Francisco Goya, The Great Hispanic Heritage

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by Tim McNeese


  Francisco Goya (NewYork:

  Goya: Painter of Terrible Splendor

  McGraw-HillBookCompany,

  (NewYork:HarryN.Abrams,

  1967),8.

  Inc.,Publishers,1994),40.

  24.Schickel,15.

  61.Schickel,59.

  25.Connell,15.

  62.Ibid.,78.

  26.Schickel,30.

  63.Ibid.,79.

  27.Ibid.,31.

  64.Baticle,46.

  28.Connell,20.

  29.Schickel,35.

  Chapter 6

  30.Ibid.,36.

  65.Ibid.,48.

  31.Ibid.,37.

  66.Ibid.,51.

  32.Ibid.

  67.Ibid.,57.

  142

  Notes 143

  68.Ibid.

  96.Ibid.

  69.Ibid.

  97.Schickel,72.

  70.Tomlinson, Goya,78.

  98.Tomlinson, Goya, 164.

  71.Schickel,85.

  99.Schickel,127.

  72.Baticle,64.

  100.Ibid.,126.

  73.Schickel,86.

  101.Baticle,91.

  74.Baticle,58.

  102.Ibid.,91–92.

  75.Ibid.,64.

  103.Schickel,127.

  76.QuotedinSarahCarr-

  104.Ibid.

  Gomm, Francisco de Goya, 1746–

  1828(Kent,England:Grange

  Chapter 9

  Books,2005),82.

  105.Baticle,94.

  77.Baticle,66.

  106.Virch,43.

  78.Ibid.

  107.Tomlinson,197.

  108.Baticle,112.

  Chapter 7

  109.Hughes,313.

  79.Ibid.,67.

  110.Virch,45.

  80.Schickel,97.

  81.Ibid.

  Chapter 10

  82.Ibid.,98.

  111.Baticle,113.

  83.Ibid.

  112.Schickel,167.

  84.Ibid.

  113.QuotedinFredLicht,

  85.Hughes,131.

  Goya: The Origins of the Modern

  86.Schickel,98.

  Temper in Art(NewYork:

  87.Ibid.,100.

  Harper&Row,Publishers,

  88.Connell,1

  1983),159.

  89.Baticle,72.

  114.Virch,46.

  90.Ibid.,76–77.

  115.Baticle,119.

  91.Hughes,214.

  116.Virch,46.

  92.Baticle,78.

  117.Hughes,389.

  118.Baticle,124.

  Chapter 8

  119.Schickel,166.

  93.Ibid.,84.

  120.Baticle,124.

  94.Ibid.

  121.Schickel,170.

  95.QuotedinRose-Marie

  122.Hughes,400.

  andRainerHagen, Francisco

  123.Schickel,171.

  Goya, 1746–1828(LosAngeles:

  124.Ibid.

  Taschen,2003),29.

  125.Ibid.

  Bibliography

  Baticle,Jeannine. Goya: Painter of Terrible Splendor.NewYork:Harry

  N.Abrams,Inc.,1994.

  Brown,Jonathan. Goya’s Last Works. NewHaven,Conn.:Yale

  UniversityPress,2006.

  Carr-Gomm,Sarah. Francisco de Goya, 1746-1828.Kent,England:

  GrangeBooks,2005.

  Connell,EvanS. Francisco Goya: Life and Times.NewYork:

  CounterpointPublishers,2004.

  Hagen,Rose-Marie,andRainerHagen. Francisco Goya, 1746–1828.

  LosAngeles:Taschen,2003.

  Hofmann,Werner. Goya: “To Every Story There Belongs Another.”

  NewYork:Thames&Hudson,2003.

  Hughes,Robert. Goya.NewYork:AlfredA.Knopf,2003.

  Licht,Fred. Goya: The Origins of the Modern Temper in Art.NewYork:

  Harper&Row,Publishers,1983.

  Rishel,Joseph. Goya, Another Look.Philadelphia:Philadelphia

  MuseumofArt,1999.

  Schickel,Richard. The World of Goya, 1746–1828.NewYork:Time-Life

  Books,1968.

