Rhapsody: Child of Blood tsoa-1

by Elizabeth Haydon

  In the firelight she took a good look at the giant across from her. Sitting on the ground, he was easily still eye to eye with her, which meant that he was a minimum of seven feet tall and at least as wide as a dray horse.

  Beneath his heavy military greatcoat she caught a glint of metal. His armor was foreign to her, and better-made than she would have guessed. It looked like a kind of reptile-scale leather banded by support joints of metal plate, but she had not heard any scrape or other resonance from it the whole time. She was slightly alarmed that she had not heard much from his many weapons, either. He wore an extremely large ax and several wicked-looking blades, and had a number of hilts and handles jutting out from behind his armor.

  His face was even more frightening. At least one tooth protruded past his lips, and it was difficult to tell what color his hide-like skin was in the inconstant light. His eyes, ears, and nose were exaggeratedly large on his face, and Rhapsody guessed that he was able to see, hear, and smell her much better than she could him. At the ends of his massive hands were talon-like nails that more accurately resembled claws. He was the stuff of an adult's nightmare. At the moment he was pulling food and something to cook it in from his pack, still ignoring her.

  "Let me guess; you've heard of Firbolg but you never met one before, right?"

  The sandy voice of the other man spoke directly behind her and Rhapsody jumped. She had not sensed his presence at all. She stared across the crackling flames at the giant. "You're Firbolg? You don't seem it."

  "And just what do ya mean by that?"

  "I'm sorry, I didn't mean to be rude," she replied, her face turning red in the light of the campfire. "It's just that, well, in my limited experience, Firbolg are thought of as monsters."

  "And in my not-so-limited experience, Lirin are thought of as appetizers," Grunthor replied breezily, without rancor.

  "I assume it's your preference not to adopt either of those assumptions," said the cloaked figure.

  "Absolutely," said Rhapsody, smiling and shuddering at the same time. She had a feeling the giant wasn't kidding.

  The thin man dropped a pile of rabbit carcasses near the giant.

  "Who are you?"

  "My name is Rhapsody. I'm a student of music. A Singer."

  "Why was the town guard chasing you?"

  "Much to my surprise, and chagrin, they were in the service of an imbecile who was looking to have me brought to him."

  "Brought to him for what?"

  "I assume for entertainment purposes."

  "Does this imbecile have a name?"

  "He calls himself Michael, the Wind of Death. Many of us call him similar, if less flattering, things behind his back."

  The two men exchanged a glance, then the man in the cloak looked back at her again. "How do you know him?"

  "I'm sorry to say he was a customer of mine three years ago when I was working as a prostitute," Rhapsody answered frankly. "It wasn't really by choice, but not much is when that's your profession. Unfortunately, he became a bit obsessed with me, and he told me at the time he would return for me, but he was such a pompous windbag that I never was much concerned about it. The first of several miscalculations on my part. The second occurred today, when he sent one of his slimy minions to fetch me, and I refused to come. If it had been his regular lackeys, I could have eluded them, but he's managed to enlist the aid of the town guard since I last saw him."

  "Why didn't you just agree to meet 'im, and then go into 'iding?"

  "That would be lying."

  "So?" said the cloaked one. "That would be living."

  "I never lie. I can't."

  Grunthor chuckled. "What a convenient memory ya got there, sister. Oi seem to remember you tellin' them town guards that you and we was related. Oi think you might look a bit out o' place at our family gatherin's."

  "No," interjected the sandy-voiced man. His eyes were full of clear comprehension as they stared at her. "That's why you asked us to adopt you first."

  Rhapsody nodded. "Right. My attempt to dissuade them from bothering me wouldn't have worked if it wasn't the truth, at least on some level."

  "Why not?"

  "Lying is forbidden in the profession I have chosen; if you don't speak the truth, you can't be a Namer, the highest form of Singer. You have to keep the music in your speech on-key and attuned to the world around you. Lying corrupts those vibrations, and sullies what you have to say. It's not an exact science, since truth is partially influenced by perspective."

