Delphi Complete Works of Nathaniel Hawthorne (Illustrated)

by Hawthorne, Nathaniel

  “I am surprised by that remark. After the age of fifteen, when I read all my father's writings except 'The Scarlet Letter,' which I was told to reserve till I was eighteen, I did not study his books thoroughly till several years ago, in order to cherish the enjoyment of fresh effects, — except 'The Marble Faun,' which I think I prefer.”

  He answered: “I feel that 'The Scarlet Letter' is the greatest. It will be, it seems to me, the one upon which his future renown will rest.”

  I admitted that I also considered it the greatest. In the above conversation I was entranced by what I have experienced often: the praise of my father's personality or work (in many cases by people who have never met him) is not only the courtesy that might be thought decorous towards a member of his family, or the bright zest of a student of literature, but also the glowing ardor of a creature feeling itself a part of him in spirit; one who longs for the human sweetness of the grasp of his hand; who longs to hear him speak, to meet his fellowship, but finds the limit reached in saying, at a distance of time and space, “I love him!” I have lowered my eyes before the emotion to be observed in the faces of some of his readers who were trying to reach him through a spoken word of eagerness. Very few have seen him, but how glad I am to cross their paths! Dr. Holmes's warmth of enthusiasm was so radiant that it could not be forgotten. It lit every word with the magic of the passion we feel for what is perfect, unique, and beyond our actual possession, now and forever.

  Towards the last an unacknowledged fear took hold of my mother's consciousness, so that she gave every evidence of foretelling my father's death without once presenting the possibility to herself. This little note of mine, dated April 4, 1864, six weeks before he died, shows the truth: —

  “I am so glad that you are getting on so well; but for your own sake I think you had better stay somewhere till you get entirely well. Mamma thought from the last letter from Mr. Ticknor that you were not so well; but Julian explained to her that, as Mr. Ticknor said in every line that you were better, he did not see how it could possibly be. I do not either.”

  From the first year of our return to America letters and visitors from abroad had interrupted the sense of utter quiet; and many friends called in amiable pilgrimage. But a week of monotony is immensely long, and a few hours of zest are provokingly short. Nature and seclusion are welcome when, at our option, we can bid them good-by. All England is refreshing with the nearness of London. In the rush of cares and interruptions which we suppose will kill the opportunity, while we half lose ourselves and our intellectual threads of speculation, the flowers of inspiration suddenly blow, the gems flash color. This is a pleasant, but not always an essential satisfaction; yet, in my father's case, I think his life suffered with peculiar severity from the sudden clashing aside of manly interests which he had already denied to himself, or which circumstances had denied to him, with the utmost persistence ever known in so perceptive a genius. He undoubtedly had a large store of inherited experiences to draw upon; he was richly endowed with these, and could sit and walk alone, year after year (except for occasional warm reunions with friends of the cleanest joviality), and feel the intercourse with the world, of his ancestors, stirring in his veins. He tells us that this was ghostly pastime; but it is an inheritance that makes a man well equipped and self-sustained, for all that. When too late, the great men about him realized that they had estimated his presence very cheaply, considering his worth. Should he frequently have sought them out, and asked if they were inclined to spare a chat to Hawthorne; or should they have insisted upon strengthening their greatness from his inimitably pure and unerring perception and his never weary imagination? It is impossible to ignore the superiority of his simplicity of truth over the often labored searchings for it of the men and women he knew, whose very diction shows the straining after effect, the desire to enchant themselves with their own minds, which is the bane of intellect, or else the uneasy skip and jump of a wit that dares not keep still. As time ripens, these things are more and more apparent to all, as they were to him. In a manner similar to Emerson's, who spoke of his regret for losing the chance of associating fully with my father, Longfellow wrote to my mother: —

  CAMBRIDGE, June 23, 1864.

  DEAR MRS. HAWTHORNE, — I have long been wishing to write to you, to thank you for your kind remembrance, in sending me the volume of Goldsmith, but I have not had the heart to do it. There are some things that one cannot say; and I hardly need tell you how much I value your gift, and how often I shall look at the familiar name on the blank leaf — a name which, more than any other, links me to my youth.

