Wildcards wc-1

by George R. R. Martin

  I was making a lot of money. Mr. Holmes wasn't paying me much in the way of wages, but I got a lot for making the Chesterfield endorsement and for selling my story to Life, and I had a lot of paid speaking engagements-Mr. Holmes hired me a speechwriter. My half of the Park Avenue apartment was free, and I never had to pay for a meal if I didn't want to. I got large sums for articles that were written over my name, things like "Why I Believe in Tolerance" and "What America Means to Me," and "Why We Need the U. N." Hollywood scouts were making incredible offers for long-term contracts, but I wasn't interested just yet. I was seeing the world.

  So many girls were visiting me in my room that the tenants' association talked about installing a revolving door. The papers started calling Earl "the Black Eagle," from the 332nd's nickname, "the Lonely Eagles." He didn't like the name much. David Harstein, by those few who knew of his talent, was "the Envoy." I was "Golden Boy," of course. I didn't mind.

  EFD got another member in Blythe Stanhope van Renssaeler, who the papers started calling "Brain Trust." She was a petite, proper upper-crust Boston lady, high-strung as a thoroughbred, married to a scumbag New York congressman by whom she'd had three kids. She had the kind of beauty that took a while for you to notice, and then you wondered why you hadn't seen it before. I don't think she ever knew how lovely she really was.

  She could absorb minds. Memories, abilities, everything. Blythe was older than me by about ten years, but that didn't bother me, and before long I started flirting with her. I had plenty of other female companionship, and everyone knew that, so if she knew anything about me at all-and maybe she didn't, because my mind wasn't important enough to absorbshe didn't take me seriously.

  Eventually her awful husband, Henry, threw her out, and she came by our apartment to look for a place to stay. Mr. Holmes was gone, and I was feeling no pain after a few shots of his twenty-year-old brandy, and I offered her a bed to stay inmine, in fact. She blew up at me, which I deserved, and stormed out.

  Hell, I hadn't intended her to take the offer as a permanent one. She should have known better.

  So, for that matter, should I. Back in '47, most people would rather marry than burn. I was an exception. And Blythe was too high-strung to fool with-she was on the edge of nervous collapse half the time, with all the knowledge in her head, and one thing she didn't need was a Dakota farm boy pawing at her on the night her marriage ended.

  Soon Blythe and Tachyon were together. It didn't do my self-esteem any good to be turned down for a being from another planet, but I'd gotten to know Tachyon fairly well, and I'd decided he was okay in spite of his liking for brocade and satin. If he made Blythe happy, that was fine with me. I figured he had to have something right with him to persuade a bluestocking like Blythe to actually live in sin.

  The term "ace" caught on just after Blythe joined the EFD, so suddenly we were the Four Aces. Mr. Holmes was Democracy's Ace in the Hole, or the Fifth Ace. We were good guys, and everyone knew it.

  It was amazing, the amount of adulation we received. The public simply wouldn't allow us to do anything wrong. Even die-hard bigots referred to Earl Sanderson as "our colored flyboy" When he spoke out on segregation, or Mr. Holmes on populism, people listened.

  Earl was consciously manipulating his image, I think. He was smart, and he knew how the machinery of the press worked. The promise he'd given with such struggle to Mr. Holmes was fully justified by events. He was consciously molding himself into a black hero, an untarnished figure of aspiration. Athlete, scholar, union leader, war hero, faithful husband, ace. He was the first black man on the cover of Time, the first on Life. He had replaced Robeson as the foremost black ideal, as Robeson wryly acknowledged when he said, "I can't fly, but then Earl Sanderson can't sing."

  Robeson was wrong, by the way.

  Earl was flying higher than he ever had. He hadn't realized what happens to idols when people find out about their feet of clay.