  "That's the academic reason. As a more personal philosophy, my parents always told me deceit was wrong. More recently, it's because once I broke free of my old, uh, line of work, the thing I treasured most was the truth. There really isn't any in being a whore—you are always someone else's lie. And you have to bite your tongue and participate in other people's fantasies, many of which you can't stomach."

  "So now that I am free of that life, I couldn't contain my loathing of Michael for one minute more. It was probably a mistake, but I'm not sure I could have done anything differently and still have lived with myself."

  "Well, there's no 'arm done."

  "Yes there is. I just exiled myself from Easton. I probably blinded one of the town guard in my attempt to escape, and now I can't go back."

  The smaller man laughed. "I doubt there are any eyewitnesses."

  "Maybe not that saw you," said Rhapsody. "There were many more that saw me—they chased me for eight street corners."

  "Then you have a problem." The cloaked man sat back, surveying the field as the smoke from the fire formed a twisted tendril that pointed to the stars. "You could simply choose not to go back. Have you a family you would leave behind, or perhaps one elsewhere on which you can rely?"

  The utter indifference in his voice gave Rhapsody the feeling that this was an interrogation, not an attempt at friendly advice. She was fairly sure she had been able to persuade them that she was harmless and relatively valueless, but the fatigue of the flight and uncertainty of her situation was beginning to take its toll. By now the giant Firbolg had skinned the rabbits and arranged the fire to cook them. Rhapsody did not know whether to expect them to offer her anything, but she would hardly have been surprised to see the game eaten raw. When she first undertook to become a Singer, one of the earliest lessons was an epic song of Firbolg history that had left a grisly impression on her, and her two rescuers had done little to change it.

  The men moved as though they had traveled together for a long time. There was a routine to the tasks of preparing the meal that spoke of practice and mutual respect. The thin man had killed the rabbits; the giant skinned them. The giant arranged the fire; the other man found fuel. The entire meal, from the meat to some root that also required cooking, was accomplished and the campsite laid out without a word, one to the other. They behaved almost as if she were not there at all. Grunthor did motion at her once, across the fire, with a skewer heavy with sizzling meat, but she shook her head. "No, thank you."

  For her part, she rationed out a small portion of the bread Pilam had given her, and stored it in a pocket of her cloak rather than return it to her pack. She was feeling more and more uneasy about her companions by the minute, and wanted to be ready to flee if necessary. Her pack was not within easy reach. Normally she would never have considered leaving her instruments, but when he stopped to eat, Rhapsody had caught sight of the thin man's face.

  She tried to look at first without appearing to look, but as horrifying as the giant was, she was unprepared for the shock of the slightly more human face.

  In the whole expanse of skin on the front of his head there was not a single smooth spot. It was not lumpy, but scarred, pocked, and it was marked with traceries of exposed veins. She had seen diseased faces, and faces marred by time and weapons and other scourges, drink and worse, but here it looked as if the entire army of Destiny's Horsemen had run roughshod over his face, sharply clipping flesh from his nose, thrusting the rest around with the force of their riding. />
  What truly caught her, though, were his eyes. As if plucked from two different heads, neither size, nor color, nor shape were matched in them, and their placement in this remarkable and terrifying face was not even symmetrical. He looked as if he were sighting down a weapon. Just then she became aware that he was staring back at her.

  Rhapsody had been in the city long enough and was a quick enough reader of people to seldom be caught looking. Her recovery was swift, if fumbling: "So where are you headed next?"

  "Off Island."

  She smiled uncertainly. "You must have irritated someone really important, too."

  A cloud passed over the moon. Rhapsody could vaguely tell that she should be aware of something.

  She continued to stare at him through the fire, which seemed to have changed ever-so-slightly, and as she watched the thin man chewing, she saw the fire roar up and reflect in his eyes. She imagined that he was staring at her while chewing on her answers instead of the roasted rabbit she now felt foolish to have refused. Everyone deserves a last meal, she thought ruefully.

