Shallow Veins (The Obscured Book 1)

by Brian Martinez

  "I'll deal with Sheriff Green later. There's been a homicide. Multiple, actually. Or it could be a kidnapping."

  "What are you mumbling about," Officer Agani asks, not getting up from his chair.

  “You're not making any sense,” Stroud agrees.

  Butcher exhales, trying to catch his breath. "I staked out the Robins place. They were having a party with about a dozen people. I approached the house and heard signs of struggle, so I looked through the window and saw...well I saw all of them..." He tries to find the words for what he witnessed through the glass.

  "Are you saying the Robins couple murdered them," Stroud asks.

  "No, not them. It was something else."

  "Something?"

  "A creature. A monster. I don't know what the fuck it was but it was killing them, taking their places like some goddamn copycat. All the workers at that dentist's office are replacements now. They chased me across a field and tried to kill me. Look, we're wasting time here, we have to get over there before they leave!"

  A few of the officers exchange glances. Smith says, "Replacements?"

  "Don't give me that look, I know how it sounds. I saw it with my own eyes and I barely believe it."

  Officer Agani walks up next to Stroud and leans past her shoulder. "Who else's eyes would you see it with," he asks, "your replacement's?"

  Butcher lunges at him, tries to grab him by the collar, but Stroud gets between them and holds them apart. The room erupts into shouts as the officers converge on Butcher to hold him back from attacking Agani, and vice versa.

  “Knock it off,” Monton yells at Agani.

  “He started it!”

  “Yeah, and I'm ending it.”

  “What, we have to listen to that crazy bull he's spewing about monsters photocopying dentists or whatever?”

  “I'm not crazy,” Butcher says.

  “Ever hear the expression 'if it quacks like a duck'? Well you're doing a lot of quacking, my friend.”

  “I'm not your friend.”

  “Thank God for that.”

  “I thought we were cops, we're supposed to trust each other.”

  Agani leans in. “Quack. Quack. Quack.”

  Butcher lunges again, as does Agani, but they're held back by the others. In the middle of the commotion, Smith says, “Jesus, he reeks of booze,” and they all fall quiet.

  Monton says, “Did you drive here?”

  Butcher looks between their faces. “I had no choice.”

  “Christ, Butcher.”

  "You can book me later if it makes you feel better, but right now we have to get out there and stop those things before they get too far and do God knows what!"

  There's a cold, metallic pressure against his wrist followed by a loud click. "I'm sorry," Stroud says, "you're not going anywhere."

  Around his wrist is a locked pair of handcuffs. They're the same he carries on him every day, but suddenly they look very different.

  Stroud solemnly leads him down across the station, around the corner and down the hall to the holding cell at the end. It's the most private of the four, unable to be seen from any of the other cells due to a brick wall and a support column.

  Butcher doesn't fight her. The others hang back and watch her walk him into the cell, sit him on the bed and remove the cuffs.

  "I'm not crazy," he repeats.

  "I know," she says, "you're just a drunk."

  The words cut him like a shiv to the belly. She shuts the cell door, leaving him to feel the sway of the room as the footsteps drift away.

  Chapter Seven: A New Door

  Butcher's eyes open.

  Between the steel bars and through the rectangle of reinforced glass beyond, the sun is low and weak in the sky. It brings with it a dark dread of the day to come; Halloween for the kids, but something more sinister for the rest. His empty stomach is hard at work digesting itself. The acid rises up at the back of his throat like high tide.

  Sometime in the night, as he looked up at the cracked ceiling of the holding cell, the shock of the night wore off, and he found the fear in his heart turned into something else, something sharper, more driven, like a spear in his chest.

  Something like anger.

  Someone walks up to the cell door. Butcher looks up at the upside-down image of Sheriff Green, the man's sun-leathered hands on his hips.

  "Morning."

  Butcher sits up to face the Sheriff, finding him calmer than expected. Still Butcher tries to explain himself, but Sheriff Green waves him off before he gets more than five words in.

  "You did the right thing," the Sheriff says. Butcher's brow raises up on his greasy face. "I trust you're feeling better? A good night's sleep is better than penicillin."

  "I wouldn't call it a good night."

  "Any night an officer of mine takes the high ground and turns himself in, in my book that's a good night."

  Butcher looks down the hallway toward the desks. "What did they tell you?"

  "Just that you weren't making much sense, though to be fair you don't make much sense when you're stone sober.” Sheriff Green removes his hands from his hips. “The department offers counseling, you know."

  "I'm fine."

  "Of course you are. I'm fine, you're fine, she's fine, the world is fine. We can always be a little better, though."

  "I'm fine."

  "I believe you mentioned that."

  Wiping the sleep from his face, Butcher says, "What do you want, Sheriff?"

  "I want to make sure you're fit for duty. We may have gotten off to a rocky start, you and I, but I believe somewhere in that screwed up head is a good cop. Or at least a man who's trying to be."

  "Well that's awful sweet of you to think so."

  "Watch it,” he points. “Luckily for you, you caught me in a good mood this morning."

  Butcher studies the man's face. He wonders whether this is even the man he knows, the original Sheriff and not a dime store knock-off. Up until last night, that would have seemed about the craziest thought he could dream up. But today? Today is different.