  The Four Aces' failures came the next year, in '48. When the Communists were on the verge of taking over in Czechoslovakia we flew to Germany in a big rush, and then the whole thing was called off. Someone at the State Department had decided the situation was too complicated for us to fix, and he'd asked Mr. Holmes not to intervene. I heard a rumor later that the government had been recruiting some ace talents of their own for covert work, and that they'd been sent in and made a bungle of it. I don't know if that's true or not.

  Then, two months after the Czechoslovakian fiasco, we were sent into China to save a billion-odd people for democracy.

  It was not apparent at the time, but our side had already lost. On paper, things seemed retrievable-the generalissimos Kuomintang still held all the major cities, their armies were well equipped, compared to Mao and his forces, and it was well known that the generalissimo was a genius. If he weren't, why had Mr. Luce made him Time's Man of the Year twice?

  On the other hand, the Communists were marching south at a steady rate of twenty-three point five miles per day, rain or shine, summer or winter, redistributing land as they went. Nothing could stop them-certainly not the generalissimo. By the time we were called in, the generalissimo had resigned-he did that from time to time, just to prove to everyone that he was indispensable. So the Four Aces met with the new KMT president, a man named Chen who was always looking over his shoulder lest he be replaced once the Great Man decided to make another dramatic entrance to save the country.

  The U.S. position, by then, was prepared to concede north China and Manchuria, which the KMT had already lost barring the big cities. The idea was to save the south for the generalissimo by partitioning the country. The Kuomintang would get a chance to establish itself in the south while they organized for an eventual reconquest, and the Communists would get the northern cities without having to fight for them.

  We were all there, the Four Aces and Holmes-Blythe was included as a scientific adviser and ended up giving little speeches about sanitation, irrigation, and inoculation. Mao was there, and Zhou En-lai, and President Chen. The generalissimo was off in Canton sulking in his tent, and the People's Liberation Army was laying seige to Mukden in Manchuria and otherwise marching steadily south, twentythree point five miles per day, under Lin Biao.

  Earl and I didn't have much to do. We were observers, and mostly what we observed were the delegates. The KMT people were astonishingly polite, they dressed well, they had uniformed servants who scuttled about on their errands. Their interaction with one another looked like a minuet.

  The PLA people looked like soldiers. They were smart, proud, military in the way that real soldiers are military, without all the white-glove prissy formality of the KMT The PLA had been to war, and they weren't used to losing. I could tell that at a glance.

  It was a shock. All I knew about China was what I'd read in Pearl Buck. That, and the certified genius of the generalissimo.

  "These guys are fighting those guys?" I asked Earl. "Those guys" -Earl was indicating the KMT crowd- "aren't fighting anyone. They're ducking for cover and running away. That's part of the problem."

  "I don't like the looks of this," I said.

  Earl seemed a little sad. "I don't, either," he said. He spat. "The KMT officials have been stealing land from the peasants. The Communists are giving the land back, and that means they've got popular support. But once they've won the war they'll take it back, just like Stalin did."

  Earl knew his history. Me, I just read the papers. Over a period of two weeks Mr. Holmes worked out a basis for negotiation, and then David Harstein came into the room and soon Chen and Mao were grinning at each other like old school buddies at a reunion, and in a marathon negotiating session China was formally partitioned. The KNIT and the PLA were ordered to be friends and lay down their arms.

  It all fell apart within days. The generalissimo, who had no doubt been told of our perfidy by ex-Colonel Peron, denounced the agreement and returned to save China. Lin Biao never stopped marching south. And after a series of colossal battles, the certified ge
nius of the generalissimo ended up on an island guarded by the U.S. fleet-along with Juan Peron and his blond hooker, who had to move again.

  Mr. Holmes told me that when he flew back across the Pacific with the partition in his pocket, while the agreement unraveled behind him and the cheering crowds in Hong Kong and Manila and Oahu and San Francisco grew ever smaller, he kept remembering Neville Chamberlain and his little piece of paper, and how Chamberlain's "peace in Europe" turned into conflagration, and Chamberlain into history's dupe, the sad example of a man who meant well but who had too much hope, and trusted too much in men more experienced in treachery than he.

