In search of the miraculous

by Ouspensky

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  The three kinds of food and the digestion of H768 and H192 in the organism with the help of one mechanical "shock." The normal state of the organism and the normal production of finer substances from the products of nutrition.

  Fig. 36

  "There is, however, a possibility of increasing the output, that is, of enabling the air octave and the impression octave to develop further. For this purpose it is necessary to create a special kind of 'artificial shock' at the point where the beginning of the third octave is arrested. This means that the 'artificial shock' must be applied to the note do 48.

  "But what is meant by an 'artificial shock'? It is connected with the moment of the reception of an impression. The note do 48 designates the moment when an impression enters our consciousness. An 'artificial shock' at this point means a certain kind of effort made at the moment of receiving an impression.

  "It has been explained before that in ordinary conditions of life we do not remember ourselves; we do not remember, that is, we do not feel ourselves, are not aware of ourselves at the moment of a perception, of an emotion, of a thought or of an action. If a man understands this and tries to remember himself, every impression he receives while remembering himself will, so to speak, be doubled. In an ordinary psychic state I simply look at a street. But if I remember myself, I do not simply look at the street; I feel that I am looking, as though saying to myself: 'I am looking.' Instead of one impression of the street there are two impressions, one of the street and another of myself looking at it. This second impression, produced by the fact of my remembering myself, is the 'additional shock.' Moreover, it very often happens that the additional sensation connected with self-remembering brings with it an element of emotion, that is, the work of the machine attracts a certain amount of 'carbon' 12 to the place in question. Efforts to remember oneself, observation of oneself at the moment of receiving an impression, observation of one's impressions at the moment of receiving them, registering, so to speak, the reception of impressions and the simultaneous defining of the impressions received, all this taken together doubles the intensity of the impressions and carries do 48 to re 24. At the same time the effort connected with the transition of one note to another and the passage of 48 itself to 24 enables do 48 of the third octave to come into contact with mi 48 of the second octave and to give this note the requisite amount of energy necessary for the transition of mi to fa. In this way the 'shock' given to do 48 extends also to mi 48 and enables the second octave to develop.

  "Mi 48 passes to fa 24; fa 24 passes to sol 12; sol 12 passes to la 6. La 6 is the highest matter produced by the organism from air, that is, from the second kind of food. This however is obtained only by making a conscious effort at the moment an impression is received. (See Fig. 37.)

  "It is necessary to understand what this means. We all breathe the same air. Apart from the elements known to our science the air contains a great number of substances unknown to science, indefinable for it and inaccessible to its observation. But exact analysis is possible both of the air inhaled and of the air exhaled. This exact analysis shows that although

  the air inhaled by different people is exactly the same, the air exhaled is quite different. Let us suppose that the air we breathe is composed of twenty different elements unknown to our science. A certain number of these elements are absorbed by every man when he breathes. Let us suppose that five of these elements are always absorbed. Consequently the air exhaled by every man is composed of fifteen elements; five of them have gone to feeding the organism. But some people exhale not fifteen but only ten elements, that is to say, they absorb five elements more. These five elements are higher 'hydrogens.' These higher 'hydrogens' are present in every small particle of air 'we inhale. By inhaling air we introduce these higher 'hydrogens' into ourselves, but if our organism does not know how to extract them out of the particles of air, and retain them, they are exhaled back into the air. If the organism is able to extract and retain them, they remain in it. In this way we all breathe the same air but we extract different substances from it. Some extract more, others less.

  "In order to extract more, it is necessary to have in our organism a certain quantity of corresponding fine substances. Then the fine substances contained in the organism act like a magnet on the fine substances contained in the inhaled air. We come again to the old alchemical law: 'In order to make gold, it is first of all necessary to have a certain quantity of real gold.' 'If no gold whatever is possessed, there is no means whatever of making it.'

  "The whole of alchemy is nothing but an allegorical description of the human factory and its work of transforming base metals (coarse substances) into precious ones (fine substances).

