SERIAL KILLERS UNCUT - The Complete Psycho Thriller (The Complete Epic)

by Blake Crouch

  “I just want you-”

  “Shut your mouth. You’ll receive a plane ticket in the mail. Take the flight. Pack clothes, toiletries, nothing else. You spent last summer in Aruba. Tell your friends you’re going again.”

  “How did you know that?”

  “I know many things, Andrew.”

  “I have a book coming out,” I pleaded. “I’ve got readings scheduled. My agent—”

  “Lie to her.”

  “She won’t understand me just leaving like this.”

  “Fuck Cynthia Mathis. You lie to her for your safety, because if I even suspect you’ve brought someone along or that someone knows, you’ll go to jail or you’ll die. One or the other, guaranteed. And I hope you aren’t stupid enough to trace this number. I promise you it’s stolen.”

  “How do I know I won’t be hurt?”

  “You don’t. But if I get off the phone with you and I’m not convinced you’ll be on that flight, I’ll call the police tonight. Or I may visit you while you’re sleeping. You’ve got to put that Smith and Wesson away sometime.”

  I stood up and spun around, the gun clenched in my sweaty hands. The house was silent, though chimes on the deck were clanging in a zephyr. I looked through the large living room windows at the black lake, its wind-rippled surface reflecting the pier lights. The blue light at the end of Walter’s pier shone out across the water from a distant inlet. His “Gatsby light,” we called it. My eyes scanned the grass and the edge of the trees, but it was far too dark to see anything in the woods.

  “I’m not in the house,” he said. “Sit down.”

  I felt something well up inside of me-anger at the fear, rage at this injustice.

  “Change of plan,” I said. “I’m going to hang up, dial nine one one, and take my chances. You can go-”

  “If you aren’t motivated by self-preservation, there’s an old woman named Jeanette I could-”

  “I’ll kill you.”

  “Sixty-five, lives alone, I think she’d love the company. What do you think? Do I have to visit your mother to show you I’m serious? What is there to consider? Tell me you’ll be on that plane, Andrew. Tell me so I don’t have to visit your mother tonight.”

  “I’ll be on that plane.”

  The phone clicked, and he was gone.

  And now an excerpt of LOCKED DOORS by Blake Crouch, featuring Luther Kite, Andy Thomas, Violet King, and Sweet-Sweet and Beautiful…

  The headline on the Arts and Leisure page read: Publisher to Reissue Five Thrillers by Alleged Murderer Andrew Z. Thomas.

  All it took was seeing his name.

  Karen Prescott dropped The New York Times and walked over to the window.

  Morning light streamed across the clutter of her cramped office—query letters and sample chapters stacked in two piles on the floor beside the desk, a box of galleys shoved under the credenza. She peered out the window and saw the fog dissolving, the microscopic crawl of traffic now materializing on Broadway through the cloud below.

  Leaning against a bookcase that housed many of the hardcovers she’d guided to publication, Karen shivered. The mention of Andrew’s name always unglued her.

  For two years she’d been romantically involved with the suspense novelist and had even lived with him during the writing of Blue Murder at the same lake house in North Carolina where many of his victims were found.

  She considered it a latent character defect that she’d failed to notice anything sinister in Andy beyond a slight reclusive tendency.

  My God, I almost married him.

  She pictured Andy reading to the crowd in that Boston bookshop the first time they met. In a bathrobe writing in his office as she brought him fresh coffee (French roast, of course). Andy making love to her in a flimsy rowboat in the middle of Lake Norman.

  She thought of his dead mother.

  The exhumed bodies from his lakefront property.

  His face on the FBI website.

  They’d used his most recent jacket photo, a black-and-white of Andy in a sports jacket sitting broodingly at the end of his pier.

  During the last few years she’d stopped thinking of him as Andy. He was Andrew Thomas now and embodied all the horrible images the cadence of those four syllables invoked.

  There was a knock.

  Scott Boylin, publisher of Ice Blink Press’s literary imprint, stood in the doorway dressed in his best bib and tucker. Karen suspected he was gussied up for the Doubleday party.

  He smiled, waved with his fingers.

  She crossed her arms, leveled her gaze.

  God, he looked streamlined today—very tall, fit, crowned by thick black hair with dignified intimations of silver.

  He made her feel little. In a good way. Because Karen stood nearly six feet tall, few men towered over her. She loved having to look up at Scott.

  They’d been dating clandestinely for the last four months. She’d even given him a key to her apartment, where they spent countless Sundays in bed reading manuscripts, the coffee-stained pages scattered across the sheets.

  But last night she’d seen him at a bar in SoHo with one of the cute interns. Their rendezvous did not look work-related.

  “Come to the party with me,” he said. “Then we’ll go to Il Piazza. Talk this out. It’s not what you—”

  “I’ve got tons of reading to catch up—”

  “Don’t be like that, Karen. Come on.”

