Delphi Complete Works of Nathaniel Hawthorne (Illustrated)

by Hawthorne, Nathaniel

  “The double-faced fellow has his eye upon me,” muttered Robin, with an indefinite but an uncomfortable idea that he was himself to bear a part in the pageantry.

  The leader turned himself in the saddle, and fixed his glance full upon the country youth, as the steed went slowly by. When Robin had freed his eyes from those fiery ones, the musicians were passing before him, and the torches were close at hand; but the unsteady brightness of the latter formed a veil which he could not penetrate. The rattling of wheels over the stones sometimes found its way to his ear, and confused traces of a human form appeared at intervals, and then melted into the vivid light. A moment more, and the leader thundered a command to halt: the trumpets vomited a horrid breath, and then held their peace; the shouts and laughter of the people died away, and there remained only a universal hum, allied to silence. Right before Robin's eyes was an uncovered cart. There the torches blazed the brightest, there the moon shone out like day, and there, in tar-and-feathery dignity, sat his kinsman, Major Molineux!

  He was an elderly man, of large and majestic person, and strong, square features, betokening a steady soul; but steady as it was, his enemies had found means to shake it. His face was pale as death, and far more ghastly; the broad forehead was contracted in his agony, so that his eyebrows formed one grizzled line; his eyes were red and wild, and the foam hung white upon his quivering lip. His whole frame was agitated by a quick and continual tremor, which his pride strove to quell, even in those circumstances of overwhelming humiliation. But perhaps the bitterest pang of all was when his eyes met those of Robin; for he evidently knew him on the instant, as the youth stood witnessing the foul disgrace of a head grown gray in honor. They stared at each other in silence, and Robin's knees shook, and his hair bristled, with a mixture of pity and terror. Soon, however, a bewildering excitement began to seize upon his mind; the preceding adventures of the night, the unexpected appearance of the crowd, the torches, the confused din and the hush that followed, the spectre of his kinsman reviled by that great multitude, — all this, and, more than all, a perception of tremendous ridicule in the whole scene, affected him with a sort of mental inebriety. At that moment a voice of sluggish merriment saluted Robin's ears; he turned instinctively, and just behind the corner of the church stood the lantern-bearer, rubbing his eyes, and drowsily enjoying the lad's amazement. Then he heard a peal of laughter like the ringing of silvery bells; a woman twitched his arm, a saucy eye met his, and he saw the lady of the scarlet petticoat. A sharp, dry cachinnation appealed to his memory, and, standing on tiptoe in the crowd, with his white apron over his head, he beheld the courteous little innkeeper. And lastly, there sailed over the heads of the multitude a great, broad laugh, broken in the midst by two sepulchral hems; thus, “Haw, haw, haw, — hem, hem, — haw, haw, haw, haw!”

  The sound proceeded from the balcony of the opposite edifice, and thither Robin turned his eyes. In front of the Gothic window stood the old citizen, wrapped in a wide gown, his gray periwig exchanged for a nightcap, which was thrust back from his forehead, and his silk stockings hanging about his legs. He supported himself on his polished cane in a fit of convulsive merriment, which manifested itself on his solemn old features like a funny inscription on a tombstone. Then Robin seemed to hear the voices of the barbers, of the guests of the inn, and of all who had made sport of him that night. The contagion was spreading among the multitude, when all at once, it seized upon Robin, and he sent forth a shout of laughter that echoed through the street, — every man shook his sides, every man emptied his lungs, but Robin's shout was the loudest there. The cloud-spirits peeped from their silvery islands, as the congregated mirth went roaring up the sky! The Man in the Moon heard the far bellow. “Oho,” quoth he, “the old earth is frolicsome to-night!”

  When there was a momentary calm in that tempestuous sea of sound, the leader gave the sign, the procession resumed its march. On they went, like fiends that throng in mockery around some dead potentate, mighty no more, but majestic still in his agony. On they went, in counterfeited pomp, in senseless uproar, in frenzied merriment, trampling all on an old man's heart. On swept the tumult, and left a silent street behind.

  * * *

  “Well, Robin, are you dreaming?” inquired the gentleman, laying his hand on the youth's shoulder.

  Robin started, and withdrew his arm from the stone post to which he had instinctively clung, as the living stream rolled by him. His cheek was somewhat pale, and his eye not quite as lively as in the earlier part of the evening.

  “Will you be kind enough to show me the way to the ferry?” said he, after a moment's pause.

  “You have, then, adopted a new subject of inquiry?” observed his companion, with a smile.

  “Why, yes, sir,” replied Robin, rather dryly. “Thanks to you, and to my other friends, I have at last met my kinsman, and he will scarce desire to see my face again. I begin to grow weary of a town life, sir. Will you show me the way to the ferry?”

  “No, my good friend Robin, — not to-night, at least,” said the gentleman. “Some few days hence, if you wish it, I will speed you on your journey. Or, if you prefer to remain with us, perhaps, as you are a shrewd youth, you may rise in the world without the help of your kinsman, Major Molineux.”

