Love and War nas-2

by Джон Джейкс

  Something struck the door on the driveway side. A bullet? No, louder. A post wielded as a ram? Hastily, he limped toward his cousin, who was again reloading.

  The door burst in. Charles pivoted too fast and fell on his face — which saved his life. Shots whined through the space where he had been standing. Recovering, he fired until the revolver was empty. The attackers withdrew.

  Sweat glazed his face above his beard. He struggled to his feet, noticing the glistening blood his leg left on the inlaid squares of wood. "We have to get the women out," Cooper said.

  "All right, but you stay with them from now on."

  "We're done for, aren't we?"

  "Not if —" Charles swallowed. Trying to reload, he found his fingers numb and thick-feeling. He couldn't grasp the shells properly. He dropped two. Kneeling to hunt for them, he finished, "— not if I can find Cuffey."

  "You foun' him, white man. He foun' you, too."

  Charles looked up to the head of the staircase and for the second time thought his mind had given way. Swollen with weight, there stood Cuffey. He shimmered in a ball gown of bright yellow satin.

  Charles remembered hearing that Sherman's bummers and some of the freed slaves had donned women's clothing snatched from the closets of homes in Georgia. Cuffey must have heard it, too. He acted drunk and was an even more bizarre sight because of what he held in his right hand — a wide-bladed knife for cutting brush. The blade was two feet long.

  Charles stared and stared, searching for the boy hidden inside the man. The boy with whom he had wrestled, fished, talked about women, and done most all the other things boys did. He couldn't find that lost friend, seeing only an apparition in yellow with a brush knife and insane eyes.

  "You foun' him, an' he's obliged to kill you," Cuffey said, descending the stairs while Cooper and Charles watched with unloaded guns in their hands and the great house began to blaze on the second floor. Charles felt heat from the ceiling, saw curls of smoke like an evil halo near Cuffey's head.

  "Get the women out," Charles whispered.

  "I can't leave you to —"

  "Go, Cooper."

  "Yeh, go on," Cuffey said, slurring it. "It's Mist' Charles I wan' right now." To men crowding the driveway piazza, he screamed, "You all stay out till I'm finished, hear me? Stay out!"

  Slowly, Charles slid the Colt back in its holster. He wiped his red hand on his shirtfront to dry it, then picked up the scabbard from the small table where he had laid it. The dress sword was too fine and slim to be of great use. But he had no time to get the fallen pitchfork, and Cooper, darting out of sight in the parlor, needed the Hawken.

  Cuffey waddled on down the stairs, the yellow satin rustling. He held the flat of the long knife tight against his side, grinning.

  "We useta be frens, din we?"

  Taunting him, Cuffey slid the knife back and forth over the yellow satin, as if to burnish the metal. Charles stared at the blotched and bloated face touched with firelight.

  "Used to. No more."

  Two men, one a giggling blond boy wearing a frock coat of Cooper's and on top of that a petticoat, slipped through the door from the serving pantry, bringing a cloud of smoke with them. Both carried stacks of china plates topped by red-glinting heaps of silverware. Cuffey shrieked at them from the bottom of the stairs. They staggered outdoors, the giggling boy spilling silver pieces, one after another, a continuous clatter.

  A moment before they left, Charles saw a familiar figure pass in the driveway, walking in a slow, stately fashion, as if on a morning stroll.

  "Aunt Clarissa!"

  She was already out of sight.

  The slight turn of Charles's head gave Cuffey the advantage he wanted. He ran at Charles, both hands clasped on the brush knife. He brought it down from above, a whistling cut that would have cleaved Charles's head if he hadn't jerked aside.

  Chop, the small table where the sword had rested split in half. Charles struggled to draw the saber but, God help him, it had somehow gotten stuck. Cuffey slashed horizontally, straight toward his neck. Charles staggered back out of the way. Cuffey's blade hit an ornamental mirror, which exploded fragments of glass, all reflecting the fire a moment, hundreds of skyrocketing sparks —

  His right leg muscles starting to spasm because of the wound, Charles at last managed to pull the too-fragile sword. Cuffey again raised arms over his head; huge sweat spots discolored the armpits of the dress. The brush knife jangled the pendants of the foyer chandelier.