  Tomlinson,Janis. Francisco Goya y Lucientes, 1746–1828.London:

  PhaidonPress,Ltd.,1994.

  ———. From El Greco to Goya: Painting in Spain, 1561–1828.

  NewYork:HarryN.Abrams,Inc.,1997.

  Virch,Claus. Francisco Goya.NewYork:McGraw-HillBook

  Company,1967.

  144

  Further Reading

  Gudiol,Jose. Goya.NewYork:HarryN.Abrams,Inc.,1989.

  Muhlberger,Richard. What Makes a Goya a Goya? NewYork:Viking

  Children’sBooks,1994.

  Sanchez,AlfonsoPerez. Goya.NewYork:HenryHolt&Company,

  Inc.,1990.

  Schiaffino,MariaRosa. Goya.GrandRapids,Mich.:SchoolSpecialty

  Publishing,1990.

  Venezia,Mike. Francisco Goya.NewYork:ScholasticLibrary

  Publishing,1991.

  Wright,Patricia Goya.NewYork:DKPublishing,Inc.,1993.

  WeB siTes

  WebMuseum, paris

  www.ibiblio.org/wm/paint/auth/goya/

  cyberspain

  www.cyberspain.com/passion/goya.htm

  Francisco Goya

  www.imageone.com/goya/index.html

  Metropolitan Museum of art/Timeline of art history

  www.metmuseum.org/toah/hd/goya/hd_goya.htm

  Famous painter.com

  www.famouspainter.com/goya.htm

  napoleonic Guide/Goya’s Disasters of War

  www.napoleonguide.com/goyaind.htm

  145

  Picture Credits

  page:

  8: Bridgeman-Giraudon/ArtResource

  81:Scala/ArtResource

  13: Snark/ArtResource

  88:Scala/ArtResource

  17: Time&LifePictures/GettyImages

  96:Giraudon/TheBridgemanArtLibrary

  21: ErichLessing/ArtResource

  102:Scala/ArtResource

  33: Scala/ArtResource

  109:Scala/ArtResource

  36: ErichLessing/ArtResource

  119:Scala/ArtResource

  45: Scala/ArtResource

  120:Scala/ArtResource

  53: ErichLessing/ArtResource

  129:Scala/ArtResource

  57: ErichLessing/ArtResource

  132:ErichLessing/ArtResource

  63: ErichLessing/ArtResource

  68: Scala/ArtResource

  cover:©TheBridgemanArtLibrary,

  75: Giraudon/ArtResource

  London/Superstock

  146

  Index

  a

  Bonaparte,Joseph,10,

  CharlesII(Kingof

  AcademyofFineArts

  115,118,126

  Spain),19

  (Parma),37–38

  Bonaparte,Napoleon,6,

  children,43,60,66,

  Adoration of the Name of

  7–14,80,103,113–117

  78–79,84

  God (Goya),42–43,44

  Bordeaux,133–134

  Christ on the Cross

  Alba(Duchessof),88,

  Bourbonfamily,9–10,

  (Goya),49,57–59

  92–94,108,110–111,

  19

  ChurchofSanFrancisco

  123

  Brigands Shooting Their

  elGrande,62

  AlfonsotheWise(King

  Prisoners (Goya),

  ChurchofSantaMaiade

  ofSpain),32

  116–117

  laFlorida,137

  Allegory of the

  Cimabue,22

  Constitution of 1812


  Brigands Stripping

  Clothed Maja (Goya),

  (Goya),120–121

  a Woman (Goya),

  108,109,110–111

  Annunciation (Goya),

  116–117

  ColondeLarreategui,

  69–70

  Bulls of Bordeaux

  Felix,90

  Antoinette,Marie,80,86

  (Goya),134

  Columbus,Christopher,

  Apotheosis of the Spanish

  18,40

  Monarchy(Tiepolo),

  c

  competitions,30,32–33,

  28

  Cabarrus,82–83,91,94,

  37–38,61–62

  Appearance of the Virgin

  115

  ConventofSantaAna,

  of the Pillar (Goya),26

  cabriolets,72–73

  76

  apprenticeships,23,

  Caesar,August,24

  Correggio,37

  25–26,34

  CalatravaCollege,69

  Count of Fernan Nuñez

  AulaDeipaintings,44,

  Campomanes,Pedrode,

  (Goya),109–110

  46,61

  62,122–123

  Countess of Chinchon

  Autumn (Goya),73–74

  Caprices (Goya),99–100,

  (Goya),109

  104,108,127

  Countess-Duchess of

  B

  CarlosIII(Kingof

  Benavente (Goya),

  BancoNacionaldeSan

  Spain)

