In search of the miraculous

by Ouspensky

  "In such cases there is an essential difference between ascending and descending octaves.

  "In an ascending octave the first 'interval' comes between mi and fa. If corresponding additional energy enters at this point the octave will develop without hindrance to si, but between si and do it needs a much stronger 'additional shock' for its right development than between mi and fa, because the vibrations of the octave at this point are of a considerably higher pitch and to overcome a check in the development of the octave a greater intensity is needed.

  "In a descending octave, on the other hand, the greatest 'interval' occurs at the very beginning of the octave, immediately after the first do and the material for filling it is very often found either in do itself or in the lateral vibrations evoked by do. For this reason a descending octave develops much more easily than an ascending octave and in passing beyond si it reaches fa without hindrance; here an 'additional shock' is neces-

  sary, though considerably less strong than the first 'shock' between do and si.

  "In the big cosmic octave, which reaches us in the form of the ray of creation, we can see the first complete example of the law of octaves. The ray of creation begins with the Absolute. The Absolute is the All. The All, possessing full unity, full will, and full consciousness, creates worlds within itself, in this way beginning the descending world octave. The Absolute is the do of this octave. The worlds which the Absolute creates in itself are si. The 'interval' between do and si in this case is filled by the will of the Absolute. The process of creation is developed further by the force of the original impulse and an 'additional shock.' Si passes into la which for us is our star world, the Milky Way. La passes into sol—our sun, the solar system. Sol passes into fa—the planetary world. And here between the planetary world as a whole and our earth occurs an 'interval.' This means that the planetary radiations carrying various influences to the earth are not able to reach it, or, to speak more correctly, they are not received, the earth reflects them. In order to fill the 'interval' at this point of the ray of creation a special apparatus is created for receiving and transmitting the influences coming from the planets. This apparatus is organic life on earth. Organic life transmits to the earth all the influences intended for it and makes possible the further development and growth of the earth, mi of the cosmic octave, and then of the moon or re, after which follows another do—Nothing. Between All and Nothing passes the ray of creation.

  "You know the prayer 'Holy God, Holy the Firm, Holy the Immortal'? This prayer comes from ancient knowledge. Holy God means the Absolute or All. Holy the Firm also means the Absolute or Nothing. Holy the Immortal signifies that which is between them, that is, the six notes of the ray of creation, with organic life. All three taken together make one. This is the coexistent and indivisible Trinity.

  "We must now dwell on the idea of the 'additional shocks' which make it possible for the lines of forces to reach a projected aim. As I said before, shocks may occur accidentally. Accident is of course a very uncertain thing. But those lines of development of forces which are straightened out by accident, and which man can sometimes see, or suppose, or expect, create in him more than anything else the illusion of straight lines. That is to say, he thinks that straight lines are the rule and broken and interrupted lines the exception. This in its turn creates in him the illusion that it is possible to do; possible to attain a projected aim. In reality a man can do nothing. If by accident his activity gives a result, even though it resembles only in appearance or in name the original aim, a man assures himself and others that he has attained the aim which he set before him­self and that anyone else would also be able to attain his aim, and others believe him. In reality this is illusion. A man can win at roulette. But this would be accident. Attaining an aim which one has set before oneself in life or in any particular sphere of human activity is just the same kind of accident. The only difference is that in regard to roulette a man at least knows for certain whether he has lost or won on each separate occasion, that is, on each separate stake. But in the activities of his life, particularly with activities of the kind that many people are concerned in and when years pass between the beginning of something and its result, a man can very easily deceive himself and take the result 'obtained' as the result desired, that is, believe that he has won when on the whole he has lost.

  "The greatest insult for a 'man-machine' is to tell him that he can do nothing, can attain nothing, that he can never move towards any aim whatever and that in striving towards one he will inevitably create another. Actually of course it cannot be otherwise. The 'man-machine' is in the power of accident. His activities may fall by accident into some sort of channel which has been created by cosmic or mechanical forces and they may by accident move along this channel for a certain time, giving the illusion that aims of some kind are being attained. Such accidental correspondence of results with the aims we have set before us or the attainment of aims in small things which can have no consequences creates in mechanical man the conviction that he is able to attain any aim, 'is able to conquer nature' as it is called, is able to 'arrange the whole of his life,' and so on.

  "As a matter of fact he is of course unable to do anything of the kind because not only has he no control over things outside himself but he has no control even over things within himself. This last must be very clearly understood and assimilated; at the same time it must be understood that control over things begins with control over things in ourselves, with control over ourselves. A man who cannot control himself, or the course of things within himself, can control nothing.

  "In what way can control be attained?