  "What happened," Butcher asks.

  "Let's just say I found you the perfect babysitter." He turns to face the footsteps making their way down the hallway, whoever they belong just out of Butcher's sight. They're slow, heavy, deliberate, and when they come to a stop at the mouth of Butcher's cell, their owner wraps a pair of mitts around the bars he thought he'd never see again, except maybe dug up in the Robins' backyard, the fingernails packed with dirt and maggots.

  "Hello, partner," Officer Banks smiles. "It's good to see you again."

  **

  The hot water turns off with a hard squeak. Stepping out of the shower and onto the cold, slick tile, Butcher grabs a clean towel and takes a hard look around the locker room. Through the steam he can see Officer Banks sitting on the wooden bench by his locker, exactly where he left him.

  "You mind telling me where the Hell you've been all this time," he calls out, wrapping the towel around his waist.

  "Sheriff Green already explained it to you in the holding cells," Banks replies. It's his voice alright, but it doesn't sound like him, not by a mile. Drew Banks has never given that straight an answer in his entire life.

  "He gave me the short version. I want the full story."

  As Butcher dries off, Banks recounts to him the family emergency that called him out of town, a heart attack and a father he's never mentioned before, never cared to discuss. He explains how he left town so quickly he forgot his phone and that's why he didn't get a chance to call the station and let them know he'd be away for a few days. How along the way he was side-swiped by a tractor trailer that ripped off the rear of his truck and pushed him into an embankment, flipping him three times before landing upside-down. How he woke up in a hospital three days later but couldn't remember his name for another two.

  Dressed now, Butcher says, "That's quite a story."

  Officer Banks nods, looking off into the distance.

  "They gav
e you a copy of the accident report, I'm sure."

  Banks looks back at him. "It's standard procedure."

  "Can I see it?"

  "Why?"

  Butcher checks his side-arm. "A story like that, you're lucky to be alive let alone standing up straight. Look at you- you barely have a scratch on you."

  "What's your point, Officer Butcher?"

  "My point, Officer Banks, is the Officer Banks I know would be bragging to every soul he met about how he's indestructible, unstoppable. The Officer Banks I know would have that accident report framed over his desk, after making enough copies for everyone."

  "Copies?"

  "Now come on,” Butcher smiles, “I know you know what those are."

  The two hold a long, uncomfortable look. Officer Banks says, "It's possible the accident affected me more than I first realized."

  "I'm starting to realize anything's possible." Butcher shuts his locker and offers his hand to Banks. “Despite our differences, it's good to have you back.”

  Banks stands. He looks down at Butcher's hand, then back up. “Thank you. It's good to be back.” With that he turns and walks away without shaking Butcher's hand.

  Butcher watches him go.

  **

  Waiting for his computer to load up, Butcher glances around the room. The station-house is already in morning mode- officers briefing the Sheriff, eating at their desks, Monton at the board with an eraser and marker drawing up the day's routes. It being Halloween, and with the annual parade planned, every officer is scheduled to come in. There's a palpable buzz about what the day and especially night will bring.

  Twice he catches someone staring at him. Both times they look away quickly, pretending they weren't looking. The third time it's Officer Stroud, though she doesn't look away.

  "Can I help you," Butcher asks.

  "Help yourself," she answers.

  “I'm fine.”

  “Hair is fine, you're something else.”

  Butcher shakes his head and loads up the search system. At the desk next to him, Officer Banks is on the same system, doing some research of his own.

  "You remember your passwords?"

  “Yes.”

  “I guess that accident didn't do too much damage to your brain.”

  Banks considers this. Without a word he gets back to whatever it was he was doing. Butcher leans back in his chair to sneak a look at Banks' screen, but Banks, pretending not to notice, adjusts his screen just enough to keep him from seeing.

  Never mind, Butcher thinks. Get to the source of things and the rest will take care of itself. He's not sure why he thinks this, since it isn't always the way these things work, but his gut tells him it feels right, and that's all he can go by.

  The first search he makes is for Kevin Robins. Butcher may not like any version of the guy he's met, but he doesn't get the feeling that Kevin Robins is the criminal type. Sure enough the system brings up nine results which he narrows down by age and state until he's left with one, and this one is the Kevin he knows. He's not surprised when the man's record comes up clean, save a few speeding tickets. No outstanding warrants, no investigations. He attended tech school and graduated with honors.

  Next he finds Mary Robins, and with her it's the same story- a clean bill of health and a Pre-Med degree to boot. There's nothing to be found here, no clues to their villainy. A picturesque dead end.

  Butcher sits back in his chair. He rubs his stubble and wonders what changed this couple, how they could have gone from the all-American picture-book to a house of horrors.

  House, he thinks. He remembers the signs, the ones that nearly got him killed when they collapsed in a loud pile outside the Robins house. There wasn't just one but three, an odd collection for a quaint cottage at the edge of town. In the city it's not uncommon to move around from apartment to apartment as factors change, rent goes up, neighborhoods worsen. Even in the suburbs, where folks are never happy with what they've got, it's typical practice to move two, three times before settling into a more permanent home. But in towns like Shallow Creek, these rural stretches of grass and trees and sky, it's far more rare a find.

