Laura Joh Rowland - Sano Ichiro Samurai Detective 01 - Shinju

by Shin

  Through the open door he could see other officials turning out the contents of his saddlebags onto the floor in the next room. One searched his clothing, while another examined his travel pass.

  "I am a yoriki under the supervision of Ogyu Banzan, the north magistrate of Edo. I am on a pilgrimage to Mishima."

  He waited for the officials to ask if he was meeting anyone in Mishima, and whom. Their job was to sniff out secret assignations related to plots against the government. Instead they seized upon his name, losing interest in the purpose of his journey.

  "Yoriki Sano Ichiro of Edo," the leader said. "Were you not involved in the murders that took place in Totsuka the day before yesterday?"

  Sano was amazed at how fast their spy network passed news along the Tokaido. He responded to their questions about the murders, suspecting that they already knew most of the answers. Finally, after a thorough reprise of the Totsuka inquest, they let him go.

  Since the Temple of Kannon lay high in the mountains behind Hakone Village, Sano left his horse and baggage at an inn and set out on foot. The steep path curved and twisted. Cedars pressed in closely on each side, their heavy dark green boughs blocking Sano's view at every turn as he climbed. Snow and ice whitened the ground in great slippery patches. Sano found a dead branch and used it as a staff as he struggled from one precarious foothold to the next. The Nius would have sent servants to ease Midori's way, but still the trip must have been hard for her. The higher he climbed, the more the cold, wind, and dampness intensified. Droplets of icy water struck his face. He felt as though he'd reached the clouds. His heart pounded from the exertion; his lungs heaved.

  But his determination to catch the murderer and avenge Tsunehiko's death kept him going. He only hoped that what awaited him at the Temple of Kannon would make his journey worthwhile. When he finally paused to rest, he saw that he was high above Hakone, with village, lake, and mountains spread below him under a thin veil of mist. Vertigo made him sway. He leaned on his staff for support. Then he turned and once more began the perilous climb upward.

  Suddenly, just when he'd almost depleted his last reserves of strength, he emerged into a level, open clearing. Here the surrounding cedars obscured the sky and created a premature twilight. When Sano's eyes adjusted to the dimness, he saw a temple that perhaps dated back more than a thousand years, to when Buddhism had first come to Japan.

  A great free-standing gate with tiled double roofs supported on eight strong pillars marked its entrance. Sano passed through this gate and a smaller inner one, into an earthen courtyard dotted with unlit stone lanterns. To his right stood the main hall, square and forbidding on its high stone podium. On his left he saw the pagoda and the wooden cage that housed the temple bell. A few stone monuments comprised the graveyard. The lecture hall, sutra repository, and storehouses occupied ledges cut into the slope that rose behind the courtyard. Above these, a steep path led to what Sano guessed was the nunnery, a long, low building cantilevered over the mountainside on a support of interlocking wooden beams.

  Although the temple must have undergone periodic repair over the years, only the five-story pagoda had been restored to its original condition. Its freshly plastered white walls shone; new blue-gray tiles covered its roofs. Gleaming paint accented the woodwork in traditional Chinese colors: green for window mullions, red and yellow for the roofs' intricate structural members. The bells encircling the pagoda's tall bronze spire rang softly in the wind. But the other buildings showed signs of advanced deterioration. Moss and lichen crusted their peeling plaster; wooden beams, doors, and window lattices had warped and split. Broken tiles marred the roofs' clean lines. Sano saw no priests or nuns or pilgrims. If the watcher had followed, he did not appear. The temple seemed deserted, suspended in a timeless hush.

