The Complete Tarzan Collection

by Edgar Rice Burroughs

  Jane found that the door was secured by a heavy bolt on her side. She was about to call to Annette when she realized that the girl evidently realized some necessity for silence, else she had called to Jane.

  Very cautiously she slipped the bolt a fraction of an inch at a time. Annette was still fumbling with the latch on the opposite side—Jane could hear her.

  At last the bolt drew clear and the door swung slowly open. "Annette!" whispered Jane as a figure, dimly visible in the gloom, came slowly into the room.

  "Annette is dead," said a man's voice. "Brown killed her. He killed Jane, too. Who are you?"

  "Alexis!" cried Jane.

  "Who are you?" demanded Sborov.

  "I am Jane—Lady Greystoke. Don't you recognize my voice?"

  "Yes, but you are dead. Is Kitty with you? My God!" he cried, "you have brought her back to haunt me. Take her away! Take her away!" His voice rose to a shrill scream.

  From the door on the opposite side of the apartment came the sound of running, and then Annette's voice. "Madame! Madame! What is it? What has happened?"

  "Who's that?" demanded Sborov. "I know—it's Annette. You have all come back to haunt me."

  "Calm yourself, Alexis," said Jane, soothingly. "Kitty is not here, and Annette and I are both alive." As she spoke she crossed the room to the door of the chamber in which the French girl was confined; and, feeling for the bolt, drew it.

  "Don't let her in!" screamed Sborov. "Don't let her in. I'll tear you to pieces if you do, ghost or no ghost." He started across the room on a run just as the door swung open and Annette rushed in. At the same moment the door leading into the corridor was pushed open; and the black slave, Medek, entered.

  "What's going on here?" he demanded. "Who let that man in here?"

  At sight of Annette, Sborov recoiled, screaming. Then he saw Medek in the dim light of the interior. "Kitty!" he shrieked. "I won't go with you. Go away!"

  Medek started toward him. Sborov turned and fled toward the far end of the room, toward the window looking out upon the courtyard. He paused a moment at the sill and turned wild eyes back toward the shadowy figure pursuing him; then, with a final maniacal scream of terror, he leaped out into the night.

  Medek followed him to the window and leaned out; then from his lips broke the same horrid scream that Jane had heard earlier in the day as she was being led from the throne-room of Kavandavanda. From below came the moans of Sborov, who must have been badly injured by the fall from the second story window; but presently these were drowned by the snarls and growls of leopards.

  The two girls could hear them converging from all parts of the grounds upon the moaning creature lying out there in the night. Presently the sounds of the leopards rose to a hideous din as they fought over the flesh of their prey. For a few moments the screams of their victim mingled with the savage mouthings of the beasts, but soon they ceased.

  Medek turned away from the window. "It is not well to seek escape in that direction," he said, as he returned to the outer corridor, closing the door behind him.

  "How awful, madame," whimpered Annette.

  "Yes," replied Jane, "but his sufferings were mercifully brief. Perhaps, after all, it is just as well. His mind is gone. Prince Sborov had become a maniac."

  "What a terrible price he paid. But is it not, perhaps, that he deserved it, madame?"

  "Who shall say? But we, too, are paying a terrible price for his greed and his wife's vanity. The thing she sought is here, Annette."

  "What thing, madame? Not the restorer of youth?"

  "Yes. Kavandavanda holds the secret, but neither the princess nor any other could have gotten it from him. We should all have met a terrible fate just the same had the entire party succeeded in reaching the village of the Kavuru—the fate that is reserved for you and me."

  "What fate, madame? You frighten me."

  "I do not mean to, but you may as well know the truth. If we do not succeed in escaping we shall be butchered to furnish ingredients for Kavandavanda's devilish potion that keeps the priests of Kavuru always youthful."

  "S-s-sh, madame!" cautioned Annette, fearfully. "What was that?"

  "I don't know. It sounded as though someone in the corridor had tried to scream."

  "Then there was a thud, as though someone had fallen. Did you hear that?"

  "Yes—and now someone is trying the door. They are slipping the bolt."

