Delphi Complete Works of Ambrose Bierce (Illustrated)
Page 88
As Mr. Beeson sat there, with his ragged elbows on his ragged knees, his lean jaws buried in his lean hands, and with no apparent intention of going to bed, he looked as if the slightest movement would tumble him to pieces. Yet during the last hour he had winked no fewer than three times.
There was a sharp rapping at the door. A rap at that time of night and in that weather might have surprised an ordinary mortal who had dwelt two years in the gulch without seeing a human face, and could not fail to know that the country was impassable; but Mr. Beeson did not so much as pull his eyes out of the coals. And even when the door was pushed open he only shrugged a little more closely into himself, as one does who is expecting something that he would rather not see. You may observe this movement in women when, in a mortuary chapel, the coffin is borne up the aisle behind them.
But when a long old man in a blanket overcoat, his head tied up in a handkerchief and nearly his entire face in a muffler, wearing green goggles and with a complexion of glittering whiteness where it could be seen, strode silently into the room, laying a hard, gloved hand on Mr. Beeson’s shoulder, the latter so far forgot himself as to look up with an appearance of no small astonishment; whomever he may have been expecting, he had evidently not counted on meeting anyone like this. Nevertheless, the sight of this unexpected guest produced in Mr. Beeson the following sequence: a feeling of astonishment; a sense of gratification; a sentiment of profound good will. Rising from his seat, he took the knotty hand from his shoulder, and shook it up and down with a fervor quite unaccountable; for in the old man’s aspect was nothing to attract, much to repel. However, attraction is too general a property for repulsion to be without it. The most attractive object in the world is the face we instinctively cover with a cloth. When it becomes still more attractive — fascinating — we put seven feet of earth above it.
“Sir,” said Mr. Beeson, releasing the old man’s hand, which fell passively against his thigh with a quiet clack, “it is an extremely disagreeable night. Pray be seated; I am very glad to see you.”
Mr. Beeson spoke with an easy good breeding that one would hardly have expected, considering all things. Indeed, the contrast between his appearance and his manner was sufficiently surprising to be one of the commonest of social phenomena in the mines. The old man advanced a step toward the fire, glowing cavernously in the green goggles. Mr. Beeson resumed:
“You bet your life I am!”
Mr. Beeson’s elegance was not too refined; it had made reasonable concessions to local taste. He paused a moment, letting his eyes drop from the muffled head of his guest, down along the row of moldy buttons confining the blanket overcoat, to the greenish cowhide boots powdered with snow, which had begun to melt and run along the floor in little rills. He took an inventory of his guest, and appeared satisfied. Who would not have been? Then he continued:
“The cheer I can offer you is, unfortunately, in keeping with my surroundings; but I shall esteem myself highly favored if it is your pleasure to partake of it, rather than seek better at Bentley’s Flat.”
With a singular refinement of hospitable humility Mr. Beeson spoke as if a sojourn in his warm cabin on such a night, as compared with walking fourteen miles up to the throat in snow with a cutting crust, would be an intolerable hardship. By way of reply, his guest unbuttoned the blanket overcoat. The host laid fresh fuel on the fire, swept the hearth with the tail of a wolf, and added:
“But I think you’d better skedaddle.”
The old man took a seat by the fire, spreading his broad soles to the heat without removing his hat. In the mines the hat is seldom removed except when the boots are. Without further remark Mr. Beeson also seated himself in a chair which had been a barrel, and which, retaining much of its original character, seemed to have been designed with a view to preserving his dust if it should please him to crumble. For a moment there was silence; then, from somewhere among the pines, came the snarling yelp of a coyote; and simultaneously the door rattled in its frame. There was no other connection between the two incidents than that the coyote has an aversion to storms, and the wind was rising; yet there seemed somehow a kind of supernatural conspiracy between the two, and Mr. Beeson shuddered with a vague sense of terror. He recovered himself in a moment and again addressed his guest.
“There are strange doings here. I will tell you everything, and then if you decide to go I shall hope to accompany you over the worst of the way; as far as where Baldy Peterson shot Ben Hike — I dare say you know the place.”
The old man nodded emphatically, as intimating not merely that he did, but that he did indeed.
“Two years ago,” began Mr. Beeson, “I, with two companions, occupied this house; but when the rush to the Flat occurred we left, along with the rest. In ten hours the Gulch was deserted. That evening, however, I discovered I had left behind me a valuable pistol (that is it) and returned for it, passing the night here alone, as I have passed every night since. I must explain that a few days before we left, our Chinese domestic had the misfortune to die while the ground was frozen so hard that it was impossible to dig a grave in the usual way. So, on the day of our hasty departure, we cut through the floor there, and gave him such burial as we could. But before putting him down I had the extremely bad taste to cut off his pigtail and spike it to that beam above his grave, where you may see it at this moment, or, preferably, when warmth has given you leisure for observation.
“I stated, did I not, that the Chinaman came to his death from natural causes? I had, of course, nothing to do with that, and returned through no irresistible attraction, or morbid fascination, but only because I had forgotten a pistol. This is clear to you, is it not, sir?”