  He climbed the stairs to the main hall. The massive door creaked open at his touch. He paused in the entryway to slip off his shoes, then entered the hall. Against the far wall, a huge Buddha sat enthroned upon a lotus flower. Time had turned the many-armed bronze statue a deep greenish black. All around it stood smaller painted wood images of guardian kings: fierce warriors with clenched fists and raised spears. Hundreds of burning oil lamps and smoldering incense burners animated the deities with a hazy, flickering glow. Years of flame and smoke had blackened the hall's exposed rafters and suffused it with a musty, ancient fragrance. Faded murals showed ghostly sepia images of the Buddha surrounded by palaces and hills. Tucked in the far left corner, almost as an afterthought, was a woman-sized gilded wooden figure of Kannon-Kuan Yin, Chinese goddess of mercy, bodhisattva who forswore emancipation from the wheel of continual rebirth in order to save the souls of others. She wore a jeweled crown and a flaming halo.

  Sano dropped a coin into the offertory box that stood on a post near the altar. He closed his eyes and bent his head over his clasped hands, offering silent prayers for his father's health, Tsunehiko's spirit, an end to Wisteria's grief, and the success of his mission.

  The whisper of robes dragging on the floor startled Sano out of his prayers. He turned to see a tall, slender nun in a long black robe and veil standing before him. She could have been any age between thirty and sixty, with pale, stern features and a high forehead. Her long fingers toyed with the rosary at her sash, automatically counting prayers.

  "Welcome, honorable pilgrim," she said, bowing. "I am the abbess of the Temple of Kannon, and I would be delighted to tell you about the temple's history. The temple was built during the Heian Period, approximately eight hundred years ago."

  The practiced quality of her voice indicated that she had recited this speech many times before. Its unctuous tone told Sano that she, like other religious leaders, was anxious to curry favor with members of the warrior class, who supported their temples.

  "Now the Temple of Kannon is sanctuary to twenty nuns who have forsaken earthly life to seek spiritual enlightenment. If you accompany me, I will tell you about the images that you see here.

  Sano bowed. "Forgive me, Abbess, but I am not here on a pilgrimage. I've come to see one of your nuns, Miss Niu Midori." He identified himself, saying, "I apologize for the intrusion, but this is a matter of utmost importance."

  "I am afraid that is impossible." The abbess's voice lost its unctuousness, turning cold. "As I have already said, our nuns have forsaken the world and its concerns. They shun contact with those from the outside. Our novices, in particular, are subject to the strictest seclusion. You cannot see Miss Midori now, or ever. I regret that you have come all this way for nothing."

  It was a dismissal, delivered with finality. Sano's already flagging spirits sagged lower.

  "Please, Abbess," he said. "I promise I will not stay long with her, or interfere with her faith." Had she received orders from Lady Niu to shield Midori from all visitors, or him in particular? He'd seen no recognition on her face when he'd given his name. "I just want to speak with her alone for a few moments. Nothing more.

  "And afterward," he added, "I would like to make a small gift to the Temple of Kannon." The clergy, he knew, were always eager for donations.

  Instead of replying, the abbess turned from him and clapped her hands twice. The door flew open. Two orange-robed priests entered the hall: tall, muscular men carrying long, curved spears.

  "Good day, master," the abbess said. "May the Buddha in all his divine mercy grant you a safe journey home."

  Sano had no choice but to let the priests escort him outside. He was familiar with the legendary fighting skills of the mountain priests, who had warred against each other and the ruling clans for hundreds of years. When he tried to bribe them into letting him see Midori, they remained mute and unresponsive to his pleas, their faces stony. They saw him as far as the gate, then stood watching as he descended the path.

  Once out of their sight, Sano flung down his staff. He dropped to his knees, staring down over the treetops at the village and lake. He tried to summon the strength to descend the mountainside. Soon night would fall; the air had alrea
dy grown chillier with the dying day. If he waited too long, he might get hurt trying to negotiate the treacherous path in darkness, or lose his way and freeze to death. But despair, combined with exhaustion, held him immobile. This journey had come to nothing; Tsunehiko had died for nothing. He was no closer to unraveling the mystery of Noriyoshi's and Yukiko's deaths than when he'd left Edo. How could he live with his failure and the tragic consequences of his actions?

  Stand up, Sano told himself. Pick up your staff, put one foot in front of the other, and.