  "We have followed the development of two octaves. The third octave, that is, the octave of impressions, begins through a conscious effort. Do 48 passes to re 24; re 24 passes to mi 12. At this point the development of the octave comes to a stop. (See Fig. 38.)

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  Development of the octave of impres­sions after the first conscious "shock."

  Fig. 38

  "Now if we examine the result of the development of these three octaves, we shall see that the first octave has reached si 12, the second la 6, and the third mi 12. Thus the first and third octaves stop at notes which are unable to pass to the following notes.

  The complete picture of the intensive work of the organism and of the in­tensive production of substances from the products of nutrition after the

  first conscious "shock." __

  Fig. 39

  "For the two octaves to develop further, a second conscious shock is needed at a certain point in the machine, a new conscious effort is necessary which will enable the two octaves to continue their development. The nature of this effort demands special study. From the point of view of the general work of the machine it can be said in general that this effort is connected with the emotional life, that it is a special kind of influence over one's emotions. But what this kind of influence really is, and how it has to be produced, can be explained only in connection with a general description of the work of the human factory or the human machine.

  "The practice of not expressing unpleasant emotions, of not 'identifying,' of not 'considering inwardly,' is the preparation for the second effort.

  "If we now take the work of the human factory as a whole, we shall be able to see at the moments when the production of fine substances is arrested by what means we can increase the productivity of the factory. We see that, under ordinary conditions and working with one mechanical 'shock' the factory produces a very small quantity of the fine substances, in fact only si 12. Working with one mechanical and one conscious 'shock' the factory now produces a much greater quantity of the fine substances. Working with two conscious 'shocks' the factory will produce a quantity of the fine substances such as, in the course of time, will completely change the character of the factory itself.

  "The three-story factory represents the universe in miniature and is constructed according to the same laws and on the same plan as the whole universe.

  "In order to understand the analogy between man, the human organism, and the universe, let us take the world as we did before in the form of three octaves from the Absolute to the sun, from the sun to the earth, and from the earth to the moon. Each of these three octaves lacks a semitone between fa and mi and in each octave the place of this missing semitone is taken by a certain kind of 'shock' which is created artificially at the given point. If we now begin to look for an analogy between the three-story factory and the three octaves of the universe, we ought to realize that the three 'additional shocks' in the three octaves of the universe correspond to the three kinds of food entering the human organism. The 'shock' in the lower octave corresponds to physical food; this 'shock' is do 768 of
the cosmic three-story factory. The 'shock' in the middle octave corresponds to air. It is do 192 of the cosmic factory. The 'shock' in the upper octave corresponds to impressions; it is do 48 of the cosmic factory. In the inner work of this cosmic three-story factory all three kinds of food undergo the same transformation as in the human factory, on the same plan and in accordance with the same laws. A further study of the analogy between man and the universe is possible only after an exact study of the human machine and after the respective 'places' of each of the 'hydrogens' in our organism has been established exactly. This means thatto proceed with any further study we must find the exact purpose of each 'hydrogen,' that is to say, each 'hydrogen' must be defined chemically, psychologically, physiologically, and anatomically, in other words, its functions, its place in the human organism, and, if possible, the peculiar sensations connected with it must be defined.

  "The study of the work of the human organism as a chemical factory shows us three stages in the evolution of the human machine.

  "The first stage refers to the work of the human organism as it has been created by nature, that is to say, to the life and functions of man number one, number two, and number three. The first octave, that is, the octave of food, develops in a normal way to mi 192. At this point it automatically receives a 'shock' from the beginning of the second octave, and its development goes on consecutively to si 12. The second octave, that is, the air octave, begins with do 192 and develops to mi 48 where it stops. The third octave, that is, the octave of impressions, begins with do 48 and stops there. Thus seven notes of the first octave, three notes of the second, and one note of the third octave represent a complete picture of the work of the 'human factory' in its first or natural stage. Nature has provided only one 'shock,' that is, the 'shock' received from the entrance of the second octave which helps mi of the first octave to pass to fa. But nature did not foresee and did not provide for the second 'shock,' that is, the 'shock' that would help the development of the third octave and thereby enable mi of the second octave to pass to fa. A man must create this 'shock' by his own personal efforts if he desires to increase the output of the fine hydrogens in his organism.

