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The Fury (2009)

Page 18

by Jason - Henry Parker 04 Pinter

The autopsy concluded that Willingham had

  lived between five to ten minutes after the shoot­

  ings, though the terminal damage to his brain pre­

  vented him from moving, speaking or doing

  anything to save his own life.

  Apparently the bullets did not completely de­

  prive Willingham of all of his motor skills during

  that brief period he remained alive, because while

  Willingham lay dying, his skull shattered by the

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  slugs, he scribbled two macabre words on the

  floor of his apartment, using only the blood leak­

  ing from his own body.

  The Fury.

  21

  I spent the rest of the night rereading Through the

  Darkness. It had been several years since I’d last read

  it, and the sense of awe I gained by reading Jack’s work

  was tempered by the sudden knowledge that a forgot­

  ten passage from the book was somehow relevant to two

  murders today.

  Most of the book came back to me, like seeing a

  good friend after a long absence. Amanda woke up,

  kissed me on the cheek and left for work, knowing how

  important this was. There were no other explicit refer­

  ences to the Fury, no other mention of who it was, or

  whether or not he or she even existed. People say some

  strange things when they’ve been shot in the head.

  I opened up the search engine on my computer and

  looked for any old interviews Jack had done for the

  book. Unfortunately most had either not been archived

  digitally or they’d been lost, because only two came up.

  Neither mentioned the Fury in any way.

  Working at the Gazette, Jack’s presence was missed

  on a daily basis. Now, his absence felt like a hole in my

  stomach, an emptiness. I needed to talk to him, to see

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  what he knew, what he remembered. But Jack was re­

  covering from his own battle with alcohol, and I

  couldn’t bring myself to interrupt that. There was one

  person, though, who might be able to help. Thankfully

  he worked long hours, and started the day early.

  Wallace Langston picked up on the second ring.

  “Henry,” he said. “I was wondering when next I’d

  hear from you. You do still work here, right?”

  “How are you, Wallace?” I figured I’d ignore the

  question.

  “I’m doing well. Henry, what’s up? Or did you just

  call to make sure I’d had my morning coffee?”

  “Actually, that’s why I called,” I said. “ Seriously, I

  need some help. Listen, Wallace, I need to ask you a

  question. It’s about Jack.”

  There was a moment of hesitation on the other end.

  “What is it?” Wallace said curtly.

  “I’d rather we talk face-to-face. It’s not about my job

  or the paper. You can say no if you want…but I need to

  know. It’s kind of personal.”

  “My door’s always open, Henry. As long as you’re

  honest with me about what you want and why you need

  it.”

  “You have my word. I’ll be there in forty-five minutes.”

  I was putting on my shoes before I even heard the dial tone.

  The newsroom was loud, boisterous.

  I heard Frank Rourke shouting at someone over the

  phone, something about a report that the Knicks were

  about to can their coach. I heard Evelyn Waterstone

  chewing out a reporter who’d misspelled the word

  borough on his story. All of these sounds make me

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  Jason Pinter

  smile. Who would have thought this kind of chaos could

  be an antidote to everything that had been going on?

  I made my way down the hall, toward Wallace’s office.

  “Henry, what’s shakin’, my man?”

  I turned slowly, eyes closed, my stomach already

  feeling sick. Tony Valentine was standing in the

  hallway, a goofy grin on his face. At first something

  looked different about him, then I noticed how unnatu­

  rally smooth his forehead looked. And not many people

  could smile without creating smile lines. I wondered if

  he had a Botox expense account as part of his salary

  package.

  “Listen, Parker, I got something for you. I know

  you’ve got a girlfriend—don’t we all? But there’s this

  actress… can’t tell you her name, but it rhymes with

  Bennifer Maniston. She’s a good friend of mine and she’s

  in town for a few days. I was thinking the two of you

  could go out to dinner. Nothing special or fancy, but

  tomorrow it’s in my column. You get great press for ca­

  noodling with a star, she gets good press for dating a nice

  young reporter who won’t ditch her for a costar. Sound

  good? Say the word and you’ve got reservations for two

  at Babbo.”

  I stared at Tony for a minute, then said, “Goodbye.”

  I turned around and headed for Wallace’s office.

  He was sitting down, elbows on his desk, papers

  splayed out in front of him. “Henry, sit down,” he said.

  The last few months had been tough on Wallace. Jack’s

  departure had hit the paper hard, but Wallace person­

  ally. Harvey Hillerman, the publisher of the Gazette,

  had been eyeing the bottom line closer than ever.

