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The Sultan's Wife

Page 41

by Jane Johnson


  After Ismail’s death in 1727 there was an almighty succession battle amongst his surviving sons, and in a very short time the unified kingdom of Morocco fell apart in a stew of civil war and moral dissipation.

  *

  Meknes has been called a second Versailles. Moulay Ismail and Louis XIV shared a fervour for building as well as for power, and both were passionately involved in the construction of their respective palaces. Versailles may not have been built with slave-labour, but Louis was heedless of the lives and safety of his workmen. In the bitter winter of 1685 there were almost forty thousand men working on the site, despite the terrible cold and the ravages of disease, and many of them died. Of course, the fate of the thousands of slaves at Meknes was even more terrible. But where Versailles was symmetrical, ordered, elegant, the palace complex at Meknes, with its fifty connected palaces, mosques, courtyards, barracks and parks, was vast and rambling in its ever-shifting design, as walls and pavilions were constructed, then demolished, at the arbitrary whim of its creator.

  His successors continued with his building programme, but in 1755 the shocks of the huge Lisbon earthquake, which is believed to have reached a magnitude of 9.0 on the Richter scale, severely damaged the site, reducing to rubble in minutes what had taken many decades and thousands of lives to create. Of Ismail’s madly ambitious project, only his extraordinary mausoleum, parts of the Dar Kbira, the vast granary, some of the outer walls and the city gates remain. Despite this, the ruins are well worth visiting to gain a sense of the sheer scale of the sultan’s megalomania.

  *

  Charles II had no legitimate children, but records show he engendered somewhere between a dozen and fourteen illegitimate offspring, and very likely there were others who did not survive or who were not recognized. Wherever he was billeted during the long years of his exile before the Restoration in 1660, he sowed his seed: from Jersey in 1646, to The Hague in 1649, from Paris in 1650 to Bruges in 1656. Alys Swann is a fictional character, but Moulay Ismail is reputed to have had at least one and maybe two English wives with whom he was much enamoured, one of whom died (or disappeared) and another, later than my Alys, who gave birth to a son who was designated an accredited heir, also by the name of Mohammed (although it must be said that Mohammed is the preferred name of first sons in Morocco).

  *

  The Moroccan embassy of 1682 arrived in London in January under the command of Mohammed ben Hadou Ottur, sometimes known as ‘the Tinker’. The almost-seven-month visit is well documented in the records of the day, and is particularly colourfully described in the diary of John Evelyn, who writes that ben Hadou was ‘the fashion of the season’. The ambassador had his portrait painted twice, both by anonymous artists. One of these handsome portraits can be found in the archives of the National Portrait Gallery in London.

  *

  Nus-Nus – or Akuji, to give him his true name – is my own creation.

  Glossary

  abid

  slave

  afrit

  devil

  alhemdullillah

  thanks be to God

  bab

  gate

  babouches

  leather slippers

  baksheesh

  literally ‘charity’, though usually cynically used to mean ‘bribe’

