Book Read Free

The Hellraiser Films and Their Legacy

Page 36

by Kane, Paul


  2. The Marquis de Sade (Donatien Alphonse Franois de Sade, 17401814) was possibly the most infamous writer in French history. His published work gave rise to the term sadismthe enjoyment of cruelty, often with a sexual bent. Arrested after many scandals and condemned to twenty-seven years in various prisons, he wrote sexually explicit material, including Les Journes de Sodome (The 120 Days of Sodom 178285), Justine (1791), and a ten-volume novel Les Crimes de LAmour (Crimes of Passion, 1800).

  3. George R.R. Martin, ed., Night Visions (London: Arrow, 1987), 205.

  4. The documentary featurette Hellraiser: Resurrection. U.S. DVD.

  5. Fear in the Dark, TV Documentary (1991).

  6. Doug Bradley: Pinned Down, in Hellbreed, no. 2 (June 1995), 21.

  7. The documentary featurette Hellraiser: Resurrection. U.S. DVD.

  8. The Hellraiser Chronicles, 80.

  9. Hellraiser: Resurrection. U.S. DVD.

  10. Doug Bradley, Behind the Mask of the Horror Actor (London: Titan Books, 1996/2004), 211.

  Chapter 4

  1. Hellraiser: Barkers Box of Delights, interview by Nigel Floyd in Samhain no. 4 (July/August 1987), 6.

  2. Hellraiser: Resurrection. U.S. DVD.

  3. Clive Barker, ed., The Essential Clive Barker (London: HarperCollins, 1999), 16.

  4. George Christy, The Great Life, The Hollywood Reporter, November 17, 1987.

  5. Douglas E. Winter, Give Me B-Movies or Give Me Death! Published in Faces of Fear (1985) and reprinted in Clive Barkers Shadows in Eden, 30.

  6. Fear in the Dark.

  7. Douglas E. Winter, Raising Hell with Clive Barker, in Rod Serlings The Twilight Zone Magazine 7, no. 5 (December 1987).

  Chapter 5

  1. Kim Newman, Hellraiser Review, Monthly Film Bulletin 54, no. 644 (September 1987), 276.

  2. http://www.groovymovie.info and http://www.ironworks.demon.co.uk

  Chapter 6

  1. Alan Jones, Hellbound: Hellraiser II, Cinefantastique 19, no. 1 (January 2, 1989).

  2. Ibid.

  3. Peter Atkins, A Dogs Tail, in Shadows in Eden, ed. Stephen Jones (Lancaster, Pennsylvania: Underwood-Miller 1991), 115.

  4. Ibid.

  5. South Bank Show: Clive Barker (London Weekend Television, 1994).

  6. Ibid.

  7. Michael Brown, ed., Pandemonium (New York: Eclipse Books, 1991), 38.

  8. Edwin Pouncey, Go Straight to Hell, New Musical Express (April 2, 1988).

  9. Hellbound: Lost in the Labyrinth Documentary. Hellraiser Boxed Set released by Anchor Bay, 2004.

  10. Ibid.

  11. Hellbound: Hellraiser II, Audio Commentary. Hellraiser Boxed Set.

  12. Dread, no.1, 1991, 11.

  13. Hellbound: Lost in the Labyrinth Documentary. Hellraiser Boxed Set.

  14. On-set Interview: Hellraiser Boxed Set.

  15. Hellbound, second draft screenplay (November 1, 1987), 74.

  16. Ibid., 96.

  17. Stephen Jones, ed., Clive Barkers AZ of Horror (London: BBC Books, 1997), 202.

  18. On-set Interview: Hellraiser Boxed Set.

  19. Ibid.

  20. Doug Bradley, Behind the Mask of the Horror Actor (London: Titan Books, 1996/2004), 245.

  21. Samhain, no. 9 (June/July 1988), 6.

  22. Hellbound: Lost in the Labyrinth Documentary. Hellraiser Boxed Set.

  23. Michael Brown, ed., Pandemonium, 85.

  24. John Skipp and Craig Spector, Pinewood Studios, March 1989.

  25. Hellbound: Hellraiser II, Audio Commentary. Hellraiser Boxed Set.

  26. Dave Hughes, Clive Barker in the Flesh, Skeleton Crew, no. III/IV (1988).

  27. Source: http://www.the-numbers.com/movies/series/

  28. Bob Strauss, Director Conjures Up His Hades, Chicago Sun-Times, December 25, 1988.

  Chapter 7

  1. When asked to write about his favorite horror movie, Peter Atkins chose the film Orphe for PS Publishings 2005 book, Cinema Macabre, edited by Mark Morris. N.B. Paul Kane wrote about Hellraiser.