  A WONDER-BOOK FOR GIRLS AND BOYS

  Released in 1852, this children's book offers retold myths from Greek mythology. It was followed by a sequel, Tanglewood Tales for Boys and Girls. The book contains stories within a story, the frame story being that a Williams College student, Eustace Bright, is telling these tales to a group of children at Tanglewood, an estate in Lenox, Massachusetts, where Hawthorne lived for a time.

  The first edition

  CONTENTS

  THE GORGON’S HEAD

  THE GOLDEN TOUCH

  THE PARADISE OF CHILDREN

  THE THREE GOLDEN APPLES

  THE MIRACULOUS PITCHER

  THE CHIMÆRA

  PREFACE

  THE author has long been of opinion that many of the classical myths were capable of being rendered into very capital reading for children. In the little volume here offered to the public, he has worked up half a dozen of them, with this end in view. A great freedom of treatment was necessary to his plan; but it will be observed by every one who attempts to render these legends malleable in his intellectual furnace, that they are marvellously independent of all temporary modes and circumstances. They remain essentially the same, after changes that would affect the identity of almost anything else.

  He does not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, and to imbue with its own morality. In-vi- the present version they may have lost much of their classical aspect (or, at all events, the author has not been careful to preserve it), and have perhaps assumed a Gothic or romantic guise.

  In performing this pleasant task, — for it has been really a task fit for hot weather, and one of the most agreeable, of a literary kind, which he ever undertook, — the author has not always thought it necessary to write downward, in order to meet the comprehension of children. He has generally suffered the theme to soar, whenever such was its tendency, and when he himself was buoyant enough to follow without an effort. Children possess an unestimated sensibility to whatever is deep or high, in imagination or feeling, so long as it is simple likewise. It is only the artificial and the complex that bewilder them.

  Lenox, July 15, 1851.

  THE GORGON’S HEAD

  INTRODUCTORY TO THE GORGON’S HEAD

  BENEATH the porch of the country-seat called Tanglewood, one fine autumnal morning, was assembled a merry party of little folks
, with a tall youth in the midst of them. They had planned a nutting expedition, and were impatiently waiting for the mists to roll up the hill-slopes, and for the sun to pour the warmth of the Indian summer over the fields and pastures, and into the nooks of the many-colored woods. There was a prospect of as fine a day as ever gladdened the aspect of this beautiful and comfortable world. As yet, however, the morning mist filled up the whole length and breadth of the valley, above which, on a gently sloping eminence, the mansion stood.

  This body of white vapor extended to within less than a hundred yards of the house. It completely hid everything beyond that distance, except a few ruddy or yellow tree-tops, which here and there emerged, and were glorified by the early sunshine, as was likewise the broad surface of the mist. Four or five miles off to the southward rose the summit of Monument Mountain, and seemed to be floating on a cloud. Some fifteen miles farther away, in the same direction, appeared the loftier Dome of Taconic, looking blue and indistinct, and hardly so substantial as the vapory sea that almost rolled over it. The nearer hills, which bordered the valley, were half submerged, and were specked with little cloud-wreaths all the way to their tops. On the whole, there was so much cloud, and so little solid earth, that it had the effect of a vision.

  The children above-mentioned, being as full of life as they could hold, kept overflowing from the porch of Tanglewood, and scampering along the gravel-walk, or rushing across the dewy herbage of the lawn. I can hardly tell how many of these small people there were; not less than nine or ten, however, nor more than a dozen, of all sorts, sizes, and ages, whether girls or boys. They were brothers, sisters, and cousins, together with a few of their young acquaintances, who had been invited by Mr. and Mrs. Pringle to spend some of this delightful weather with their own children at Tanglewood. I am afraid to tell you their names, or even to give them any names which other children have ever been called by; because, to my certain knowledge, authors sometimes get themselves into great trouble by accidentally giving the names of real persons to the characters in their books. For this reason I mean to call them Primrose, Periwinkle, Sweet Fern, Dandelion, Blue Eye, Clover, Huckleberry, Cowslip, Squash-Blossom, Milkweed, Plantain, and Buttercup; although, to be sure, such titles might better suit a group of fairies than a company of earthly children.

  It is not to be supposed that these little folks were to be permitted by their careful fathers and mothers, uncles, aunts, or grandparents, to stray abroad into the woods and fields, without the guardianship of some particularly grave and elderly person. Oh, no, indeed! In the first sentence of my book, you will recollect that I spoke of a tall youth, standing in the midst of the children. His name — (and I shall let you know his real name, because he considers it a great honor to have told the stories that are here to be printed) — his name was Eustace Bright. He was a student at Williams College, and had reached, I think, at this period, the venerable age of eighteen years; so that he felt quite like a grandfather towards Periwinkle, Dandelion, Huckleberry, Squash-Blossom, Milkweed, and the rest, who were only half or a third as venerable as he. A trouble in his eyesight (such as many students think it necessary to have, nowadays, in order to prove their diligence at their books) had kept him from college a week or two after the beginning of the term. But, for my part, I have seldom met with a pair of eyes that looked as if they could see farther or better than those of Eustace Bright.

