The Annotated Mansfield Park

by Jane Austen

  Fanny was most civil in her assurances, though she could not give them in a very steady voice.

  “Have you ever happened to look at the part I mean?” continued Miss Crawford, opening her book. “Here it is. I did not think much of it at first—but, upon my word—. There, look at that speech, and that, and that. How am I ever to look him in the face and say such things? Could you do it?24 But then he is your cousin, which makes all the difference. You must rehearse it with me, that I may fancy you him, and get on by degrees. You have a look of his sometimes.”

  “Have I?—I will do my best with the greatest readiness—but I must read the part, for I can say very little of it.”

  “None of it, I suppose. You are to have the book of course. Now for it. We must have two chairs at hand for you to bring forward to the front of the stage.25 There—very good school-room chairs, not made for a theatre, I dare say; much more fitted for little girls to sit and kick their feet against when they are learning a lesson. What would your governess and your uncle say to see them used for such a purpose? Could Sir Thomas look in upon us just now, he would bless himself, for we are rehearsing all over the house. Yates is storming away in the dining room. I heard him as I came up stairs, and the theatre is engaged of course by those indefatigable rehearsers, Agatha and Frederick. If they are not perfect, I shall be surprised. By the bye, I looked in upon them five minutes ago, and it happened to be exactly at one of the times when they were trying not to embrace,26 and Mr. Rushworth was with me. I thought he began to look a little queer, so I turned it off27 as well as I could, by whispering to him, ‘We shall have an excellent Agatha, there is something so maternal in her manner, so completely maternal in her voice and countenance.’28 Was not that well done of me? He brightened up directly. Now for my soliloquy.”

  She began, and Fanny joined in with all the modest feeling which the idea of representing Edmund was so strongly calculated29 to inspire; but with looks and voice so truly feminine, as to be no very good picture of a man. With such an Anhalt, however, Miss Crawford had courage enough, and they had got through half the scene, when a tap at the door brought a pause, and the entrance of Edmund the next moment, suspended it all.

  Surprise, consciousness, and pleasure, appeared in each of the three on this unexpected meeting; and as Edmund was come on the very same business that had brought Miss Crawford, consciousness and pleasure were likely to be more than momentary in them. He too had his book, and was seeking Fanny, to ask her to rehearse with him, and help him to prepare for the evening, without knowing Miss Crawford to be in the house; and great was the joy and animation of being thus thrown together—of comparing schemes—and sympathizing in praise of Fanny’s kind offices.

  She could not equal them in their warmth. Her spirits sank under the glow of theirs, and she felt herself becoming too nearly nothing to both, to have any comfort in having been sought by either. They must now rehearse together. Edmund proposed, urged, entreated it—till the lady, not very unwilling at first, could refuse no longer—and Fanny was wanted only to prompt and observe them. She was invested, indeed, with the office of judge and critic, and earnestly desired to exercise it and tell them all their faults; but from doing so every feeling within her shrank, she could not, would not, dared not attempt it; had she been otherwise qualified for criticism, her conscience must have restrained her from venturing at disapprobation. She believed herself to feel too much of it in the aggregate for honesty or safety in particulars.30 To prompt them must be enough for her; and it was sometimes more than enough; for she could not always pay attention to the book. In watching them she forgot herself; and agitated by the increasing spirit of Edmund’s manner,31 had once closed the page and turned away exactly as he wanted help. It was imputed to very reasonable weariness, and she was thanked and pitied; but she deserved their pity, more than she hoped they would ever surmise. At last the scene was over, and Fanny forced herself to add her praise to the compliments each was giving the other; and when again alone and able to recall the whole, she was inclined to believe their performance would, indeed, have such nature and feeling in it, as must ensure their credit, and make it a very suffering exhibition to herself. Whatever might be its effect, however, she must stand the brunt of it again that very day.

  A fire grate by a leading designer of the period.

