Delphi Complete Works of Nathaniel Hawthorne (Illustrated)

by Hawthorne, Nathaniel

  You will be anxious to hear of Shelley. I need not say, what is known to all the world, that this celebrated poet has for many years past been reconciled to the Church of England. In his more recent works he has applied his fine powers to the vindication of the Christian faith, with an especial view to that particular development. Latterly, as you may not have heard, he has taken orders, and been inducted to a small country living in the gift of the Lord Chancellor. Just now, luckily for me, he has come to the metropolis to superintend the publication of a volume of discourses treating of the poetico-philosophical proofs of Christianity on the basis of the Thirty-nine Articles. On my first introduction I felt no little embarrassment as to the manner of combining what I had to say to the author of Queen Mali, the Revolt of Islam, and Prometheus Unbound with such acknowledgments as might be acceptable to a Christian minister and zealous upholder of the Established Church. But Shelley soon placed me at my ease. Standing where he now does, and reviewing all his successive productions from a higher point, he assures me that there is a harmony, an order, a regular procession, which enables him to lay his hand upon any one of the earlier poems and say, “This is my work,” with precisely the same complacency of conscience wherewithal he contemplates the volume of discourses above mentioned. They are like the successive steps of a staircase, the lowest of which, in the depth of chaos, is as essential to the support of the whole as the highest and final one resting upon the threshold of the heavens. I felt half inclined to ask him what would have been his fate had he perished on the lower steps of his staircase, instead of building his way aloft into the celestial brightness.

  How all this may be I neither pretend to understand nor greatly care, so long as Shelley has really climbed, as it seems he has, from a lower region to a loftier one. Without touching upon their religious merits, I consider the productions of his maturity superior, as poems, to those of his youth. They are warmer with human love, which has served as an interpreter between his mind and the multitude. The author has learned to dip his pen oftener into his heart, and has thereby avoided the faults into which a too exclusive use of fancy and intellect are wont to betray him. Formerly his page was often little other than a concrete arrangement of crystallizations, or even of icicles, as cold as they were brilliant. Now you take it to your heart, and are conscious of a heart-warmth responsive to your own. In his private character Shelley can hardly have grown more gentle, kind, and affectionate than his friends always represented him to be up to that disastrous night when he was drowned in the Mediterranean. Nonsense, again, — sheer nonsense! What, am I babbling about? I was thinking of that old figment of his being lost in the Bay of Spezzia, and washed ashore near Via Reggio, and burned to ashes on a funeral pyre, with wine, and spices, and frankincense; while Byron stood on the beach and beheld a flame of marvellous beauty rise heavenward from the dead poet's heart, and that his fire-purified relics were finally buried near his child in Roman earth. If all this happened three-and-twenty years ago, how could I have met the drowned and burned and buried man here in London only yesterday?

  Before quitting the subject, I may mention that Dr. Reginald Heber, heretofore Bishop of Calcutta, but recently translated to a see in England, called on Shelley while I was with him. They appeared to be on terms of very cordial intimacy, and are said to have a joint poem in contemplation. What a strange, incongruous dream is the life of man!

  Coleridge has at last finished his poem of Christabel. It will be issued entire by old John Murray in the course of the present publishing season. The poet, I hear, is visited with a troublesome affection of the tongue, which has put a period, or some lesser stop, to the life-long discourse that has hitherto been flowing from his lips. He will not survive it above a month, unless his accumulation of ideas be sluiced off in some other way. Wordsworth died only a week or two ago. Heaven rest his soul, and grant that he may not have completed The Excursion! Methinks I am sick of everything he wrote, except his Laodamia. It is very sad, this inconstancy of the mind to the poets whom it once worshipped. Southey is as hale as ever, and writes with his usual diligence. Old Gifford is still alive, in the extremity of age, and with most pitiable decay of what little sharp and narrow intellect the Devil had gifted him withal. One hates to allow such a man the privilege of growing old and infirm. It takes away our speculative license of kicking him.

