Complete Works of Thomas Love Peacock

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by Thomas Love Peacock


  ‘I quite agree with you, doctor. There is evidently great congeniality between them, even in their respective touches of eccentricity.’

  But the doctor’s remark had suggested to her what she herself had failed to observe; Lord Curryfin’s subsidence from ardour into deference, in his pursuit of herself. She had been so undividedly ‘the cynosure of neighbouring eyes,’ that she could scarcely believe in the possibility of even temporary eclipse. Her first impulse was to resign him to her young friend. But then appearances might be deceitful. Her own indifference might have turned his attentions into another channel, without his heart being turned with them. She had seen nothing to show that Miss Niphet’s feelings were deeply engaged in the question. She was not a coquette; but she would still feel it as a mortification that her hitherto unquestioned supremacy should be passing from her. She had felt all along that there was one cause which would lead her to a decided rejection of Lord Curryfin. But her Orlando had not seized the golden forelock; perhaps he never would. After having seemed on the point of doing so, he had disappeared, and not returned. He was now again within the links of the sevenfold chain, which had bound him from his earliest days. She herself, too, had had, perhaps had still, the chance of the golden forelock in another quarter. Might she not subject her after-life to repentance, if her first hope should fail her when the second had been irrevocably thrown away? The more she contemplated the sacrifice, the greater it appeared. Possibly doubt had given preponderance to her thoughts of Mr. Falconer; and certainly had caused them to repose in the case of Lord Curryfin; but when doubt was thrown into the latter scale also, the balance became more even. She would still give him his liberty, if she believed that he wished it; for then her pride would settle the question; but she must have more conclusive evidence on the point than the Reverend Doctor’s metaphorical deduction from a mythological fiction.

  In the evening, while the party in the drawing-room were amusing themselves in various ways, Mr. MacBorrowdale laid a drawing on the table, and said, ‘Doctor, what should you take that to represent?’

  The Rev. Dr. Opimian. An unformed lump of I know not what.

  Mr. MacBorrowdale. Not unformed. It is a flint formation of a very peculiar kind.

  The Rev. Dr. Opimian. Very peculiar, certainly. Who on earth can have amused himself with drawing a misshapen flint? There must be some riddle in it; some ænigma, as insoluble to me as Aelia Laelia Crispis.

  1 This ænigma has been the subject of many learned

  disquisitions. The reader who is unacquainted with it may

  find it under the article ‘ænigma’ in the Encyclopedia

  Britannica; and probably in every other encyclopaedia.

  Lord Curryfin, and others of the party, were successively asked their opinions. One of the young ladies guessed it to be the petrifaction of an antediluvian mussel. Lord Curryfin said petrifactions were often siliceous, but never pure silex; which this purported to be. It gave him the idea of an ass’s head; which, however, could not by any process have been turned into flint.

  Conjecture being exhausted, Mr. MacBorrowdale said, ‘It is a thing they call a Celt. The ass’s head is somewhat germane to the matter. The Artium Societatis Syndicus Et Socii have determined that it is a weapon of war, evidently of human manufacture. It has been found, with many others like it, among bones of mammoths and other extinct animals, and is therefore held to prove that men and mammoths were contemporaries.’

  The Rev. Dr. Opimian. A weapon of war? Had it a handle? Is there a hole for a handle?

  Mr. MacBorrowdale. That does not appear.

  The Rev. Dr. Opimian. These flints, and no other traces of men, among the bones of mammoths?

  Mr. MacBorrowdale. None whatever.

  The Rev. Dr. Opimian. What do the Artium Societatis Syndicus Et Socii suppose to have become of the men who produced these demonstrations of high aboriginal art?

  Mr. MacBorrowdale. They think these finished specimens of skill in the art of chipping prove that the human race is of greater antiquity than has been previously supposed; and the fact that there is no other relic to prove the position they consider of no moment whatever.

  The Rev. Dr. Opimian. Ha! ha! ha! This beats the Elephant in the Moon, which turned out to be a mouse in a telescope. But I can help them to an explanation of what became of these primaeval men-of-arms. They were an ethereal race, and evaporated.