  Mr. Holmes was no different. He didn't realize that while he'd gone on living and working for the same ideals, for democracy and liberalism and fairness and integration, the world was changing around him, and that because he didn't change with the world the world was going to hammer him into the dust.

  At this point the public were still inclined to forgive us, but they remembered that we'd disappointed them. Their enthusiasm was a little lessened.

  And maybe the time for the Four Aces had passed. The big war criminals had been caught, fascism was on the run, and we had discovered our limitations in Czechoslovakia and China.

  When Stalin blockaded Berlin, Earl and I flew in. I was in my combat fatigues again, Earl in his leather jacket. He flew patrols over the Russian wire, and the Army gave me a jeep and a driver to play with. Eventually Stalin backed down.

  But our activities were shifting toward the personal. Blythe was going off to scientific conferences all over the world, and spent most of the rest of her time with Tachyon.

  Earl was marching in civil rights demonstrations and speaking all over the country. Mr. Holmes and David Harstein went to work, in that election year, for the candidacy of Henry Wallace.

  I spoke alongside Earl at Urban League meetings, and to help out Mr. Holmes I said a few nice things for Mr. Wallace, and I got paid a lot of money for driving the latest-model Chrysler and for talking about Americanism.

  After the election I went to Hollywood to work for Louis Mayer. The money was more incredible than anything I'd ever dreamed, and I was getting bored with kicking around Mr.

  Holmess apartment. I left most of my stuff in the apartment, figuring it wouldn't be long before I'd be back.

  I was pulling down ten thousand per week, and I'd acquired an agent and an accountant and a secretary to answer the phone and someone to handle my publicity; all I had to do at this point was take acting and dance lessons. I didn't actually have to work yet, because they were having script problems with my picture. They'd never had to write a screenplay around a blond superman before.

  The script they eventually came up with was based loosely on our adventures in Argentina, and it was called Golden Boy. They paid Clifford Odets a lot of money to use that title, and considering what happened to Odets and me later, that linking had a certain irony.

  When they gave the script to me, I didn't care for it. I was the hero, which was just fine with me. They actually called me "John Brown." But the Harstein character had been turned into a minister's son from Montana, and the Archibald Holmes character, instead of being a politician from Virginia, had become an FBI agent. The worst part was the Earl Sanderson character-he'd become a cipher, a black flunky who was only in a few scenes, and then only to take orders from John Brown and reply with a crisp, "Yes, sir," and a salute. I called up the studio to talk about this.

  "We can't put him in too many scenes," I was told. "Otherwise we can't cut him out for the Southern version." I asked my executive producer what he was talking about. "If we release a picture in the South, we can't have colored people in it, or the exhibitors won't show it. We write the scenes so that we can release a Southern version by cutting out all the scenes with niggers."

  I was astonished. I never knew they did things like that. "Look," I said. "I've made speeches in front of the NAACP and Urban League. I was in Newsweek with Mary McLeod Bethune. I can't be seen to be a party to this."

  The voice coming over the phone turned nasty. "Look at your contract, Mr. Braun. You don't have script approval."

  "I don't want to approve the script. I just want a script that recognizes certain facts about my life. If I do this script, my credibility will be gone. You're fucking with my image, here!" After that it turned unpleasant. I made certain threats and the executive producer made certain threats. I got a call from my accountant telling me what would happen if the ten grand per week stopped coming, and my agent told me I had no legal right to object to any of this.

  Finally I called Earl and told him what was going on. "What did you say they were paying you?" he asked.

  I told him again.

  "Look," he said. "What you do in Hollywood is your business. But you're new there, and you're an unknown commodity to them. You want to stand up for the right, that's good. But if you walk, you won't do me or the Urban League any good. Stay in the business and get some clout, then use it. And if you feel guilty, the NAACP can always use some of that ten grand per week."

