Hot Sur

by Laura Restrepo

  Some force is pushing Sleepy Joe beyond himself. Something lifts him from his current surroundings. At nights, in the safety of my bed, I intuit what an angry María Paz had to experience on her own on the roof, tied up and terrified, naked and trembling from the cold as she watched her brother-in-law officiate that ceremony. She knows exactly what all this is about, and after so many days of silence on the matter, early this morning she uttered a phrase whose meaning I haven’t quite fully deciphered. I don’t know if it was said in defense of her brother-in-law or against me: she warned me not to underestimate Sleepy Joe.

  “You may hate him, yes, despise him even, whatever you want, but never underestimate him.”

  “Alright,” I said, somewhat annoyed, “I’ll be careful; I don’t like the idea of being nailed to a wall.” Not to mention a broomstick up my ass.

  Two days ago I told María Paz that today we would have to separate for a few days, just a few, because my mom and Ned’s anniversary was coming up, and I had promised both of them that I would go to the celebration in Chicago. I hate the idea of leaving María Paz alone here, knowing that Sleepy Joe is near, but it is much more risky to try and take her out given the police presence. I can’t miss this fucking anniversary, my mother would kill me, she’s already very touchy since I decided to live with my father, and missing her party would be the last straw. Besides, María Paz is fine on her own. She is in a house owned by white people who are more or less rich, or at least upper middle-class, and, as such, free from suspicion. The state troopers are well aware that they are here to protect us and not make things harder, and they will not have any awareness of her presence unless she makes it known by peeking her nose out of the hiding place. I have warned her a thousand times that she cannot do it, not under any circumstances. She cannot be tempted to look out the window at the garden, as she does when I am there, or go down the stairs, or go to the front door, under mortal risk.

  “Look me in the eyes, María Paz, promise me you are not going to do anything crazy while I’m gone,” I said, and tried to soothe her anxiety. “It will only be forty-eight hours, forty-eight hours of common sense on your part, that’s all I’m asking. Before you know it, I’ll ride back up to the house on my bike. Think of it like this: I will only be gone this afternoon, tomorrow, and the following morning, just the ride there, the party, and the ride back. Don’t pull any stunts during that time or engage in risky action, just do that for me. Do you understand?”

  “What if something happens to you?” she asked, widening her big black eyes so that I wanted to jump into her, plunge into the deep dark water of those eyes, forget about Edith and Ned, to hell with their anniversary, there will be others, but I can’t, just can’t.

  Edith would kill me, and if you ask me whom I fear more, Edith or Sleepy Joe, I’d have to say Edith by a few heads.

  “Nothing’s going to happen to me.”

  “Motorcycles are very dangerous . . .”

  “Now you sound like my father.”

  I’m going to leave her plenty of food and a ream of paper, in case she is inspired to write something new. As a temporary farewell, yesterday we made love and took a shower together, me struggling to hold her under the warm stream as she slid down my arms, wet and slippery as an otter, and I brought up her dream again, although she didn’t seem to want to talk about it this time.

  “So AIX?” I asked her.

  “What?”

  “AIX. That’s what you said the creature in your dreams was named, the one that comes out of the cloth vagina. That was it, right, AIX?” And I wrote the letters in the foggy glass of the shower door.

  “And what if your father comes up, Mr. Rose?” In spite of all the intimate acts we had shared, to her I continued to be Mr. Rose, her creative-writing teacher; she never called me Cleve.

  “My father is going to be in the city. Besides, you know he never comes up here. Why? Will you get bored?”

  “How can I get bored, when I am in heaven?”

  Her response could not have been more lovely or full of joy. But it concerned me somewhat.

  Even though María Paz may not think of it in these terms, she is as locked up and deprived of liberty here as she was in Manninpox.

  “Why don’t you start writing your memories over again,” I suggested. “I’ll leave you my laptop, you know how to use it now, or there is paper if you prefer longhand.”