  2. Samhain, no. 11 (October/November 1988), 12.

  3. Hellbound: Hellraiser II, 2004 DVD release, audio commentary with Peter Atkins and Tony Randel.

  4. Keeping Company with Cannibal Witches, Daily Telegraph, January 6, 1990.

  5. Ansel Dibell, Plot (London: Robinson, 1988), 102.

  Chapter Eight

  1. Aleister Crowley (18751947) was an English magician and occultist who described himself as The Beast of the Apocalypse. He practiced rites of sex magic and blood sacrifice, but despite his excesses some consider him one of the most brilliant magicians of modern times. Dictionary of the Occult (London: Brockhampton Press, 1996).

  2. Hellbound: Hellraiser II, Audio Commentary. Hellraiser Boxed Set.

  3. Ibid.

  Chapter 9

  1. The Bible Revelations 19:20.

  2. Ibid., 20:10.

  3. Ibid., 21:8.

  4. The Bible, Revelations 20:3, 17:8, 9:1; Romans 10:7; Psalms 69:15; Numbers 16:3134; Isaiah.5:14; Ezekie1 16:20.

  5. The Bible, Revelations 14:911.

  6. The Bible. Matthew 8:12.

  7. Stuart Gordon, The Paranormal: An Illustrated Encyclopaedia (London: Headline, 1992), 88.

  8. Dictionary of the Occult (Geddes and Grosset, 1996), 54.

  9. Nicholas Vince, Look See. Online at www.cenobite.com.

  10. Doug Bradley, Behind the Mask of the Horror Actor (London: Titan, 1996/2004), 216.

  11. William Wilson Goodson, Jr., The Origin of Pinhead, Cinefantastique 22, no. 6 (June 1992), 26.

  Chapter 10

  1. Samhain, no. 12 (December 1988/January 1989), 25.

  2. Ibid., 26.

  3. Ibid.

  4. Ibid.

  5. Hellbound: Hellraiser II, Audio Commentary. Hellraiser Boxed Set released by Anchor Bay, 2004.

  6. Films and Filming, no. 416 (June 1989), 38.

  7. Gorezone, no. 5 (January 1989).

  8. Daily News, December 28, 1988.

  9. Ibid., December 23, 1988.

  10. Variety, September 14, 1988, 27.

  11. Monthly Film Bulletin 56, no. 666 (July 1989), 206.

  12. Dave Hughes, Clive Barker in the Flesh, Skeleton Crew, no. III/IV (1988).

  13. Monstroid, no. 3 (Spring 1993), 8.

  Chapter 11

  1. Douglas E. Winter, The Dark Fantastic (London: HarperCollins, 2001), 325

  2. Hellraiser III & Me, Clive Barker interview by Alan Jones, Shivers, no. 5, (February 1993), 25

  3. Hell Writer, Peter Atkins interview by Alan Jones, The Dark Side (March 1992), 15.

  4. Under the Skin: Doug Bradley on Hellraiser III: Hell on Earth. Hellraiser Boxed Set released by Anchor Bay, 2004.

  5. Hell Writer, Peter Atkins interview, 15.

  6. Hellraiser III: Hell on Earth, script by Peter Atkins, first draft (May 1991, revised May 29, 1991), 10.

  7. Ibid., 30.

  8. Ibid., 54.

  9. Ibid., 84.

  10. Ibid., 85.

  11. Ibid., 89.

  12. Ibid., 96.

  13. Ibid., 100.

  14. Ibid., 102.

  15. Ibid.,104.

  16. Philip Nutman, Welcome to Club Dead, Fangoria, no. 110 (March 1992), 38.

  17. Alan Jones, Hickox Raises Hell, The Dark Side (March 1992), 22.

  18. Nutman, Welcome to Club Dead, 40.

  19. Jones, Hickox Raises Hell, 23.