  "Oh, madame! Some new horror."

  The door swung open and a figure stepped into the room. A voice spoke. "Woman! Are you there?" It was the voice of Ogdli.

  "I am here," said Jane.

  "Then come quickly. There is no time to be lost."

  "But how about the slave in the corridor? He will see us go out."

  "The slave is there, but he will not see us. Come!"

  "Come, Annette! It is our only chance."

  "The other woman is here?" demanded Ogdli.

  "Yes," replied Jane. "And if I go, she must go."

  "Very well," snapped the Kavuru, "but hurry."

  The two girls followed the man into the corridor. Across the doorway lay the body of Medek. The dead eyes were staring up at them. Ogdli kicked the black face and gave a short laugh. "He looks, but he does not see."

  The girls shuddered and pressed on behind the warrior. He led them cautiously along dark corridors. At the slightest sound he dragged them into pitch-black rooms along the way until he was sure there was no danger of discovery. Thus, much time was consumed in nerve-wracking suspense.

  Ogdli advanced with evident trepidation. It was apparent that now that he had embarked upon this venture he was terrified—the shadow of Kavandavanda's wrath lay heavy upon him.

  The night dragged on, spent mostly in hiding, as the trio made their slow way toward the secret entrance to the tunnel that led out into the jungle.

  Once more they crept on after a long period of tense waiting and listening in a dark chamber; then Ogdli spoke in a relieved whisper. "Here we are," he said. "Through this doorway. The entrance to the tunnel is ha this room. Make no noise."

  He pushed the door open cautiously and entered the chamber, the two girls following closely behind him. Instantly hands reached out of the dark and seized them. Jane heard a scuffling and the sound of running feet; then she was dragged out into the corridor. A light was brought from another apartment —a bit of reed burning in a shallow vessel.

  Annette was there, close to her, trembling. They were surrounded by five sturdy warriors. In the light of the sputtering cresset the men looked quickly from one to another.

  "Where is Ogdli?" demanded a warrior. Then Jane realized that her would-be abductor had vanished.

  "I thought you had him," replied another. "I seized one of the girls."

  "I thought I had him," spoke up a third.

  "And so did I," said a fourth, "but it was you I had. He must have run for the tunnel. Come, we'll go after him."

  "No," objected the first warrior. "It is too late. He has a good start. We could not catch him before he reached the forest."

  "We could not find him there at night," agreed another. "It will soon be daylight; then we can go after him."

  "We'll see what Kavandavanda says when we take the women to him," said the first warrior. "Bring them along."

  Once again the girls were led through the corridors of the temple this time to an apartment adjoining the throne-room. Two warriors stood before the door. When they saw the girls and were told what had happened, one of them knocked on the door. Presently it was opened by a black slave, sleepily rubbing his eyes.

  "Who disturbs Kavandavanda at this hour of the night?" he demanded.

  "Tell him we have come with the two white girls. He will understand."

  The black turned back into the apartment, but in a few moments he returned.

  "Bring your prisoners in," he said; "Kavandavanda will see you."

  They were led through a small antechamber lighted by a crude cresset to a larger apartment simil
arly illuminated. Here Kavandavanda received them, lying on a bed covered with leopard skins.

  His large eyes fixed themselves upon Jane. "So you thought you could escape?" he asked, a crooked smile twisting his weak lips. "You were going to run off with Ogdli and be his mate, were you? Where is Ogdli?" he demanded suddenly, as he realized that the man was not with the others.

  "He escaped—through the tunnel," reported a warrior.

  "He must have thought Kavandavanda a fool," sneered the high priest. "I knew what was in his mind. There are only six men beside myself who know about the tunnel. Ogdli was one of them; the other five are here." He was addressing Jane. "I sent these five to wait at the entrance to the tunnel until Ogdli came, for I knew he would come." He paused and gazed long at Jane; then he turned to the others. "Take this other one back to the room of the three snakes," he ordered, "and see that she does not escape again." He indicated Annette with a gesture. "This one I will keep here to question further; there may have been others concerned in the plot. Go!"