  Unreasonably enraged, Cuffey flailed at the chandelier, two great angry slashes. Pendants broke and the bits fell, a brief prismatic rain. Unable to think but one thought — at the Academy he had been graceless in fencing class — Charles lunged in, sword arm fully extended.

  His boot skidded on a pendant. Cuffey kicked him in the groin, hard enough to make him grunt and lean forward sharply. His right leg gave out. He crashed down on that knee, an impact that hurt even more than the kick. The brush knife blurred down toward his exposed neck.

  Charles brought the Solingen blade over and cut Cuffey's right wrist on the inside. Blood spurted. Cuffey released the knife, which sailed past Charles's ear, so close he felt metal touch the lobe.

  Charles was still kneeling. Cuffey kicked his left arm. He tipped the other way and sprawled. With his heavy boot, Cuffey stomped on Charles's outstretched right arm. His hand opened. He lost the wired hilt of the saber.

  Grimacing — it couldn't be termed a smile — Cuffey dropped on Charles's chest with both knees. Charles grappled with him. They rolled in a litter of pendants, prisms, table splinters, mirror chips. Cuffey clawed for his eyeballs. Charles held him back, but it took two white hands on the bleeding black wrist. Charles could feel his strength draining fast.

  "Gonna — kill — you — white man." Panting, Cuffey wrenched his arm back. Slippery blood on Charles's fingers enabled him to get loose. He fastened both hands on Charles's neck. Charles felt the drip of Cuffey's blood on his throat.

  "You — all finished. Jus' like — this place —"

  And so it seemed. Charles was succumbing to shock and pain. His vision blurred. His right hand flopped out, scurrying desperately around the floor like a sightless white spider. He wanted a shard of mirror, a piece of prism to attack Cuffey's face.

  The hands choked tighter, steadily tighter. Charles's red fingers touched and closed on something he couldn't immediately identify because of its ridged texture —

  The wired hilt.

  From the corner of his eye Cuffey saw it coming. Charles rammed the light cavalry saber into Cuffey's left side under his arm. Simultaneously, Cuffey let go of Charles's bloodied throat and reared away from the sword. It had already pierced the yellow satin and now slid in two inches. Four. Six —

  Charles felt the blade scrape bone and slide on. Twelve inches. Fifteen —

  Cuffey shrieked then, leaping and writhing with the killing steel stuck through him. Charles held fast. Cuffey continued his violent contortions. The blade snapped below the hilt, three inches from the dress.

  Still impaled on the part that was deep inside him, Cuffey plucked wildly at the stub of steel, teetering and twirling into the burning dining room. The belling yellow skirt caught. Flames encircled the hem, ran upward like a fringe going the wrong way. Turning, weaving, Cuffey completed the figure of his death waltz and dropped into the consuming fire.

  Finding something to feast on, it rose higher. Charles saw no more of him.

  The smoking ceiling creaked and sagged, Charles struggled to his feet, the remaining part of the sword — it resembled a metal cross — gripped in his right hand. Most of the engraved inscription was gone. All that remained was amily, 1861.

  Blood soaked his right pants leg and squished in his boot when he walked. He spied his fallen Colt and retrieved it. He found the parlor as yet largely untouched by the fire. The windows had been knocked out, presumably so Cooper and the others could escape. He had to find them. The great house was lost.

&nb
sp; He ripped down another drapery, cut it by stabbing and sawing with the stub end of the sword until he had a strip long enough to wind around his thigh several times. He snapped off the leg of a taboret, broke that in two, and used half to finish the tourniquet, hoping it would suffice.

  His lungs hurt, an abrasive feeling throughout his chest. Smoke grew thicker every moment. He ducked through a window to the piazza, the empty revolver in his left hand, the broken sword in his right.

  Daylight was coming. Cuffey's followers had managed to find most everything of value before the fire claimed the house. The evidence littered the drive. They had emptied the wine and spirit racks, the wardrobes, the kitchen cabinets. He saw seedy, bearded men, white and black, slipping away in the smoke between the trees, arms laden with loot.