  Somewhere in the deepest part of her, the part of her that was a Namer, a storysinger, she heard her own musical note ring through the roaring of the fire, through the silence of the men. The clarity of her Naming note, her touchstone of truth, told her that this was a trap, a trick of the fire. Then she saw the thin hands and the battlefield face step through the fire itself, and she knew it was too late to escape. She blinked with eyelids made heavy by more than exhaustion; the smoke must have contained a hypnotic herb with which she was not familiar.

  He was angry, but he did not touch her. Instead, he grabbed her pack from the ground next to her and began rifling through it.

  "Who are you?" the cloaked man demanded. His voice was a fricative hissing, his cloak still smoky from his leap over the flames. He waited for an answer.

  "Hey, put that down." She tried to stand but satisfied herself with shaking off the trance.

  The giant stood up. "Oi wouldn't do that if Oi were you, miss. Just answer the question."

  "I already told you; my name is Rhapsody. Now put that down before you break something."

  "I never break anything unless I mean to. Now, try again. Who are you?"

  "I thought I got it right the first time. Let's see; I'll try again. Rhapsody. Isn't that what I said before?" Her head was swimming, her answers seemed fuzzy. "What did you put in the fire?"

  "I'm about to put your hair in it. How did you know who I am?" He grabbed her injured arm with fingers that behaved more like shears, cutting off feeling to her wrist and hand. Without moving, her muscle began to spasm. There was a small shock of painful interrupted bloodflow at each heartbeat.

  Rhapsody did not react. One advantage she had always had was that she could stand a little abuse. She had also learned that hiding her pain and fear could keep her alive.

  "I have no idea what you're talking about. I have no idea who you are. Now let go."

  "In the alley you named me before those guards."

  Even though her fingers were going numb, Rhapsody remained steady. You gentlemen are just in time to meet my brother. Brother, these are the town guard. Gentlemen, this is my brother —Achmed —the Snake. Despite her drugged state, she felt embarrassment.

  "I needed an ally at that moment, and you just happened to be there," she said. "It was the first scary name that came into my head, even if in hindsight it was rather, well—I'm sorry. I didn't mean to presume."

  "That's not the part 'e's talkin' about," said Grunthor. "'Ow did you know 'e's the Brother?"

  "Whose brother?"

  For a moment, Rhapsody thought it had gone too far, that she was going to pass out. With each question the sensation that he was severing her arm with his grip grew more urgent. Suddenly, he relaxed his hold on her and looked across the fire at his partner, then back at her.

  "I certainly hope you're only pretending to be this stupid."

  "No, I'm afraid not. I have no idea what you are talking about. Is your name supposed to mean something to me?"

  "No."

  "Then could you let go?"

  Grunthor moved to help her stand as the man with the nightmare face released her and returned to searching her bag.

  "What 'e's sayin' is, those troops after you were nothing next to what's chasin' us. This is a serious business, miss. My friend wants to know 'ow you knew 'e is the Brother."

  "I'm sorry, but I've never heard of the Brother, if that's your name. I was trying to convince them that you were my brother. That's why I asked if you would adopt me, so that it would be true. I guess this was an unfortunate coincidence. But I've already told you I never lie. So either believe me, or kill me, but do not break my instruments."

  "I'll smash every one here if you do not tell me the whole truth. Perhaps you had well-meaning parents. Perhaps you were once a professional whore, perhaps you took a vow. Perhaps you now are the consort of some holier-than-unholy man who gets his jollies from your candor. Tell me now who you really are and how you knew to name me."

  "First, tell me who you both are, and what you intend to do with me."

  The piercing eyes regarded her sharply. "This is Grunthor. No one has concealed that."

  The giant glanced at her quickly. "Although you can always call me The Ultimate Authority, to Be Obeyed at All Costs," he said lightly. "My troops always does."

  The joke had its intended effect. The robed man exchanged a look with the giant, then seemed to relax somewhat.