  "The technical part of this is explained by the law of octaves. Octaves can develop consecutively and continuously in the desired direction if 'additional shocks' enter them at the moments necessary, that is, at the moments when vibrations slow down. If 'additional shocks' do not enter at the necessary moments octaves change their direction. To entertain hopes of accidental 'shocks' coming from somewhere by themselves at the moments necessary is of course out of the question. There remains for a man the choice either of finding a direction for his activities which corresponds to the mechanical line of events of a given moment, in other words of 'going where the wind blows' or 'swimming with the stream,' even if this contradicts his inner inclinations, convictions, and sympathies, or of reconciling himself to the failure of everything he starts out

  to do; or he can learn to recognize the moments of the 'intervals' in all lines of his activity and learn to create the 'additional shocks,' in other words, learn to apply to his own activities the method which cosmic forces make use of in creating 'additional shocks' at the moments necessary.

  "The possibility of artificial, that is, specially created, 'additional shocks' gives a practical meaning to the study of the law of octaves and makes this study obligatory and necessary if a man desires to step out of the role of passive spectator of that which is happening to him and around him.

  "The 'man-machine' can do nothing. To him and around him everything happens. In order to do it is necessary to know the law of octaves, to know the moments of the 'intervals' and be able to create necessary 'additional shocks.'

  "It is only possible to learn this in a school, that is to say, in a rightly organized school which follows all esoteric traditions. Without the help of a school a man by himself can never understand the law of octaves, the points of the 'intervals,' and the order of creating 'shocks.' He cannot understand because certain conditions are necessary for this purpose, and these conditions can only be created in a school which is itself created upon these principles.

  "How a school is created on the principles of the law of octaves will be explained in due course. And this in its turn will explain to you one aspect of the union of the law of seven with the law of three. In the meantime it can be said only that in school teaching, a man is given examples of both descending (creative) and ascending (or evolutionary) cosmic octaves. Western thought, knowing ne
ither about octaves nor about the law of three, confuses the ascending and the descending lines and does not understand that the line of evolution is opposed to the line' of creation, that is to say, it goes against it as though against the stream.

  "In the study of the law of octaves it must be remembered that octaves in their relation to each other are divided into fundamental and subordinate. The fundamental octave can be likened to the trunk of a tree giving off branches of lateral octaves. The seven fundamental notes of the octave and the two 'intervals,' the bearers of new directions, give altogether nine links of a chain, three groups of three links each.

  "The fundamental octaves are connected with the secondary or subordinate octaves in a certain definite way. Out of the subordinate octaves of the first order come the subordinate octaves of the second order, and so on. The construction of octaves can be compared with the construction of a tree. From the straight basic trunk there come out boughs on all sides which divide in their turn and pass into branches- becoming smaller and smaller, and finally are covered with leaves. The same process goes on in the construction of the leaves, in the formation of the veins, the serrations, and so on.

  "Like everything in nature the human body which represents a certain whole bears both within and without the same correlations. According to the number of the notes of the octave and its 'intervals,' the human body has nine basic measurements expressed by the numbers of a definite measure. In individuals these numbers of course differ widely but within certain definite limits. These nine basic measurements, giving a full octave of the first order, by combining in a certain definite way pass into measurements of subordinate octaves, which give rise in their turn to other subordinate octaves, and so on. In this way it is possible to obtain the measurements of any member or any part of the human body as they are all in a definite relationship one to another."

  The law of octaves naturally gave rise to a great many talks in our group and to much perplexity. G. warned us all the time against too much theorizing.

  "You must understand and feel this law in yourselves," he said. "Only then will you see it outside yourselves."

  This of course is true. But the difficulty was not only in this. Merely a "technical" understanding of the law of octaves requires a lot of time. And we returned to it continually, sometimes making unexpected discoveries, sometimes again losing what had seemed to us already established.

  It is now difficult to convey how at different periods now one and now another idea became the center of gravity in our work, attracted the greatest attention, gave rise to most talks. The idea of the law of octaves became in its way a permanent center of gravity. We returned to it on every occasion; we spoke of it and discussed its various aspects at every meeting until we began gradually to think of everything from the point of view of this idea.

  In his first talk G. gave only a general outline of the idea and he constantly returned to it himself, pointing out to us its different aspects and meanings.

  At one of the following meetings he gave us a very interesting picture of another meaning of the law of octaves which went deeply into things.

  "In order better to understand the significance of the law of octaves it is necessary to have a clear idea of another property of vibrations, namely the so-called 'inner vibrations.' This means that within vibrations other vibrations proceed, and that every octave can be resolved into a great number of inner octaves.

  "Each note of any octave can be regarded as an octave on another plane.

  "These inner vibrations proceed simultaneously in 'media' of different density, interpenetrating one another; they are reflected in one another, give rise to one another; stop, impel, or change one another.