  "The second stage refers to the work of the human organism when a man creates a conscious volitional 'shock' at the point do 48. In the first place this volitional 'shock' is transmitted to the second octave which develops as far as sol 12, or even further up to la 6 and so on, if the work of the organism is sufficiently intense. The same 'shock' also enables the third octave to develop, that is, the octave of impressions which in this event reaches mi 12. Thus in the second stage of the work of the human organism, we see the full development of the second octave and three notes of the third octave. The first octave has stopped at the note si 12, the third at the note mi 12. Neither of these octaves can proceed any further without a fresh 'shock.' The nature of this second 'shock' cannot be so easily described as the nature of the first volitional 'shock' at do 48. In order to understand the nature of this 'shock' it is necessary to understand the meaning of si 12 and mi 12.

  "The effort which creates this 'shock' must consist in work on the emotions, in the transformation and transmutation of the emotions. This transmutation of the emotions will then help the transmutation of si 12 in the human organism. No serious growth, that is, no growth of higher bodies within the organism, is possible without this transmutation. The idea of this transmutation was known to many ancient teachings as well as to some comparatively recent ones, such as the alchemy of the Middle Ages. But the alchemists spoke of this transmutation in the allegorical forms of the transformation of base metals into precious ones. In reality, however, they meant the transformation of coarse 'hydrogens' into finer ones in the human organism, chiefly of the transformation of mi 12. If this transformation is attained, a man can be said to have 'achieved what he was striving for, and it can also be said that, until this transformation is attained, all results attained by a man can be lost because they are not fixed in him in any way; moreover, they are attained only in the spheres of thought and emotion. Real, objective results can be obtained only after the transmutation of mi 12 has begun.

  "Alchemists who spoke of this transmutation began directly with it. They knew nothing, or at least they said nothing, about the nature of the first volitional 'shock.' It is upon this, however, that the whole thing depends. The second volitional 'shock' and transmutation become physically possible only after long practice on the first volitional 'shock,' which consists in self-remembering, and in observing the impressions received. On the way of the monk and on the way of the fakir work on the second 'shock' begins before work on the first 'shock,' but as mi 12 is created only as a result of the first 'shock,' work, in the absence of other material, has of necessity to be concentrated on si 12, and it very often gives quite wrong results. Right development on the fourth way must begin with the first volitional 'shock' and then pass on to the second 'shock' at mi 12.

  "The third stage in the work of the human organism begins when man creates in himself a conscious second volitional 'shock' at the point mi 12, when the transformation or transmutation of these 'hydrogens' into higher 'hydrogens' begins in him. The second stage and the beginning of the third stage refer to the life and functions of man number four. A fairly considerable period of. transmutation and crystallization is needed for the transition of man number four to the level of man number five.

  "When the 'table of hydrogens' has been sufficiently understood, it shows immediately many new features in the work of the human machine, establishing clearly before anything else the reasons for the differences between the centers and their respective functions.

  "The centers of the human machine work with different 'hydrogens.' This constitutes their chief difference. The center working with a coarser, heavier, denser 'hydrogen' works the slower. The center working with light, more mobile 'hydrogen' works the quicker.

  The thinking or intellectual center is the slowest of all the three centers we have examined up to now. It works with 'hydrogen' 48 (according to the third scale of the 'table of hydrogens').

  "The moving center works with 'hydrogen' 24. 'Hydrogen* 24 is many times quicker and more mobile than 'hydrogen' 48. The intellectual center is never able to follow the work of the moving center. We are unable to follow either our own movements or other people's movements unless they are artificially slowed down. Still less are we able to follow the work of the inner, the instinctive functions of our organism, the work of the instinctive mind which constitutes, as it were, one side of the moving center.

