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Gord Rollo

Page 11

by The Jigsaw Man v2. 0


  I realized what was wrong with the people lying in the

  beds. They were fully grown men after all, but every

  last one of them had had their arms and legs removed.

  Clear plastic intravenous tubes were stuck in some of

  their shoulder stumps, chests, or in the side of their

  heads, and a dark fluid ran into several of the mutilated

  men from small machines sitting on the floor beside

  some of the beds.

  What happened to these poor people?

  I noticed the industrial-sized refrigerator with the

  sliding glass doors on the front of it, and the stacks of

  small liquid-filled bags separated into sections with la¬

  bels like A NEG or O POS. Then I grasped the true

  horror of what was happening here in this secret room.

  The machines on the floor and the IV tubes weren't

  giving the limbless men the dark fluids—they were tak¬

  ing it.

  My ears were ringing, vividly recalling how Dr. Mar¬

  shall had said they had a problem keeping up with the

  constant need for fresh blood for his experiments.

  Sweet mother of God!

  This awful room was the solution to the surgeon's

  ongoing supply problem. They were his Bleeders: men

  kept alive for the sole purpose of being continually

  tapped and re-tapped for that most precious of human¬

  ity's resources. This wasn't a room full of sick men—it

  was Dr. Marshall's blood bank.

  C H A P T E R F O U R T E E N

  I couldn't move. I tried, but I couldn't. My feet felt like

  they were nailed to the floor. I'd seen a lot of weird

  things in my life, and I knew humans were capable of

  committing copious amounts of cruel and vicious acts,

  but I'd never seen anything as nasty as this. This was

  cruelty so extreme my mind was short-circuiting, over¬

  loaded trying to somehow justify what I was seeing. I

  couldn't do it. This wasn't something that could be ra¬

  tionalized. The only explanation for this was madness.

  Taking a few deep breaths, I forced myself to calm

  down. I needed to think, decide what this meant in re¬

  gards to my situation, and then figure out what my next

  move should be. I was j u s t getting focused, when a

  strong, clear, man's voice said, "Hey, mister, you're not

  a guard, are you?"

  For a second time I nearly screamed, the booming

  voice startling me badly, but at least breaking me out of

  reverie. N o t having a clue who the voice belonged to, or

  where this man was, I darted my head left, then right,

  panic swelling inside me because I couldn't find him.

  "Stop flapping your head around, boy, and get over

  here. Behind you, second bed from the door."

  I turned and finally saw him. A tiny little b u m p of

  meat hidden under a blanket with his seemingly large

  shaven head turned on its side watching me. He looked

  wide-awake, alert, and a little tense. Probably had been

  watching me for a while, maybe scared at first, wonder¬

  ing who I was, and why I was sneaking around in the

  middle of the night. Judging from his rough, gravelly

  voice—and from the way he'd addressed me as "boy"—I

  figured he was an older man, maybe sixty, but from what

  was left of his ravaged body, that was only a guess.

  "Who the hell are you?" he asked, once I'd walked

  over to the foot of his bed.

  He was talking too loud, so I hurried to answer him,

  more to shut him up than because I wanted to chat. "My

  name's Michael Fox," I whispered, "and n o , I'm not a

  guard. I'm just a guest, and I'm not here to hurt you, sir,

  so quiet down a little, okay?"

  "Quiet down?" he spoke in the same loud tone.

  "Why? For these veggies, you mean?" sweeping his

  eyes around the room. "You don't have to worry about

  bothering any of these fellas. Trust me. Their cabooses

  are still here, but the rest of the trains left the station a

  long time ago, if you catch my drift. The only one who's

  somewhat with it is Charlie, the guy snoring his head

  off over there, but he fades in and out. The rest, well,

  they're in a better place, I hope."

  Quieting down a little regardless, perhaps for my

  sake, he said, "You can call me Lucas, Mr. Fox. Okay if

  I call you Michael?"

  "Sure. Make it Mike."

  "Fine. N o w that we've been introduced, j u s t what in

  blazes are you doing here?"

  "Well, I couldn't get my room door to open," I lied,

  stumbling to find an explanation that wasn't totally idi¬

  otic. "It must be j a m m e d , or the lock might be broken.

  It's the middle of the night, and I didn't want to bother

  anyone, so I tried my window and noticed—"

  "No, no," he interrupted. "I don't give a damn why

  you're here in this room. Why are you here, in this

  godforsaken hell house?"

  Hell house?

  "Oh, I'm here to help Dr. Marshall with, ah, one of

  his experiments. He's paying m e — "

  "Let me guess?" Lucas interrupted again. "A million

  dollars, right?"

  "Two million, actually. Already been wired into a

  bank account in the Cayman Islands. W h a t do you know

  about it?"

