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The spies of warsaw

Page 21

by Alan Furst


  with a kill. The Rozens would give up their agent networks, Polish and

  possibly German, when they were interrogated in Paris, and would,

  before they were taken out of the country, steal from the Soviet

  embassy whatever they could. That is, Mercier thought, if they were

  still free. Or if they were still alive. Because there were occasions when

  these affairs ended very quickly.

  Marek drove him to the Warszawa-Wiedenski station at 4:45 p.m.,

  early for the 5:15 departure. His plan was to watch Anna Szarbek

  arrive--making sure that Maxim had not come to see her off--then

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  "discover" her as they waited to board the train. At first, he was

  excited. From a vantage point by a luggage cart piled with trunks, he

  watched the platform; the locomotive, venting white steam with a

  loud hiss, and the smell of trains, scorched iron and coal smoke, suggesting journey, adventure. But then, as the hands of the platform

  clock moved to 5:10, excitement was replaced by anxiety. Where was

  she? When the conductor stationed himself by the steps to the firstclass wagon-lit, Mercier realized he had to get on the train. Was he to

  travel by himself? In white letters on a blue enameled panel by the

  door, the train's route was announced:

  Warszawa - Krakow - Brno

  Bratislava - Budapest - Beograd

  Beograd--the Serbo-Croatian name for Belgrade--was some seventeen hours away. Hours to be spent alone, apparently, in the splendor of his expensive compartment. Had she somehow managed to

  board the train without his seeing her? Perhaps she'd never even

  planned to attend the conference. But there was nothing to be done

  about it, and on the chance he simply hadn't noticed her arrival, he

  climbed the steps and a waiting porter showed him to his compartment. Splendid it certainly was. All dark-green plush and mahogany

  paneling, the shade of the reading lamp made of green frosted glass

  in the shape of a tulip, a vase in a copper bracket holding three white

  lilies. When night fell, the porter would open out the long seat and

  make the bed.

  He raised the window and looked out on the platform, where a

  few passengers were running for the train as the conductor shooed

  them along, but not the one he was looking for. Then the whistle

  sounded, the train jerked forward, and a very chastened Mercier

  slammed the window shut and fell back on the seat. As the train left

  the city and gathered speed, the porter appeared, asking if he preferred the first or second seating in the dining car.

  "Which seating has Pana Szarbek chosen?"

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  The porter peered at his list, down, up, and down again. "The

  lady is not listed, Pan," he said.

  "Then, the second."

  After the porter moved on, Mercier walked along the broad corridor, glancing at the occupants of each compartment, finding an

  assortment of passengers, reading, talking, already dozing, but not

  the one he was seeking. He reached the end of the car and entered the

  next--also a first-class sleeper--but saw only the embassy charge

  d'affaires, thankfully absorbed in a newspaper as Mercier hurried

  past.

  He returned to his own compartment, soon tired of the January

  countryside, lowered the tasseled silk shade, and, with a sigh, took a

  novel out of his valise, The Red and the Black, Stendhal, which he'd

  found in the library at the apartment, a book he hadn't read in years.

  It was, according to one of his instructors at Saint-Cyr, a political

  novel, very nearly a spy novel, one of the first ever written. But Mercier

  had not chosen the book for that reason--rather, it was akin to the

  tweed jacket, an adjunct of his traveling costume, and meant for Anna

  Szarbek's eyes. He had always an instinct for something improving,

  demanding, but by page fourteen he gave up and brought out what he

  really wanted to read, a Simenon roman policier, The Bar on the Seine,

  which he'd found in the French section of a Warsaw bookstore.

  At eight-thirty, the train making steady progress across the dark

  fields, the porter rang his triangle, two chimes, signaling that the second seating would now be served. As Mercier followed his fellow travelers to the door at the end of the corridor, the conductor collected his

  passport--a courtesy to first-class passengers that kept their sleep

  from being disturbed as they crossed borders through the night and, in

  addition, a courtesy often exploited by secret agents.

  The dining car, each table lit by candles, was even more romantic

  than his compartment--well-dressed couples and foursomes gathered

  over white tablecloths, conversation low and intimate, the rhythmic

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  pended time. Seated at a table for one, Mercier immediately noticed

  a handsome woman at the adjacent table, also alone, in black velvet

  jacket, her face lean and imperious beneath ash-blond hair going gray.

  The waiter arrived immediately and addressed her as Baronin, the

  German form of baroness, and, after he'd taken her order, she and

  Mercier exchanged an appreciative glance of recognition: here we

  both are, how interesting. When the waiter reappeared, he brought

  an apple on a plate--nowhere to be found on the menu--which she

  ate slowly, with knife and fork, her every motion precise and graceful

  and, somehow, suggestive. Meanwhile, Mercier abjured the cream of

  asparagus soup and toyed with a trout fillet in wine sauce. Too forlorn

  to eat, he sent the fish away and ordered a brandy. And so did the

  baroness.

