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Wolf Tones (Standalone Psychological Thriller)

Page 28

by JJ Marsh


  His face reminded Rolf of Blue the Burmese as he watched the starlings. He was about to pounce. “My fiancée and I are founding an orchestra. Yes, I said fiancée. I have asked Jun to marry me and to my eternal gratitude, she said yes.”

  “That’s the best news!” Rolf found he was beaming. “You make a brilliant couple! Wait, founding an orchestra ... where?”

  Wilk’s smile spread again. “In the city of Munich. Germany offers more competition, more variety and nowhere is overshadowed by one composer. That’s the reason I’m here, Rolf. I want to offer you a formal invitation to be my principal cellist. Be warned, if the City Orchestra took risks, this ensemble is going to be as avant-garde as it gets. Don’t answer me now. In your package is a document setting out our vision. Read it, consider your future and let me know when you get out.”

  Toes clenched, fists grasped and forehead resting on his knuckles, Rolf breathed. It was too much to take in and he was afraid he would cry. Principal cellist in Jurgen Wilk’s orchestra? Even his most indulgent fantasies had not reached such heights. When he finally looked up, Wilk was still there, watching him with a calm benevolence.

  Rolf couldn’t keep the grin off his face. “I can give you my answer now.”

  “That is not necessary. You may feel very differently in six weeks. Read my document and think it over.” He placed a finger to his lips, bowed and stood up to leave.

  Rolf watched him go, torn between running after the slight black figure and rushing to his room for the package. He signalled to the warder he was ready to leave.

  The parcel was already on the table in his room. He unwrapped it carefully to find a selection of teas from Jun and a pair of grey silk pyjamas with a sweet card of encouragement. Trudi’s letter contained some pictures of her pulling faces while holding Blue to face the camera. She looked delighted, the cat less so. Godmother to a fur baby – can you believe it? He could. She looked happy and in love with her role. As far as Rolf could see, Trudi’s hands appeared fully recovered and her fierce smile shone more strongly than ever, probably fuelled by several glasses of Sekt. As always, she included several newspaper cuttings about the never-ending dramas at Salzburg City Orchestra. He put them aside to read when he felt strong enough and opened the envelope from the maestro.

  Jurgen Wilk was offering him a year-long contract to help establish a new orchestra in Munich. Rolf laughed aloud at the name: ODA stood for Orchester der Aussenseiter, the Orchestra of Outsiders, or as Wilk expressed it, the Orchestra of the Underdogs. Most of his friends would be there: Trudi, Jun, Bertrand and the maestro himself. It would be like going home, returning to the fold. First cellist in an avant-garde ensemble, making a name for himself and showing the world he could overcome the taint of a prison sentence. He’d be crazy to turn it down.

  There was a second letter in his pile with a Salzburg postmark. The address on the reverse was where Rolf had spent so many frustrating hours trying to explain what happened fifteen months ago. Memories of the police station should have depressed him, but instead he tore open the envelope with genuine eagerness. Inspector Weissmann had saved him from a murder charge and Rolf would never forget it. His belief in Rolf’s version of events had even led him to testify on behalf of the defendant. His painstaking efforts proved there was only one person responsible for the death of Anton Berger and that was Leonor von Rosenheim. The gun found in her suitcase at the home of Max Hofmeister, DNA evidence on Anton’s body and even the cat carrier removed all doubt.

  Rolf owed him an enormous debt. During his year at Loeben, Weissmann had never actually visited, but had sent occasional letters with updates on the fallout from the case. His letters had grown chattier, dropping in news of the orchestra and rumours about the board. He never mentioned anything personal or anything about his work, but the two had exchanged half a dozen letters in the past twelve months.

  This one might well be their last.

  Lieber Herr Jaro

  I hope this finds you well and in an optimistic frame of mind. Only this morning, I marked an appointment on my calendar and noted the upcoming date of your release. Something to celebrate, I feel.

  You have mentioned no future plans in any of our correspondence and I understand why not. Should you consider returning to Salzburg, a pleasant way to spend an evening is by having a few drinks in one of Salzburg’s many beer gardens with an old friend. We could even take in some music, a string quartet perhaps.

  That is, of course, if you plan on returning to the city. It would be quite understandable if a man of your talents preferred to start afresh somewhere new.

  As for myself, I have been offered a promotion. A prestigious role as an inspector in Vienna, targeting organised crime. Naturally, I turned it down. Sometimes, you get tired of striving to be top dog. I know and love my place. Which like many old dogs, lies in the familiar.

  If you do ever find yourself in Salzburg, you know my number.

  I wish you every happiness in your future.

  With warmest regards,

  Henrik Weissmann

  Outside, the sun dipped towards the horizon and a chill breeze replaced the glow of the afternoon. Rolf placed the letters, presents and photographs in his desk drawer to re-read before bed. He stood on his tiny balcony, watching leaves blow around the courtyard. Lifted, dropped, whisked and spun by gusts of wind, the autumnal ballet was hypnotic and beautiful in its way. Patterns formed and disappeared, leaving no trace. The choreographer moved on, abandoning the dancers as nothing more than dead foliage to be swept up tomorrow morning by whoever was on gardening detail.

  Standing there as light leached from the sky, Rolf sensed something settle in his own mind. He could take the role of principal cellist in Munich, striding on stage with no hint of fear, performing ground-breaking compositions under the direction of Jurgen Wilk – at the same time, living every hour of his life while not onstage besieged by feelings of guilt and fraud. Unlike Weissmann, Rolf didn’t know or love his place. He was still trying to be something he was not.

  A memory floated to the surface and Rolf let it come. He’d done enough therapy to know that facing the past was the only way to take away its power. But this was no terrifying flashback. He was playing his cello in a park. People were moving with the music, he was at one with the world and it made him happy. No pressure, no conductor, no competition, no mentor. Just him and his cello.

  That was his place, and he loved it.

  Dear Reader

  I hope you enjoyed Rolf’s story. My other psychological drama, Odd Numbers, was shortlisted for the 2021 Selfies Prize.

  If you liked Wolf Tones, you might find this wintry adventure equally thrilling.

  CLICK TO DOWNLOAD ODD NUMBERS NOW

  To Julie Lewis and her colleagues, for the work they do

  Also by JJ Marsh

  My Run and Hide thriller series (tap title to buy)

  WHITE HERON

  BLACK RIVER

  My Beatrice Stubbs series, European crime dramas

  BEHIND CLOSED DOORS

  RAW MATERIAL

  TREAD SOFTLY

  COLD PRESSED

  HUMAN RITES

  BAD APPLES

  SNOW ANGEL

  HONEY TRAP

  BLACK WIDOW

  WHITE NIGHT

  THE WOMAN IN THE FRAME

  ALL SOULS’ DAY

  My standalone novels

  AN EMPTY VESSEL

  ODD NUMBERS

  And a short-story collection

  APPEARANCES GREETING A POINT OF VIEW

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  Thank you.

  Acknowledgments

  This book would not be what it is without the editorial g
uidance of Florian Bielmann, the musical expertise of Ellen Durkin, the language refinements of Perry Iles and the cover design talents of Jane Dixon-Smith. Heartfelt thanks to you all.

  Contents

  Salzburg City Orchestra Program

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Also by JJ Marsh

  Acknowledgments

 

 

 


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