The Soldier, the Gaoler, the Spy and her Lover

by Simon Parke

  Simon Parke has been a scriptwriter for Spitting Image, a Sony award-winning radio writer and a weekly columnist for the Daily Mail. An Oxford graduate in history and a former priest in the Church of England, he is now CEO of the Mind Clinic and author of many books including the Abbot Peter murder mysteries, set in Seaford on the Sussex coast, where Simon now lives with the seagulls and his running shoes.

  First published in Great Britain in 2017

  Marylebone House

  36 Causton Street

  London SW1P 4ST

  www.marylebonehousebooks.co.uk

  Copyright © Simon Parke 2017

  All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.

  British Library Cataloguing-in-Publication Data

  A catalogue record for this book is available from the British Library

  ISBN 978–1–910674–46–8

  eBook ISBN 978–1–910674–47–5

  eBook by Graphicraft Limited, Hong Kong

  Acknowledgements

  My hearty thanks to Blair Worden, my tutor at Oxford many moons ago, when this era was my special subject. We met again for lunch at the beginning of this labour, and I’m grateful for his unnecessary kindness, his unparalleled knowledge – and his wise disdain for historical fiction. To Jack D. Jones for his detailed information about Charles’ stay at Carisbrooke; to John Fox for his ground-breaking research into the life of Jane Whorwood; to Karl French, my excellent editor; to Simon Jenkins, Paul Carter, Shellie Wright and Elizabeth Spradbery, who kindly read and commented on various sections of the manuscript; and to Alison Barr at Marylebone House for her entrepreneurial sense that here was a very good story that really should be published. I hope, in time, you agree with her.

  This work is dedicated to Clive Williams

  This is a true story in the fiction section.

  The characters and events are real, as is some of the dialogue.

  The oddest scenes are those most likely to be true; the past is hugely unpredictable.

  The story charts the final eighteen months in the life of Charles I, mostly spent in captivity of one sort or another.

  During this time he ate well, lied well, caused a war, tried to escape (endlessly), had an affair with one of his most tireless and inventive subjects . . . and died magnificently.

  He is the only English king to have been executed, when few in the country wished him dead, including his nemesis Cromwell, whose wife Elizabeth was a fervent royalist.

  But history is forged by personality, and here they are – the convinced, the conniving and the confused – wrestling with themselves and each other to create an impossible killing.

  And here is a nation stumbling on the rocky question: ‘What now?’

  Main characters

  Oliver Cromwell From gentry farmer stock, more recently soldier and politician

  Robert Hammond Former soldier and king’s gaoler at Carisbrooke

  Jane Whorwood Organizer of royal support network and king’s mistress

  Charles I King of England, recently defeated in (un)civil war

  Elizabeth Cromwell Daughter of merchant, wife of Oliver Cromwell

  Henrietta Maria Queen and French wife of Charles I

  Henry Ireton Political ally and son-in-law of Oliver Cromwell

  William Lilly Astrologer, poor boy made good

  Anthony Wood Intelligencer

  Henry Firebrace King’s servant, lively

  Abraham Dowcett King’s servant, depressed

  Cornet Joyce Son of a tailor, the soldier who took Charles from Holdenby

  Brome Whorwood Husband of Jane Whorwood

  Edmund Ludlow Republican, lawyer, cushion-thrower, ex-Baptist minister

  Ruth Hammond Mother of Robert Hammond

  Major Edmund Rolphe Former shoemaker and Hammond’s deputy at Carisbrooke

  November 1647

  I make my way through the London crowd and in some haste.

  I’m always in haste, I know – it’s how I live, there’s so much to do, and people always in my way, holding me up, which is most tiresome. To be stuck behind another is torture, so I do push a little, particularly the loiterers or the infirm who so slow me down – but politely, I hope, I push politely, wishing only that they step aside and leave my path clear.

  ‘Less haste, ginger lady,’ says a man with a barrel, whose ankle I touch with my shoe. He looks at me as if I have done him wrong, but really, what does he expect, holding everyone up like that? I do not have the time or will to argue. I ignore the man, and then I look up . . . and Lilly’s house appears before me: the Corner House on the Strand.

  It is a grand affair – his wife’s money, but that’s another story. Fine beams and large windows, opposite the Strand Bridge; and a dwelling much visited in these troubled times. Even good Christians seek the opinion of the stars these days – though what I believe, or expect from the wizard, I’m far from sure.

  I know a little of Mr Lilly. I’m warned he is more of the parliamentary persuasion. I do not care. As if I care! My belief is that the stars do not have favourites, so neither can an astrologer – or else he’s a fraud. And perhaps he is a fraud, I know not. And what truth ever came from the mouth of a parliamentarian anyway?

  But the king needs help; it’s really most pressing, with escape from the palace uppermost in his mind. We need him away from Hampton Court, and he mentions the Scots as a safe haven – but I do wonder. Did they not sell him to the English in February as if he were an old shirt? They could sell him again, they’re like that. I know them, believe me.

