On the Road

by Jack Kerouac

  Next stop was Tulare. Up the valley we roared. I lay in the back seat, exhausted, giving up completely, and sometime in the afternoon, while I dozed, the muddy Hudson zoomed by the tents outside Sabinal where I had lived and loved and worked in the spectral past. Dean was bent rigidly over the wheel, pounding the rods. I was sleeping when we finally arrived in Tulare; I woke up to hear the insane details. “Sal, wake up! Alfred found his aunt’s grocery store, but do you know what happened? His aunt shot her husband and went to jail. The store’s closed down. We didn’t get a cent. Think of it! The things that happen; the Okie told us the same likewise story, the trou-bles on all sides, the complications of events—whee, damn!” Alfred was biting his fingernails. We were turning off the Oregon road at Madera, and there we made our farewell with little Alfred. We wished him luck and Godspeed to Oregon. He said it was the best ride he ever had.

  It seemed like a matter of minutes when we began rolling in the foothills before Oakland and suddenly reached a height and saw stretched out ahead of us the fabulous white city of San Francisco on her eleven mystic hills with the blue Pacific and its advancing wall of potato-patch fog beyond, and smoke and goldenness in the late afternoon of time. “There she blows!” yelled Dean. “Wow! Made it! Just enough gas! Give me water! No more land! We can’t go any further ’cause there ain’t no more land! Now Marylou, darling, you and Sal go immediately to a hotel and wait for me to contact you in the morning as soon as I have definite arrangements made with Camille and call up Frenchman about my railroad watch and you and Sal buy the first thing hit town a paper for the want ads and workplans.” And he drove into the Oakland Bay Bridge and it carried us in. The downtown office buildings were just sparkling on their lights; it made you think of Sam Spade. When we staggered out of the car on O’Farrell Street and sniffed and stretched, it was like getting on shore after a long voyage at sea; the slopy street reeled under our feet; secret chop sueys. from Frisco Chinatown floated in the air. We took all our things out of the car and piled them on the sidewalk.

  Suddenly Dean was saying good-by. He was bursting to see Camille and find out what had happened. Marylou and I stood dumbly in the street and watched him drive away. “You see what a bastard he is?” said Marylou. “Dean will leave you out in the cold any time it’s in his interest.”

  “I know,” I said, and I looked back east and sighed. We had no money. Dean hadn’t mentioned money. “Where are we going to stay?” We wandered around, carrying our bundles of rags in the narrow romantic streets. Everybody looked like a broken-down movie extra, a withered starlet; disenchanted stunt-men, midget auto-racers, poignant California characters with their end-of-the-continent sadness, handsome, decadent, Casanova-ish men, puffy-eyed motel blondes, hustlers, pimps, whores, masseurs, bellhops—a lemon lot, and how’s a man going to make a living with a gang like that?

  10

  Nevertheless Marylou had been around these people—not far from the Tenderloin—and a gray-faced hotel clerk let us have a room on credit. That was the first step. Then we had to eat, and didn’t do so till midnight, when we found a nightclub singer in her hotel room who turned an iron upside down on a coat-hanger in the wastebasket and warmed up a can of pork and beans. I looked out the window at the winking neons and said to myself, Where is Dean and why isn’t he concerned about our welfare? I lost faith in him that year. I stayed in San Francisco a week and had the beatest time of my life. Marylou and I walked around for miles, looking for food-money. We even visited some drunken seamen in a flophouse on Mission Street that she knew; they offered us whisky.

  In the hotel we lived together two days. I realized that, now Dean was out of the picture, Marylou had no real interest in me; she was trying to reach Dean through me, his buddy. We had arguments in the room. We also spent entire nights in bed and I told her my dreams. I told her about the big snake of the world that was coiled in the earth like a worm in an apple and would someday nudge up a hill to be thereafter known as Snake Hill and fold out upon the plain a hundred miles long and devouring as it went along. I told her this snake was Satan. “What’s going to happen?” she squealed; meanwhile she held me tight.