  [From John Swarbrick, Robert Adam and his Brothers (New York, 1915), p. 80]

  The first regular32 rehearsal of the three first acts was certainly to take place in the evening; Mrs. Grant and the Crawfords were engaged to return for that purpose as soon as they could after dinner; and every one concerned was looking forward with eagerness. There seemed a general diffusion of cheerfulness on the occasion; Tom was enjoying such an advance towards the end, Edmund was in spirits from the morning’s rehearsal, and little vexations seemed every where smoothed away. All were alert and impatient; the ladies moved soon, the gentlemen soon followed them, and with the exception of Lady Bertram, Mrs. Norris, and Julia, every body was in the theatre at an early hour,33 and having lighted it up as well as its unfinished state admitted,34 were waiting only the arrival of Mrs. Grant and the Crawfords to begin.

  They did not wait long for the Crawfords, but there was no Mrs. Grant. She could not come. Dr. Grant, professing an indisposition, for which he had little credit with his fair sister-in-law, could not spare his wife.

  “Dr. Grant is ill,” said she, with mock solemnity. “He has been ill ever since; he did not eat any of the pheasant to day. He fancied it tough—sent away his plate—and has been suffering ever since.”

  Here was disappointment! Mrs. Grant’s non-attendance was sad indeed. Her pleasant manners and cheerful conformity35 made her always valuable amongst them—but now she was absolutely necessary. They could not act, they could not rehearse with any satisfaction without her. The comfort of the whole evening was destroyed. What was to be done? Tom, as Cottager, was in despair.36 After a pause of perplexity, some eyes began to be turned towards Fanny, and a voice or two, to say, “If Miss Price would be so good as to read the part.” She was immediately surrounded by supplications, every body asked it, even Edmund said, “Do Fanny, if it is not very disagreeable to you.”

  But Fanny still hung back. She could not endure the idea of it. Why was not Miss Crawford to be applied to as well?37 Or why had not she rather gone to her own room, as she had felt to be safest, instead of attending the rehearsal at all? She had known it would irritate and distress her—she had known it her duty to keep away.38 She was properly punished.

  “You have only to read the part,” said Henry Crawford with renewed entreaty.

  “And I do believe she can say every word of it,” added Maria, “for she could put Mrs. Grant right the other day in twenty places. Fanny, I am sure you know the part.”

  Fanny could not say she did not—and as they all persevered—as Edmund repeated his wish, and with a look of even fond dependence on her good nature, she must yield. She would do her best. Every body was satisfied—and she was left to the tremors of a most palpitating heart, while the others prepared to begin.

  They did begin—and being too much engaged in their own noise, to be struck by an usual39 noise in the other part of the house, had proceeded some way, when the door of the room was thrown open, and Julia appearing at it, with a face all aghast, exclaimed, “My father is come! He is in the hall at this moment.”40

  END OF VOL. I.

  VOLUME TWO

  Chapter One

  How is the consternation of the party to be described? To the greater number it was a moment of absolute horror. Sir Thomas in the house! All felt the instantaneous conviction. Not a hope of imposition or mistake was harboured any where. Julia’s looks were an evidence of the fact that made it indisputable; and after the first starts and exclamations, not a word was spoken for half a minute; each with an altered countenance was looking at some other, and almost each was feeling it a stroke the most unwelcome, most ill-timed, most appalling!1 Mr. Yates mig
ht consider it only as a vexatious interruption for the evening, and Mr. Rushworth might imagine it a blessing, but every other heart was sinking under some degree of self-condemnation or undefined alarm, every other heart was suggesting “What will become of us? what is to be done now?” It was a terrible pause; and terrible to every ear were the corroborating sounds of opening doors and passing footsteps.2

  Julia was the first to move and speak again. Jealousy and bitterness had been suspended: selfishness was lost in the common cause; but at the moment of her appearance, Frederick was listening with looks of devotion to Agatha’s narrative,3 and pressing her hand to his heart,4 and as soon as she could notice this, and see that, in spite of the shock of her words, he still kept his station and retained her sister’s hand,5 her wounded heart swelled again with injury, and looking as red as she had been white before, she turned out of the room, saying “I need not be afraid of appearing before him.”