  I have written a few lines trying to express the impressions of May 23, and I venture to send you a copy of them. I had rather no one should see them but yourself; as I have also sent them to Mr. Fields for the “Atlantic.” I feel how imperfect and inadequate they are; but I trust you will pardon their deficiencies for the love I bear his memory. More than ever I now regret that I postponed from day to day coming to see you in Concord, and that at last I should have seen your house only on the outside! With deepest sympathy, Yours truly,

  HENRY W. LONGFELLOW.

  To go back to our Concord amusements. Mr. Bright caroled out a greeting not very long after our return: —

  WEST DERBY, September 8, 1860.

  MY DEAR MR. HAWTHORNE, — Of course not! — I knew you 'd never write to me, though you declared you would. Probably by this time you've forgotten us all, and sent us off into mistland with Miriam and Donatello; possibly all England looks by this time nothing but mistland, and you believe only in Concord and its white houses, and the asters on the hill behind your house, and the pumpkins in the valley below. Well, at any rate I have not forgotten you or yours; and I feel that, now you have left us, a pleasure has slipped out of our grasp. Do you remember all our talks in that odious office of yours; my visits to Rock-ferry; my one visit, all in the snow, to Southport; our excursions into Wales, and through the London streets, and to Rugby and to Cambridge; and how you plucked the laurel at Addison's Bilton, and found the skeleton in Dr. Williams's library; and lost your umbrella in those dark rooms in Trinity; and dined at Richmond, and saw the old lady looking like a maid of honor of Queen Charlotte's time; and chatted at the Cosmopolitan; and heard Tom Hughes sing the “Tight Little Island;” and — But really I must stop, and can only trust that now at last you will be convinced of my existence, and remember your promise, and write me a good long letter about everything and everybody. “The Marble Faun” [manuscript] is now in process of binding. The photograph came just as I had begun to despair of it, and I lost not a moment in putting the precious manuscript into my binder's hands. I've been for a week's holiday at Tryston, and met several friends of yours: Mr. and Mrs. Tom Hughes, Mrs. and Miss Procter, Mrs. Milnes. The latter spoke most affectionately about you. And so did Mrs. Ainsworth, whom I met two days ago. But she says you promised to write her the story of the Bloody Footstep [“The Ancestral Footstep “], and have never done it. I'm very fond of Mrs. Ainsworth; she talks such good nonsense. She told us gravely, the other day, that the Druses were much more interesting than the Maronites, because they sounded like Drusus and Rome, whereas the Maronites were only like marrons glaces, etc. The H — — s are at Norris Green. Mrs. H. is becoming “devout,” and will go to church on Wednesdays and Fridays. I want news from your side. What is Longfellow about? Tell me about “Leaves of Grass,” which I saw at Milnes's. Who and what is the author; and who buy and who read the audacious (I use mildest epithet) book? I must now bring this letter to an end. Emerson will have forgotten so humble a person as I am; but I can't forget the pleasant day I spent with him. Ask Longfellow to come over here very soon. And for yourself, ever believe me most heartily yours,

  H. A. BRIGHT.

  He writes to my mother, “Thank you for the precious autograph letters, and the signatures of the various generals in your war. . . . What a pleasant account you give of Julian. Remember me to him. What a big fellow he has become, and formid
able. I sincerely hope he 's given up his old wish to 'kill an Englishman, some day!' Don't forget us all, for we think of all of you.” He speaks of my father's friendship as “the proudest treasure of my life.”

  A friend of Mr. Bright's pardons my father's unfeeling indifference by a request: —

  WALTHAM HOUSE, WALTHAM CROSS, August 10, 1861.

  DEAR MR. HAWTHORNE, — Am I not showing my Christian charity when, in spite of the terrible disappointment which I felt at your broken promise to come with Bright to smoke a cigar with me about this time last year, I entreat you, in greeting Mr. Anthony Trollope, who with his wife is about to visit America, to give him an extra welcome and shake of the hand, for the sake of yours most sincerely and respectfully,

  W. W. SYNGE.

  I will quote two letters from Mr. Chorley, written before we left England, to show that even writers and friends there could be a trifle irksome in comment. My mother amused me sometimes by telling me how she had written warringly to this noted critic (a cherished acquaintance), when he had printed a disquisition upon “Monte Beni” which did not hit the bull's-eye. But the last supplementary chapter in the Romance was due to his fainting desire for more revelation, — a chapter which my father and mother looked upon as entirely useless, and British.