  baraka

  good luck

  bukhari

  the Black Guard

  burnous

  cloak

  charaf

  honour; also a term of affection

  chicha

  hookah pipe

  Dar Kbira

  Great Palace

  djellaba

  hooded robe

  djinn

  spirit of smokeless fire

  Eid

  feast

  Fassi

  from Fez

  fkih

  sir

  funduq

  guest house

  hajib

  vizier

  hammam

  steam bath

  haram

  forbidden

  harem

  women’s private quarters

  hijab

  Islamic headscarf

  insh’allah

  if God wills it

  kaid

  senior civil servant, administrator

  kasbah

  fortress

  khanjar

  ceremonial dagger

  kif

  marijuana

  koubba

  domed, four-sided building, often a shrine

  lalla

  madam, honorative

  ma‘alema

  teacher

  marabout

  holy man

  matamore

  slave pit

  marhaban

  welcome

  mecboui

  spit-roasted lamb

  medina

  old, walled part of city

  Meknassi

  from Meknes

  mellah

  ‘place of salt’, Jewish quarter

  mezian

  good

  nus-nus

  half-and-half

  oud

  Arabic lute

  qadi

  judge

  qamis

  loose leggings

  qibla

  direction of Mecca

  rabab

  Moroccan instrument

  raïs

  captain

  ras al hanout

  mixture of spices

  Ribati

  from Rabat

  salaam aleikum

  peace be upon you

  shahada

  profession of Islamic faith

  Shaitan

  Satan

  sberif

  descendant of the Prophet

  sidi

  sir, lord: honorative

  smen

  preserved butter

  souq

  market

  sura

  chapter of the Qur’an

  tadelakt

  specialist plaster

  Tafraouti

  from Tafraout

  tajine

  earthenware cooking vessel, and the casserole made in it

  taleb

  scholar

  tarboush

  a ‘fez’: hard red hat

  zellij

  mosaic tile-work

  zelliji

  master tiler

  zumeta

  rich paste of nuts and seeds

  Acknowledgements

  With thanks to my wonderful agents, Danny and Heather Baror, for all that they do; to Emma and Philippa for feedback and support; to Venetia and Will at Viking Penguin for their passion and care; to Donna for her exacting standards. And to Eugène Delacroix, whose ‘Portrait of a Turk in a Turban’, glimpsed across a Moroccan restaurant, started a lively discussion and inspired the character of Nus-Nus.

  Bibliography

  Aouchar, Amina, Jean-Michel Ruiz and Cécile Tréal, Fès, Meknès (Paris, Flammarion, 2005)

  Bejjit, Karim, Encountering the Infidels: Restoration Images of the Moors (essay, University Hassan II, Casablanca)

  Blunt, Wilfrid, Black Sunrise (London, Methuen, 1951)

  de Beer, E. S. (ed.), Diary of John Evelyn (London, Everyman’s Library, 2006)

  Daileader, Celia, Racism, Mysogny and the Othello Myth (Cambridge, Cambridge University Press, 2005)

  Doutté, Edmond, Magie et religion dans l’Afrique du Nord (Algiers, Société Musulmane du Maghrib, 1909)

  Forneron, Henri, The Court of King Charles II (London, Swan Sonnenschein & Co., 1892)

  Frasier, Antonia, King Charles II (London, Weidenfeld, 1979)

  Harris, Tim, Restoration (London, Allen Lane, 2005)

  Lithgow, William, The Totall Discourse, of the Rare Adventures, and Painefull Peregrinations… to the Most Famous Kingdomes in Europe, Asia, and Africa… (London, N. Okes, 1632)

  Mafi, Maryam and Kolin, Azima Melita, Rutni: Hidden Music
(London, Thorsons, 2001)

  Matar, Nabil, Islam in Britain (Cambridge, Cambridge University Press, 1998)

  Mernissi, Fatema, Dreams of Trespass: Tales of a Harem Girlhood (New York, Perseus, 1995)

  Milton, Giles, White Gold (London, Hodder & Stoughton, 2004)

  Ogg, David, Europe in the Seventeenth Century (London, A&C Black, 1943)

  Pearson, Hesketh, Charles II (London, Heinemann, 1960)

  Picard, Liza, Restoration London (London, Weidenfeld, 1997)

  Tames, Richard, City of London Past (London, Historical Publications, 1995)

  Vitkus, Daniel J. (ed.), Piracy, Slavery, and Redemption (New York, Columbia University Press, 2001)

  *

  Pierre Mignard’s portrait of Louise de Kéroualle, Duchess of Portsmouth (painted in 1682 during the Moroccan embassy visit), is held at the National Portrait Gallery, as are the two anonymous, but very handsome portraits of Mohammed ben Hadou. The latter two are not on general view, but arrangements can be made with the curators to see them.

  About the Author

  JANE JOHNSON is a British novelist and publisher. She is the UK editor for George R.R. Martin, Robin Hobb and Dean Koontz and was for many years publisher of the works of J.R.R. Tolkien. Married to a Berber chef she met while researching The Tenth Gift, she lives in Cornwall and Morocco.

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