  1 See Butler’s poem, with that title, in his Miscellaneous

  Works.

  CHAPTER XXII

  THE SEVEN AGAINST THEBES — A SOLILOQUY ON CHRISTMAS

  Over the mountains,

  And over the waves;

  Under the fountains,

  And under the graves;

  Under floods that are deepest,

  Which Neptune obey;

  Over rocks that are steepest,

  Love will find out the way.

  — Old Song in Percy’s Reliques.

  Harry Hedgerow had volunteered to be Mr. Falconer’s Mercury during his absences from the Tower, and to convey to him letters and any communications which the sisters might have to make. Riding at a good trot, on a horse more distinguished for strength than grace, he found the shortest days long enough for the purpose of going and returning, with an ample interval for the refreshment of himself and his horse.

  While discussing beef and ale in the servants’ hall, he heard a good deal of the family news, and many comments on the visitors. From these he collected that there were several young gentlemen especially remarkable for their attention to the young lady of the mansion: that among them were two who were more in her good graces than the others: that one of these was the young gentleman who lived in the Duke’s Folly, and who was evidently the favourite: and that the other was a young lord, who was the life and soul of the company, but who seemed to be very much taken with another young lady, who had, at the risk of her own life, jumped into the water and picked him out, when he was nearly being drowned.

  This story had lost nothing in travelling. Harry, deducing from all this the conclusion most favourable to his own wishes, determined to take some steps for the advancement of his own love-suit, especially as he had obtained some allies, who were willing to march with him to conquest, like the Seven against Thebes.

  The Reverend Doctor Opimian had finished his breakfast, and had just sat down in his library, when he was informed that some young men wished to see him. The doctor was always accessible, and the visitors were introduced. He recognised his friend Harry Hedgerow, who was accompanied by six others. After respectful salutations on their part, and benevolent acceptance on his, Harry, as the only one previously known to the doctor, became spokesman for the deputation.

  Harry Hedgerow. You see, sir, you gave me some comfort when I was breaking my heart; and now we are told that the young gentleman at the Folly is going to be married.

  The Rev. Dr. Opimian. Indeed! you are better informed than I am.

  Harry Hedgerow. Why, it’s in everybody’s mouth. He passes half his time at Squire Gryll’s, and they say it’s all for the sake of the young lady that’s there: she that was some days at the Folly; that I carried in, when she was hurt in the great storm. I am sure I hope it be true. For you said, if he married, and suitable parties proposed for her sisters, Miss Dorothy might listen to me. I have lived in the hope of that ever since. And here are six suitable parties to propose for her six sisters. That is the long and the short of it.

  The Rev. Dr. Opimian. The short of it, at any rate. You speak like a Spartan. You come to the point at once. But why do you come to me? I have no control over the fair damsels.

  Harry Hedgerow. Why, no, sir; but you are the greatest friend of the young gentleman. And if you could just say a word for us to him, you see, sir.

  The Rev. Dr. Opimian. I see seven notes in the key of A minor, proposing to sound in harmony with the seven notes of the octave above; but I really do not see what I can do in the matter.

  Harry Hedgerow. Indeed,
sir, if you could only ask the young gentleman if he would object to our proposing to the young ladies.

  The Rev. Dr. Opimian. Why not propose to them yourselves? You seem to be all creditable young men.

  Harry Hedgerow. I have proposed to Miss Dorothy, you know, and she would not have me; and the rest are afraid. We are all something to do with the land and the wood; farmers, and foresters, and nurserymen, and all that. And we have all opened our hearts to one another. They don’t pretend to look above us; but it seems somehow as if they did, and couldn’t help it. They are so like young ladies. They daze us, like. Why, if they’d have us, they’d be all in reach of one another. Fancy what a family party there’d be at Christmas. We just want a good friend to put a good foot foremost for us; and if the young gentleman does marry, perhaps they may better themselves by doing likewise.

  The Rev. Dr. Opimian. And so you seven young friends have each a different favourite among the seven sisters?

  Harry Hedgerow. Why, that’s the beauty of it.

  The Rev. Dr. Opimian. The beauty of it? Perhaps it is. I suppose there is an agistor among you?