  Charles does not encourage this visit of mine; he makes that quietly clear. He doesn’t like the stars, they offend his religion . . . though his religion does stretch its permission in other areas; he likes it enough when I suck his royal treasure. And in this matter, I care not what he says anyway. The plain truth is, he needs the instruction of the stars, so I will bring it to him.

  And I’m now knocking on Lilly’s door; and I’m knocking hard for he seems to take an age to answer. And I call out, ‘Mr Lilly, Mr Lilly!’ It’s a name known well by those with dilemmas to settle. He seems quite the fashion among those with the money to worry; and his new book Christian Astrology is much purchased, I hear. Perhaps I should become a writer! The money seems easy enough. And I’m told the rogue adds ‘Christian’ to the title to find more readers, since the Presbyterians declare astrology to be of the devil. But it makes no odds to me. I would dance with Satan if it helped the king’s cause and I will not pretend otherwise.

  Where is Mr Lilly? Does the wizard sicken?

  *

  The door was opened with reluctance. A face peered through the crack to gaze on a tall, well-fashioned woman, with a round visage, a little scarred by small pox. And while ginger hair was not best for marriage, a truth well known, it seemed to suit her well. Such things could be seen before words began.

  ‘William Lilly?’ asked Jane, looking on a boyish man, easy on the eye and hair with the edge of grey.

  ‘I would suggest another day, madam. I am indisposed.’

  He pushed the door closed and Jane pushed it open again.

  ‘I have travelled a distance and will be heard.’

  ‘If it’s a consultation about a relationship that you seek—’

  ‘I wrote to you.’

  ‘I receive many letters, many
requests—’

  ‘About the king’s private matter.’

  A pause.

  ‘Jane Whorgood?’

  ‘Whorwood.’

  ‘Whorwood.’

  ‘It doesn’t matter who I am.’

  ‘It matters to me; the nature of the visitor becomes the nature of my work.’

  ‘I do not come about myself, as you well know.’

  ‘But you bring yourself, so you are part of the story.’

  Why doesn’t he just open the door? she wondered. She had pressing concerns and he was wasting her time. She did not like her time wasted.

  ‘This is a most urgent matter,’ she said.

  ‘I appreciate your haste, but another day would be best, Mrs Whorwood.’

  ‘I do not have another day, Mr Lilly.’ As if she was leaving here now! ‘But I do have the payment we agreed.’

  Money usually spoke well; yet the door on the Strand remained closed.

  ‘I should warn you,’ he said through the crack, ‘that I have just buried a maidservant, taken by the plague.’

  ‘I do not fear the plague, sir – though maybe the pox.’

  ‘We are clear of that, I believe.’

  A forward lady, he noted, and one not to be eased from his entrance.

  ‘Then let me enter your house,’ she said.

  The door on the Strand was opened, and Mr Lilly, nimble of foot, was climbing the small stairs, dark and creaking, to his consulting room. Jane followed him up, glad to be free from the bustle outside.

  ‘They say you are for parliament,’ she said.

  ‘I’m sorry?’

  He stopped on the stairs and as she continued up; they collided.

  ‘They say you are for parliament.’

  ‘And you a Scot, perhaps?’

  He continued upstairs.

  ‘My father is a Scot. Why do you ask? Do you have feelings about the Scots?’

  ‘Your fiery hair betrays you, that is all.’

  ‘I hardly think it a betrayal. Scots rule the country, do they not?’

  ‘Ah, so your hair is power.’

  ‘Does it have power over you, Mr Lilly?’

  Lilly smiled politely. They were standing in a low-hung space, with a drawing table, parchments, almanacs in tottering piles, the dry smell of chalk and strange instruments of metal; she recognized a sextant. It reminded her of the captain’s quarters on a ship she’d once had cause to visit in the London docks. The captain had been eager to show her his quarters – too eager, as it transpired. His intentions were most clear, after many days at sea, when she’d wished only to see his cargo of gold, destined for the king. And here in the Strand were the same bare boards, the restrained sunlight, the decanter of port and the male desire to find order and meaning. She picked up the sextant.

  ‘The trinketry of your trade?’

  ‘Jacob’s staff.’

  ‘How do you mean?’

  ‘It is what we call the instrument you hold.’

  She put it down, looking now at a chart for the twelve months of the year.

  ‘An ephemeris,’ he said. ‘It gives the positions of the astrological aspects as they’re found today. Is that why you’ve come – to learn my trade?’

  It was popular knowledge that during the civil war Lilly had been consulted by both sides.

  ‘Well, are you for parliament?’ she asked.

  ‘Remind me why I should tell you such private things.’

  ‘It shall become plain.’

  ‘Then I am for the wisdom of the heavens, Mrs Whorwood.’

  He was for truth; but also for business.

  ‘Fine enough,’ said Jane, keen to move matters along.

  ‘And I ask ten gold pieces for its discovery.’

  ‘We have agreed the sum.’

  ‘I just remind you.’

  ‘There is no need. I am not forgetful of numbers and have good credit.’ The London merchants provided that.

  ‘I received your letter concerning the king’s . . . predicament,’ said Lilly.

  ‘And I hope it is now burnt?’

  ‘Ashes to ashes, dust to dust.’