  "At the moment, Achmed is as apt an appellation as anything for me, since that is what you chose to call me," he said sullenly. "As to who I am, and your fate, both of those are yet to be determined. You spoke my name and then changed it. Normally this would only be an annoyance, but those who are hunting us can make the dead speak, and surely will if they feel they can learn something. Those dead idiots heard what you said. What is a trollop doing with expensive instruments?"

  Rhapsody rubbed her shoulder, feeling the pain begin to abate.

  "I am not a trollop. As I told you before, I am a student of music, and I have achieved the status of Singer of Lirin lore; our word for it is Enwr. My goal was to go on to become a Namer, a Canwr; it is a rare accomplishment but the skills are useful."

  "Four years ago I was accepted as an apprentice. I studied for three of those years with Heiles, a Namer of great renown who lived in Easton, but a year or so ago he vanished without a trace, and I was left to finish my studies on my own. I was completing my final research just this morning."

  "What can you do?"

  Rhapsody shrugged, then held her throbbing hands closer to the fire.

  "Assorted things. The main thing Singers study is lore. Sometimes lore consists of old tales or the history of a race or a culture. Sometimes it's the knowledge of a particular discipline, like herbalism or astronomy. Sometimes it's a collection of songs that tell an important story which would otherwise be lost."

  The man now known as Achmed stared at her. "And sometimes it's the knowledge of ancient powers."

  Rhapsody swallowed nervously. The subject of lore was more akin to a religious belief than a science. It was the way in which the people of her race and profession derived wisdom and power from the vibrations in the life around them. Since in the Lirin creed Life and God were the same thing, the use of lore was a form of prayer, a kind of communion with the Infinite. It was hardly something she wanted to be discussing with a stranger, and especially not this one.

  She looked up to meet his gaze and found an intensity in his eyes that stung her own. It was compelling her to speak, silently demanding an answer.

  "Sometimes, yes, but that generally is something known to Namers and Singers of great experience. Even then, the reason a Namer can draw on the power of a primordial element, like fire or wind, or on a lesser element, like time, is that they have intimate knowledge of it; they know its story, in a sense. That's another reason for the need for the vow of truth among Namers: if you should in
terject falsity into lore it dilutes its story, makes it weaker for everyone."

  The hooded man stuffed her burlap-wrapped harp back into her pack and cinched the drawstring savagely. "So I'll ask you again, Singer; what can you do?"

  Rhapsody hesitated. The man who had once been known as the Brother lifted her pack off the ground, balancing it precariously on one finger over the fire. It was as subtle a threat as she had ever seen.

  "Not very much, outside of singing a rather extensive collection of historical ballads and epics. I can find herbs to throw into the fire to mesmerize people. Obviously that isn't going to impress you much since you can, too. I can bring sleep to the restless, or prolong the slumber of someone who is already asleep, an especially useful talent for new parents of fussy babies."

  "I can ease pain of the body and the heart, heal minor wounds, and comfort the dying, making their passage easier. Sometimes I can see their souls as they leave for the light. I can tell a story from a few bits of fact and a good dollop of audience reaction. I can tell the absolute truth as I know it. And when I do that I can change things."

  Rhapsody pointed to her pack, and he handed it over. She reached inside without looking, and took out a shriveled flower from her morning study session. Gently, to avoid crumbling what was left of the dried petals, she placed the blossom on her open palm and spoke the name of the flower as it might be said in the humid summer day of its glory.

  Slowly, but strongly, the petals drank life into themselves and, as long as she whispered the words, bloomed again. Grunthor touched the flower with the tip of one claw, and it bounced a little, as it might if it were fresh. Then Rhapsody fell silent, and the life evaporated into the darkness.

  "In theory, I could also kill a whole field of these by speaking the name of their death, if I knew it. So, I suppose the explanation of this afternoon's events goes something like this: We came upon each other in the circumstances you know. By happenstance I spoke your true name, for which I apologize most humbly, but it was, after all, an accident. And then I renamed you; now you really are Achmed the Snake, it's your identity on the deepest possible level. I'm sorry if that was presumptuous. I had no idea I could actually do it yet. I suppose that makes you my first."