The visitor nodded gravely. He appeared to be a man of few words, if any. Mr. Beeson continued:
“According to the Chinese faith, a man is like a kite: he cannot go to heaven without a tail. Well, to shorten this tedious story — which, however, I thought it my duty to relate — on that night, while I was here alone and thinking of anything but him, that Chinaman came back for his pigtail.
“He did not get it.”
At this point Mr. Beeson relapsed into blank silence. Perhaps he was fatigued by the unwonted exercise of speaking; perhaps he had conjured up a memory that demanded his undivided attention. The wind was now fairly abroad, and the pines along the mountainside sang with singular distinctness. The narrator continued:
“You say you do not see much in that, and I must confess I do not myself.
“But he keeps coming!”
There was another long silence, during which both stared into the fire without the movement of a limb. Then Mr. Beeson broke out, almost fiercely, fixing his eyes on what he could see of the impassive face of his auditor:
“Give it him? Sir, in this matter I have no intention of troubling anyone for advice. You will pardon me, I am sure” — here he became singularly persuasive—”but I have ventured to nail that pigtail fast, and have assumed the somewhat onerous obligation of guarding it. So it is quite impossible to act on your considerate suggestion.
“Do you play me for a Modoc?”
Nothing could exceed the sudden ferocity with which he thrust this indignant remonstrance into the ear of his guest. It was as if he had struck him on the side of the head with a steel gauntlet. It was a protest, but it was a challenge. To be mistaken for a coward — to be played for a Modoc: these two expressions are one. Sometimes it is a Chinaman. Do you play me for a Chinaman? is a question frequently addressed to the ear of the suddenly dead.
Mr. Beeson’s buffet produced no effect, and after a moment’s pause, during which the wind thundered in the chimney like the sound of clods upon a coffin, he resumed:
“But, as you say, it is wearing me out. I feel that the life of the last two years has been a mistake — a mistake that corrects itself; you see how. The grave! No; there is no one to dig it. The ground is frozen, too. But you are very welcome. You may say at Bentley’s — but that is not important. It was very toug
h to cut: they braid silk into their pigtails. Kwaagh.”
Mr. Beeson was speaking with his eyes shut, and he wandered. His last word was a snore. A moment later he drew a long breath, opened his eyes with an effort, made a single remark, and fell into a deep sleep. What he said was this:
“They are swiping my dust!”
Then the aged stranger, who had not uttered one word since his arrival, arose from his seat and deliberately laid off his outer clothing, looking as angular in his flannels as the late Signorina Festorazzi, an Irish woman, six feet in height, and weighing fifty-six pounds, who used to exhibit herself in her chemise to the people of San Francisco. He then crept into one of the “bunks,” having first placed a revolver in easy reach, according to the custom of the country. This revolver he took from a shelf, and it was the one which Mr. Beeson had mentioned as that for which he had returned to the Gulch two years before.
In a few moments Mr. Beeson awoke, and seeing that his guest had retired he did likewise. But before doing so he approached the long, plaited wisp of pagan hair and gave it a powerful tug, to assure himself that it was fast and firm. The two beds — mere shelves covered with blankets not overclean — faced each other from opposite sides of the room, the little square trapdoor that had given access to the Chinaman’s grave being midway between. This, by the way, was crossed by a double row of spike-heads. In his resistance to the supernatural, Mr. Beeson had not disdained the use of material precautions.
The fire was now low, the flames burning bluely and petulantly, with occasional flashes, projecting spectral shadows on the walls — shadows that moved mysteriously about, now dividing, now uniting. The shadow of the pendent queue, however, kept moodily apart, near the roof at the further end of the room, looking like a note of admiration. The song of the pines outside had now risen to the dignity of a triumphal hymn. In the pauses the silence was dreadful.
It was during one of these intervals that the trap in the floor began to lift. Slowly and steadily it rose, and slowly and steadily rose the swaddled head of the old man in the bunk to observe it. Then, with a clap that shook the house to its foundation, it was thrown clean back, where it lay with its unsightly spikes pointing threateningly upward. Mr. Beeson awoke, and without rising, pressed his fingers into his eyes. He shuddered; his teeth chattered. His guest was now reclining on one elbow, watching the proceedings with the goggles that glowed like lamps.
Suddenly a howling gust of wind swooped down the chimney, scattering ashes and smoke in all directions, for a moment obscuring everything. When the firelight again illuminated the room there was seen, sitting gingerly on the edge of a stool by the hearthside, a swarthy little man of prepossessing appearance and dressed with faultless taste, nodding to the old man with a friendly and engaging smile. “From San Francisco, evidently,” thought Mr. Beeson, who having somewhat recovered from his fright was groping his way to a solution of the evening’s events.
But now another actor appeared upon the scene. Out of the square black hole in the middle of the floor protruded the head of the departed Chinaman, his glassy eyes turned upward in their angular slits and fastened on the dangling queue above with a look of yearning unspeakable. Mr. Beeson groaned, and again spread his hands upon his face. A mild odor of opium pervaded the place. The phantom, clad only in a short blue tunic quilted and silken but covered with grave-mold, rose slowly, as if pushed by a weak spiral spring. Its knees were at the level of the floor, when with a quick upward impulse like the silent leaping of a flame it grasped the queue with both hands, drew up its body and took the tip in its horrible yellow teeth. To this it clung in a seeming frenzy, grimacing ghastly, surging and plunging from side to side in its efforts to disengage its property from the beam, but uttering no sound. It was like a corpse artificially convulsed by means of a galvanic battery. The contrast between its superhuman activity and its silence was no less than hideous!