  Her going roused the rest; and at the same moment, the two brothers stepped forward, feeling the necessity of doing something. A very few words between them were sufficient. The case admitted no difference of opinion; they must go to the drawing-room directly. Maria joined them with the same intent, just then the stoutest of the three; for the very circumstance which had driven Julia away, was to her the sweetest support. Henry Crawford’s retaining her hand at such a moment, a moment of such peculiar proof and importance, was worth ages of doubt and anxiety. She hailed it as an earnest6 of the most serious determination, and was equal even to encounter her father. They walked off, utterly heedless of Mr. Rushworth’s repeated question of, “Shall I go too?—Had not I better go too?—Will not it be right for me to go too?” but they were no sooner through the door than Henry Crawford undertook to answer the anxious inquiry, and encouraging him by all means to pay his respects to Sir Thomas without delay, sent him after the others with delighted haste.

  A drawing room of the period.

  [From John Swarbrick, Robert Adam and his Brothers (New York, 1915), p. 80]

  Fanny was left with only the Crawfords and Mr. Yates. She had been quite overlooked by her cousins; and as her own opinion of her claims on Sir Thomas’s affection was much too humble to give her any idea of classing herself with his children, she was glad to remain behind and gain a little breathing time. Her agitation and alarm exceeded all that was endured by the rest, by the right of a disposition which not even innocence could keep from suffering. She was nearly fainting: all her former habitual dread of her uncle was returning, and with it compassion for him and for almost every one of the party on the development before him—with solicitude on Edmund’s account indescribable. She had found a seat, where in excessive trembling she was enduring all these fearful thoughts, while the other three, no longer under any restraint, were giving vent to their feelings of vexation, lamenting over such an unlooked-for premature arrival as a most untoward event, and without mercy wishing poor Sir Thomas had been twice as long on his passage, or were still in Antigua.

  The Crawfords were more warm on the subject than Mr. Yates, from better understanding the family and judging more clearly of the mischief that must ensue. The ruin of the play was to them a certainty, they felt the total destruction of the scheme to be inevitably at hand; while Mr. Yates considered it only as a temporary interruption, a disaster for the evening, and could even suggest the possibility of the rehearsal being renewed after tea, when the bustle of receiving Sir Thomas were over and he might be at leisure to be amused by it. The Crawfords laughed at the idea; and having soon agreed on the propriety of their walking quietly home and leaving the family to themselves, proposed Mr. Yates’s accompanying them and spending the evening at the Parsonage.7 But Mr. Yates, having never been with those who thought much of parental claims, or family confidence,8 could not perceive that any thing of the kind was necessary, and therefore, thanking them, said, “he preferred remaining where he was that he might pay his respects to the old gentleman handsomely since he was come; and besides, he did not think it would be fair by the others to have every body run away.”

  A portrait of a young woman (the Duchess of Wellington) by the leading portrait painter of the age, Sir Thomas Lawrence.

  [From Lord Ronald Sutherland Gower, Sir Thomas Lawrence (London, 1900), p. 152]

  Fanny was just beginning to collect herself, and to feel that if she staid longer behind it might seem disrespectful, when this point was settled, and being commissioned with the brother and sister’s apology,9 saw them preparing to go as she quitted the room herself to perform the dreadful duty of appearing before her uncle.

  Too soon did she find herself at the drawing-room door, and after pausing a moment for what she knew would not come, for a courage which the outside of no door had ever supplied to her, she turned the lock in desperation, and the lights of the drawing-room and all the collected family were before her. As she entered, her own name caught her ear. Sir Thomas was at that moment looking round him, and saying “But where is Fanny?—Why do not I see my little Fanny?,” and on perceiving her, came forward with a kindness which astonished and penetrated10 her, calling her his dear Fanny, kissing her affectionately, and observing with decided pleasure how much she was grown! Fanny knew not how to feel, nor where to look. She was quite oppressed.11 He had never been so kind, so very kind to her in his life. His manner seemed changed; his voice was quick12 from the agitation of joy, and all that had been awful13 in his dignity seemed lost in tenderness. He led her nearer the light and looked at her again—inquired particularly after her health, and then correcting himself, observed, that he need not inquire, for her appearance spoke sufficiently on that point. A fine blush having succeeded the previous paleness of her face, he was justified in his belief of her equal improvement in health and beauty. He inquired next after her family, especially William; and his kindness altogether was such as made her reproach herself for loving him so little, and thinking his return a misfortune; and when, on having courage to lift her eyes to his face, she saw that he was grown thinner and had the burnt, fagged,14 worn look of fatigue and a hot climate,15 every tender feeling was increased, and she was miserable in considering how much unsuspected vexation was probably ready to burst on him.