  Whether Jack had lost a few miles of his fastball was

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  to some extent irrelevant. He still brought readers to the

  paper, and he knew New York City better than anyone

  alive. His name off the masthead hurt our readership,

  bit into our circulation and took a bite from our adver­

  tising revenue. There was no replacing him. We were

  all praying for his recovery, but Wallace was praying for

  more than that. He needed Jack for the paper. For his

  job. For all our jobs, in a way.

  I envisioned myself as the kind of reporter who could

  ease the Gazette into the next generation, but I never

  saw that happening without Jack. He wasn’t someone

  who simply disappeared. He had to leave on his own

  terms, when he was ready.

  And having known Jack for a few years, having

  gotten close enough to him for the man to confide in me,

  I knew that before his battle with the bottle nearly killed

  him and his reputation, he had no desire to go quietly

  into that good night.

  “Thanks again for seeing me.”

  “No problem,” he said. “My door is always open.”

  I laughed. “So I wanted to talk about Jack. Specifi­

  cally something he wrote a long time ago.”

  “Shoot.”

  “It wasn’t for the paper.”

  Wallace leaned back, curious.

  “What is it then?”

  “Twenty years ago, Jack wrote a book called

  Through the Darkness. It was about the rise of drugs and

  drug-related violence. Do you remember it? Jack was

  working at the Gazette when it was published.”

  “I sure do. O’Donnell took a year off to write that

  book, and after it came out and became a bestseller

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  Ja
son Pinter

  none of us expected him back. We figured he’d take the

  money and work on books full-time, especially when

  Hollywood came calling. But the news runs in that

  man’s veins. Leaving never even occurred to him.”

  “It still hasn’t,” I said. Awkwardness choked the

  room. I had no idea if Wallace had even been in contact

  with Jack since he left, but the man’s downcast eyes let

  me know he was happy to talk about Jack’s past, but

  less so discussing the man’s future. Part of me felt as

  if Wallace and Hillerman bore some responsibility for

  Jack’s condition. They knew his alcoholism had been

  getting worse, but other than a few halfhearted BandAid measures they’d stand by, let him turn in substan­

  dard material, drinking Baileys with his coffee during

  war room meetings at nine in the morning. Perhaps

  they let it slide because they didn’t want to believe it

  could destroy a man with his reputation. Or maybe they

  turned their backs because they needed to. Needed him.

  “So what about the book?” Wallace asked, his voice

  sounding less patient, a little less happy I was there.

  “Butch Willingham,” I said. “He was a street dealer

  killed in ’88. His death would have gone unnoticed—

  like most of his colleagues, if you will—except that

  unlike the others he survived his execution for a few

  minutes. He had just enough time to write two words,

  using his own blood. Do you remember what those

  words were?”

  “No, I can’t say I do. I haven’t read the book in at

  least a decade.”

  “I remember,” I said. “Not too often you forget some­

  thing like that. The two words Willingham wrote were

  ‘The Fury.’ Do they ring a bell now?”

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  189

  Wallace sat there without taking his eyes off me. I

  waited, unsure of what he was going to say. Instead, he

  just sat there, waiting for the blanks to be filled in.

  Since Wallace’s memory didn’t seem to be jogged

  much, I pulled a copy of the tattered paperback from my

  pocket. Moving around to the side of Wallace’s desk—

  and realizing I hadn’t ever viewed the room from that

  perspective before—I showed him the passage it came

  from.

  “Look at this,” I said. “Tell me if you remember

  anything about it, or Jack writing it.”

  Wallace took a pair of thin reading glasses from his

  desk drawer, slipped them on and read the passage.

  After a few seconds, he took the book from my hands

  and began to read further. I could tell from his eyes and

  intense concentration something was coming into focus.

  He was remembering. Excitement surged through me.

  This was something, I knew it. It had to be.

  “The Fury,” Wallace said. “If I recall correctly, it

  was a big nothing.”

  I stepped back around, sat down, confused. “What

  do you mean?”

  “I remember when this happened, the Willingham

  case got a little press for a day or two, mainly over the

  gruesome details.You’re right, it’s not too often someone

  writes words in their own blood while dying, and the

  press, present company often included, loves the chance

  to hyperbolize and scare people to death with Stephen

  King–style visuals. O’Donnell did look into this, inter­

  viewing dozens of dealers, punks and scumbags.”

  “And?”

  “For a while he was convinced that there was

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  an…entity…I guess that’s what you could call it…

  named the Fury. It was the kind of word that existed

  only on the lips of people involved in drugs, mainly

  dealing. The Fury was some kind of mythical demon,

  some kind of human being so cold-blooded and cruel

  that nobody dared cross it.”

  “All those people killed during those years,” I said,

  the picture coming into view. “Jack thought this Fury

  was behind it all. I have no idea if that’s a person, an

  organization or a code for something else. But it’s in

  there for a reason.”