  Annette cast a despairing look at Jane as she was led from the room, but the other could give her no reassurance nor encouragement. Their position seemed utterly without hope now.

  "Good-bye, Annette." That was all.

  "May the good God be with us both, madame," whispered the French girl as the door was closing behind her.

  "So," said Kavandavanda when the others had left, "you were going to run off into the jungle with Ogdli and be his mate? He was going to break his vow because of you!"

  The shadow of a sneer curled the girl's lip. "Perhaps Ogdli thought so," she said.

  "But you were going with him," Kavandavanda insisted.

  "As far as the jungle," replied Jane; "then I should have found some means to escape him; or, failing that, I should have killed him."

  "Why?" demanded the high priest. "Have you, too, taken a vow?"

  "Yes—a vow of fidelity."

  He leaned toward her eagerly. "But you could break it—for love; or, if not for love, for a price."

  She shook her head. "Not for anything."

  "I could break mine. I had thought that I never could, but since I have seen you—" He paused; and then, peremptorily, "if I, Kavandavanda, am willing to break mine, you can break yours. The price you will receive is one for which any woman might be willing to sell her soul—eternal youth, eternal beauty." Again he paused as though to permit the magnitude of his offer to impress itself upon her.

  But again she shook her head. "No, it is out of the question."

  "You spurn Kavandavanda?" His cruel mouth imparted some of its cruelty to his eyes. "Remember that I have the power to destroy you, or to take you without giving anything in return; but I am generous. And do you know why?"

  "I cannot imagine."

  "Because I love you. I have never known love before. No living creature has ever affected me as do you. I will keep you here forever; I will make you high priestess; I will keep you young through the ages; I will keep you beautiful. You and I will live forever. We will reach out. With my power to rejuvenate mankind, we shall have the world at our feet. We shall be deities —I, a god; you, a goddess. Look." He turned to a cabinet built into the wall of the apartment. It was grotesquely carved and painted— human figures, mostly of women; grinning skulls, leopards, snakes, and weird symbolic designs composed the decorations. From his loin- cloth he took a great key, hand wrought, and unlocked the cabinet.

  "Look," he said again. "Come here and look."

  Jane crossed the room and stood beside 'him at the cabinet. Within it were a number of boxes and jars. One large box, carved and painted similarly to the outside of the cabinet, Kavandavanda took in his hands.

  "You see this?" he asked. "Look inside." He raised the lid revealing a quantity of black pellets about the size of peas. "Do you know what these are?" he demanded.

  "I have no idea."

  "These will give eternal youth and beauty to a thousand people. You are free to use them if you say the word. One taken each time that the moon comes full will give you what all mankind has craved since man first trod this earth." He seized her arm and tried to draw her to him.

  With an exclamation of repugnance she sought to pull away, but he held her firmly; then she struck him heavily across the face. Surprised, he relaxed his grasp; and the girl tore herself away and ran from the room. Into the antechamber she ran, seeking to gain the corridor.

  With a cry of rage, Kavandavanda pursued her; and just at the doorway leading into the corridor he overtook her. He seized her roughly, tangling his fingers in her hair; and though she fought to extricate herself, he dragged her slowly back toward the inner apartment.

  30. "THE DEAD MEN FLY!"

  Tarzan and Brown had talked late into the night in an attempt to formulate a feasible plan whereby they might gain entrance to the village of the Kavuru, with the result that the ape-man had finally suggested a mad scheme as the only possible solution of their problem.

  Brown shrugged and grinned. "We could sure get in that way, of course, though it all depends. But how we goin' to get out again?"

  "Our problem now," replied Tarzan, "is to get in. We shall not have the problem of getting out until later. Perhaps we shall not come out. It really is not necessary that you come in with me if—"

  "Skip it," interrupted Brown. "Annette's in there. That's enough for me to know. When do we start?"

  "We can't do much until just before dawn. You need rest. Lie down. I'll wake you in time."