  A few minutes after nine o'clock, Cracow. As the locomotive idled

  in the station, the baroness finished her brandy, rose from the table,

  smiled at Mercier, and made for the door to the first-class wagon-lit.

  Well, he was done with his brandy as well, waited until she'd left the

  dining car, then headed in the same direction. Walking down the corridor, he saw that she was just entering her compartment, Compartment C, and her door closed gently as he passed.

  Back in his own compartment, he found that the bed had been

  made up, the Polish National Railways blanket turned down at a crisp

  angle. He stretched out on top of it, raised the shade, and turned

  off the reading lamp. Outside, southern Poland in moonlight. They

  were going west now, a few miles above the border, the train rattling along at high speed. The little station at Oswiecim flew past,

  followed by Strumien, as they neared Karvina, where they would enter

  Czechoslovakia. Mercier was hard on himself. No more wild fantasies, he thought, that would never see the light of reality. Restless

  and unhappy, he realized he could not sleep in this condition, and

  decided to go for as much of a walk as the train would allow. He

  went out into the corridor, where, to the right, lay only a few compartments, from H to A, including C, and turned left.

  Past the other first-class wagons-lits, a succession of second-class

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  carriages, where the passengers sat on faded leather seats. Very smoky

  here, some travelers already asleep, others, lost in their thoughts, gazing into the darkness beyond the windows. He walked the length of

  the carriage, and was halfway down the next, when he saw a woman

  in a long gray coat, severely cut. She wore soft leather boots and a

  black beret, set slantwise on dark-blond hair pinned up in back.

  Engaged in conversation with a young woman in the seat by the window, she was facing away from the aisle. As Mercier paused by the

  seat, the young woman looked up at him. "Hello," he said. "Anna?"

  She turned, startled to see him there, and said, "Oh." For a

  moment, she froze, eyes wide with surprise, lips apart. Finally she

  said, in Polish, "Ursula, this is Colonel Mercier."

  The young woman acknowledged him with a formal nod and

  said, "Pleased to meet you, colonel."

  "Ursula used to work at our office in Danzig," Anna said. "We

  met at the station in Cracow."

  Mercier looked at his watch. "One can have a drink in the dining

  car now, the second seating has ended. Would you and your friend care

  to join me?"

  "Ursula?" Anna said. "Want to come for a drink?"

  Ursula thought it over, but her sense of the situation was sharp

  enough. "I don't think so. Why don't you go?"

  "Are you sure?"

  "Oh . . ."

  "Don't be shy, you'll enjoy it! Ursula?"

  "Thank you, but you go ahead, Pana Szarbek. Maybe later, I

  might join you."

  As they walked toward the forward part of the train, Mercier said,

  "Do you have a suitcase?"

  "I dropped it off--my compartment's up here somewhere--then I

  went back to visit with Ursula."

  "Your own compartment?"

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  "A double. I've got the upper berth."

  They reached the dining car and were shown to a table by a window. When they were settled, Anna said, "This is a surprise. Are you

  going to the conference?"

  "Well, I could. The subject is certainly interesting."

  Her eyes searched his, uncertain.

  The waiter appeared, and Mercier said, "What would you like? A

  cocktail?"

  "Maybe I would. Yes, why not."

  "It's a long night ahead, might as well do what you like."

  "Then I'll have a gin fizz."

  "For me a brandy," Mercier said to the waiter.

  Anna looked around, then said, "Very luxurious. You always seem

  to be in nice places."

  Mercier nodded. "I'm fortunate, I think. My fellow officers are

  either in barracks or stuck on an island somewhere, taking malaria

  pills."

  "You are fortunate."

  "Well, not always, but sometimes. It depends."

  She was again uncertain, hesitated, then said, "What interests

  you, colonel, about the conference?"

  He went on about it for a time--national minorities, political

  tensions--until their drinks arrived. She took a sip of the gin fizz, then

  a second. "Good," she said. "They know how to make these."

  "You can have another, if you like."

  She grinned and said, "Don't tempt me."

  "No? I shouldn't?"

  "You were saying, about the conference."

  "I really don't care about the conference, Anna."

  "Perhaps you have--ah, a professional reason, to go there."

  "I don't."

  "Then . . . ?"

  "I'm on this train because I found out about the conference, and

  guessed, hoped, that you would be on this train."

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  She hunted around in her handbag and found her cigarette case--

  Bacchus and the naked nymphs--put a cigarette between her lips, and

  leaned forward as he lit it. "So," she said, "an adventure on a train."

  "No," he said. "More."