  70–71

  Carlos,49,62

  abdicationof,114–

  Crespi,GiuseppeMaria,

  baptism,16–19,66

  115

  37

  baroquestyle,44–45

  ChurchofSan

  BattleofLeon,7

  FranciscoelGrande

  D

  Bayeu,Francisco,32,34,

  and,61–62,69

  Dali,Salvador,40

  38,46,51,61

  frescoforRoyal

  David,JacquesLouis,

  Bayeu,Josefa(wife),34,

  Palaceand,28–29

  35

  43,45,46,118

  meetingwith,56–57

  deAzara,JoséNicolás,

  Bayeu,Ramon,32–34,

  Mengs’spaintingof,

  35

  46,61

  36

  deafness,89

  Betrayal of Christ

  reformsand,31,50

  deathofFranciscoGoya,

  (Goya),99

  CarlosIV(Kingof

  136–137

  Betrothal of the Virgin

  Spain),6–10,80–82,

  demons,75,76

  (Goya),44,46

  84,101–102

  Desastros de la Guerra

  birthofFranciscoGoya,

  ElCarpio(Countof),91

  (Goya),104

  15

  carriages,72–73

  Disasters of War (Goya),

  “BlackDuchess” (Goya),

  cartoons. Seetapestries

  118

  93

  censors,Inquisitionand,

  diseases,87–89

  blackpaintings,

  26

  Disparates (Goya),

  128–132

  Ceruti,Giacomo,37

  100–101

  147

  148 Index

  Duchess of Alba

  FrenchRevolution,10,

  L

  Arranging Her Hair

  80,86,90–91,128

  Las Meninas

  (Goya),93

  frescos,28,33,37,

  (Velázquez),67

  42,61

  Leon,Battleof,7

  e

  Fuendetodos,Spain,

  LiriaPalace,12

  education,23,25–26

  15–17,26–27-26-28

  ‘littleboyinred’ (Goya),

  ElGreco,40

  78–79

  Enlightenment,31,

  G

  Longhi,Pietro,37

  47–51

  gilders,16,23

  LouisXVI(Kingof

  ElEscorial,81

  Godoy,Manuelde,9,82,

  France),10,80,86–87

  EscuelaPia,23,122

  87,91,94–95,103–108

  Lucientes,Gracia(moth-

  estate,distributionof,

  Godoy as Commander in

  er),16,22–23

  136–137

  the War of the Oranges

  LuisdeBourbon(Don),

  etchings,99–101,117–

  (Goya),104

  65–67,71

  118,127

  Goya,Camillo(brother),

  LuzányMartinez,José,

  23

  25–26,32–34

  F

  Goya,José(father),16,

  Fall from a Donkey

  22–23

  M

  (Goya),75

  Goya,Tomas(brother),

  Madhouse (Goya),90

  Family of Carlos IV

  23

  Madrid,27–30,46,

  (Goya),102,106–107

  Goya,Xavier(son),60,

  50–51,61–62

  Family of the Infante

  66,108,114,135–136

  Magnasco,Alessandro,

  Don Luis (Goya),

  GrandeArmeé,6

  37

  67–69

  Greased Pole (Goya),75

  majosandmajas,54–55

  Fantastic Vision (Goya),

  Guernica(Picasso),

  Making Bullets (Goya),

  129,130

  121

  117

  FerdinandVII(Kingof

  Making Gunpowder in

  Spain),9–10,31,

  h

  the Sierra Tardienta

  114–115,118–121,

  Habsburgfamily,19

  (Goya),117

  126

  Hamerton,P.G.,131

  Mamelukes,11–12,119,

  Ferro,Gregorio,110

  Hannibalscene,37–38

  122,124

  Festival of St. Isidore

  The Harvesting (Goya),

  ManzanaresRiver,56

  (Goya),77–78

  73–74

  MariaLuisa(Queen

  Fight at the New Inn

  hearingloss,89