  13 EATON PLACE, WEST, March 6, '60.

  DEAR MRS. HAWTHORNE, — I cannot but affectionately thank you for your remembrance of me, and your patience with my note. — If I do not return on my own critical fancies about the “Romance” (and pray, recollect, I am the last who would assume that critics wear a mail celestial, and as such can do no wrong) — it may be from some knowledge, that those who have lived with a work while it is growing — and those who greet it, when it is born, complete into life, — cannot see with the same eyes. I don't think, if we three sate together, and could talk the whole dream out, a matter, by the way, hardly possible, we should have so much difference as you fancy — so much did I enjoy, and so deeply was I stirred by the book, that (let alone past associations and predilections) I neither read, nor wrote (meant to write, that is) in a caviling spirit: but that which simply and clearly seemed to present itself in regard to a book which had possessed me (for better for worse) in no common degree — by one on whom (I think is known) I set no common store. — If I have seemed to yourselves hasty or superficial or flippant — all I can say is, such was not my meaning. — Surely the best things can bear the closest looking at, — whether as regards beauty or blemish. —

  I repeat that, while I thank you affectionately for the trouble you have taken to expostulate with my frowardness (if so it be) — I am just as much concerned if what was printed gave any pain. But, when I look again (I have been interrupted twenty times since I began this) — did I not say that Hilda was “cousin” — that is, family likeness, not identity — though it means, what I meant, the same sort of light of purity and grace, and redemption let into a maze, through somewhat the same sort of chink. — I totally resist any idea of mannerism, dear friend Hawthorne, — on your part, — and as to the story growing on you, as you grow into it: well, I dare' say that has happened ere this: — the best creations have come by chance: and if Hawthorne did not mean to excite an interest when he wanted merely to make a Roman idyl, why did we go into those Catacombs? —

  Might I say (like Moliere's old woman) how earnestly I desire, that for a second edition, a few more openings of the door should be added to the story — towards its close?

  You have been so kind in bearing with me, — in coming to me when in London, — and in remembering the nothing I could do here to make you welcome, as I fancied you might like best to be welcomed, — that I venture to send you this letter out of my heart, — and if there be nonsense in it, or what may seem spectacled critical pedantry, I must trust to your good nature to allow for them.

  Won't you come to town again? and wont you eat another cosy dinner at my table? — And pray, dear friend Hawthorne, don't be so long again: — and pray, once for all, recollect that you have no more faithful nor real literary friend (perhaps, too, in other ways might I show it) Than yours as always,

  HENRY N. CHORLEY.

  P. S. This is a sort of salad note, written both to “He” and “She” (as they said in old duetts) — once again, excuse every incoherence. I am still very ill — and have all the day been interrupted.

  13 EATON PLACE, WEST, March 10, '60.

  DEAR MRS. HAWTHORNE, — I assure you I feel the good nature not to be on my side of the treaty. It is not common for a critic to get any kind construction, or to be credited with anything save a desire to show ingenuity, no matter whether just or unjust. — Most deeply, too, do I feel the honor of having a suggestion such as mine adopted, — I thought when my letter had gone that I had written in a strange, random humor, and that had I got a “Mind your own business” sort of answer, it was no more than such unasked-for meddling might expect. I am glad with all my heart at what you tell me about the success of the tale. But we really will not wait so long for number five?

  To-day's train takes you my Italian story: — I had every trouble in the world to find a publisher for it: having the gift of no-success in a very remarkable degree. The dedication tells its own story. It was begun in 1848: — and ended not before the Italian war broke out. — Some of my few readers (within a dozen) are aggrieved at my having only told part of the story of Italian patriotism. — I meant it merely as a picture of manners: and have seen too much of the class “refugee,” not to have felt how they have as a class retarded, not aided, the cause of real freedom and high morals. I should have sent it before, but I always feel, like Teresa Panza, when she sent acorns to the Duchess.