  “Ugh, no, Mr. Rose, write everything down from the beginning again, way too long. That’s lost, and it should stay lost. Oh, one little thing before you go,” she said, handing me a small wooden box that she took out of her bag. The box contained Hero’s ashes and the medal of valor given to him in Alaska.

  María Paz wanted me to bury the box and keep the medal, but the medal was attached to a blue ribbon that was all stuck to the ashes, so I suggested that we just bury the box with everything inside.

  She agreed, and asked that it be buried in a clearing in the woods that was visible from the window. Today, before I leave for Chicago, I will do it in a big way. I am going to give Hero the funeral rites of a hero, a war hero, with Wagner and everything. I’ll burn his name into a small wooden placard and mark the spot of the burial with a makeshift wooden cross. Although on second thought, no name. It would be stupid to do that and then already be well on the road when the police make their daily rounds and investigate. Or what about if my father saw it and was curious about this Hero. What hero? He’d wonder. I will just bury the box, make a quick cross with two pieces of wood, and that’s it—no Wagner or any such other stuff. I’m doing terrible on time. I promised my mother I would not ride the bike at night, and I’m already cutting it close.

  A few hours later, I say good-bye to María Paz, my father, and the three dogs. I go to the garage to get a shovel, but I pass by the kitchen for a second to grab a Gatorade and I notice Empera putting out the food for the dogs. She has her iPod headphones on with the music so loud she doesn’t even realize I am standing there, so I pause for a second just to watch her. I have always suspected that she is not much of a dog person. She does not have much interaction with them or much less pet them. On the other hand, she prepares their food bowls with care, adding the appropriate vitamins and supplements to each plate. She doesn’t feel any affection toward the animals, but she also doesn’t mistreat them or neglect them, that’s what I was curious about, and I am pleased with what I see.

  “Hi, Empera,” I say to her back, and she almost has a heart attack she is so startled. “It’s a good thing to see you don’t nail dogs to the wall.”

  “God Almighty, child, the things you say. Why would I do such an awful thing? Dogs stink to heaven, but they are God’s creatures also.”

  “Okay, so tell me what you think about this, Empera, you who know so much about life . . . What’s going on inside the head of a man who nails a dog to the wall?”

  “Nails a dog to the wall?”

  “Yes.”

  “Well, it’s an atrocity. The only thing a person like that has in his head is madness, and the best thing is to lock him up in an insane asylum. Nail a dog to the wall like they nailed Christ to the cross, that’s heresy. How can you nail such a dirty beast as if it were Lord Jesus? To die nailed is a privilege of the Almighty. That’s heresy, no doubt. As far as I see it, such a person does not believe in God.”

  “Thank you, Empera! That’s exactly the kind of thing I was talking about,” I say, and I go back upstairs. “I need to see one thing.”

  Suddenly, I have the urge to check this one book, and it has to be now, not when I get back, it has to be right now, even if my mother kills me for being late.

  “So,” María Paz asks—she’s by the window, waiting for Hero’s funeral to begin—“not yet?”

  “That’s next,” I say kissing her. “I have to jot down something first.”

  I know exactly the location of all the books on my s
helves, I could pick one out with my eyes closed, and especially if it is Borges, who I am always reading and rereading. But shit, it’s not where it is supposed to be, and immediately one party becomes suspect. I ask María Paz, and she pulls out the book from under the bed. It’s the second volume of the complete works of Borges, and it’s not difficult to find the passage I am looking for, all underlined as it is with my notes on the margin. Page 265. It’s Borges’s commentary on John Donne’s Biathanatos. I read the note I scribbled on the margin a few years ago: “Biathanatos, one of those improbable and cursed books that every so often cast its shadow over humanity, like the Apocalypse of the false John the Evangelist, or the Necronomicon that Lovecraft conceived but never wrote.”

