, as I see Joey a couple of rows on back up of where I am sitting, but off to my left on an aisle, while I am almost in a direct line with Mr. Phillips Randolph.

  To show you that Joey is such a guy as attracts attention, Mr. Phillips Randolph stands up a few minutes before the game starts, peering around and about to see who is present that he knows, and all of a sudden his eyes fall on Joey Perhaps, and then Mr. Phillips Randolph proves he has a good memory for faces, to be sure, for he states as follows:

  “Why,” he says, “there is the chap who rebuffs me so churlishly on the train when I offer him our colors. Yes,” he says, “I am sure it is the same chap.”

  Well, what happens in the football game is much pulling and hauling this way and that, and to and fro, between the Harvards and the Yales without a tally right down to the last five minutes of play, and then all of a sudden the Yales shove the football down to within a three-eighths of an inch of the Harvards’ goal line.

  At this moment quite some excitement prevails. Then the next thing anybody knows, the Yales outshove the Harvards, and now the game is over, and Mr. Phillips Randolph gets up out of his seat, and I hear Mr. Phillips Randolph say like this:

  “Well,” he says, “the score is not so bad as it might be, and it is a wonderful game, and,” he says, “we seem to make one convert to our cause, anyway, for see who is wearing our colors.”

  And with this he points to Joey Perhaps, who is still sitting down, with people stepping around him and over him, and he is still smiling a little smile, and Mr. Phillips Randolph seems greatly pleased to see that Joey Perhaps has a big, broad crimson ribbon where he once wears his white silk muffler.