  Keats? No; I have not seen him except across a crowded street, with coaches, drays, horsemen, cabs, omnibuses, foot-passengers, and divers other sensual obstructions intervening betwixt his small and slender figure and my eager glance. I would fain have met him on the sea-shore, or beneath a natural arch of forest trees, or the Gothic arch of an old cathedral, or among Grecian ruins, or at a glimmering fireside on the verge of evening, or at the twilight entrance of a cave, into the dreamy depths of which he would have led me by the hand; anywhere, in short, save at Temple Bar, where his presence was blotted out by the porter-swollen bulks of these gross Englishmen. I stood and watched him fading away, fading away along the pavement, and could hardly tell whether he were an actual man or a thought that had slipped out of my mind and clothed itself in human form and habiliments merely to beguile me. At one moment he put his handkerchief to his lips, and withdrew it, I am almost certain, stained with blood. You never saw anything so fragile as his person. The truth is, Keats has all his life felt the effects of that terrible bleeding at the lungs caused by the article on his Endymion in the Quarterly Review, and which so nearly brought him to the grave. Ever since he has glided about the world like a ghost, sighing a melancholy tone in the ear of here and there a friend, but never sending forth his voice to greet the multitude. I can hardly think him a great poet. The burden of a mighty genius would never have been imposed upon shoulders so physically frail and a spirit so infirmly sensitive. Great poets should have iron sinews.

  Yet Keats, though for so many years he has given nothing to the world, is understood to have devoted himself to the composition of an epic poem. Some passages of it have been communicated to the inner circle of his admirers, and impressed them as the loftiest strains that have been audible on earth since Milton's days. If I can obtain copies of these specimens, I will ask you to present them to James Russell Lowell, who seems to be one of the poet's most fervent and worthiest worshippers. The information took me by surprise. I had supposed that all Keats's poetic incense, without being embodied in human language, floated up to heaven and mingled with the songs of the immortal choristers, who perhaps were conscious of an unknown voice among them, and thought their melody the sweeter for it. But it is not so; he has positively written a poem on the subject of Paradise Regained, though in another sense than that which presented itself to the mind of Milton. In compliance, it may be imagined, with the dogma of those who pretend that all epic possibilities in the past history of the world are exhausted, Keats has thrown his poem forward into an indefinitely remote futurity. He pictures mankind amid the closing circumstances of the time-long warfare between good and evil. Our race is on the eve of its final triumph. Man is within the last stride of perfection; Woman, redeemed from the thraldom against which our sibyl uplifts so powerful and so sad a remonstrance, stands equal by his side or communes for herself with angels; the Earth, sympathizing with her children's happier state, has clothed herself in such luxuriant and loving beauty as no eye ever witnessed since our first parents saw the sun rise over dewy Eden. Nor then indeed; for this is the fulfilment of what was then but a golden promise. But the picture has its shadows. There remains to mankind another peril, — a last encounter with the evil principle. Should the battle go against us, we sink back into the slime and misery of ages. If we triumph — But it demands a poet's eye to contemplate the splendor of such a consummation and not to be dazzled.

  To this great work Keats is said to have brought so deep and tender a spirit of humanity that the poem has all the sweet and warm interest of a village tale no less than the grandeur which befits so high a theme. Such, at least, is the perhaps partial rep
resentation of his friends; for I have not read or heard even a single line of the performance in question. Keats, I am told, withholds it from the press, under an idea that the age has not enough of spiritual insight to receive it worthily. I do not like this distrust; it makes me distrust the poet. The universe is waiting to respond to the highest word that the best child of time and immortality can utter. If it refuse to listen, it is because he mumbles and stammers, or discourses things unseasonable and foreign to the purpose.