  His head whipped around at the sound of running footsteps coming from the temple grounds above him. The priests. Hand on his sword, he leaped to his feet, driven by the samurai instinct to stand and fight. Then common sense reminded him that there were at least two priests and only one of him. If he wanted to live, he'd best leave now, before they found him. Seizing his staff, he hurried down the path.

  "Yoriki! Wait!"

  The high female voice stopped Sano in his tracks. He turned and saw a small figure skidding down the path toward him. Reaching him, she stumbled and would have fallen had he not caught her. He stared at her in shock.

  It was Midori, although he barely recognized her. Instead of a bright silk kimono, she wore a coarse, shapeless hemp robe. Bare feet peeped out from beneath its hem. She seemed smaller, as if she'd lost weight. Her face was thin, pale, and peaked, her lips chapped. Most shocking of all, her head had been shaved. Only a bluish tinge on her bare scalp remained of her long black hair.

  Between gasps, she said, ". saw you from the nuns' dormitory. " One hand went to her heaving breast. ". climbed out the window. couldn't let you go without telling you. "

  "Calm down, it's all right," Sano said. He drew her off the path and seated her on a fallen log. She was shivering in her thin robe, so he took off his cloak and draped it over her shoulders. Then he waited with rising anticipation for her to catch her breath. At last he would possess the information for which he'd traveled so far and paid so dearly.

  But when she spoke, it wasn't about her sister or Noriyoshi. "I hate this place!" she cried passionately, beating her fists against the log. "Cooking and scrubbing floors and praying from dawn till sunset. Then a few hours' sleep on a hard straw bed before that awful bell wakes me up and the whole thing starts all over again."

  Tears brightened her eyes. "If I have to stay here any longer, I'll die. Please, take me away with you!"

  Pity welled inside Sano as he shook his head. "I can't do that," he said. Although his refusal might turn her against him, he had to tell her the truth.

  Midori sighed, accepting his words with averted head and slumped shoulders. "I know you can't," she said sorrowfully. Her hand went up as if to stroke her hair, then jerked back as it touched bare scalp. "My father's men would hunt us down. They would cut off your head and bring me back here. I shouldn't have asked. Forgive me."

  "Can you tell me how you happened to come here?" Sano asked. He didn't want to set off another outburst by mentioning her sister's death right away, and he wanted the story in her own words, uninfluenced by his own expectations.

  "My stepmother is punishing me." Now Midori's eyes glittered with anger. "I hate her! If I ever see her again, I'll kill her. I'll get a sword and cut her a hundred times. Like this!" Wielding an imaginary sword, she slashed at the air. "I don't want to be a nun. I want to live in Edo and go to parties and the theater. I want my sisters, and my pretty clothes, and my dolls, and, oh. !" She burst into wild sobs, hiding her face in her hands.

  "Has your father no say in the matter?" Sano asked. He knew that many men cared little about their daughters' happiness, but he wouldn't have expected Lord Niu to give one up to the clergy so easily. He had more to gain from marrying Midori off to a son of another important clan. This way he lost the chance to cement a political alliance and had to pay a dowry to the temple.

  Midori raised her head, wiping her eyes with the back of her hand. "I hardly ever see my father. Besides, he lets my stepmother run the household as she pleases. Just like he lets my older brothers run his province. The servants say he can't think for himself anymore. His mind isn't right, and it gets worse every year, they say."

  Sano suddenly remembered the Little Daimyo's other nickname: the Crazy Little Daimyo. He'd heard rumors of bizarre happenings in Satsuma Province: Lord Niu's wild parties, and his howling rages, when he would gallop his horse around the castle grounds, hacking viciously with his sword at anyone unfortunate enough to get in his way. If, as Midori said, Lord Niu's authority had passed to his wife, it would explain Lady Niu's unusual power. Sano wondered if anyone else in the family shared Lord Niu's violent disposition. Perhaps the young Masahito, who resembled him physically? But Yukiko's, Noriyoshi's, and Tsunehiko's murders bespoke a different kind of mentality: sane and calculating.