  “A saint called Doctor Sax will destroy it with secret herbs which he is at this very moment cooking up in his underground shack somewhere in America. It may also be disclosed that the snake is just a husk of doves; when the snake dies great clouds of seminal-gray doves will flutter out and bring tidings of peace around the world.” I was out of my mind with hunger and bitterness.

  One night Marylou disappeared with a nightclub owner. I was waiting for her by appointment in a doorway across the street, at Larkin and Geary, hungry, when she suddenly stepped out of the foyer of the fancy apartment house with her girl friend, the nightclub owner, and a greasy old man with a roll. Originally she’d just gone in to see her girl friend. I saw what a whore she was. She was afraid to give me the sign, though she saw me in that doorway. She walked on little feet and got in the Cadillac and off they went. Now I had nobody, nothing.

  I walked around, picking butts from the street. I passed a fish-’n-chips joint on Market Street, and suddenly the woman in there gave me a terrified look as I passed; she was the proprietress, she apparently thought I was coming in there with a gun to hold up the joint. I walked on a few feet. It suddenly occurred to me this was my mother of about two hundred years ago in England, and that I was her footpad son, returning from gaol to haunt her honest labors in the hashery. I stopped, frozen with ecstasy on the sidewalk. I looked down Market Street. I didn’t know whether it was that or Canal Street in New Orleans: it led, to water, ambiguous, universal water, just as 42nd Street, New York, leads to water, and you never know where you are. I thought of Ed Dunkel’s ghost on Times Square. I was delirious. I wanted to go back and leer at my strange Dickensian mother in the hash joint. I tingled all over from head to foot. It seemed I had a whole host of memories leading back to 1750 in England and that I was in San Francisco now only in another life and in another body. “No,” that woman seemed to say with that terrified glance, “don’t come back and plague your honest, hard-working mother. You are no longer like a son to me—and like your father, my first husband. ’Ere this kindly Greek took pity on me.” (The proprietor was a Greek with hairy arms.) “You are no good, inclined to drunkenness and routs and final disgraceful robbery of the fruits of my ’umble labors in the hashery. Oh son! did you not ever go on your knees and pray for deliverance for all your sins and scoundrel’s acts? Lost boy! Depart! Do not haunt my soul; I have done well forgetting you. Reopen no old wounds, be as if you had never returned and looked in to me—to see my laboring humilities, my few scrubbled pennies—hungry to grab, quick to deprive, sullen, unloved, mean-minded son of my flesh. Son! Son!” It made me think of the Big Pop vision in Graetna with Old Bull. And for just a moment I had reached the point of ecstasy that I always wanted to reach, which was the complete step across chronological time into timeless shadows, and wonderment in the bleakness of the mortal realm, and the sensation of death kicking at my heels to move on, with a phantom dogging its own heels, and myself hurrying to a plank where all the angels dove off and flew into the holy void of uncreated emptiness, the potent and inconceivable radiancies shining in bright Mind Essence, innumerable lotus-lands falling open in the magic mothswarm of heaven. I could hear an indescribable seething roar which wasn’t in my ear but everywhere and had nothing to do with sounds. I realized that I had died and been reborn numberless times but just didn’t remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it. I realized it was only because of the stability of the intrinsic Mind that these ripples of birth and death took place, like the action of wind on a sheet of pure, serene, mirror-like water. I felt sweet, swinging bliss, like a big shot of heroin in the mainline vein; like a gulp of wine late in the afternoon and it makes you shudder; m
y feet tingled. I thought I was going to die the very next moment. But I didn’t die, and walked four miles and picked up ten long butts and took them back to Marylou’s hotel room and poured their tobacco in my old pipe and lit up. I was too young to know what had happened. In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf—nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco. Add fog, hunger-making raw fog, and the throb of neons in the soft night, the clack of high-heeled beauties, white doves in a Chinese grocery window . . .

  11

  That was the way Dean found me when he finally decided I was worth saving. He took me home to Camille’s house. “Where’s Marylou, man?”