  She looked out the window, then said, voice husky, her faint accent

  stronger, "There's no need to say such things, colonel." When she

  turned back toward him it was clear that she didn't at all mind the idea

  of an adventure.

  "But it isn't just something to say." He paused, then added, "And,

  by the way, it's Jean-Francois. I think we agreed on that."

  Suddenly, she was amused. "If I had a pocket mirror . . ."

  He didn't understand.

  "Well, you look quite a bit like a colonel, at the moment," she

  said. "Jean-Francois."

  The tension broke. His face relaxed, and he put his hand on the

  table, palm up. After a pause, she took it, then inhaled on her cigarette

  and blew the smoke out like a sigh of resignation. "Oh Lord," she

  said. "I'd bid all of this goodby, you know, after the night of the

  storm." She waited a little, then said, "I suppose you've taken a fancy

  room, all to yourself."

  "I have."

  "And there we shall go."

  "Yes. Now?"

  "I'd like that second gin you suggested, if you don't mind."

  "Why would I? I'll have another brandy."

  She squeezed his hand.

  He beckoned to the waiter.

  They carried their drinks back to his compartment. "My, my," she

  said. "Lilies." He helped her off with her coat, inhaling her perfume,

  and hung it on a hook as she put her beret on the luggage shelf. The

  compartment was almost entirely filled by the bed, so she sat across

  the far end, her back against the panel by the window. She took her

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  boots off, revealing black stockings, wiggled her toes, and sighed with

  relief.

  Unlacing his shoes, Mercier said, "A long day?"

  "Dreadful. All sorts of people to see in Cracow."

  The train slowed, then entered a small station and, with a hiss of

  steam, came to a halt.

  "What's this?" she said. "Not Brno, not yet."

  "Kravina. Border control. Did you give your passport to the conductor?"

  "Yes. When I got on."

  Mercier took his jacket off and folded it on the luggage rack above

  him, put his tie on top of it, and settled at the head of the bed, back

  against the pillows, legs stretched diagonally down the blanket. A

  group of Polish and Czech customs officers came walking along the

  platform, heading for the second-class carriages. One of them glanced

  in the window.

  "Did Marie Dupin tell you about the conference?"

  "I heard about it; then I asked her."

  "This was her idea all along, I suspect. Putting us together."

  "She likes to take part in her friends' lives."

  "True. She does."

  She took the last sip of her drink and put the glass on the shelf

  below the window. Then she laced her fingers behind her head, closed

  her eyes, and moved around to get comfortable, sliding forward so

  that the hem of her skirt slid well above her knees. In the station,

  someone called out in Czech and a woman laughed.

  "A nap?" he said, teasing her.

  Very slowly, she shook her head. "Just thinking."

  A port
er, pushing a baggage cart that squeaked as it rolled,

  trudged past the window. Anna opened her eyes, turned to see what

  was going on, then closed them again. "Ahh, Kravina."

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  ward, very slowly, the pillars of the station creeping past the window.

  Anna extended her leg and put her foot on top of his. Warm and soft,

  that foot. The train gained a little speed, crossing the town, past snowcovered streets and lamplit squares. A faint smile on her face now, she

  reached beneath her skirt, left and right, undid her garters, and rolled

  her stockings down, not far, just enough so that he could see the tops.

  Mercier turned off the reading lamp, then crawled over to her, and,

  telling himself not to be awkward, finished the job--his hands sliding

  over her legs, white and smooth, as the stockings came down. She

  opened her eyes, met his, and spread her arms. It was very quiet in the

  compartment, only the beat of the train, but, when he embraced her,

  she made a certain sound, deep, like ohh, in a way that meant at last.

  Then they kissed for a while, the tender kind, touch and part--until

  she raised her arms so he could take her sweater off. Small breasts in a

  lacy black bra. For a day at the Cracow office?

  Madame Dupin, you told.

  He kissed her breasts, the lace of the bra against his lips, and they

  wrestled out of their clothes until she wore only panties--again black

  and lacy--and he took the waistband in his fingers. They paused,

  shared a look of exquisite complicity, and she raised her hips.

  Somewhere between Kravina and Brno, he woke, cold, the covers

  down, the speeding train hammering along the track between low

  hills. She slept on her stomach, curved bottom pale in the light made

  by the moon shining on snow. As he ran his fingers up and back, he

  watched her come awake, her mouth opened slightly, then widened as

  her eyebrows lifted--the delicately wicked face of anticipation.

  At Brno station, the sleep of exhaustion.

  But after Bratislava, as the train roared through a tunnel, he woke

  again, to find her making love to him, very excited, her hand between

  his legs, while her lower part, moist and insistent, straddled his thigh.

  "Easy . . . easy," she whispered.

 

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