  Tarzan slept, too—a little way from the others on the edge of the clearing where he had a view of the village. He slept in a low crotch a few feet above the ground; and he slept well, yet he slept lightly, as was his wont. The habitual noises of the jungle did not disturb him; but as the time approached when he must awaken Brown, he himself came suddenly awake, conscious of something unusual that disturbed the monotonous harmony of the forest.

  Alert and watchful, he rose silently to his feet, listening. Every faculty, crystal sharp, was attuned to the faint note of discord that had aroused him. What was it?

  Swiftly he moved through the trees, for now his sensitive nose had identified the author of the stealthy sound that his ears had detected —a Kavuru.

  Presently the ape-man saw the dim figure of a man walking through the forest. He was walking rapidly, almost at a trot; and he was breathing heavily, as one who had been running. Tarzan paused above him for an instant and then dropped upon his shoulders, bearing him to the ground.

  The man was powerful; and he fought viciously to escape, but he was wax in the hands of the Lord of the Jungle. The ape-man could have killed him; but the instant that he had realized that a Kavuru might fall into his hands, he had planned upon taking him alive, feeling that he might turn him to some good account.

  Presently he succeeded in binding the fellow's wrists behind him; then he stood him upon his feet. For the first time, his captive looked him in the face. It was still dark, but not so dark that the Kavuru could not recognize the fact that his captor was not one of his own kind. He breathed a sigh of relief.

  "Who are you?" he demanded. "Why did you capture me? You are not going to take me back to Kavandavanda? No, of course not—you are not a Kavuru."

  Tarzan did not know why the man should object to being taken to Kavandavanda. He did not even know who Kavandavanda was, nor where; but he saw an opening, and he took advantage of it.

  "If you answer my questions," he said, "I will not take you back to Kavandavanda, nor will I harm you. Who are you?"

  "I am Ogdli."

  "And you just came from the village?"

  "Yes."

  "You do not want to go back there?"

  "No. Kavandavanda would kill me."

  "Is Kavandavanda such a mighty warrior that you are afraid of him?"

  "It is not that, but he is very powerful. He is high priest of the priests of Kavuru."

  By simple questions Tarzan had learned from the answers Ogdli made enough to give hi
m the lead that he desired to glean further information from his prisoner.

  "What did Kavandavanda want of the two white girls that were taken to him?" he demanded.

  "At first he would have killed them," replied Ogdli, willingly, for now he thought that he saw an opportunity to win mercy from this strange giant who was evidently interested in the two girls; "but," he continued, "he suddenly came to desire one of them for a mate. I tried to befriend them. I was leading them out of the village by a secret passage when we were set upon by several warriors. They recaptured the girls, and I barely escaped with my life."

  "So the girls are still alive?"

  "Yes; they were a few minutes ago."

  "Are they in any immediate danger?"

  "No one can say what Kavandavanda will do. I think they are in no immediate danger, for I am sure that Kavandavanda will take one of them for a mate. Perhaps he already has."

  "Where is this secret passage? Lead me to it. Wait until I get my friends." He led Ogdli to where the others slept, and aroused them.

  "I can show you where the passage is," explained Ogdli, "but you cannot enter the temple through it. The doors at either end open only in one direction, toward the forest, for those who do not know their secret; and only Kavandavanda knows that. One may easily pass out of the temple, but it is impossible to return."

  Tarzan questioned Ogdli for several minutes; then he turned to Brown. "Annette and Lady Greystoke are in the temple," he explained. "The temple is in a small canyon behind the village. If we gained access to the village we would still have a battle on our hands to reach the temple. This fellow has told me where I can expect to find the prisoners in the temple; he has also given me other valuable information that may be useful if we succeed in getting to Lady Greystoke and Annette. I believe that he has spoken the truth. He says, further, that one of the women is in grave danger at the moment—I think it is Lady Greystoke, from his description; so there is no time to be lost." Then he turned to Muviro. "Hold this man until Brown and I return. If we do not return before dark, you may know that we have failed; then you should return to your own country. Do, then, what you will with this prisoner. Give Brown and me the weapons that you took from the bodies of the fliers. They are of no more use to you, as you have exhausted the ammunition. Brown thinks we may find more in the ship. Come, Brown."