  “The whore ran off.” Camille was a relief after Marylou; a well-bred, polite young woman, and she was aware of the fact that the eighteen dollars Dean had sent her was mine. But 0 where went thou, sweet Marylou? I relaxed a few days in Camille’s house. From her living-room window in the wooden tenement on Liberty Street you could see all of San Francisco burning green and red in the rainy night. Dean did the most ridiculous thing of his career the few days I was there. He got a job demonstrating a new kind of pressure cooker in the kitchens of homes. The salesman gave him piles of samples and pamphlets. The first day Dean was a hurricane of energy. I drove all over town with him as he made appointments. The idea was to get invited socially to a dinner party and then leap up and start demonstrating the pressure cooker. “Man,” cried Dean excitedly, “this is even crazier than the time I worked for Sinah. Sinah sold encyclopedias in Oakland. Nobody could turn him down. He made long speeches, he jumped up and down, he laughed, he cried. One time we broke into an Okie house where everybody was getting ready to go to a funeral. Sinah got down on his knees and prayed for the deliverance of the deceased soul. All the Okies started crying. He sold a complete set of encyclopedias. He was the maddest guy in the world. I wonder where he is. We used to get next to pretty young daughters and feel them up in the kitchen. This afternoon I had the gonest housewife in her little kitchen—arm around her, demonstrating. Ah! Hmm! Wow!”

  “Keep it up, Dean,” I said. “Maybe someday you’ll be mayor of San Francisco.” He had the whole cookpot spiel worked out; he practiced on Camille and me in the evenings.

  One morning he stood naked, looking at all San Francisco out. the window as the sun came up. He looked like someday he’d be the pagan mayor of San Francisco. But his energies ran out. One rainy afternoon the salesman came around to find out what Dean was doing. Dean was sprawled on the couch. “Have you been trying to sell these?”

  “No,” said Dean, “I have another job coming up.”

  “Well, what are you going to do about all these samples?”

  “I don’t know.” In a dead silence the salesman gathered up his sad pots and left. I was sick and tired of everything and so was Dean.

  But one night we suddenly went mad together again; we went to see Slim Gaillard in a little Frisco nightclub. Slim Gaillard is a tall, thin Negro with big sad eyes who’s always saying, “Right-orooni” and “How ’bout a little bourbon-orooni.” In Frisco great eager crowds of young semi-intellectuals sat at his feet and listened to him on the piano, guitar, and bongo drums. When he gets, warmed up he takes off his shirt and undershirt and really goes. He does and says anything that comes into his head. He’ll sing “Cement Mixer, Put-ti Put-ti” and suddenly slow down the beat and brood over his bongos with fingertips barely tapping the skin as everybody leans forward breathlessly to hear; you think he’ll do this for a minute or so, but he goes right on, for as long as an hour, making an imperceptible little noise with the tips of his fingernails, smaller and smaller all the time till you can’t hear it any more and sounds of traffic come in the open door. Then he slowly gets up and takes the mike and says, very slowly, “Great-orooni . . . fine-ovauti . . . hello-orooni . . . bourbon-orooni . . . all-orooni . . . how are the boys in the front row making out with their girls-orooni . . . orooni . . . vauti . . . oroonirooni . . .” He keeps this up for fifteen minutes, his voice getting softer and softer till you can’t hear. His great sad eyes scan the audience.