  ofSpain),9,82,95,

  (Goya),55

  101–102

  Fight with Cudgels

  i

  Martinez,José. See

  (Goya),130

  illness,87–89,134

  LuzányMartinez,José

  FirstCourtPainterposi-

  IndustrialRevolution,

  Meadow of St. Isidore

  tion,101–102

  50

  (Goya),77–78

  Floridablanca,Count,

  Inquisition,26,28–29,

  Medinaceli(Duke),70

  62–65,87,91,115,

  100,111

  Mengs,AntonRaphael,

  122–123

  Isabella(Queenof

  28–29,35,36,46,51

  The Flowergirls (Goya),

  Spain),18

  meningitis,89

  73–74

  Italy,lifein,34–37

  mercenaries. See

  The Forge (Goya),

  Mamelukes

  115–116

  J

  Milkmaid of Bordeaux

  France,6–10

  Jovellanos,Gaspar

  (Goya),132,135,137

  FranciscodePaula

  Melchorde,62,82–83,

  Miracle of San Antonio of

  (PrinceofSpain),

  91,95,115,1
22–123

  Padua (Goya),95–98

  10–11

  Judith (Goya),130

  miracles,97–98

  Index 149

  Mojas on a Balcony

  Pilgrimage of St. Isidore

  s

  (Goya),115

  (Goya),131

  St. Francis of Borgia and

  MonasteryofAulaDei.

  PintordelRey,72–73

  the Impenitent Dying

  SeeAulaDeipaintings

  pinturasnegras,128–132

  Man (Goya),75,76

  money,43–44,72–73,

  Piranesi,37

  St. Francis of Borgia and

  118

  Plombières,133

  His Family (Goya),76

  Moñino,José,62

  Poor at the Fountain

  SanAdrian(Marquis

  Moratin,Leandro,133,

  (Goya),73–74

  de),111

  134,136

  Portrait of General Don

  SanAntoniodela

  mountains,18

  Jose de Palafox on

  Florida,95–98

  Murat,Joaquim,9,12

  Horseback (Goya),126

  SanFernandoAcademy.

  Portrait of Maria

  SeeRoyalAcademyof

  n

  Teresa Vallabriga on

  SanFernando

  Naked Maja (Goya),107,

  Horseback (Goya),67

  San Francisco de Paula

  109,110–111

  PosadoySoto,Ramon,

  (Goya),27

  NapoleonI(Emperorof

  90

  Sanlucar Notebook,93

  France),6,7–14,80,

  Poussin,Nicolas,35

  Saragossa,Spain,15–17,

  103,113–117

  PradoMuseum,12

  22–24,39,42–45

  NapoleonicWars,69,80

  Preaching of San

  Sarto,Andreadel,24

  Nelson,Horatio,113

  Bernardino (Goya),62

  Saturn(RomanGod),

  neoclassicalstyle,29–30,

  prieststory,22

  131

  33–34,36,37

  Proverbios (Goya),

  Saturn Devouring a Son

  nobility,parentsas,16,

  100–101

  (Goya),131

  23

  PuertadelSol,11–12

  Second of May (Goya),

  nunstory,35

  14,119,121–124

  Q

  seguidillas,85

  p

  QuintadelSordo,127

  Seville,Cathedralof,127

  paintings. See also by

  ShrineofourLadyof

  title; tapestries

  r

  thePillar,42–43

  ofCount

  ReignofTerror,90–91

  The Snowstorm (Goya),

  Floridablanca,

  religion,Goyaand,

  73–74

  63–65

  48–49

  SobradielPalace,39,

  ofDuchessofAlba,

  reliquarypaintings,

  42–43

  88,92–94

  26–27

  Spain,6–10,18–22,

  ofMarquisedela

 

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