  You will come to town, and eat in my quiet corner before you go, I know: — Perhaps, I may call on you at Easter: as there is just a chance of my being at Birmingham.

  There is an old house, Compton Wingates, that I very much want to see.

  Has Hawthorne seen it?

  Once more thank you affectionately, — these sort of passages are among the very few set-offs to the difficulties of a harsh life and all ungracious career. My seeing you face to face was, I assure you, one of my best pleasures in 1859. Ever yours faithfully,

  HENRY N. CHORLEY.

  Hawthorne had returned, for the purpose of cherishing American loyalty in his children, from a scene that was after his own heart, even to the actors in it. He had hoped for quietude and the inimitable flavor of home, of course; but this hope was chiefly a self-persuasion. The title of his first book after returning, “Our Old Home,” was a concise confession. He would have considered it a base resource to live abroad during the war, bringing up his son in an alien land, however dear and related it might be to our bone and sinew; and if his children did not enjoy the American phase of the universe in its crude stage, he, at any rate, had done his best to make them love it. His loyalty was always something flawless. A friend might treat him with the grossest dishonor, but he would let you think he was himself deficient in perception or in a proper regard for his money before he would let you guess that his friend should be denounced. With loyal love, he had, for his part, wound about New England the purple haze of which Dr. Holmes spoke in ecstasy, because he had found his country standing only half appreciated, though with a wealth of virtue and meaning that makes her fairer every year. With love, also, he came home, after having barely tasted the delights of London and Oxford completeness.

  In Concord he entered upon a long renunciation. Of necessity this was beneficial to his art. He was now fully primed with observation, and “The Dolliver Romance,” hammered out from several beginnings that he successively cast aside, appeared so exquisitely pure and fine because of the hush of fasting and reflection which environed the worker. It is the unfailing history of great souls that they seem to destroy themselves most in relation to the world's happiness when they most deserve and acquire a better reward. He was starving, but he steadily wrote. He was weary of the pinched and unpromising condition of ou
r daily life, but he smiled, and entertained us and guided us with unflagging manliness, though with longer and longer intervals of wordless reserve. I was never afraid to run to him for his sympathy, as he sat reading in an easy-chair, in some one of those positions of his which looked as if he could so sit and peruse till the end of time. I knew that his response would be so cordially given that it would brim over me, and so melodiously that it would echo in my heart for a great while; yet it would be as brief as the single murmurous stroke of one from a cathedral tower, half startling by its intensity, but which attracts the birds, who wing by preference to that lofty spot. A source of deep enjoyment to my father was a long visit from his sister, Ebie Hawthorne (he having given her that pretty title instead of any other abbreviation of Elizabeth). I came to know her very well in after-years, and was astonished at her magic resemblance to my father in many ways. I always felt her unmistakable power. She was chock-full of worldly wisdom, though living in the utmost monastic retirement, only allowing herself to browse in two wide regions, — the woods and literature. She knew the latest news from the papers, and the oldest classics alongside of them. She was potentially, we thought, rather hazardous, or perverse. But language refuses to explain her. Her brother seemed not to dream of this, yet no doubt relished the fact that a nature as unique as any he had drawn sparkled in his sister. She was a good deal unspiritual in everything; but all besides in her was fine mind, wisdom, and loving-kindness of a lazy, artistic sort. That is to say, she was unregenerate, but excellent; and she fascinated like a wood-creature seldom seen and observant, refined and untrained. My sister was devoted to her, and says, for the hundredth time, in a passage among many pages of their correspondence bequeathed to me: —

  My OWN DEAR AUNTIE, — I was made very happy by your letter this week. What perfectly charming letters you write! Now, don't laugh and say I am talking nonsense; it is really true. You make the simplest things interesting by your way of telling them; and your observations and humor are so keen that I often feel sorry the world does not know something of them. I never remember you to have told me anything twice, and that can be said of very few people; but there are few enough people in the least like you, my dearest auntie. . . .