  Liverpool harbor (see this page).

  [From Richard Ayton and William Daniell, A Voyage Round Great Britain, Vol. II (London, 1815)]

  Sir Thomas was indeed the life of the party, who at his suggestion now seated themselves round the fire. He had the best right to be the talker; and the delight of his sensations in being again in his own house, in the centre of his family, after such a separation, made him communicative and chatty in a very unusual degree; and he was ready to give every information16 as to his voyage, and answer every question of his two sons almost before it was put. His business in Antigua had latterly been prosperously rapid, and he came directly from Liverpool,17 having had an opportunity of making his passage thither in a private vessel, instead of waiting for the packet;18 and all the little particulars of his proceedings and events, his arrivals and departures, were most promptly delivered, as he sat by Lady Bertram and looked with heartfelt satisfaction on the faces around him—interrupting himself more than once, however, to remark on his good fortune in finding them all at home—coming unexpectedly as he did—all collected together exactly as he could have wished, but dared not depend on. Mr. Rushworth was not forgotten; a most friendly reception and warmth of hand-shaking had already met him, and with pointed attention he was now included in the objects most intimately connected with Mansfield. There was nothing disagreeable in Mr. Rushworth’s appearance, and Sir Thomas was liking him already.

  By not one of the circle was he listened to with such unbroken unalloyed enjoyment as by his wife, who was really extremely happy to see him, and whose feelings were so warmed by his sudden arrival, as to place her nearer agitation than she had been for the last twenty years. She had been almost fluttered for a few minutes, and still remained so sensibly animated as to put away her wor
k, move Pug from her side, and give all her attention and all the rest of her sofa to her husband. She had no anxieties for any body to cloud her pleasure; her own time had been irreproachably spent during his absence; she had done a great deal of carpet work and made many yards of fringe;19 and she would have answered as freely for the good conduct and useful pursuits of all the young people as for her own. It was so agreeable to her to see him again, and hear him talk, to have her ear amused and her whole comprehension filled by his narratives, that she began particularly to feel how dreadfully she must have missed him, and how impossible it would have been for her to bear a lengthened absence.

  A mantelpiece such as the Bertrams’ drawing room might contain.

  [From John Swarbrick, Robert Adam and his Brothers (New York, 1915), p. 79]

  Mrs. Norris was by no means to be compared in happiness to her sister. Not that she was incommoded by many fears of Sir Thomas’s disapprobation when the present state of his house should be known, for her judgment had been so blinded, that except by the instinctive caution with which she had whisked away Mr. Rushworth’s pink satin cloak as her brother-in-law entered, she could hardly be said to shew any sign of alarm;20 but she was vexed by the manner of his return. It had left her nothing to do. Instead of being sent for out of the room, and seeing him first, and having to spread the happy news through the house, Sir Thomas, with a very reasonable dependence perhaps on the nerves of his wife and children, had sought no confidant but the butler, and had been following him almost instantaneously into the drawing-room.21 Mrs. Norris felt herself defrauded of an office22 on which she had always depended, whether his arrival or his death were to be the thing unfolded; and was now trying to be in a bustle without having any thing to bustle about, and labouring to be important where nothing was wanted but tranquillity and silence. Would Sir Thomas have consented to eat, she might have gone to the housekeeper with troublesome directions, and insulted the footmen with injunctions of dispatch;23 but Sir Thomas resolutely declined all dinner; he would take nothing, nothing till tea came—he would rather wait for tea. Still Mrs. Norris was at intervals urging something different, and in the most interesting moment of his passage to England, when the alarm of a French privateer was at the height,24 she burst through his recital with the proposal of soup. “Sure, my dear Sir Thomas, a basin of soup would be a much better thing for you than tea. Do have a basin of soup.”