  “That’s right,” Wallace said. “If I recall, the first

  draft of this book was a good hundred or so pages

  longer, but Jack’s publisher balked at a lot of what he’d

  written about in the chapters on the Fury. There were

  no eyewitness accounts. It began and ended with Wil­

  lingham. Nobody was willing to talk. They felt Jack was

  stretching too far with the blood angle, and by printing

  chapters about some boogeyman, some all-powerful

  kingpin, it weakened his other arguments. Made him

  look like he was aiming for sensationalism rather than

  good, solid journalism.”

  “Who won the argument?”

  “Well,” Wallace said, “you see how long your edition

  of the book is? It was going to be another hundred or

  so longer.”

  “So why did he leave that one part in?” I asked. “If

  everything else relating to this was taken out, why did

  they let him leave Butch Willingham writing that

  before he died?”

  “If I remember—and you’ll forgive me if my

  memory bank doesn’t access twenty-year-old informa­

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  191

  tion as readily as it used to—Jack threatened to pull the

  plug on the whole book at that point. They’d already

  paid him, I believe a good six-figure sum, quite a penny

  for a book back in those days. And if they’d refused to

  publish, they wouldn’t have recouped a penny since

  they would have been in breach of contract. So they

  allowed Jack to keep that one bit in. Kind of an appease­

  ment. Jack considered it a footprint that couldn’t be

  erased by time. And because what Willingham had

  written was in the coroner’s report, it was a matter of

  public record and could stay in. Everything else, they

  felt, was conjecture.”

  “So Jack thought there was more to the Fury, then.”

  “I believe so, but again I’m speaking from what I

  recall twenty years ago. Jack and I haven’t spoken about

  that book or that story in years. He’s written half a

  dozen books since then, most of which made him a lot

  more money than Through the Darkness. And with no

  new leads to track down, no other proof or witnesses,

  it was on to new matters. In a city where new stories

  materialize every day, if you spend your time hoping a

  fresh angle will pop out of the ground you’ll miss ev­

  erything going around right beside your head. Jack’s a

  great reporter, but he’s not stupid.”

  “He’s not a coward either,” I said. “He kept that bit

  in there for a reason. Like you said, a footprint.”

  “Maybe he did,” Wallace said.

  “I need his files,” I said.

  “Henry,” Wallace said, folding his hands across his

  chest. “You know better than that. Besides, company

  policy states that any work, research or otherwise, done
/>   on books is kept outside of the office.”

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  Jason Pinter

  “He must have something here,” I said. “I’ve seen

  Jack’s apartment. He barely had any furniture, let alone

  files. Please, do me a favor. Let me see Jack’s files. I

  know there’s a storage room here. I swear I won’t take

  anything that doesn’t pertain to the Willingham case.

  And I’ll even do the digging for you.”

  “I can’t let you do that,” Wallace said. “But I’ll meet

  you halfway. I’ll go through it myself and send it over

  to you if I find anything. I’m going to err on the side of

  caution, though, so don’t expect much.”

  “Thank you,” I said. I stood up, prepared to leave.

  Then I saw a copy of that morning’s Gazette on

  Wallace’s chair. I looked up at him, raised an eyebrow.

  “Go on, take it,” he said, grinning. “But after today

  you don’t get diddly-squat for free until I see your name

  below a story.”

  22

  The subway was hot and humid as I went back uptown.

  I had no idea how long it would take for Wallace to get

  me those files. The man had been gracious enough to

  offer, and frankly I didn’t expect much going in. I des­

  perately wanted to know what Jack knew, what else he

  knew about the Willingham murder. And what, if

  anything, it had to do with Stephen Gaines.

  The strange thing was, the deeper I looked into this,

  the further away it seemed to go from Gaines. From him

  to Beth-Ann Downing, from Rose Keller to Butch Wil­

  lingham, there seemed to be a pattern of behavior that

  went back twenty years. I had no idea how long, if at

  all, my brother had been dealing. But I was damn sure

  that it had somehow gotten him killed.

  Now, I’ve read the books. I’ve seen the TV shows. I

  read as much news as I can take until my eyeballs hurt.

  I’m well aware that pushing is not a profession made

  for duration. People get into it hoping to make a quick

  buck, usually because they have no other options. They

  have neither the education to get a job punching a clock,

  nor the desire to work for a corporation that can termi­

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  Jason Pinter

  nate them without a moment’s notice. There was some­

  thing romantic about the notion of a drug dealer, some­

  thing that went against the system. But when I saw

  Stephen Gaines that night on the street, I did not see a

  man defiant in the face of unspeakable odds stacked

  against him. I saw a defeated, emaciated, broken-down

 

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