Delphi Complete Works of Nathaniel Hawthorne (Illustrated)

by Hawthorne, Nathaniel

  Nor, in truth, had the Old Manse ever been profaned by a lay occupant until that memorable summer afternoon when I entered it as my home. A priest had built it; a priest had succeeded to it; other priestly men from time to time had dwelt in it; and children born in its chambers had grown up to assume the priestly character. It was awful to reflect how many sermons must have been written there. The latest inhabitant alone — he by whose translation to paradise the dwelling was left vacant — had penned nearly three thousand discourses, besides the better, if not the greater, number that gushed living from his lips. How often, no doubt, had he paced to and fro along the avenue, attuning his meditations to the sighs and gentle murmurs and deep and solemn peals of the wind among the lofty tops of the trees! In that variety of natural utterances he could find something accordant with every passage of his sermon, were it of tenderness or reverential fear. The boughs over my head seemed shadowy with solemn thoughts, as well as with rustling leaves. I took shame to myself for having been so long a writer of idle stories, and ventured to hope that wisdom would descend upon me with the falling leaves of the avenue, and that I should light upon an intellectual treasure in the Old Manse well worth those hoards of long-hidden gold which people seek for in moss-grown houses. Profound treatises of morality; a layman's unprofessional, and therefore unprejudiced, views of religion; histories (such as Bancroft might have written had he taken up his abode here, as he once purposed) bright with picture, gleaming over a depth of philosophic thought, — these were the works that might fitly have flowed from such a retirement. In the humblest event, I resolved at least to achieve a novel that should evolve some deep lesson, and should possess physical substance enough to stand alone.

  In furtherance of my design, and as if to leave me no pretext for not fulfilling it, there was in the rear of the house the most delightful little nook of a study that ever afforded its snug seclusion to a scholar. It was here that Emerson wrote Nature; for he was then an inhabitant of the Manse, and used to watch the Assyrian dawn and Paphian sunset and moonrise from the summit of our eastern hill. When I first saw the room, its walls were blackened with the smoke of unnumbered years, and made still blacker by the grim prints of Puritan ministers that hung around. These worthies looked strangely like bad angels, or at least like men who had wrestled so continually and so sternly with the Devil that somewhat of his sooty fierceness had been imparted to their own visages. They had all vanished now; a cheerful coat of paint and golden-tinted paper-hangings lighted up the small apartment; while the shadow of a willow-tree that swept against the overhanging eaves atempered the cheery western sunshine. In place of the grim prints there was the sweet and lovely head of one of Raphael's Madonnas, and two pleasant little pictures of the Lake of Como. The only other decorations were a purple vase of flowers, always fresh, and a bronze one containing graceful ferns. My books (few, and by no means choice; for they were chiefly such waifs as chance had thrown in my way) stood in order about the room, seldom to be disturbed.

  The study had three windows, set with little, old-fashioned panes of glass, each with a crack across it. The two on the western side looked, or rather peeped, between the willow branches, down into the orchard, with glimpses of the river through the trees. The third, facing northward, commanded a broader view of the river, at a spot where its hitherto obscure waters gleam forth into the light of history. It was at this window that the clergyman who then dwelt in the Manse stood watching the outbreak of a long and deadly struggle between two nations; he saw the irregular array of his parishioners on the farther side of the river, and the glittering line of the British on the hither bank. He awaited, in an agony of suspense, the rattle of the musketry. It came; and there needed but a gentle wind to sweep the battle-smoke around this quiet house.