  This learned student was slender, and rather pale, as all Yankee students are; but yet of a healthy aspect, and as light and active as if he had wings to his shoes. By the by, being much addicted to wading through streamlets and across meadows, he had put on cowhide boots for the expedition. He wore a linen blouse, a cloth cap, and a pair of green spectacles, which he had assumed, probably, less for the preservation of his eyes than for the dignity that they imparted to his countenance. In either case, however, he might as well have let them alone; for Huckleberry, a mischievous little elf, crept behind Eustace as he sat on the steps of the porch, snatched the spectacles from his nose, and clapped them on her own; and as the student forgot to take them back, they fell off into the grass, and lay there till the next spring.

  Now, Eustace Bright, you must know, had won great fame among the children, as a narrator of wonderful stories; and though he sometimes pretended to be annoyed, when they teased him for more, and more, and always for more, yet I really doubt whether he liked anything quite so well as to tell them. You might have seen his eyes twinkle, therefore, when Clover, Sweet Fern, Cowslip, Buttercup, and most of their playmates, besought him to relate one of his stories, while they were waiting for the mist to clear up.

  “Yes, Cousin Eustace,” said Primrose, who was a bright girl of twelve, with laughing eyes, and a nose that turned up a little, “the morning is certainly the best time for the stories with which you so often tire out our patience. We shall be in less danger of hurting your feelings, by falling asleep at the most interesting points, — as little Cowslip and I did last night!”

  “Naughty Primrose,” cried Cowslip, a child of six years old; “I did not fall asleep, and I only shut my eyes, so as to see a picture of what Cousin Eustace was telling about. His stories are good to hear at night, because we can dream about them asleep; and good in the morning, too, because then we can dream about them awake. So I hope he will tell us one this very minute.”

  “Thank you, my little Cowslip,” said Eustace; “certainly you shall have the best story I can think of, if it were only for defending me so well from that naughty Primrose. But, children, I have already told you so many fairy tales, that I doubt whether there is a single one which you have not heard at least twice over. I am afraid you will fall asleep in reality, if I repeat any of them again.”

  “No, no, no!” cried Blue Eye, Periwinkle, Plantain, and half a dozen others. “We like a story all the better for having heard it two or three times before.”

  And it is a truth, as regards children, that a story seems often to deepen its mark in their interest, not merely by two or three, but by numberless repetitions. But Eustace Bright, in the exuberance of his resources, scorned to avail himself of an advantage which an older story-teller would have been glad to grasp at.

  “It would be a great pity,” said he, “if a man of my learning (to say nothing of original fancy) could not find a new story every day, year in and year out, for children such as you. I will tell you one of the nursery tales that were made for the amusement of our great old grandmother, the Earth, when she was a child in frock and pinafore. There are a hundred such; and it is a wonder to me that they have not long ago been put into picture-books for little girls and boys. But, instead of that, old gray-bearded grandsires pore over them in musty volumes of Greek, and puzzle themselves with trying to find out when, and how, and for what they were made.”

  “Well, well, well, well, Cousin Eustace!” cried all the children at once; “talk no more about your stories, but begin.”

  “Sit down, then, every soul of you,” said Eustace Bright, “and be all as still as so many mice. At the slightest interruption, whether from great, naughty Primrose, little Dandelion, or any other, I shall bite the story short off between my teeth, and swallow the untold part. But, in the first place, do any of you know what a Gorgon is?”

  “I do,” said Primrose.

  “Then hold your tongue!” rejoined Eustace, who had rather she would have known nothing about the matter. “Hold all your tongues, and I shall tell you a sweet pretty story of a Gorgon's head.”

  And so he did, as you may begin to read on the next page. Working up his sophomorical erudition with a good deal of tact, and incurring great obligations to Professor Anthon, he, nevertheless, disregarded all classical authorities, whenever the vagrant audacity of his imagination impelled him to do so.

  PERSEUS was the son of Danaë, who was the daughter of a king. And when Perseus was a very little boy, some wicked people put his mother and himself into a chest, and set them afloat upon the sea. The wind blew freshly, and drove the ch
est away from the shore, and the uneasy billows tossed it up and down; while Danaë clasped her child closely to her bosom, and dreaded that some big wave would dash its foamy crest over them both. The chest sailed on, however, and neither sank nor was upset; until, when night was coming, it floated so near an island that it got entangled in a fisherman's nets, and was drawn out high and dry upon the sand. The island was called Seriphus, and it was reigned over by King Polydectes, who happened to be the fisherman's brother.

  This fisherman, I am glad to tell you, was an exceedingly humane and upright man. He showed great kindness to Danaë and her little boy; and continued to befriend them, until Perseus had grown to be a handsome youth, very strong and active, and skillful in the use of arms. Long before this time, King Polydectes had seen the two strangers — the mother and her child — who had come to his dominions in a floating chest. As he was not good and kind, like his brother the fisherman, but extremely wicked, he resolved to send Perseus on a dangerous enterprise, in which he would probably be killed, and then to do some great mischief to Danaë herself. So this bad-hearted king spent a long while in considering what was the most dangerous thing that a young man could possibly undertake to perform. At last, having hit upon an enterprise that promised to turn out as fatally as he desired, he sent for the youthful Perseus.