  What was the name on those signs? It was the woman Banks pointed out in the bar that night, with the men seated around her grovelling for her attention, and her soaking it up like a cherry-lipped sponge. She'd had a smile he didn't trust, and a body no one should.

  "Maycomb," Butcher says.

  **

  It's still early yet, but that buzz in the air back at the station has already moved out onto the street; a mixture of excitement and nervousness about Halloween; costumes hanging at home, ready to be revealed. Large bowls filled up with candy. Schools and mini-malls made up as safe havens for children whose parents are nervous about the bad kids. Shop-keepers prepared for what may come. At the supermarket, customers have to show I.D. to buy eggs and shaving cream to prove yes, they do want to make an omelet and enjoy a clean shave.

  Butcher drives, Banks in the passenger seat- another thing Banks never went for. He was the kind of man who insisted on driving, on choosing the radio station, on picking where to eat. In every situation he demanded to be in charge, because he needed to be the man in the relationship, and if he wasn't he'd fight like Hell until he was.

  Butcher shakes his head. How strange it is to think of a man like he's gone while he sits next to you. Like a funeral that talks back. The truth is, he's terrified of whatever it is that sits next to him, but he has to bury the feeling, numb it until he can figure out what's going on in Shallow Creek, and not just for the good of the town. He needs to figure out his own damn head. While he has Banks he might as well take him to the Maycomb woman, see how they get along.

  He turns onto Main Street and slows the cruiser, taking a long look at the shops done up in the macabre. If these people had only seen what he'd seen, had run terrified through the same field he had with those God-awful sounds closing in from behind, they wouldn't be so quick to celebrate the darkness.

  "Where are we going," Banks asks. He stares out the passenger window at the passing town.

  "I have a few questions for the real estate agent." He turns to Banks, deciding to test him. "You remember him?"

  Banks thinks about it a moment. "Not him. A woman. Meredith Maycomb."

  "My mistake. Ever met her?"

  "You know I have. We spoke about it at The Limestone."

  "That we did," Butcher says. "That we did."

  In the thin morning crowd he spots a familiar face on the sidewalk- one of the partygoers. She works the front desk at the dentist's office, or she did until last night. Which brings up the question: will the dentist be open for business today? Will they see patients? Clean their teeth and fill their cavities before eviscerating them?

  He remembers the uneven way the woman stalked toward him in the moonlight, like a sailor getting back their land legs, but now her gait could pass for human. The people around her have no clue what she is. They couldn't possibly suspect what she's become, what walks among them, because if they could, if their imaginations were that vivid, they would either run screaming from her or grab the first thing they got their hands on and beat her with it, set her on fire, and then run screaming.

  Butcher catches Banks looking at her. On his glacial face is what could almost be a smile.

  **

  Meredith Maycomb lures them in with a wave. "Officers, do come inside," she says, standing just inside the doorway. As they'd pulled up to the curb they'd found her at the window, looking out through cotton cobwebs as if she'd been expecting them, even though they hadn't phoned ahead, hadn't told anyone where they were going. Maybe she was a psychic. At this point, nothing would surprise Butcher.

  Or maybe she was waiting for customers, and he's reading into things.

  He walks into the small, sparsely decorated office with Banks just behind. Ignoring his headache, he studies the artwork hung on the walls in thin, metallic frames, the canvases attacked by splotches and slices of paint by a
n artist caught in Rorschach Test mania.

  "Do you like them?" Meredith slides behind her desk, strangely positioned at the center of the room, and into her chair.

  "I'm more of a realist myself."

  "So am I. This is the world as I see it."

  "You did these," he asks. She nods proudly. “If you don't mind me saying, they're a bit off-putting.”

  “Oh?”

  “They remind me of Georgia O'Keeffe- too many vaginas.”

  She crosses her fingers and smiles. “I suppose we all see what we want to see.”

  "I hope I didn't offend you, it's just that real estate offices usually have pictures of houses, landscapes, things like that."

  She settles into her chair, her long hands spread out on the desk. "If you do what everyone else does, don't be surprised when you end up like everyone else."

  "Is there something wrong with being normal, Ms. Maycomb?"

  "Absolutely nothing if your goal is to be one of those little worker ants crawling around in the dirt. If that's your ambition then I applaud you. I thank you, in fact. Not everyone can be the queen."

  "You haven't asked us if we'd like to sit."

  "A waste of breath."

  "How do you know that?"

  She points to them, one and then the other. "In my line of work you come to learn how to read bodies. Where people keep their hands, which direction they lean, where their eyes are looking. Most of the conversation takes places before words ever come into it."

  "What does my body language tell you?"

  "I didn't realize there would be a test. Alright, I'll bite." She takes the opportunity to look him up and down. "You've come to ask me some questions but you don't want to stay long. You have a job to do and you won't leave until you do it. You're also uncomfortable, which I take offense to, since I've been nothing but polite."

  "And my partner?" He nods over his shoulder to Officer Banks, who stands a bit further back, listening to them both.