  According to Borges, the purpose of Biathanatos is to expose that the death of Christ was in fact a suicide. Therefore, the entire history of humanity, from Christ and to Christ, is nothing else but the staging of a spectacular and self-induced deicide, accepted by the Son and promoted by the Father, who created the earth and the seas as a setting for the torment of the cross on a stunning cosmic gallows. And if it’s true that Christ died a voluntary death, according to what Borges claims Donne says, and here is Borges’s quote: “This means that the elements and the worlds and the generations of men, and Egypt and Rome and Babylon and Judah were formed from the void to be destroyed. Maybe the iron was specifically created for the nails, the thorns for the crown, and the blood and water for the wound.” There it is; Old Man Borges gets it just right, as always, and before Borges, Donne. And this leads to the corollary, the cherry pie.

  After this passage, all I have to do is turn the corner to get to Sleepy Joe. The result is surprising. More than surprising, dazzling. If Borges is right, and if John Donne was right before him, each one of those ritual crimes or imitations of crimes must mean a step toward the greater ritual for Sleepy Joe, the definitive one, the one that expresses the culmination of all his anxiety, the apotheosis liturgy he has been so insistently pursuing, his own immolation. His own homicide—that must be what he is ultimately searching for. “How nicely you throw people off, you bastard,” I would tell him, “how expertly you disguise yourself, a small barrio thug, aficionado of indoor tanning who goes around showing off your six-pack, but who is shaken by sublime tempests inside, you fuck. I’ve figured you out, you damned punk, now I know that your minicrimes are reaching for perfection. What you did with the broomstick to Corina, the postmortem cuts on your brother’s body, the martyrdom of little Hero, and who knows what other perversions I don’t know about. . . Go ahead, you asshole, keep on climbing that ladder, giddyap, many steps to go, move ahead, man, go for your highest level yet, put your soul into it, no stopping until you have made it, put more heart into it, almost there. Your last victim will be you.”

  9

  Interview with Ian Rose

  “In the woods near the house, Buttons dug up a box with a medal and ash remains,” Rose tells me.

  “Whose ashes were they?”

  “Not a human’s but an animal’s: Hero, María Paz’s dog. Who knows why it had been awarded the medal, some heroic deeds in Alaska, apparently.”

  Rose learned from Buttons who had killed that dog and how, and the pieces of the puzzle began to fall into place in Rose’s head. It was becoming evident he was involved in a horror story unleashed by a lunatic. Cleve had been murdered, and it had not been an isolated deed. Rose had to accept this. He couldn’t let the pain cloud his judgment. He had to do something, and do it on his own. “It’s too personal a matter,” he tells me, “not the police’s, not Pro Bono’s, not anyone’s but mine, my issue, because Cleve was my son and I owe him at least that.” Buttons had offered to help, but it just didn’t seem right to Rose, and he began to shake him off. When it came down to it, he didn’t know who any of these people really were—Pro Bono, his assistant—or what they really wanted. He trusted no one and saw ulterior motives everywhere.

  The unearthed medal made one thing very clear: María Paz had been in the house at least once without Rose having known about it. It had been at some point between the death of the dog and Cleve’s death. She may still have been there, for all he knew. Rose began to look for her everywhere on his property. He became obsessed with her presence, which he sensed here and there as if she were a ghost. He checked the same places again and again, although it was evident that the trail had gone cold. But she had to have been there, God knows how long, and with Cleve’s blessing. Of course, it was too late to give him the third degree, and the dogs kept whatever they knew to themselves. María Paz needed another accomplice, someone who surely must have known she was there, because that someone had her antennae tuned to every nook and cranny of the house.

  “Emperatriz, the cleaning lady,” I say to Rose.