  "Let us imagine vibrations in a substance or a medium of a certain definite density. Let us suppose this substance or medium to consist of the comparatively coarse atoms of world 48, each of which is, so to speak, an agglomeration of forty-eight primordial atoms. The vibrations which proceed in this medium are divisible into octaves and the octaves are divisible into notes. Let us imagine that we have taken one octave of these vibrations for the purpose of some kind of investigation. We must realize that within the limits of this octave proceed the vibrations of a still finer substance. The substance of world 48 is saturated with substance of world 24; the vibrations in the substance of world 24 stand in a definite relation to the vibrations in the substance of world 48; namely, each note of the vibrations in the substance of world 48 contains a whole octave of vibrations in the substance of world 24.

  "These are the inner octaves.

  "The substance of world 24 is, in its turn, permeated with the substance of world 12. In this substance also there are vibrations and each note of the vibrations of world 24 contains a whole octave of the vibrations of world 12. The substance of world 12 is permeated with the substance of world 6. The substance of world 6 is permeated with the substance of world 3. World 3 is permeated with the substance of world 1. Corre­sponding vibrations exist in each of these worlds and the order remains always the same, namely, each note of the vibrations of a coarser substance contains a whole octave of the vibrations of a finer substance.

  "Each note of these inner octaves again contains a whole octave and so on, for some considerable way, but not ad infinitum, because there is a definite limit to the development of inner octaves.

  Fig. 17

  "If we begin with vibrations of world 48, we can say that one note of the vibrations in this world contains an octave or seven notes of the vibrations of the planetary world. Each note of the vibrations of the planetary world contains seven notes of the vibrations of the world of the sun. Each vibration of the world of the sun will contain seven notes of the vibrations of the starry world and so on.

  "The study of inner octaves, the study of their relation to outer octaves and the possible influence of the former upon the latter, constitute a very important part of the study of the world and of man."

  At the next meeting G. again spoke of the ray of creation, partly repeating and partly supplementing and developing what he had already said.

  "The ray of creation like every other process which is complete at a given moment can be regarded as an octave. This would be a de­scending octave in which do passes into si, si into la and so on.

  "The Absolute or All (world 1) will be do; all worlds (world 3)—si; all suns (world 6)— la; our sun (world 12)—sol; all planets (world 24)—fa; the earth (world 48)—mi: the moon (world 96)—re. The ray of creation begins with the Absolute. The Absolute is All It ALL WORLDS is—do.

  "The ray of creation ends in the moon. Beyond the moon there is nothing. This also is the Absolute—do.

  fa

  SUN

  ©

  la

  si

  do

  О

  ABSOLUTE

  0

  0

  AU SUNS

  sol

  0

  ALL PLANETS

  "In examining the ray of creation or cosmic octave we see that 'intervals' should come in the development of this octave: the first between do and si, that is between world 1 and world 3, between the Absolute and 'all worlds,' and the second between fa and mi, that is, between world 24 and world 48, between 'all planets' and the earth. But the first 'interval' is filled by the will of the Absolute. One of the manifestations of the will of the Absolute consists precisely in the filling of this 'interval' by means of a conscious manifestation of neu­tralizing force which fills up the 'interval' between the active and the passive forces. With the second 'interval' the situation is more complicated. Something is missing between the planets and the earth. Planetary influences cannot pass to the earth consecutively and folly. An 'additional shock' is indispensable; the creation of some new conditions to insure a proper passage of forces is indispensable.

  V

  EARTH

  MOON

  ABSOLUTE / do Fig. 18

  "The conditions to insure the passage of forces ar
e created by the arrangement of a special mechanical contrivance between the planets and the earth. This mechanical contrivance, this 'transmitting station of forces' is organic life on earth. Organic life on earth was created to fill the interval between the planets and the earth.

  "Organic life represents so to speak the earth's organ of perception. Organic life forms something like a sensitive film which covers the whole of the earth's globe and takes in those influences coming from the planetary sphere which otherwise would not be able to reach the earth. The vegetable, animal, and human kingdoms are equally important for the earth in this respect. A field merely covered with grass takes in planetary influences of a definite kind and transmits them to the earth. The same field with a crowd of people on it will take in and transmit other influences. The population of Europe takes in one kind of planetary influences and transmits them to the earth. The population of Africa takes in planetary influences of another kind, and so on.

  "All great events in the life of the human masses are caused by planetary influences. They are the result of the taking in of planetary influences. Human society is a highly sensitive mass for the reception of planetary influences. And any accidental small tension in planetary spheres can be reflected for years in an increased animation in one or another sphere of human activity. Something accidental and very transient takes place in planetary space. This is immediately received by the human masses, and people begin to hate and to kill one another, justifying their actions by some theory of brotherhood, or equality, or love, or justice.

  "Organic life is the organ of perception of the earth and it is at the same time an organ of radiation. With the help of organic life each portion of the earth's surface occupying a given area sends every moment certain kinds of rays in the direction of the sun, the planets, and the moon. In connection with this the sun needs one kind of radiations, the planets another kind, and the moon another. Everything that happens on earth creates radiations of this kind. And many things often happen just because certain kinds of radiation are required from a certain place on the earth's surface."