  Dean stands in the back, saying, “God! Yes!”—and clasping his hands in prayer and sweating. “Sal, Slim knows time, he knows time.” Slim sits down at the piano and hits two notes, two Cs, then two more, then one, then two, and suddenly the big burly bass-player wakes up from a reverie and realizes Slim is playing “C-Jam Blues” and he slugs in his big forefinger on the string and the big booming beat begins and everybody starts rocking and Slim looks just as sad as ever, and they blow jazz for half an hour, and then Slim goes mad and grabs the bongos and plays tremendous rapid Cubana beats and yells crazy things in Spanish, in Arabic, in Peruvian dialect, in Egyptian, in every language he knows, and he knows innumerable languages. Finally the set is over; each set takes two hours. Slim Gaillard goes and stands against a post, looking sadly over everybody’s head as people come to talk to him. A bourbon is slipped into his hand. “Bourbon-orooni—thank-you-ovauti . . .” Nobody knows where Slim Gaillard is. Dean once had a dream that he was having a baby and his belly was all bloated up blue as he lay on the grass of a California hospital. Under a tree, with a group of colored men, sat Slim Gaillard. Dean turned despairing eyes of a mother to him. Slim said, “There you go-orooni.” Now Dean approached him, he approached his God; he thought Slim was God; he shuffled and bowed in front of him and asked him to join us. “Right-orooni,” says Slim; he’ll join anybody but he won’t guarantee to be there with you in spirit. Dean got a table, bought drinks, and sat stiffly in front of Slim. Slim dreamed over his head. Every time Slim said, “Orooni,” Dean said, “Yes!” I sat there with these two madmen. Nothing happened. To Slim Gaillard the whole world was just one big orooni.

  That same night I dug Lampshade on Fillmore and Geary. Lampshade is a big colored guy who comes into musical Frisco saloons with coat, hat, and scarf and jumps on the bandstand and starts singing; the veins pop in his forehead; he heaves back and blows a big foghorn blues out of every muscle in his soul. He yells at people while he’s singing: “Don’t die to go to heaven, start in on Doctor Pepper and end up on whisky!” His voice booms over everything. He grimaces, he writhes, he does everything. He came over to our table and leaned over to us and said, “Yes!” And then he staggered out to the street to hit another saloon. Then there’s Connie Jordan, a madman who sings and flips his arms and ends up splashing sweat on everybody and kicking over the mike and screaming like a woman; and you see him late at night, exhausted, listening to wild jazz sessions at Jamson’s Nook with big round eyes and limp shoulders, a big gooky stare into space, and a drink in front of him. I never saw such crazy musicians. Everybody in Frisco blew. It was the end of the continent; they didn’t give a damn. Dean and I goofed around San Francisco in this manner until I got my next GI check and got ready to go back home.

  What I accomplished by coming to Frisco I don’t know. Camille wanted me to leave; Dean didn’t care one way or the other. I bought a loaf of bread and meats and made myself ten sandwiches to cross the country with again; they were all going to go rotten on me by the time I got to Dakota. The last night Dean went mad and found Marylou somewhere downtown and we got in the
car and drove all over Richmond across the bay, hitting Negro jazz shacks in the oil flats. Marylou went to sit down and a colored guy pulled the chair out from under her. The gals approached her in the john with propositions. I was approached too. Dean was sweating around. It was the end; I wanted to get out.

  At dawn I got my New York bus and said good-by to Dean and Marylou. They wanted some of my sandwiches. I told them no. It was a sullen moment. We were all thinking we’d never see one another again and we didn’t care.

  part three

  1

  In the spring of 1949 I had a few dollars saved from my GI education checks and I went to Denver, thinking of settling down there. I saw myself in Middle America, a patriarch. I was lonesome. Nobody was there—no Babe Rawlins, Ray Rawlins, Tim Gray, Betty Gray, Roland Major, Dean Moriarty, Carlo Marx, Ed Dunkel, Roy Johnson, Tommy Snark, nobody. I wandered around Curtis Street and Larimer Street, worked awhile in the wholesale fruit market where I almost got hired in 1947—the hardest job of my life; at one point the Japanese kids and I had to move a whole boxcar a hundred feet down the rail by hand with a jack-gadget that made it move a quarter-inch with each yank. I lugged watermelon crates over the ice floor of reefers into the blazing sun, sneezing. In God’s name and under the stars, what for?

  At dusk I walked. I felt like a speck on the surface of the sad red earth. I passed the Windsor Hotel, where Dean Moriarty had lived with his father in the depression thirties, and as of yore I looked everywhere for the sad and fabled tinsmith of my mind. Either you find someone who looks like your father in places like Montana or you look for a friend’s father where he is no more.