  "What are you being punished for?" he prompted Midori, guiding the conversation away from this interesting but secondary subject.

  "For disobeying my stepmother's orders by going into Yukiko's room. For talking to you-and to make sure I never talked to you again."

  So he'd guessed correctly.

  "She doesn't want me to tell anyone what I read in Yukiko's diary," Midori continued.

  Sano leaned toward her eagerly. Here came the evidence he sought, from Yukiko herself, or as nearly as possible. "And what was that?" he asked, keeping his voice calm so as not to frighten Midori.

  Midori wrapped his cloak more tightly around her. "Well. Yukiko wrote about firefly hunting. And about our brother Masahito's manhood ceremony."

  She went on to describe both, obviously enjoying Sano's attention and wanting to keep it by drawing out the story. Sano let her talk, although he was uncomfortably conscious of the cold and of the rapidly fading daylight. He knew that valuable information comes, sometimes unexpectedly, to those who listen well. But he kept part of his mind on the path, watching for the guards.

  "I didn't see that man Noriyoshi's name in the diary," Midori said. "Not once! And I know Yukiko wasn't in any hurry to marry; she always said a girl should be willing to wait until a suitable match can be made for her. Besides, how could she have met that man? She never went out without a chaperone, and never at night." A frown wrinkled Midori's forehead. "Except-"

  Now Sano was glad he'd let her ramble. "You saw her go out the night she died? Did the diary say where, or why?"

  Midori's answer disappointed him. "No. It wasn't then, it was last month. On the night of the full moon. I didn't see her leave, but I saw her come home very early the next morning. And I didn't have time to read that part of the diary-my stepmother stopped me. So I don't know where she went."

  Last month. The wrong time entirely. Sano lost interest. He suspected that Yukiko had been killed right there at the Niu estate, anyway, and her body moved afterward. Increasingly eager to extract the relevant information and leave the mountainside, he said, "When we spoke in Edo, you said you had proof that Yukiko was murdered. Was it something you read in the diary? Will you show it to me?"

  To his dismay, Midori just stared at him blankly. "I can't," she said. "My stepmother tore it up. And why do you need to see it, anyway? I just told you that it proved Yukiko didn't know that man. So she couldn't have committed shinju with him. Isn't that enough? Can't you look for the person who killed her now?"

  It was far from enough. Sano took two abrupt steps down the path, turning his face away from Midori so that she wouldn't see the devastation there. What a tragic waste this journey had been! All he'd learned was that, according to a little girl, Yukiko hadn't mentioned Noriyoshi's name in a diary that no longer existed. Anger swelled in his chest, directed not at Midori for misleading him, but at himself for hoping for too much. He had to force himself to turn back to her and say, gently, "Did the diary say anything else?"

  For the first time since they'd met, Midori showed less than complete candor. Hunching her shoulders, she looked at the ground and mumbled, "No. Nothing."

  To Sano it was obvious that sh
e was lying. There was something else. Something crucial to his investigation. He wanted to demand, "What was it? Tell me!" Instead he knelt beside her.

  "Even something that doesn't seem important could turn out to be helpful later," he said. "If you want me to find out who killed your sister, you must tell me everything."

  No answer.

  "Look at me, Miss Midori."

  She sighed and met his gaze defiantly. "It didn't have anything to do with Yukiko dying," she protested. "It was about our family."

  Evidently it hadn't occurred to her that one of her own relatives might have killed Yukiko. Now Sano watched sudden comprehension register on her face. She recoiled visibly, her small body scooting backward on the log. Her eyes beseeched him to banish her fears.

  Sano hesitated. He hated to see her suffer more than she already had. But he understood the loyalty that bound her to keep her family's secrets and knew he had to break through its armor to learn the truth.

  "Your family's affairs could have everything to do with Yukiko's death," he said as gently as possible.