  "Two million? Wow. The stakes sure are going up. And

  you can forget the Caymans. You might have thought all

  that malarkey with the secretary and fax machines was

  real, but it was bullshit, Mike. They play that game with

  everyone. W h e n I arrived, must be nearly two years

  ago, I was stupid enough to agree to six hundred thou¬

  sand. Mind you, that was only for my right hand, Char¬

  lie, he was the one who said he'd signed for a million. I

  think that was for one of his legs, but I can't remember

  for sure now.

  "Doesn't matter. N e i t h e r does the money. Doesn't

  matter what body part you agree to donate, or for how

  much. Hell, Doc Marshall could've promised you two

  billion dollars for y o u r toenail, M i k e , you won't see a

  dime."

  My ears were hearing the words this partial man was

  speaking, but I was having a hard time m a k i n g sense of

  them. After building up my hopes and dreams for a

  better life for my daughter and me, it was difficult let¬

  ting myself believe what my heart had been trying to

  tell me all along. It was a lie. All of it. Dr. Marshall

  never had any intention of paying me for my arm. I had

  all the proof I needed lying all around me.

  This revelation, although I'd had my suspicions and

  this was exactly the evidence I'd gone searching for,

  still hit me like a ton of bricks. A major part of me had

  desperately wanted this to work out, for something to

  finally go my way, j u s t once. I should have known bet¬

  ter. I bowed my head, stunned into silence.

  "What are you supposed to be giving up?" Lucas

  asked.

  "My right arm. I'm left-handed, and I figured, I j u s t

  figured ... ah fuck! I don't know what I figured."

  "Listen to m e , boy. Listen good. Dr. Marshall will
/>
  take your right arm, but he won't stop there. He's been

  trying this shit for years, and it never works. N o t the

  way he wants it to, anyway. The donor parts don't last,

  or they don't function right after a few weeks. He prob¬

  ably told you he's setting all these records for keeping

  body parts alive, but he's bullshitting you. He replaces

  the parts with new donors, and pretends it's the same

  one. He's crazy, man.

  "He's not even a real doctor. N o t anymore. From

  what I hear he was once a damn good one, but he lost

  his mind around the same time he lost the use of his

  legs. Something snapped and he ended up losing his li¬

  cense because he was caught doing unethical research.

  They nailed his ass to the wall, but he had family money

  to fall back on. Eventually he opened this place and

  hires all the failed surgeons and discredited nurses he

  can round up. T h i n k about ic W h o else would work for

  a bastard like h i m ? "

  I had no idea. My mind was spinning too fast to

  think straight. W h a t a nightmare. Maybe I—

  "Don't do it, Mike. Don't you give that crazy man

  anything, you hear me? He'll cut you to pieces, boy, just

  like he done me. First your arms, then your legs, then

  one day when you're of no further use to him, you'll end

  up in this room with me. Run away, right now. Run as

  far from here as you can, and never come back. Never!"

  N o d d i n g my understanding to the old man, I knew it

  was time to leave. I'd seen and heard enough. Dr. Mar¬

  shall might be a brilliant surgeon, and an incredibly

  smart man, but somewhere along the line his obses¬

  sions had pushed him over the edge. He wasn't bug-eyed

  crazy, j u s t psychotic, a man driven to succeed at any

  and all costs. No sane man could justify the crimes he

  was committing inside this room. There was no way I

  was going through with the operation now. This room¬

  ful of Bleeders was more than enough to convince me it

  was time to pull out of D o d g e , get as far away from this

  crazy place as I could.

  And I'm taking my arm with me.

  Turning on my heel, I started back toward the open

  window, intending to climb down to my room long

  enough to quietly gather my stuff, then use the trellis

  again to head for the ground and make good my es¬

  cape.

  "Wait," the old man cried out, sounding panicked

  that I was leaving. "You can't leave me here. N o t like

  thisV

  "I'm sorry Lucas, but there's no way I can take you

  with me. I'll be lucky if I make it on my own, never

  mind trying to carry—"

  "I don't wanna go with you," he whispered, and when

  I saw the pleading look in his eyes, I finally understood

  what he wanted me to do.

  "Oh no! No way, Lucas. I can't do that."

  "Sure you can. Use my pillow, it'll only take a m i n

  ute. Look, I know you don't know me, or know n o t h i n g

  about me, but I used to be a proud man, Mike. That

  bastard Marshall stole more than my limbs, he stole my

  life, my humanity, my soul. I can't live like this any¬

  more. You're my only way out. Please Mike, I'm begging

  you."

  Son of a bitch. How did I get myself into this mess?

  The sad part was, I agreed with him. No man should

  have to live like that, existing j u s t to supplement a crazy

  man's depraved obsessions. I couldn't imagine what Lu¬

  cas's life must be like, having his life fluids drained on a

  continuous basis, with no hope of relief until his body

  was spent, or his mind snapped like his companions.

  He didn't deserve this cruel rate, and I felt a need to help

  him. I j u s t wasn't sure I had the strength to go through

  with it. Regardless of whether he was giving me his

  blessing, mercy-killing this poor man would still be

  murder. Wouldn't it?