  Not all of them had been equally successful. The blond boy wearing Cooper's frock coat and the petticoat' lay facedown amid silver and smashed plates. A bullet hole showed between his shoulder blades.

  There was little shooting now. But all it took was one bullet, so Charles cautiously remained behind one of the white pillars as he shouted, "Cooper?"

  Silence.

  "Cooper!"

  "Charles?"

  The distant voice provided the guidance he needed. They were hiding in the mazy plantings of the formal garden by the river. He crept along the side of the house, careful to avoid touching it; the walls were hot. He turned the corner, passed the chimney, and scrutinized the lawn.

  No one. He readied himself to make a dash, then remembered to announce something important with another shout.

  "Cuffey's dead, Cooper. Cuffey — is — dead. I killed him."

  The sounds of Mont Royal burning filled the stillness. But no voices. Yet he knew they had heard him. He drew air into his pained lungs, stepped away from the house, and ran as fast as he could on his injured leg down the grassy slope toward the Ashley.

  Someone shot at him. He heard the bullet splat the dewy grass to his right, but no second report followed. In the garden he found himself surrounded by familiar faces. Without so much as a word to anyone, he fell forward in a faint.

  They hid all day in one of the rice squares, resting with their backs against the dirt embankment that held back the river until the wood gates were opened to let it flow in. The band of survivors consisted of Cooper, his wife and daughter, Clarissa, Jane, Andy, a young kitchen wench named Sue and her two small boys, and Cicero, the elderly, arthritic slave with curly white hair. Cicero had managed to fill his two big coat pockets with rice. He passed it around as the sun approached noon. It was their only food.

  Others, including Cooper, frequently spoke of wanting to go back to assess the damage. Clarissa was the most insistent. Charles was adamant.

  "Not until dusk. Then I'll go first, alone. No use risking any more lives."

  The tourniquet had helped. The thigh cut had clotted. He didn't feel good, but he was able to stay awake. He did wish he had some bourbon for the pain.

  Cooper seemed prone to argue with his last remark. Charles forestalled it. "Look at the sky. That tells you what's happened." Above the embankment and the live oaks and palmettos bordering the rice acreage, black smoke banners flew.

  Cicero was visibly affected by it. After watching the smoke for a length of time, his tension evident in the set of his lips and the glint of his eye, he exploded. "What happened to those boys we put on guard?"

  "They didn't stay there," Cooper replied. It was a statement, not an accusation. But it enraged the old Negro.

  "Cowards. Wouldn't fight for their home —"

  Squatting and drawing patterns in the dirt with a stick, Andy said, "Wasn't their home by choice, remember."

  Cicero glared. "Damn skunk-belly cowards, that's what they are. Nigger trash."

  "Don't be so hard on them," Charles said. "They knew the South's beaten — that they'll have their liberty the minute it becomes official. Why should they stay here and die when all they had to do was run a mile or so and be free men right away? Tell you one thing. Thousands and thousands of fine, high-principled white Southern boys ran away from the army with a lot less reason." He put two grains of rice in his mouth and chewed.

  Clarissa was particularly displeased by the need to stay in the field most of the day. Shortly after noon, she had to relieve herself and cried because there was no privacy. Jane bent close to her ear, whispered, then gently helped her all the way across the square and over the next embankment. She waited on the near side until the elderly woman reappeared.

  Clarissa's familiar cheery smile had returned. When Jane brought her back, she said, "How sweet the air smells. Spring's coming. Isn't that lovely?"

  "Yes," said Judith, putting an arm around her mother-in-law and patting her. "Yes, it is." Andy gave Jane a swift, almost chaste kiss on the cheek. Charles thought he heard the black man whisper, "Thank you."

  Charles drowsed awhile during the afternoon. Eyes half closed, he visualized bits of the writhing struggle with Cuffey. His eyes flew open and he shuddered, reminded of another day, at the slave cabins, when they had both been only six or seven. Friends, they had wrestled for possession of a fishing rod. This time it had been two enemies contesting one life. My God, how far the wheel had turned.