  I visited the House of Lords the other day to hear Canning, who, you know, is now a peer, with I forget what title. He disappointed me. Time blunts both point and edge, and does great mischief to men of his order of intellect. Then I stepped into the lower House and listened to a few words from Cobbett, who looked as earthy as a real clodhopper, or rather as if he had lain a dozen years beneath the clods. The men whom I meet nowadays often impress me thus; probably because my spirits are not very good, and lead me to think much about graves, with the long grass upon them, and weather-worn epitaphs, and dry bones of people who made noise enough in their day, but now can only clatter, clatter, clatter, when the sexton's spade disturbs them. Were it only possible to find out who are alive and who dead, it would contribute infinitely to my peace of mind. Every day of my life somebody comes and stares me in the face whom I had quietly blotted out of the tablet of living men, and trusted nevermore to be pestered with the sight or sound of him. For instance, going to Drury Lane Theatre a few evenings since, up rose before me, in the ghost of Hamlet's father, the bodily presence of the elder Kean, who did die, or ought to have died, in some drunken fit or other, so long ago that his fame is scarcely traditionary now. His powers are quite gone; he was rather the ghost of himself than the ghost of the Danish king.

  In the stage-box sat several elderly and decrepit people, and among them a stately ruin of a woman on a very large scale, with a profile — for I did not see her front face — that stamped itself into my brain as a seal impresses hot wax. By the tragic gesture with which she took a pinch of snuff, I was sure it must be Mrs. Siddons. Her brother, John Kemble, sat behind, — a broken-down figure, but still with a kingly majesty about him. In lieu of all former achievements, Nature enables him to look the part of Lear far better than in the meridian of his genius. Charles Matthews was likewise there; but a paralytic affection has distorted his once mobile countenance into a most disagreeable one-sidedness, from which he could no more wrench it into proper form than he could rearrange the face of the great globe itself. It looks as if, for the joke's sake, the poor man had twisted his features into an expression at once the most ludicrous and horrible that he could contrive, and at that very moment, as a judgment for making himself so hideous, an avenging Providence had seen fit to petrify him. Since it is out of his own power, I would gladly assist him to change countenance, for his ugly visage haunts me both at noontide and night-time. Some other players of the past generation were present, but none that greatly interested me. It behooves actors, more than all other men of publicity, to vanish from the scene betimes. Being at best but painted shadows flickering on the wall and empty sounds that echo anther's thought, it is a sad disenchantment when the colors begin to fade and the voice to croak with age.

  What is there new in the literary way on your side of the water? Nothing of the kind has come under any inspection, except a volume of poems published above a year ago by Dr. Channing. I did not before know that this eminent writer is a poet; nor does the volume alluded to exhibit any of the characteristics of the author's mind as displayed in his prose works; although some of the poems have a richness that is not merely of the surface, but glows still the brighter the deeper and more faithfully you look into then. They seem carelessly wrought, however, like those rings and ornaments of the very purest gold, but of rude, native manufacture, which are found among the gold-dust from Africa. I doubt whether the American public will accept them; it looks less to the assay of metal than to the neat and cunning manufacture. How slowly our literature grows up! Most of our writers of promise have come to untimely ends. There was that wild fellow, John Neal, who almost turned my boyish brain with his romances; he surely has long been dead, else he never could keep himself so quiet. Bryant has gone to his last sleep, with the Thanatopsis gleaming over him like a sculptured marble sepulchre by moonlight. Halleck, who used to write queer verses in the newspapers and published a Don Juanic poem called Fanny, is defunct as a poet, though averred to be exemplifying the metempsychosis as a man of business. Somewhat later there was Whittier, a fiery Quaker youth, to whom the muse had perversely assigned a battle-trumpet, and who got himself lynched, ten years agone, in South Carolina. I remember, too, a lad just from college, Longfellow by name, who scattered some delicate verses to the winds, and went to Germany, and perished, I think, of intense application, at the University of Gottingen. Willis — what a pity! — was lost, if I recollect rightly, in 1833, on his voyage to Europe, whither he was going to give us sketches of the world's sunny face. If these had lived, they might, one or all of them, have grown to be famous men.

  And yet there is no telling: it may be as well that they have died. I was myself a young man of promise. O shattered brain, O broken spirit, where is the fulfilment of that promise? The sad truth is, that, when fate would gently disappoint the world, it takes away the hopefulest mortals in their youth; when it would laugh the world's hopes to scorn, it lets them live. Let me die upon this apothegm, for I shall never make a truer one.