  Perhaps the reader, whom I cannot help considering as my guest in the Old Manse, and entitled to all courtesy in the way of sight-showing, — perhaps he will choose to take a nearer view of the memorable spot. We stand now on the river's brink. It may well be called the Concord, — the river of peace and quietness; for it is certainly the most unexcitable and sluggish stream that ever loitered imperceptibly towards its eternity, — the sea. Positively I had lived three weeks beside it before it grew quite clear to my perception which way the current flowed. It never has a vivacious aspect, except when a northwestern breeze is vexing its surface on a sunshiny day. From the incurable indolence of its nature, the stream is happily incapable of becoming the slave of human ingenuity, as is the fate of so many a wild, free mountain torrent. While all things else are compelled to subserve some useful purpose, it idles its sluggish life away in lazy liberty, without turning a solitary spindle or affording even water-power enough to grind the corn that grows upon its banks. The torpor of its movement allows it nowhere a bright, pebbly shore, nor so much as a narrow strip of glistening sand, in any part of its course. It slumbers between broad prairies, kissing the long meadow grass, and bathes the overhanging boughs of elder-bushes and willows, or the roots of elms and ash-trees and clumps of maples. Flags and rushes grow along its plashy shore; the yellow water-lily spreads its broad, flat leaves on the margin; and the fragrant white pond-lily abounds, generally selecting a position just so far from the river's brink that it cannot be grasped save at the hazard of plunging in.

  It is a marvel whence this perfect flower derives its loveliness and perfume, springing as it does from the black mud over which the river sleeps, and where lurk the slimy eel, and speckled frog, and the mud-turtle, whom continual washing cannot cleanse. It is the very same black mud out of which the yellow lily sucks its obscene life and noisome odor. Thus we see, too, in the world that some persons assimilate only what is ugly and evil from the same moral circumstances which supply good and beautiful results — the fragrance of celestial flowers — to the daily life of others.

  The reader must not, from any testimony of mine, contract a dislike towards our slumberous stream. In the light of a calm and golden sunset it becomes lovely beyond expression; the more lovely for the quietude that so well accords with the hour, when even the wind, after blustering all day long, usually hushes itself to rest. Each tree and rock and every blade of grass is distinctly imaged, and, however unsightly in reality, assumes ideal beauty in the reflection. The minutest things of earth and the broad aspect of the firmament are pictured equally without effort and with the same felicity of success. All the sky glows downward at our feet; the rich clouds float through the unruffled bosom of the stream like heavenly thoughts through a peaceful heart. We will not, then, malign our river as gross and impure while it can glorify itself with so adequate a picture of the heaven that broods above it; or, if we remember its tawny hue and the muddiness of its bed, let it be a symbol that the earthiest human soul has an infinite spiritual capacity and may contain the better world within its depths. But, indeed, the same lesson might be drawn out of any mud-puddle in the streets of a city; and, being taught us everywhere, it must be true.

  Come, we have pursued a somewhat devious track in our walk to the battle-ground. Here we are, at the point where the river was crossed by the old bridge, the possession of which was the immediate object of the contest. On the hither side grow two or three elms, throwing a wide circumference of shade, but which must have been planted at some period within the threescore years and ten that have passed since the battle-day. On the farther shore, overhung by a clump of elder-bushes, we discern the stone abutment of the bridge. Looking down into the river, I once discovered some heavy fragments of the timbers, all green with half a century's growth of water-moss; for during that length of time the tramp of horses and human footsteps have ceased along this ancient highway. The stream has here about the breadth of twenty strokes of a swimmer's arm, — a space not too wide when the bullets were whistling across. Old people who dwell hereabouts will point out, the very spots on the western bank where our countrymen fell down and died; and on this side of the river an obelisk of granite has grown up from the soil that was ferti
lized with British blood. The monument, not more than twenty feet in height, is such as it befitted the inhabitants of a village to erect in illustration of a matter of local interest rather than what was suitable to commemorate an epoch of national history. Still, by the fathers of the village this famous deed was done; and their descendants might rightfully claim the privilege of building a memorial.

  A humbler token of the fight, yet a more interesting one than the granite obelisk, may be seen close under the stone wall which separates the battle-ground from the precincts of the parsonage. It is the grave, — marked by a small, mossgrown fragment of stone at the head and another at the foot, — the grave of two British soldiers who were slain in the skirmish, and have ever since slept peacefully where Zechariah Brown and Thomas Davis buried them. Soon was their warfare ended; a weary night-march from Boston, a rattling volley of musketry across the river, and then these many years of rest. In the long procession of slain invaders who passed into eternity from the battle-fields of the Revolution, these two nameless soldiers led the way.