  Toward sunset, Cooper again declared that he wanted to go back to inspect the property. No shots had been heard for more than four hours, or any unusual sound at all. The smoke kept drifting, thinner but still strong-smelling. Why Clarissa no longer noticed, Charles couldn't imagine, unless it was because she dwelled so much of the time in the safer, softer landscape of her own mind and had retreated there again. She was a lucky woman in some respects.

  "I don't believe anybody should go up there alone," Andy said. "I'm goin' with whoever decides to do it."

  "I suggest the three of us go," Cooper said. Charles was by now too tired to continue the argument. He gave in with a shrug.

  Unarmed, they trudged along the bank of the Ashley. The water shone red-gold in the lowering light. They passed the last rice square and advanced cautiously through the belt of big trees separating the fields from the formal garden and riverside lawn. From their angle of approach, the first visible damage was the broken planking and debris on the bank. The dock no longer existed.

  Pale, Cooper wiped his lips and walked out of the garden. Following him, Charles saw pieces of two gold-edged platters on the grass and a ripped dress with a mound of excrement on it. Human, he presumed.

  Cooper's attention was on the house. He whispered, "Oh, God above." Even Andy appeared stricken. Charles didn't want to look, but he did.

  Mont Royal had been burned to its tabby foundation. Nothing stood in the ashes and rubble except a few canted black beams and the great chimney, soot-marked but with all of its thick wisteria vines intact. Charles supposed the vines were dead.

  "How could they?" Cooper said, wrath in his voice. "How could they, the damned ignorant barbarians —"

  Softly, Charles said, "You used to tell me South Carolinians were fools because they were inviting war. They were eager for one. We just got what you predicted. The war paid us a call."

  He touched his cousin's trembling shoulder to console him, then began to limp up the grassy incline. When he was still a good distance away, he felt the oven heat of the rubble. Here and there coals gleamed like imp's eyes. Slowly, wonderingly, he circled around the great chimney.

  Cooper and Andy approached more slowly. Charles disappeared beyond the chimney. Suddenly Cooper and Andy exchanged alarmed looks. They heard Charles laughing like a crazy man.

  "Hurry up," Cooper said, already running.

  They dashed around the chimney to the darkening, tree-lined driveway. A few limbs near the house still smoked. Some others had burned away completely. Charles stood near the corpse of the blond boy, pointing and howling like a lunatic. The object of his mirth stood further down the drive: a flop-eared mule with rope halter and rein.

  "Cuffey's mule," Charles gulped between bursts of
laughter. "Mont Royal is wiped off the earth, but I've got a remount. Praise God and Jeff Davis! The war can go on and on and —"

  The crazed voice broke off. He gave them a shamed glance and stalked away to the nearest live oak. He braced his forearm against it and hid his face.

  128

  That Sunday morning, the second of April, Mr. Lonzo Perdue and his wife and daughters were kneeling in prayer when the messenger rushed up the aisle of St. Paul's to whisper to the President. Mr. Perdue watched the Chief Executive, white-haired now, leave the church with an unsteady step. Mr. Perdue leaned close to his wife's ear.

  "The defenses have broken. Did you see his face? It can't be anything else. We must pack and get on a train."

  After the service, they wasted no time conversing with friends. They went straight home, packed three portmanteaus, and set out for the depot. They found all outbound trains were being held, though no official would explain why. During the afternoon the crowds grew steadily larger and more unruly, milling, pushing, overflowing the platforms and waiting room. Ultimately Mr. Perdue and his family found themselves encamped just outside the station entrance.

  They heard glass smashing in nearby streets. Mr. Perdue trembled. "Looting."

  "It must be the niggers," said his wife.

  By dusk, the streets surrounding the depot were packed with more people than Mr. Perdue had seen for months. As night came, rumors flew. Lee had pulled out of the Petersburg and Richmond defense lines. He was in wild and confused retreat to the west.

  Tempers shortened. There were incidents of pushing, fistfighting, rough treatment of the civilians when squads of soldiers had to quick-march into the mob to restore order. Then came the first explosion.

  "Oh, Papa," cried Mr. Perdue's daughter Clytemnestra, cringing against her equally terrified father. "What are they doing?"

  "Demolishing buildings. I think that was the Tredegar Works."