  What a strange substance is the human brain! Or rather, — for there is no need of generalizing the remark, — what an odd brain is mine! Would you believe it? Daily and nightly there come scraps of poetry humming in my intellectual ear — some as airy as birdnotes, and some as delicately neat as parlor-music, and a few as grand as organ-peals — that seem just such verses as those departed poets would have written had not an inexorable destiny snatched them from their inkstands. They visit me in spirit, perhaps desiring to engage my services as the amanuensis of their posthumous productions, and thus secure the endless renown that they have forfeited by going hence too early. But I have my own business to attend to; and besides, a medical gentleman, who interests himself in some little ailments of mine, advises me not to make too free use of pen and ink. There are clerks enough out of employment who would be glad of such a job.

  Good by! Are you alive or dead? and what are you about? Still scribbling for the Democratic? And do those infernal compositors and proof-readers misprint your unfortunate productions as vilely as ever? It is too bad. Let every man manufacture his own nonsense, say I. Expect me home soon, and — to whisper you a secret — in company with the poet Campbell, who purposes to visit Wyoming and enjoy the shadow of the laurels that he planted there. Campbell is now an old man. He calls himself well, better than ever in his life, but looks strangely pale, and so shadow-like that one might almost poke a finger through his densest material. I tell him, by way of joke, that he is as dim and forlorn as Memory, though as unsubstantial as Hope.

  Your true friend, P.

  P. S. — Pray present my most respectful regards to our venerable and revered friend Mr. Brockden Brown.

  It gratifies me to learn that a complete edition of his works, in a double-columned octavo volume, is shortly to issue from the press at Philadelphia. Tell him that no American writer enjoys a more classic reputation on this side of the water. Is old Joel Barlow yet alive? Unconscionable man! Why, he must have nearly fulfilled his century. And does he meditate an epic on the war between Mexico and Texas with machinery contrived on the principle of the steam-engine, as being the nearest to celestial agency that our epoch can boast? How can he expect ever to rise again, if, while just sinking into his grave, he persists in burdening himself with such a ponderosity of leaden verses?

  EARTH'S HOLOCAUST

  Once upon a time — but whether in the time past or time to come is a matter of little or no moment — this wide world had become so overburdened with an accumulation of worn-ou
t trumpery, that the inhabitants determined to rid themselves of it by a general bonfire. The site fixed upon at the representation of the insurance companies, and as being as central a spot as any other on the globe, was one of the broadest prairies of the West, where no human habitation would be endangered by the flames, and where a vast assemblage of spectators might commodiously admire the show. Having a taste for sights of this kind, and imagining, likewise, that the illumination of the bonfire might reveal some profundity of moral truth heretofore hidden in mist or darkness, I made it convenient to journey thither and be present. At my arrival, although the heap of condemned rubbish was as yet comparatively small, the torch had already been applied. Amid that boundless plain, in the dusk of the evening, like a far off star alone in the firmament, there was merely visible one tremulous gleam, whence none could have anticipated so fierce a blaze as was destined to ensue. With every moment, however, there came foot-travellers, women holding up their aprons, men on horseback, wheelbarrows, lumbering baggage-wagons, and other vehicles, great and small, and from far and near, laden with articles that were judged fit for nothing but to be burned.

  “What materials have been used to kindle the flame?” inquired I of a bystander; for I was desirous of knowing the whole process of the affair from beginning to end.

  The person whom I addressed was a grave man, fifty years old or thereabout, who had evidently come thither as a looker-on. He struck me immediately as having weighed for himself the true value of life and its circumstances, and therefore as feeling little personal interest in whatever judgment the world might form of them. Before answering my question, he looked me in the face by the kindling light of the fire.

  “O, some very dry combustibles,” replied he, “and extremely suitable to the purpose, — no other, in fact, than yesterday's newspapers, last month's magazines, and last year's withered leaves. Here now comes some antiquated trash that will take fire like a handful of shavings.”