  20. Hellraiser III & Me, Clive Barker interview by Alan Jones, Shivers, no. 5, (February 1993), 25.

  21. Raising Hell on Earth Documentary. Hellraiser Boxed Set.

  22. Jones, Hickox Raises Hell, 23.

  23. Raising Hell on Earth Documentary.

  24. Hellraiser III: Hell on Earth, Cinefantastique 22, no. 6 (June 1992), 27.

  25. Raising Hell on Earth Documentary.

  26. Nutman, Welcome to Club Dead, 38.

  27. Hellraiser III, Audio Commentary. Hellraiser Boxed Set.

  28. Raising Hell on Earth Documentary
.

  29. Hellraiser III, Sound Track Notes.

  30. Under the Skin: Doug Bradley on Hellraiser III: Hell on Earth.

  31. Nutman, Welcome to Club Dead, 36.

  32. Steve Biodrowski, Waxwork II, Cinefantastique 22, no. 6 (June 1992), 49.

  33. Alan Jones, Pinhead Unbound, Shivers, no. 1 (June 1992), 18.

  34. Hellraiser III, Audio Commentary. Hellraiser Boxed Set.

  35. Doug Bradley, Pinheads Progress, Fangoria, no. 112 (May 1992), 28.

  36. Nutman, Welcome to Club Dead, 40.

  37. Jones, Hickox Raises Hell, 26.

  38. Hellraiser III & Me, 26.

  39. In the interview Barker says initially this was $3 million. Fangoria and Starburst reported that the final budget was $5 million, which would include the reshoots.

  40. Hellraiser III & Me, 26.

  41. Ibid.

  42. Ibid.

  Chapter 12

  1. Hellraiser III, Audio Commentary. Boxed Set released by Anchor Bay, 2004.

  2. Simon Bacal, Directing Hellraiser III, Starburst 15, no. 3 (November 1992), 17.

  3. Hellraiser III: Hell on Earth, script by Peter Atkins, first draft (May 1991, revised May 29), 13.

  4. Hellbounds director, Tony Randel, had a particular interest in shortwave radio himself. At the age of 12 he was given a ham radio license, which in the U.S. requires you to learn Morse code, so in his first four or five films he always included his call sign in the background.

  5. Simon Bacal, Directing Hellraiser III, Starburst 15, no. 3, (November 1992), 17.

  6. Lewis Carroll (18321898) was born Charles Lutwidge Dodgson near Warrington, England. Reportedly a shy person with a stammer, he much preferred the company of children to adults and his interest in games led to his writing the Alice Adventures.

  7. Lewis Carroll, Alice in Wonderland and Through the Looking Glass (1865 and 1871), (New York: Quality Paperback Book Club, 1994), ix.

  8. Ibid., 180181.

  Chapter 13

  1. Doug Bradley, Behind the Mask of the Horror Actor (London: Titan, 1996/2004), 252253.

  2. Alan Jones, Pinhead Unbound, Shivers, no. 1 (June 1992), 16.

  3. Simon Bacal, Directing Hellraiser III, Starburst 15, no. 3, (November 1992).

  4. Jones, Pinhead Unbound, 17.

  Chapter 14

  1. Hellraiser Boxed Set Booklet released by Anchor Bay, 2004.

  2. The Dark Side (November 1992), 39.

  3. Monstroid, no. 2 (Winter 19921993), 24.

  4. Source: http://www.the-numbers.com/movies/series/

  5. Mentioned in the foreword of this book and in conversation with the author at the British Fantasy Open Night, 2 September 2005.