  So there it was. My agent patched up an understanding with the studio to the effect that I was to be consulted on script changes. I succeeded in getting the FBI dropped from the script, leaving the Holmes character without any set governmental affiliation, and I tried to make the Sanderson character a little more interesting.

  I watched the rushes, and they were good. I liked my acting-it was relaxed, anyway, and I even got to step in front of a speeding Mercedes and watch it bounce off my chest. It was done with special effects.

  The picture went into the can, and I went from a threemartini lunch into the wrap party without stopping to sober up. Three days later I woke up in Tijuana with a splitting headache and a suspicion that I'd just done something foolish. The pretty little blonde sharing the pillow told me what it was. We'd just got married. When she was in the bath I had to look at the marriage license to find out her name was Kim Wolfe.

  She was a minor starlet from Georgia who'd been scuffling around Hollywood for six years.

  After some aspirin and a few belts of tequila, marriage didn't seem like a half-bad idea. Maybe it was time, with my new career and all, that I settled down.

  I bought Ronald Colman's old pseudo-English country house on Summit Drive in Beverly Hills, and I moved in with Kim, and our two secretaries, Kim's hairdresser, our two chauffeurs, our two live-in maids… suddenly I had all these people on salary, and I wasn't quite sure where they came from.

  The next picture was The Rickenbacker Story. Victor Fleming was going to direct, with Fredric March as Pershing and June Allyson as the nurse I was supposed to fall in love with. Dewey Martin, of all people, was to play Richthofen, whose Teutonic breast I was going to shoot full of American lead-never mind that the real Richthofen was shot down by someone else. The picture was going to be filmed in Ireland, with an enormous budget and hundreds of extras. I insisted on learning how to fly, so I could do some of the stunts myself. I called Earl long-distance about that.

  "Hey," I said. "I finally learned how to fly."

  "Some farm boys," he said, "just take a while."

  "Victor Fleming's gonna make me an ace."

  "Jack." His voice was amused. "You're already an ace." Which stopped me up short, because somehow in all the activity I'd forgotten that it wasn't MGM who made me a star. "You've got a point, there," I said.

  "You should come to New York a little more often," Earl said. "Figure out what's happening in the real world."

  "Yeah. I'll do that. We'll talk about flying."

  "We'll do that."

  I stopped by New York for three days on my way to Ireland. Kim wasn't with me she'd gotten work, thanks to me, and had been loaned to Warner Brothers for a picture. She was very Southern anyway, and the one time she'd been with Earl she'd been very uncomfortable, and so I didn't mind she wasn't there.

  I was in Ireland for seven months-the weather was so bad the shooting took forever. I met Kim in
London twice, for a week each time, but the rest of the time I was on my own. I was faithful, after my fashion, which meant that I didn't sleep with any one girl more than twice in a row. I became a good enough pilot so that the stunt pilots actually complimented me a few times.

  When I got back to California, I spent two weeks at Palm Springs with Kim. Golden Boy was going to premiere in two months. On my last day at the Springs, I'd just climbed out of the swimming pool when a congressional aide, sweating in a suit and tie, walked up to me and handed me a pink slip. It was subpoena. I was to appear before the House Committee on Un-American Activities bright and early on Tuesday. The very next day.

  I was more annoyed than anything. I figured they obviously had the wrong Jack Braun. I called up Metro and talked to someone in the legal department. He surprised me by saying, "Oh, we thought you'd get the subpoena sometime soon."

  "Wait a minute. How'd you know?"

  There was a second's uncomfortable silence. "Our policy is to cooperate with the FBI. Look, we'll have one of our attorneys meet you in Washington. Just tell the committee what you know and you can be back in California next week."

  "Hey," I said. "What's the FBI got to do with it? And why didn't you tell me this was coming? And what the hell does the committee think I know, anyway?"

  "Something about China," the man said. "That was-what the investigators were asking us about, anyway."