  “I knew Empera must have met María Paz. When I saw that medal, I became convinced that there was some connection there. It would have been impossible for María Paz to have been there, stayed there, and eaten there, without Empera knowing. It was different with me. I never wanted to meddle into Cleve’s affairs; the attic was liberated territory and I never went up there. Empera, however, has always been a little bit nosy. And I don’t have to tell you how things are among you Latinos; not to be offensive, but when you live in a foreign country you behave like a big clan, everyone is treated as part of the same group, you hug, kiss, and are instant blood relations the first time you meet. You establish a solidarity pact with anyone from the homeland, even if the homeland extends from the Rio Grande to Patagonia, correct me if I’m wrong. Empera must have known something about María Paz’s stay with us. Maybe a little bit, maybe a lot, and whatever she knew I had to coax it out of her. I had to be tactful, like I said, because I had no idea who was involved in the death of my son, directly or as an accomplice. It could have been anyone from María Paz to Empera. It was also possible that I was on the hit list, and not just me but my dogs as well. Remember this maniac killed people and dogs, so I couldn’t decide whether to leave the house for their safety or to remain in the house to deal with things head-on. Finally, I decided to stay. I felt as if I could handle anything except letting someone who had hurt my boy so badly escape.”

  For years, Rose had not given much thought to Empera’s presence in his house, having hardly any substantial interaction with her or noticing her much as she went about her business. He heard her going in and out of rooms accompanied by the slapping of her plastic sandals and jingle-jangle of her ostentatious earrings. He had no idea what Empera thought about life, whether she was forty or sixty, married or single, or how many children she had. The only thing that concerned him about her was that she was responsible, did her job, and fed Otto, Dix, and Skunko when he was away. He was impressed by how detailed she was when it came to cleaning. Empera spotted grime everywhere, even in places where no one would think to look, and she did not rest until she eradicated the last particle of dirt. She made this challenge a personal one, as if she did not want to be defeated by the dirtiness of the world, and was always asking Rose for money for more cleaning supplies. She knew the commercials on television by heart, put a blind faith in them, and if Rose was not careful she would recite them to him word for word to convince him that she just had to run out and buy them—this liquid to wash, that bleach for the whites, Mr. Clean, Tide, Cottonelle toilet paper. One time, she had shown up with a product that was specifically for removing blackberry stains, because one of Rose’s white shirts had blackberry stains.

  “Empera,” Rose had said, “I must have been twenty-five years old the last time I ate blackberries.”

  “Well, then that’s how long those stains have been on your shirt.”

  Rose tells me that the enforced distance between him and his employee had to do with her nagging about the dogs. She complained all day long about how they made a mess and shed hair everywhere, let out toxic farts, ruined the furniture with their drooling, and, to top it all off, carried parasites in the
ir stomachs that made humans go blind.

  “Even if I go blind, I won’t get rid of them,” Rose warned her without even looking at her.

  Empera had likely read whatever letters she found in her boss’s storage boxes, and she kept track of his expenses and debts. She must have also known every morning how much bourbon he had drank the night before by keeping track of the level in the bottle. By the stains on his bed, she knew he was up-to-date on his nocturnal privacies, and she was informed about his medical conditions by the prescriptions in the cabinet. It would not be surprising to him if she knew his e-mail password. Neither his mother nor Edith, and sometimes not even Rose himself knew more about him than Empera did. But who was she really? Could he trust her?

  “I remember that Empera tried to warn me of the presence of someone strange in the house, or had come to me with some story that Cleve had a girlfriend up in the attic,” Rose tells me. “And I remember also that at the time I told her to mind her business, which exonerated her somewhat, but I remained suspicious and didn’t want to take one false step.” There was only one person beyond all suspicion, who moreover was attached to the family in an emotional way, and whom Rose could consult: Ming, the editor.

  “Don’t tangle yourself up in too many theories, Mr. Rose,” Ming said when Rose paid a visit to the editor’s apartment in Chelsea for the second time since Cleve’s death, this time to give the editor an idea of the anguished and somewhat confusing framework of his speculations. “This is a simple but revolting story, with a clear-cut murderer named Sleepy Joe. Cleve and I agreed on this point.”