  Lowell, the poet, as we were once standing over this grave, told me a tradition in reference to one of the inhabitants below. The story has something deeply impressive, though its circumstances cannot altogether be reconciled with probability. A youth in the service of the clergyman happened to be chopping wood, that April morning, at the back door of the Manse; and when the noise of battle rang from side to side of the bridge, he hastened across the intervening field to see what might be going forward. It is rather strange, by the way, that this lad should have been so diligently at work when the whole population of town and country were startled out of their customary business by the advance of the British troops. Be that as it might, the tradition, says that the lad now left his task and hurried to the battle-field with the axe still in his hand. The British had by this time retreated; the Americans were in pursuit; and the late scene of strife was thus deserted by both parties. Two soldiers lay on the ground, — one was a corpse; but, as the young New-Englander drew nigh, the other Briton raised himself painfully upon his hands and knees and gave a ghastly stare into his face. The boy, — it must have been a nervous impulse, without purpose, without thought, and betokening a sensitive and impressible nature rather than a hardened one, — the boy uplifted his axe and dealt the wounded soldier a fierce and fatal blow upon the head.

  I could wish that the grave might be opened; for I would fain know whether either of the skeleton soldiers has the mark of an axe in his skull. The story comes home to me like truth. Oftentimes, as an intellectual and moral exercise, I have sought to follow that poor youth through his subsequent career and observe how his soul was tortured by the blood-stain, contracted as it had been before the long custom of war had robbed human life of its sanctity and while it still seemed murderous to slay a brother man. This one circumstance has borne more fruit for me than all that history tells us of the fight.

  Many strangers come in the summer-time to view the battle-ground. For my own part, I have never found my imagination much excited by this or any other scene of historic celebrity; nor would the placid margin of the river have lost any of its charm for me, had men never fought and died there. There is a wilder interest in the tract of land-perhaps a hundred yards in breadth — which extends between the battle-field and the northern face of our Old Manse, with its contiguous avenue and orchard. Here, in some unknown age, before the white man came, stood an Indian village, convenient to the river, whence its inhabitants must have drawn so large a part of their substance. The site is identified by the spear and arrow-heads, the chisels, and other implements of war, labor, and the chase, which the plough turns up from the soil. You see a splinter of stone, half hidden beneath a sod; it looks like nothing worthy of note; but, if you have faith enough to pick it up, behold a relic! Thoreau, who has a strange faculty of finding what the Indians have left behind them, first set me on the search; and I afterwards enriched myself with some very perfect specimens, so rudely wrought that it seemed almost as if chance had fashioned them. Their great charm consists in this rudeness and in the individuality of each article, so different from the productions of civilized machinery, which shapes everything on one pattern. There is exquisite delight, too, in picking up for one's self an arrow-head that was dropped centuries ago and has never been handled since, and which we thus receive directly from the hand of the red hunter, who purposed to shoot it at his game or at an enemy. Such an incident builds up again the Indian village and its encircling forest, and recalls to life the painted chiefs and warriors, the squaws at their household toil, and the children sporting among the wigwams, while the little wind-rocked pappose swings from the branch of a tree. It can hardly be told whether it is a joy or a pain, after such a momentary vision, to gaze around in the broad daylight of reality and see stone fences, white houses, potato-fields, and men doggedly hoeing in their shirt-sleeves and homespun pantaloons. But this is nonsense. The Old Manse is better than a thousand wigwams.