  Chapter 15

  1. Anthony C. Ferrante, To Hell and Back, Fangoria, no. 141 (April 1995), 42.

  2. George R.R. Martin, ed., Night Visions (London: Arrow, 1987), 202.

  3. Hellraiser: Bloodline script (sixth draft), 1995, 1.

  4. Ibid., 2.

  5. Ibid., 3.

  6. Ibid., 4.

  7. Ibid., 5.

  8. Ibid., 9.

  9. Ibid.

  10. Ibid., 13.

  11. Ibid., 18.

  12. Ibid., 21.

  13. Ibid., 27.

  14. Ibid., 40.

  15. Ibid., 48.

  16. Ibid., 63.

  17. Ibid., 46.

  18. Nick Joy, Doug Bradley, Hell to Pay, Shivers, no. 57 (September 1998), 35.

  19. Joe Mauceri, Raising Hell Again, Shivers, no. 14 (January 1995), 8.

  20. Ibid., 9.

  21. Fangoria, no. 141 (April 1995), 44.

  22. Simon Bacal, Raising Hell, Sci Fi Universe, no. 5 (February/March 1995).

  23. Fangoria, no. 141, 45.

  24. Bacal, Raising Hell.

  25. David Howe, Sex, Death and Pinhead, Shivers, no. 21 (September 1995), 40.

  26. Ibid., 41.

  27. Ibid., 42.

  28. Fangoria, no.141, 45.

  29. Ibid., 69

  30. Shivers, no. 57 (September 1998).

  31. Fangoria, no. 141, 43.

  32. Mauceri, Raising Hell Again, 10.

  33. Pins and Needles, interview by Chris Fullwood. Firelight Shocks, no. 4 (September 2002).

  34. Michael Beeler, Hellraiser IV: Bloodline, Cinefantastique 27, no. 2 (November 1995).

  35. Ibid.

  36. Ibid.

  37. Firelight Shocks, no. 4 (September 2002).

  38. The Alan Smithee credit originated in 1967 after Don Siegel replaced Robert Totten as director on Death of a Gunfighter 25 days into the shoot, and both were unhappy about the way the finished film turned out. Since then it has been used for films such as the extended version of Dune (1984)cinematically released under director David Lynchs nameStitches (1985), Ghost Fever (1987) and The Shrimp on the Barbie (1990).

  39. Jay Stevenson, Hellraiser, Imagi-Movies 1, no. 2 (Winter 1993/1994).

  40. Source: http://www.the-numbers.com/movies/series/

  41. David Hughes, Truly, Bradley, Creepily, Fangoria, no. 175 (August 1998).

  42. Ibid.

  43. Anthony C. Ferrante, To Surrender Hell, Fangoria, no. 151 (April 1996).

  Chapter 16

  1. Reputations, dir. Tim Kirby, BBC 2 (1999).

  2. Hellraiser: Bloodline script (sixth draft), 4.

  Chapter 17

  1. Hellraiser: Bloodline U.S. Press Kit (March 1996).

  2. Hellraiser: Bloodline script, 72.

  Chapter 18

  1. Shivers, no. 39 (March 1997), 16.

  2. Ibid., 17.

  3. Lost Souls Web site (1996).

  4. Nick Joy, Doug Bradley Hell to Pay, Shivers, no. 57 (September 1998), 35.

  5. AOL online appearance, 16 July 1996.

  Chapter 19

  1. Nick Joy, Doug Bradley, Hell to Pay, Shivers, no. 57 (September 1998), 36.

  2. Anthony C. Ferrante, Things to Do in Denver When Youre Pinhead, Fangoria, no. 198 (November 2000), 31.

  3. Ibid.

  4. Doug Bradley, Behind the Mask of the Horror Actor (London: Titan, 1996/2004), 265.

  5. Ibid., 266.

  6. Chris Fullwood, Pins and Needles, Firelight Shocks, no. 4 (September 2002).

  7. Fangoria, no.198 (November 2000), 28.

  8. Ibid.

  9. Ibid., 31.

  10. The Dominion online appearance, 8 March 1999.

  11. Gary Tunnicliffe interview by Mark Adams, The Hellbound Web (2003).

  12. Fangoria, no. 198 (November 2000), 30.

  13. Scott Derrickson interview by Mark Adams, The Hellbound Web (2002).

  14. Philip Nutman, Pinhead Turns 100, Fangoria, no. 198 (November 2000), 29.

  15. Ibid.

  16. Fangoria, no. 198 (November 2000), 3031.

  Chapter 20

  1. Scott Derrickson interview by Mark Adams, The Hellbound Web (2002).

  2. The documentary featurette Hellraiser: Resurrection. U.S. DVD.

  3. Ibid.

  Chapter 21

  1. Scott Derrickson interview by Mark Adams, The Hellbound Web (2002).

  2. Christ Fullwood, Pins and Needles, Firelight Shocks, no. 4 (September 2002).

  3. At American Cinemateque First Festival of Fantasy, Horror and Science Fiction, Los Angelos, CA, 25 Aug 2000 (Fandom.com).