  “I don’t think it’s appropriate to have this conversation here, so …”

  He exhaled sharply through his nose and the door closed hard behind him.

  Joe Mack was stuffing his pink round face with a gyro when his cell phone started ringing to the tune of “Staying Alive.”

  He answered, cheeks exploding with food, “This Joe.”

  “Hi, yes, um, I’ve got a bit of an interesting problem.”

  “Whath?”

  “Well, I’m in my apartment, but I can’t get the deadbolt to turn from the inside.”

  Joe Mack choked down a huge mouthful, said, “So you’re locked in.”

  “Exactly.”

  “Which apartment?” He didn’t even try to mask the annoyance in his voice.

  “Twenty-two eleven.”

  “Name?”

  “Um … I’m not the tenant. I’m Karen Prescott’s friend. She’s the—”

  “Yeah, I get it. You need to leave anytime soon?”

  “Well, yeah, I don’t want to—”

  Joe Mack sighed, closed the cell phone, and devoured the last of the gyro.

  Wiping his hands on his shirt, he heaved himself from a debilitated swivel chair and lumbered out of the office, locking the door behind him.

  The lobby was quiet for midday and the elevator doors spread as soon as he pressed the button. He rode up wishing he’d bought three gyros for lunch instead of two.

  The doors opened again and he walked onto the twenty-second floor, fishing the key ring containing the master from the pocket of his enormous overalls.

  He belched.

  It echoed down the empty corridor.

  Man, was he hungry.

  He stopped at 2211, knocked, yelled through the door, “It’s the super!”

  No one answered.

  Joe Mack inserted the master into the deadbolt. It turned easily enough.

  He pushed the door open.

  “Hello?” he said, standing in the threshold, admiring the apartment—roomy, flat-screen television, lush deep blue carpet, an antique desk, great view of SoHo, probably loads of food in the fridge.

  “Anybody home?”

  He turned the deadbolt four times. It worked perfectly.

  Another door opened somewhere in the hallway and approaching footsteps reverberated off the hardwood floor. Joe Mack glanced down the corridor at the tall man with black hair in a black overcoat strolling toward him from the stairwell.

  “Hey, pal, were you the one who just called me?” Joe Mack asked.

  The man with black hair stopped at th
e open doorway of 2211.

  He smelled strange, of Windex and lemons.

  “Yes, I was the one.”

  “Oh. You get the lock to work?”

  “I’ve never been in this apartment.”

  “What the fuck did you call me for—”

  Glint of a blade. The man held an ivory-hilted bowie. He swept its shimmering point across Joe Mack’s swollen belly, cleaving denim, cotton, several layers of skin.

  “No, wait just a second—”

  The man raised his right leg and booted Joe Mack through the threshold.

  The super toppled backward as the man followed him into the apartment, slammed the door, and shot the deadbolt home.

  Karen left Ice Blink Press at 6:30 P.M. and emerged into a manic Manhattan evening, the sliver of sky between the buildings smoldering with dying sunlight, gilding glass and steel. It was the fourth Friday of October, the terminal brilliance of autumn full blown upon the city, and as she walked the fifteen blocks to her apartment in SoHo, Karen decided that she wouldn’t start the manuscript in her leather satchel tonight.

  Instead she’d slip into satin pajamas, have a glass of that organic chardonnay she’d purchased at Whole Foods Market, and watch wonderful mindless television.

  It had been a bad week.

  Pampering was in order.

  At 7:55 she walked out of her bedroom in black satin pajamas that rubbed coolly against her skin. Her chaotic blond hair was twisted into a bun and held up by chopsticks from the Chinese food she’d ordered. Two unopened food cartons and a bottle of wine sat on the glass coffee table between the couch and the flat-screen television. Her apartment smelled of spicy-sweet sesame beef.

  She plopped down and uncorked the wine.

  Ashley Chambliss’s CD Nakedsongs had ended and in the perfect stillness of her apartment Karen conceded how alone she was.

  Thirty-seven.

  Single again.

  Childless.

  But I’m not lonely, she thought, turning on the television and pouring a healthy glass of chardonnay.

  I’m just alone.

  There is a difference.

  After watching Dirty Dancing, Karen treated herself to a soak. She’d closed the bathroom door and a Yankee candle that smelled of cookie dough sat burning in a glass jar on the sink, the projection of its restless flame flickering on the sweaty plaster walls.

  Karen rubbed her long muscular legs together, slippery with bath oil. Imagining another pair of legs sliding between her own, she shut her eyes, moved her hands over her breasts, nipples swelling, then up and down her thighs.

  The phone was ringing in the living room.

  She wondered if Scott Boylin was calling to apologize. Wine encouraged irrational forgiveness in Karen. She even wished Scott were in the bathtub with her. She could feel the memory of his water-softened feet gliding up her smooth shinbones. Maybe she’d call and invite him over. Give him that chance to explain. He’d be back from the Doubleday party.