  The Old Manse! We had almost forgotten it, but will return thither through the orchard. This was set out by the last clergyman, in the decline of his life, when the neighbors laughed at the hoary-headed man for planting trees from which he could have no prospect of gathering fruit. Even had that been the case, there was only so much the better motive for planting them, in the pure and unselfish hope of benefiting his successors, — an end so seldom achieved by more ambitious efforts. But the old minister, before reaching his patriarchal age of ninety, ate the apples from this orchard during many years, and added silver and gold to his annual stipend by disposing of the superfluity. It is pleasant to think of him walking among the trees in the quiet afternoons of early autumn and picking up here and there a windfall, while he observes how heavily the branches are weighed down, and computes the number of empty flour-barrels that will be filled by their burden. He loved each tree, doubtless, as if it had been his own child. An orchard has a relation to mankind, and readily connects itself with matters of the heart. The trees possess a domestic character; they have lost the wild nature of their forest kindred, and have grown humanized by receiving the care of man as well as by contributing to his wants. There, is so much individuality of character, too, among apple trees, that it gives them all additional claim to be the objects of human interest. One is harsh and crabbed in its manifestations; another gives us fruit as mild as charity. One is churlish and illiberal, evidently grudging the few apples that it bears; another exhausts itself in free-hearted benevolence. The variety of grotesque shapes into which apple, trees contort themselves has its effect on those who get acquainted with them: they stretch out their crooked branches, and take such hold of the imagination, that we remember them as humorists and odd fellows. And what is more melancholy than the old apple-trees that linger about the spot where once stood a homestead, but where there is now only a ruined chimney rising out of a grassy and weed-grown cellar? They offer their fruit to every wayfarer, — apples that are bitter sweet with the moral of Time's vicissitude.

  I have met with no other such pleasant trouble in the world as that of finding myself, with only the two or three mouths which it was my privilege to feed, the sole inheritor of the old clergyman's wealth of fruits. Throughout the summer there were cherries and currants; and then came Autumn, with his immense burden of apples, dropping them continually from his over-laden shoulders as he trudged along. In the stillest afternoon, if I listened, the thump of a great apple was audible, falling without a breath of wind, from the mere necessity of perfect ripeness. And, besides, there were pear-trees, that flung down bushels upon bushels of heavy pears; and peach-trees, which, in a good year, tormented me with peaches, neither to be eaten nor kept, nor, without labor and perplexity, to be given away. The idea of an infinite generosity and exhaustless bounty on the part of our Mother Nature was well worth obtaining through such cares as these. That feeling can be enjoyed in perfection only by the natives of summer islands, where the bread-fruit, the cocoa, the palm, and the ora
nge grow spontaneously and hold forth the ever-ready meal; but likewise almost as well by a man long habituated to city life, who plunges into such a solitude as that of the Old Manse, where he plucks the fruit of trees that he did not plant, and which therefore, to my heterodox taste, bear the closest resemblance to those that grew in Eden. It has been an apothegm these five thousand years, that toil sweetens the bread it earns. For my part (speaking from hard experience, acquired while belaboring the rugged furrows of Brook Farm), I relish best the free gifts of Providence.

  Not that it can be disputed that the light toil requisite to cultivate a moderately sized garden imparts such zest to kitchen vegetables as is never found in those of the market-gardener. Childless men, if they would know something of the bliss of paternity, should plant a seed, — be it squash, bean, Indian corn, or perhaps a mere flower or worthless weed, — should plant it with their own hands, and nurse it from infancy to maturity altogether by their own care. If there be not too many of them, each individual plant becomes an object of separate interest. My garden, that skirted the avenue of the Manse, was of precisely the right extent. An hour or two of morning labor was all that it required. But I used to visit and revisit it a dozen times a day, and stand in deep contemplation over my vegetable progeny with a love that nobody could share or conceive of who had never taken part in the process of creation. It was one of the most bewitching sights in the world to observe a hill of beans thrusting aside the soil, or a row of early peas just peeping forth sufficiently to trace a line of delicate green. Later in the season the humming-birds were attracted by the blossoms of a peculiar variety of bean; and they were a joy to me, those little spiritual visitants, for deigning to sip airy food out of my nectar-cups. Multitudes of bees used to bury themselves in the yellow blossoms of the summer-squashes. This, too, was a deep satisfaction; although, when they had laden themselves with sweets, they flew away to some unknown hive, which would give back nothing in requital of what my garden had contributed. But I was glad thus to fling a benefaction upon the passing breeze with the certainty that somebody must profit by it and that there would be a little more honey in the world to allay the sourness and bitterness which mankind is always complaining of. Yes, indeed; my life was the sweeter for that honey.