  "The emotional center can work with 'hydrogen' 12. In reality, however, it very seldom works with this fine 'hydrogen.' And in the majority of cases its work differs little in intensity and speed from the work of the moving center or the instinctive center.

  "In order to understand the work of the human machine and its possibilities, one must know that, apart from these three centers and those connected with them, we have two more centers, fully developed and properly functioning, but they are not connected with our usual life nor with the three centers in which we are aware of ourselves.

  "The existence of these higher centers in us is a greater riddle than the hidden treasure which men who believe in the existence of the mysterious and the miraculous have sought since the remotest times.

  "All mystical and occult systems recognize the existence of higher forces and capacities in man although, in many cases, they admit the existence of these forces and capacities only in the form of possibilities, and speak of the necessity for developing the hidden forces in man. This present teaching differs from many others by the fact that it affirms that the higher centers exist in man and are fully developed.

  "It is the lower centers that are undeveloped. And it is precisely this lack of development, or the incomplete functioning, of the lower centers that prevents us from making use of the work of the higher centers.

  "As has been said earlier, there are two higher centers:

 
; "The higher emotional center, working with hydrogen 12, and

  "The higher thinking center, working with hydrogen 6.

  "If we consider the work of the human machine from the point of view of the 'hydrogens' which work the centers, we shall see why the higher centers cannot be connected with the lower ones.

  "The intellectual center works with hydrogen 48; the moving center with hydrogen 24.

  "If the emotional center were to work with hydrogen 12, its work would be connected with the work of the higher emotional center. In those cases where the work of the emotional center reaches the intensity and speed of existence which is given by hydrogen 12, a temporary connection with the higher emotional center takes place and man experiences new emotions, new impressions hitherto entirely unknown to him, for the description of which he has neither words nor expressions. But in ordinary con­ditions the difference between the speed of our usual emotions and the speed of the higher emotional center is so great that no connection can take place and we fail to hear within us the voices which are speaking and calling to us from the higher emotional center.

  "The higher thinking center, working with hydrogen 6, is still further removed from us, still less accessible. Connection with it is possible only through the higher emotional center. It is only from descriptions of mystical experiences, ecstatic states, and so on, that we know cases of such connections. These states can occur on the basis of religious emotions, or, for short moments, through particular narcotics; or in certain pathological states such as epileptic fits or accidental traumatic injuries to the brain, in which cases it is difficult to say which is the cause and which is the effect, that is, whether the pathological state results from this connection or is its cause.

  "If we could connect the centers of our ordinary consciousness with the higher thinking center deliberately and at will, it would be of no use to us whatever in our present general state. In most cases where accidental contact with the higher thinking center takes place a man becomes unconscious. The mind refuses to take in the flood of thoughts, emotions, images, and ideas which suddenly burst into it. And instead of a vivid thought, or a vivid emotion, there results, on the contrary, a complete blank, a state of unconsciousness. The memory retains only the first moment when the flood rushed in on the mind and the last moment when the flood was receding and consciousness returned. But even these moments are so full of unusual shades and colors that there is nothing with which to compare them among the ordinary sensations of life. This is usually all that remains from so-called 'mystical' and 'ecstatic' experiences, which represent a temporary connection with a higher center. Only very seldom does it happen that a mind which has been better prepared succeeds in grasping and remembering something of what was felt and understood at the moment of ecstasy. But even in these cases the thinking, the moving, and the emotional centers remember and transmit everything in their own way, translate absolutely new and never previously experienced sensations into the language of usual everyday sensations, transmit in worldly three-dimensional forms things which pass completely beyond the limits of worldly measurements; in this way, of course, they entirely distort every trace of what remains in the memory of these unusual experiences. Our ordinary centers, in transmitting the impressions of the higher centers, may be compared to a blind man speaking of colors, or to a deaf man speaking of music.