  1 An agistor was a forest officer who superintended the

  taking in of strange cattle to board and lodge, and

  accounted for the profit to the sovereign. I have read the

  word, but never heard it. I am inclined to think that in

  modern times the duty was carried on under another name, or

  merged in the duties of another office.

  Harry Hedgerow. (after looking at his companions who all shook their heads). I am afraid not. Ought there to be? We don’t know what it means.

  The Rev. Dr. Opimian. I thought that among so many foresters there might be an agistor. But it is not indispensable. Well, if the young gentleman is going to be married, he will tell me of it. And when he does tell me, I will tell him of you. Have patience. It may all come right.

  Harry Hedgerow. Thank ye, sir. Thank ye, sir, kindly.

  Which being echoed in chorus by the other six, they took their departure, much marvelling what the reverend doctor could mean by an agistor.

  ‘Upon my word,’ said the doctor to himself, ‘a very good-looking, respectable set of young men. I do not know what the others may have to say for themselves. They behaved like a Greek chorus. They left their share of the dialogue to the coryphaeus. He acquitted himself well, more like a Spartan than an Athenian, but none the worse for that. Brevity, in this case, is better than rhetoric. I really like that youth. How his imagination dwells on the family party at Christmas. When I first saw him, he was fancying how the presence of Miss Dorothy would gladden his father’s heart at that season. Now he enlarges the circle, but it is still the same predominant idea. He has lost his mother. She must have been a good woman, and his early home must have been a happy one. The Christmas hearth would not be so uppermost in his thoughts if it had been otherwise. This speaks well for him and his. I myself think much of Christmas and all its associations. I always dine at home on Christmas Day, and measure the steps of my children’s heads on the wall, and see how much higher each of them has risen since the same time last year, in the scale of physical life. There are many poetical charms in the heraldings of Christmas. The halcyon builds its nest on the tranquil sea. “The bird of dawning singeth all night long.” I have never verified either of these poetical facts. I am willing to take them for granted. I like the idea of the Yule-log, the enormous block of wood carefully selected long before, and preserved where it would be thoroughly dry, which burned on the old-fashioned hearth. It would not suit the stoves of our modem saloons. We could not burn it in our kitchens, where a small fire in the midst of a mass of black iron, roasts, and bakes, and boils, and steams, and broils, and fries, by a complicated apparatus which, whatever may be its other virtues, leaves no space for a Christmas fire. I like the festoons of holly on the walls and windows; the dance under the mistletoe; the gigantic sausage; the baron of beef; the vast globe of plum-pudding, the true image of the earth, flattened at the poles; the tapping of the old October; the inexhaustible bowl of punch; the life and joy of the old hall, when the squire and his household and his neighbourhood were as one. I like the idea of what has gone, and I can still enjoy the reality of what remains. I have no doubt Harry’s father burns the Yule-log, and taps the old October. Perhaps, instead of the beef, he produces a fat pig roasted whole, like Eumaeus, the divine swineherd in the Odyssey. How Harry will burn the Yule-log if he can realise this day-dream of himself and his six friends with the seven sisters! I shall make myself acquainted with the position and characters of these young suitors. To be sure, it is not my business, and I ought to recollect the words of Cicero: “Est enim difficilis cura rerum alienarum: quamquam Terentianus ille Chrêmes humani nihil a se alienum putat.” I hold with Chrêmes too. I am not without hope, from some symptoms I have lately seen, that rumour, in the present case, is in a fair way of being right; and if, with the accordance of the young gentleman as key-note, these two heptachords should harmonise into a double octave, I do not see why I may not take my part as fundamental bass.’

  1 It is a hard matter to take active concern in the affairs

  of others; although the Chrêmes of Terence thinks nothing

  human alien to himself. De Officiis: i. 9.

  CHAPTER XXIII

  THE TWO QUADRILLES — POPE’S OMBRE — POETICAL TRUTH TO NATURE — CLEOPATRA

  (Greek passage)

  Alexis: Tarantini.