  4. Interview by Craig Fohr in Lost Souls Newsletter (September/December 2000). Interview took place 25 August 2000.

  5. Lucius Gore, Hellraiser 5 Director Responds to Clive Barker, e-mail to Esplatter, 2 September 2000 (Fandom.com).

  Chapter 22

  1. Scott Collura, Going To Hell, Cinescape, no. 66/67 (November/December 2002).

  2. Hellraiser: Hellseeker DVD, Audio Commentary.

  3. Ibid.

  4. Carl V. Dupr and Tim Day, Hellraiser: Hellseeker script, 4.

  5. [The Arrow], The Arrow Interviews, http://www.joblo.com/arrow (October 2001).

  6. Hellraiser: Hellseeker, Audio Commentary.

  7. Mark Adams, interview for He
llbound Web (2003).

  8. Hellraiser: Hellseeker Effects DVD Extra.

  9. Hellraiser: Hellseeker DVD, Audio Commentary.

  10. Hellraiser: Hellseeker script, 12.

  11. Hellraiser: Hellseeker DVD, Audio Commentary.

  12. Hellraiser: Hellseeker script, 2.

  13. Kier-la Janisse, Monster Invasion: Hellseeker, Fangoria, no. 215 (August 2002), 8.

  14. Hellraiser: Hellseeker DVD, Audio Commentary.

  15. Fangoria, no. 215 (August 2002), 8.

  Chapter 23

  1. Carl V. Dupr and Tim Day, Hellraiser: Hellseeker script, 79.

  2. Ibid., 40.

  Chapter 24

  1. Carl V. Dupr and Tim Day, Hellraiser: Hellseeker script, 81.

  2. Ibid.

  Chapter 26

  1. Neal Marshall Stevens, Deader script, 1.

  2. Ibid., 2.

  3. Ibid., 5.

  4. Ibid., 2728.

  5. Ibid., 32.

  6. Ibid., 52.

  7. Ibid., 68.

  8. Ibid., 72.

  9. The Hellbound Web (2003).

  10. The Making of Deader Documentary, DVD (2005).

  11. Doug Bradley, Behind the Mask of the Horror Actor (London: Titan Books, 1996/2004), 276.

  12. The Making of Deader.

  13. Ibid.

  14. Hellraiser: Deader: Practical Effects Documentary, DVD.

  15. Hellraiser: Deader, Audio Commentary.

  16. The Making of Deader.

  Chapter 27

  1. Andrew Black, Zombies (United Kingdom: A. G. Black, 1992), 82.

  Chapter 29

  1. Hellraiser: Hellworld, Audio Commentary.

  2. Ibid.

  3. Making of Hellworld DVD, Bonus Featurette.

  4. According to Gary Tunnicliffe the Sacrifice Chair was actually inspired by a medical procedure involving bleeding a patient, used to treat George Washington just before his death.

  5. Hellraiser: Hellworld, Audio Commentary.

  6. Making of Hellworld DVD, Bonus Featurette.

  7. http://www.toromagazine.ca/current/toro_woman.html.

  8. E-mail to the author, 16 September 2005.

  9. Making of Hellworld DVD, Bonus Featurette.

  10. Hellraiser: Hellworld, Audio Commentary.

  11. Making of Hellworld DVD, Bonus Featurette.

  12. Ibid.

  13. Doug Bradley, Behind the Mask of the Horror Actor (London: Titan Books, 1996/2004), 279.

  14. Making of Hellworld DVD, Bonus Featurette.

  Chapter 30

  1. Hellraiser: Hellworld, Audio Commentary.

  2. This would appear to contradict Bloodlines account of Lemarchands history. Indeed, the painting of him in the Leviathan house shows him more as an older man and an aristocrat. But all this can be forgiven when we remember that The Host is not really the authority he claims to be, but rather is playing the role based on information he was able to pick up along the way. There is nothing to say that the Leviathan House was even designed by Lemarchand at all; more likely it was simply an appropriate house for his needs.

 

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