  ‘But is it burnt?’ He had not answered the question.

  ‘Ashes to ashes, as I say.’

  ‘The letter is in ashes?’

  ‘As one day we shall all be, Mrs Whorwood.’

  Jane put down her bag and took a stool. Lilly did not wish his visitors to stay long; though often they did, pouring out their hearts and the difficulties of their lives.

  ‘Mr Wood has not approached you?’ she asked casually, as Lilly disappeared into a dusty room full of more books. Jane had never seen so many. It was a rabbit warren, one door leading to another, one room to another – and all full of parchment.

  ‘Mr Wood?’

  ‘He keeps a kestrel’s watch over royal letters; he likes to snoop and swoop. You know of him?’

  ‘I know of no Mr Wood.’ How did she know about Mr Wood?

  He returned to the room with a large tome, opened it on the table and began to set up his equipment. Jane watched.

  ‘You are certain of your craft?’

  Jane had money, but expected good return on her investment. Which businesswoman didn’t?

  ‘The wise men followed the star, did they not?’ said Lilly. He was glad of the Christmas story and told it throughout the year.

  ‘Astrology is an ancient gift but disreputable now – that’s what some say.’

  Lilly smiled wearily at Jane’s assault. ‘Until they need me, Mrs Whorwood – and then they cease from their sniping. This I have noticed. Indeed, they beg me . . . as you do today.’

  ‘So how do you come by this knowledge?’

  ‘I’m sorry?’

  ‘Who taught you this knowledge of the stars?’ She remembered the king’s warnings in this matter.

  ‘A Welshman called John Evans of Gunpowder Alley, if you’re interested – formerly a clergyman in Staffordshire. He was my first tutor.’

  ‘But also a rascal.’

  ‘Who says so?’

  ‘The king says so,’ said Jane firmly and Lilly was surprised at this royal interest. ‘He was forced to flee to London when his occult activities attracted the attention of the church authorities.’

  ‘He did experience some awkwardness with the authorities, as have many good men, the king included. But he taught me the rudiments of astrology well enough.’

  ‘And he was caught giving false astrological judgements to please a paying client! That was the same Mr Evans, was it not? I am aware of these things, you see.’

  Lilly took a deep breath. ‘Then you will also be aware that I dissociated myself from him as soon as his dissembling was discovered.’

  ‘I imagine you did; but perhaps the deceiving disease was passed on?’

  ‘I have no interest in deception, Mrs Whorwood. But if you would like to leave, I will quite understand.’

  He did not need her business, for gold coins came and went these days. And while he was familiar with suspicion in his clients, and happy to calm it, this woman would not be calmed . . . and began to irritate, if he was honest.

  ‘I will not be leaving,’ she said.

  ‘Then shall we to business?’

  But Jane had further questions. ‘They call it a parlour game,’ she said.

  ‘They call what a parlour game?’

  ‘This!’ She indicated his tools spread out before her. Lilly’s eyebrows declared disbelief at this woman. ‘I’m not saying so myself,’ added Jane. ‘Just reporting what people say.’

  Lilly felt that there was something vulnerable about her – and something desperate. His irritation calmed.

  ‘The horary astrology, in the hands of a master, is no parlour game,’ he said
firmly. Jane thought she might have angered him a little, though discerning another’s mood was not her gift. ‘It is demanding and precise, combining science and art.’

  He pointed at the chart he’d prepared, laid out on the table before her. She could see he had not been careless in the matter.

  ‘Properly used,’ he added with a sniff, ‘it will give answer to any well-defined question.’

  ‘And mine is this: Where should the king seek refuge?’

  Jane could hold back no longer. She needed to believe . . . and became a convert to the stars in that moment.

  ‘He has refuge at Hampton Court,’ said Lilly. ‘A good refuge, I’m told. He is imprisoned there, but well served and lacking cause for distress.’

  Jane would ignore the idea that an imprisoned king might lack cause for distress; they must proceed. ‘But if he were to seek another refuge?’ she asked.

  ‘Another refuge?’ Lilly’s face could not hide surprise.

  ‘Where would he go? That’s my question. Do the stars suggest a better home for the king?’

  Lilly nodded slowly, and pondered the heavens laid out before him, a grid of twelve squares. He drew some lines and looked puzzled.

  ‘It is Jane Whorwood?’

  ‘Yes.’

  ‘And are you married?’

  ‘Why do you ask?’

  ‘It is a holy estate, Mrs Whorwood.’

  ‘That depends on who you marry.’

  ‘I was fortunate enough to marry well,’ he said. ‘I merely wondered if it were so for you, as there is some confusion in the stars—’

  ‘What sort of confusion?’

  ‘Perhaps too strong a word. A slight mist, possibly . . . ’

  He now regretted this path; he did not enjoy talk of feelings and sensed their approach.

  ‘My marriage would confuse anyone,’ said Jane. ‘Well, anyone who looked for love and kindness, for both have been absent.’ She looked him plain in the face.

  ‘I see.’

  ‘Can the stars understand that sometimes marriage resembles a lodging in hell, Mr Lilly? The priests struggle with that.’