  As men who leave their homes for public games,

  We leave our native element of darkness

  For life’s brief light. And who has most of mirth,

  And wine, and love, may, like a satisfied guest,

  Return, contented, to the night he sprang from.

  In the meantime Mr. Falconer, after staying somewhat longer than usual at home, had returned to the Grange. He found much the same party as he had left: but he observed, or imagined, that Lord Curryfin was much more than previously in favour with Miss Gryll; that she paid him more marked attention, and watched his conduct to Miss Niphet with something more than curiosity.

  Amongst the winter evenings’ amusements were two forms of quadrille: the old-fashioned game of cards, and the more recently fashionable dance. On these occasions it was of course a carpet-dance. Now, dancing had never been in Mr. Falconer’s line, and though modern dancing, especially in quadrilles, is little more than walking, still in that ‘little more’ there is ample room for grace and elegance of motion.

  Herein Lord Curryfin outshone all the other young men in the circle. He endeavoured to be as indiscriminating as possible in inviting partners: but it was plain to curious observation, especially if a spice of jealousy mingled with the curiosity, that his favourite partner was Miss Niphet. When they occasionally danced a polka, the reverend doctor’s mythological theory came out in full force. It seemed as if Nature had preordained that they should be inseparable, and the interior conviction of both, that so it ought to be, gave them an accordance of movement that seemed to emanate from the innermost mind. Sometimes, too, they danced the Minuet de la Cour.

  Having once done it, they had been often unanimously requested to repeat it. In this they had no competitors. Miss Gryll confined herself to quadrilles, and Mr. Falconer did not even propose to walk through one with her. When dancing brought into Miss Niphet’s cheeks the blush-rose bloom, which had more than once before so charmed Lord Curryfin, it required little penetration to see, through his external decorum, the passionate admiration with which he regarded her. Mr. Falconer remarked it, and, looking round to Miss Gryll, thought he saw the trace of a tear in her eye. It was a questionable glistening: jealousy construed it into a tear. But why should it be there? Was her mind turning to Lord Curryfin? and the more readily because of a newly-perceived obstacle? Had mortified vanity any share in it? No: this was beneath Morgana. Then why was it there? Was it anything like regret that, in respect of the young lord, she too had lost her opportunity? W
as he himself blameless in the matter? He had been on the point of declaration, and she had been apparently on the point of acceptance: and instead of following up his advantage, he had been absent longer than usual. This was ill; but in the midst of the contending forces which severally acted on him, how could he make it well? So he sate still, tormenting himself.

  In the meantime, Mr. Gryll had got up at a card-table, in the outer, which was the smaller drawing-room, a quadrille party of his own, consisting of himself, Miss Ilex, the Reverend Dr. Opimian, and Mr. MacBorrowdale.

  Mr. Gryll. This is the only game of cards that ever pleased me. Once it was the great evening charm of the whole nation. Now, when cards are played at all, it has given place to whist, which, in my younger days, was considered a dry, solemn, studious game, played in moody silence, only interrupted by an occasional outbreak of dogmatism and ill-humour. Quadrille is not so absorbing but that we may talk and laugh over it, and yet is quite as interesting as anything of the kind has need to be.

  Miss Ilex. I delight in quadrille. I am old enough to remember when, in mixed society in the country, it was played every evening by some of the party. But Chaque âge a ses plaisirs, son esprit, et ses mours. It is one of the evils of growing old that we do not easily habituate ourselves to changes of custom. The old, who sit still while the young dance and sing, may be permitted to regret the once always accessible cards, which, in their own young days, delighted the old of that generation: and not the old only.

  The Rev. Dr. Opimian. There are many causes for the diminished attraction of cards in evening society. Late dinners leave little evening. The old time for cards was the interval between tea and supper. Now there is no such interval, except here and there in out-of-the-way places, where, perhaps, quadrille and supper may still flourish, as in the days of Queen Anne. Nothing was more common in country towns and villages, half-a-century ago, than parties meeting in succession at each other’s houses for tea, supper, and quadrille. How popular this game had been, you may judge from Gay’s ballad, which represents all classes as absorbed in quadrille. Then the facility of locomotion dissipates, annihilates neighbourhood.

 

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