  I walked to the side of Lucas's bed and slowly wiggled

  his pillow out from under his shaven head. In doing so,

  an IV line that had been cruelly inserted into a vein

  above his left ear popped out, spilling fresh blood onto

  the white bedsheets. The blood, which appeared black

  in the moonlight, startled me but it wasn't gushing

  out—merely dripping—so I ignored it, not even both¬

  ering to mention it to Lucas. Why bother?

  "You sure about this, Lucas?" I asked, hoping with

  all my heart he'd changed his mind.

  "I've never been so sure of anything in my whole life.

  Bless you, Mike. I'm ready."

  There were tears in his eyes as I lowered the pillow

  down onto his face, but he was smiling and nodding his

  head the whole time. I felt like a total bastard, but, at

  the same time, I knew I was doing the right thing, giv¬

  ing him the peace he deserved. He'd suffered enough.

  Never having done anything like this, I wasn't sure

  how much pressure I should apply to the pillow. I wanted

  to get this over with as quickly and painlessly as possi¬

  ble. Trusting my instincts, I pressed down until Lucas's

  torso began to shake. He was struggling for air, but

  without any limbs he wasn't able to put up much of a

  fight. I turned my head away, hoping it would be over

  soon, unable to watch as his body continued to fight

  beneath me.

  W i t h everything going on, I failed to realize the

  snoring coming from the other side of the room had

  stopped. It wasn't until the man Lucas had identified as

  Charlie began screaming at the top of his lungs that I

  clued in someone was watching everything I was doing.

  "Get off him," Charlie screamed, his frightened

  voice as high-pitched and ear-shattering as a y o u n g

  girl's. "Leave Lucas alone you cocksucker. He's my

  only friend."

  I tried to talk to him, tried to reason that I wasn't

  hurting Lucas and this was what he'd wanted, but Char¬

  lie was having none of it. His mind wasn't altogether

  there anymore, and all he could see was a man h u r t i n g

  the only companion he had left in this world. He kept

  screaming, "Leave him alone, leave him alone," beating

  his head against his pillow every time he said it.

  "Calm down," I yelled, but then I saw the red light

  flash on above his bed and understood immediately

  that Charlie wasn't as out of it as I'd thought. He hadn't

  been thrashing his head against the pillow; he'd been

  t r y i n g to activate the call button strapped to his bed,

  desperate to get help for his friend. Unaware he'd al¬

  ready succeeded, he continued to pound his head in ca¬

  dence with his screams until the flashing red light went

  solid and a deep angry-sounding voice came through a

  small speaker mounted above his bed.

  "What's going on in there? Charlie, is that you?

  W h a t the hell do you want at this time of night?"

  "You gotta help us. Someone's trying to kill Lucas.

  Get in here, quick!" Charlie wailed, his voice shrill,

  hitching with s
obs, borderline hysterical.

  W h o e v e r was listening on the other end didn't

  bother replying to Charlie's rant. All I heard was some¬

  one curse as he fumbled for his walkie-talkie, keying

  the mike four or five times before shouting, "Carl? Are

  you there, Carl? Get y o u r ass up t o — "

  The red light above Charlie's bed blinked out, dis¬

  connecting me from hearing the rest of the message. I

  had no trouble imagining every walkie-talkie in the

  medical complex beginning to squawk, and every guard

  r u n n i n g as fast as they could to get to this room.

  Ob shit! This is trouble, Mike. Big, big trouble. Get the

  hell out, fast.

  I lifted the pillow from Lucas' face, h o p i n g he'd

  passed on, but it wasn't meant to be. He was uncon¬

  scious, possibly near death's door, but I could clearly

  see his chest still rising and falling as his defiant body

  labored to breathe. N o t knowing how much time I had

  before this r o o m filled with angry guards, I couldn't

  risk taking the time to try smothering him again.

  "Sorry, Lucas," I whispered in his ear, then quickly

  headed for the open window.

  Stopping at my room to pick up my stuff was out of

  the question now. I'd j u s t take the trellis right to the

  ground and make a run for the surrounding woods.

  Hopefully I'd be able to outrun anyone they sent after

  m e , or at least find a hiding spot to lay low until they

  went away.

  I was j u s t about to step out onto the metal trellis,

  when a noise below nearly caused me to fall off the

  ledge. One floor down, a guard with blond hair and

  glasses stuck his head out the open window of my room

  and spotted me right away.

  "I see him," the guard calmly spoke into his radio.

  **He's still on level four. R e p e a t . . . suspect is still on

  four."

  This must have been the guy standing outside my

  door earlier. W h e n the shit had hit the fan the first

  t h i n g he'd have done was check on me, and found

  n o t h i n g but an open window. After reporting my cur¬

  rent position, he tucked his radio away in his jacket

  and started climbing up the trellis toward me. My

  escape route effectively gone, I had no choice but to

  step back into the Bleeders' room and lock the window

  behind me.

  W i t h i n seconds, the guard's face pressed up against

  the glass inches away from me, and he tried his best to

  talk me into opening the window.

 

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