  Now someone was knocking at the front door.

  Karen sat up, blew back the bubbles that had amassed around her head.

  Lifting her wineglass by the stem, she finished it off. Then she rose out of the water, took her white terrycloth bathrobe that lay draped across the toilet seat, and stepped unsteadily from the tub onto the mosaic tile. She’d nearly polished off the entire bottle of chardonnay and a warm and pleasant gale was raging in her head.

  Karen crossed the living room, heading toward the front door.

  She failed to notice that the cartons of steamed rice and sesame beef were gone, or that a large gray trashcan now stood between the television and the antique desk she’d inherited from her grandmother.

  She peeked through the peephole.

  A young man stood in the hallway holding an enormous bouquet of ruby red roses.

  She smiled, turned the deadbolt, opened the door.

  “I have a delivery for Karen Prescott.”

  “That’s me.”

  The delivery man handed over the gigantic vase.

  “Wait here. I’ll get you your tip.” She slurred her words a little.

  “No ma’am, it’s been taken care of.” He gave her a small salute and left.

  She relocked the door and carried the roses over to the kitchen counter. They were magnificent and they burgeoned from the cut-glass vase. She plucked the small card taped to the glass and opened it. The note read simply:

  Look in the coat closet

  Karen giggled. Scott was one hundred percent forgiven. Maybe she’d even do that thing he always asked for tonight.

  She buried her nose in a rose, inhaled the damp sweet perfume. Then she cinched the belt of her bathrobe and walked over to the closet behind the couch, pulling open the door with a big smile that instantly died.

  A naked man with black hair and a pale face peered down at her. He wiped his mouth with the back of his hand and swallowed.

  The cartons of leftover Chinese food stood between his feet.

  She stared into his black eyes, a coldness spreading through her.

  “What do you think you’re doing?” she said.

  The man grinned, his member rising.

  Karen bolted for the front door, but as she reached to unhook the chain he snatched a handful of her wet hair and swung her back into a mirror that shattered on the adjacent wall.

  “Please,” she whimpered.

  He punched her in the face.

  Karen sank down onto the floor in bits of glass, anesthetized by wine and fear. Watching his bare feet, she wondered where her body would be found and by whom and in what condition.

  He grabbed her hair into a ball with one hand and lifted her face out of the glass, the tiniest shards having already embedded themselves in her cheek.

  He swung down.

  She felt the dull thud of his knuckles crack her jaw, decided to feign unconsciousness.

  He hit her again.

  She didn’t have to.

  And now an excerpt of FAMOUS by Blake Crouch, featuring Lancelot Blue Dunkquist…

  Let me tell you something about being famous. First off, it doesn’t make you depressed or dissociated from humankind. That’s all bullshit. Being famous…is like the very best thing in the world. Everybody knows you, everybody loves you, and it’s just because you’re you. And that’s supposed to make you want to eat sleeping pills? Only reason celebrities say fame blows is so we won’t hate them. Because if we really knew how happy they are, how incredible it is just to be them, to own the world, we’d hate them, and then they’d just be notorious.

  And the money. Jesus. If I hear one more multi-millionaire tell me that money won’t make me happy, I’m going to hurt someone. Really.

  My name is Lancelot Blue Dunkquist, and the best thing about me is, when you doll me up right, I look like a Movie Star.

  I’ve been mistaken for James Jansen twenty-eight times. Of course you know who James Jansen is. Remember And Then There Was One? That’s his most successful movie, sorry, film to date. Actors don’t make movies. They make films. Anyway, James Jansen played the detective. You know the part at the end where the guy walks in on the bank robbery and he’s only got one bullet left? He knows he’s dead, but he stares down the two robbers and says, “By God you may walk out of here with that money, but which one of you is it going to be?” What a line.

  I’m actually an inch taller than James Jansen, but you see, this works to my advantage, because when people see me, they’re thinking It’s JJ! He’s larger than life!

  Yes. I am larger than life.

  In my real life, I work as a legal secretary in a patent firm in Charlotte, North Carolina. It’s very convenient, because I live just up the interstate in Huntersville, above the garage in my parents’ house. A perfect setup really. I get to use Mom’s car four days a week (on Tuesdays she takes me to work and picks me up, because she volunteers in the office of their Baptist church). Dad doesn’t even make me pay rent, so I’m saving money like crazy.
As of my last bank statement, $41,617.21 was simmering in my money market account.

  I usually wake up at 6:45 A.M. Lewis Barker Thompson Hardy is quite the casual work environment. Since the thirty-five attorneys only practice corporate patent law, we rarely have clients in the office. So the dress code is extremely lax. Today for instance, I’m sporting gray sweatpants, a T-shirt, and Adidas flip-flops.