Mr. Beeson cowered in his bed. The swarthy little gentleman uncrossed his legs, beat an impatient tattoo with the toe of his boot and consulted a heavy gold watch. The old man sat erect and quietly laid hold of the revolver.
Bang!
Like a body cut from the gallows the Chinaman plumped into the black hole below, carrying his tail in his teeth. The trapdoor turned over, shutting down with a snap. The swarthy little gentleman from San Francisco sprang nimbly from his perch, caught something in the air with his hat, as a boy catches a butterfly, and vanished into the chimney as if drawn up by suction.
From away somewhere in the outer darkness floated in through the open door a faint, far cry — a long, sobbing wail, as of a child death-strangled in the desert, or a lost soul borne away by the Adversary. It may have been the coyote.
In the early days of the following spring a party of miners on their way to new diggings passed along the Gulch, and straying through the deserted shanties found in one of them the body of Hiram Beeson, stretched upon a bunk, with a bullet hole through the heart. The ball had evidently been fired from the opposite side of the room, for in one of the oaken beams overhead was a shallow blue dint, where it had struck a knot and been deflected downward to the breast of its victim. Strongly attached to the same beam was what appeared to be an end of a rope of braided horsehair, which had been cut by the bullet in its passage to the knot. Nothing else of interest was noted, excepting a suit of moldy and incongruous clothing, several articles of which were afterward identified by respectable witnesses as those in which certain deceased citizens of Deadman’s had been buried years before. But it is not easy to understand how that could be, unless, indeed, the garments had been worn as a disguise by Death himself — which is hardly credible.
Beyond the Wall
Many years ago, on my way from Hongkong to New York, I assed a week in San Francisco. A long time had gone by since I had been in that city, during which my ventures in the Orient had prospered beyond my hope; I was rich and could afford to revisit my own country to renew my friendship with such of the companions of my youth as still lived and remembered me with the old affection. Chief of these, I hoped, was Mohun Dampier, an old schoolmate with whom I had held a desultory correspondence which had long ceased, as is the way of correspondence between men. You may have observed that the indisposition to write a merely social letter is in the ratio of the square of the distance between you and your correspondent. It is a law.
I remembered Dampier as a handsome, strong young fellow of scholarly tastes, with an aversion to work and a marked indifference to many of the things that the world cares for, including wealth, of which, however, he had inherited enough to put him beyond the reach of want. In his family, one of the oldest and most aristocratic in the country, it was, I think, a matter of pride that no member of it had ever been in trade nor politics, nor suffered any kind of distinction. Mohun was a trifle sentimental, and had in him a singular element of superstition, which led him to the study of all manner of occult subjects, although his sane mental health safeguarded him against fantastic and perilous faiths. He made daring incursions into the realm of the unreal without renouncing his residence in the partly surveyed and charted region of what we are pleased to call certitude.
The night of my visit to him was stormy. The Californian winter was on, and the incessant rain plashed in the deserted streets, or, lifted by irregular gusts of wind, was hurled against the houses with incredible fury. With no small difficulty my cabman found the right place, away out toward the ocean beach, in a sparsely populated suburb. The dwelling, a rather ugly one, apparently, stood in the center of its grounds, which as nearly as I could make out in the gloom were destitute of either flowers or grass. Three or four trees, writhing and moaning in the torment of the tempest, appeared to be trying to escape from their dismal environment and take the chance of finding a better one out at sea. The house was a two-story brick structure with a tower, a story higher, at one corner. In a window of that was the only visible light. Something in the appearance of the place made me shudder, a performance that may
have been assisted by a rill of rain-water down my back as I scuttled to cover in the doorway.
In answer to my note apprising him of my wish to call, Dampier had written, “Don’t ring — open the door and come up.” I did so. The staircase was dimly lighted by a single gas-jet at the top of the second flight. I managed to reach the landing without disaster and entered by an open door into the lighted square room of the tower. Dampier came forward in gown and slippers to receive me, giving me the greeting that I wished, and if I had held a thought that it might more fitly have been accorded me at the front door the first look at him dispelled any sense of his inhospitality.
He was not the same. Hardly past middle age, he had gone gray and had acquired a pronounced stoop. His figure was thin and angular, his face deeply lined, his complexion dead-white, without a touch of color. His eyes, unnaturally large, glowed with a fire that was almost uncanny.
He seated me, proffered a cigar, and with grave and obvious sincerity assured me of the pleasure that it gave him to meet me. Some unimportant conversation followed, but all the while I was dominated by a melancholy sense of the great change in him. This he must have perceived, for he suddenly said with a bright enough smile, “You are disappointed in me — non sum qualis eram.”
I hardly knew what to reply, but managed to say: “Why, really, I don’t know: your Latin is about the same.”