Delphi Complete Works of Pausanias

by Pausanias

  [10.5.7] I have heard too that shepherds feeding their flocks came upon the oracle, were inspired by the vapor, and prophesied as the mouthpiece of Apollo. The most prevalent view, however, is that Phemonoe was the first prophetess of the god, and first sang in hexameter verse. Boeo, a native woman who composed a hymn for the Delphians, said that the oracle was established for the god by comers from the Hyperboreans, Olen and others, and that he was the first to prophesy and the first to chant the hexameter oracles.

  [10.5.8] The verses of Boeo are:–

  Here in truth a mindful oracle was built

  By the sons of the Hyperboreans, Pagasus and divine Agyieus. Boeo, work unknown

  After enumerating others also of the Hyperboreans, at the end of the hymn she names Olen:–

  And Olen, who became the first prophet of Phoebus,

  And first fashioned a song of ancient verses. Boeo, work unknown

  Tradition, however, reports no other man as prophet, but makes mention of prophetesses only.

  [10.5.9] They say that the most ancient temple of Apollo was made of laurel, the branches of which were brought from the laurel in Tempe. This temple must have had the form of a hut. The Delphians say that the second temple was made by bees from bees-wax and feathers, and that it was sent to the Hyperboreans by Apollo.

  [10.5.10] Another story is current, that the temple was set up by a Delphian, whose name was Pteras, and so the temple received its name from the builder. After this Pteras, so they say, the city in Crete was named, with the addition of a letter, Apterei. The story that the temple was built of the fern (pteris) that grows on the mountains, by interweaving fresh stalks of it, I do not accept at all.

  [10.5.11] It is no wonder that the third temple was made of bronze, seeing that Acrisius made a bedchamber of bronze for his daughter, the Lacedaemonians still possess a sanctuary of Athena of the Bronze House, and the Roman forum, a marvel for its size and style, possesses a roof of bronze. So it would not be unlikely that a temple of bronze was made for Apollo.

  [10.5.12] The rest of the story I cannot believe, either that the temple was the work of Hephaestus, or the legend about the golden singers, referred to by Pindar in his verses about this bronze temple:–

  Above the pediment sang Golden Charmers. Pindar, work unknown

  These words, it seems to me, are but an imitation of Homer’s account of the Sirens. Neither did I find the accounts agree of the way this temple disappeared. Some say that it fell into a chasm in the earth, others that it was melted by fire.

  [10.5.13] The fourth temple was made by Trophonius and Agamedes; the tradition is that it was made of stone. It was burnt down in the archonship of Erxicleides at Athens, in the first year of the fifty-eighth Olympiad, when Diognetus of Crotona was victorious. The modern temple was built for the god by the Amphictyons from the sacred treasures, and the architect was one Spintharus of Corinth.

  [10.6.1] VI. They say that the oldest city was founded here by Parnassus, a son of Cleodora, a nymph. Like the other heroes, as they are called, he had two fathers; one they say was the god Poseidon, the human father being Cleopompus. After this Parnassus were named, they say, both the mountain and also the Parnassian glen. Augury from flying birds was, it is said, a discovery of Parnassus.

  [10.6.2] Now this city, so the story goes on, was flooded by the rains that fell in the time of Deucalion. Such of the inhabitants as were able to escape the storm were led by the howls of wolves to safety on the top of Parnassus, being led on their way by these beasts, and on this account they called the city that they founded Lycoreia (Mountainwolf-city).

  [10.6.3] Another and different legend is current that Apollo had a son Lycorus by a nymph, Corycia, and that after Lycorus was named the city Lycoreia, and after the nymph the Corycian cave. It is also said that Celaeno was daughter to Hyamus, son of Lycorus, and that Delphus, from whom comes the present name of the city, was a son of Celaeno, daughter of Hyamus, by Apollo.

  [10.6.4] Others maintain that Castalius, an aboriginal, had a daughter Thyia, who was the first to be priestess of Dionysus and celebrate orgies in honor of the god. It is said that later on men called after her Thyiads all women who rave in honor of Dionysus. At any rate they hold that Delphus was a son of Apollo and Thyia. Others say that his mother was Melaena, daughter of Cephisus.

  [10.6.5] Afterwards the dwellers around called the city Pytho, as well as Delphi, just as Homer so calls it in the list of the Phocians. Those who would find pedigrees for everything think that Pythes was a son of Delphus, and that because he was king the city was called Pytho. But the most widespread tradition has it that the victim of Apollo’s arrows rotted here, and that this was the reason why the city received the name Pytho. For the men of those days used pythesthai for the verb “to rot,” and hence Homer in his poem says that the island of the Sirens was full of bones, because the men who heard their singing rotted (epythonto).

  [10.6.6] The poets say that the victim of Apollo was a dragon posted by Earth to be a guard for the oracle. It is also said that he was a violent son of Crius, a man with authority around Euboea. He pillaged the sanctuary of the god, and he also pillaged the houses of rich men. But when he was making a second expedition, the Delphians besought Apollo to keep from them the danger that threatened them.

  [10.6.7] Phemonoe, the prophetess of that day, gave them an oracle in hexameter verse:–

  At close quarters a grievous arrow shall Apollo shoot

  At the spoiler of Parnassus; and of his blood-guilt

  The Cretans shall cleanse his hands; but the renown shall never die.

  [10.7.1] VII. It seems that from the beginning the sanctuary at Delphi has been plotted against by a vast number of men. Attacks were made against it by this Euboean pirate, and years afterwards by the Phlegyan nation; furthermore by Pyrrhus, son of Achilles, by a portion of the army of Xerxes, by the Phocian chieftains, whose attacks on the wealth of the god were the longest and fiercest, and by the Gallic invaders. It was fated too that Delphi was to suffer from the universal irreverence of Nero, who robbed Apollo of five hundred bronze statues, some of gods, some of men.

  PYTHIAN GAMES, MYTHICAL HISTORY

  [10.7.2] The oldest contest and the one for which they first offered prizes was, according to tradition, the singing of a hymn to the god. The man who sang and won the prize was Chrysothemis of Crete, whose father Carmanor is said to have cleansed Apollo. After Chrysothemis, says tradition, Philammon won with a song, and after him his son Thamyris. But they say that Orpheus, a proud man and conceited about his mysteries, and Musaeus, who copied Orpheus in everything, refused to submit to the competition in musical skill.

  [10.7.3] They say too that Eleuther won a Pythian victory for his loud and sweet voice, for the song that he sang was not of his own composition. The story is that Hesiod too was debarred from competing because he had not learned to accompany his own singing on the harp. Homer too came to Delphi to inquire about his needs, but even though he had learned to play the harp, he would have found the skill useless owing to the loss of his eye-sight.

  PYTHIAN GAMES, HISTORY

  [10.7.4] In the third year of the forty-eighth Olympiad, at which Glaucias of Crotona was victorious, the Amphictyons held contests for harping as from the beginning, but added competitions for flute-playing and for singing to the flute. The conquerors proclaimed were Melampus, a Cephallenian, for harping, and Echembrotus, an Arcadian, for singing to the flute, with Sacadas of Argos for flute-playing. This same Sacadas won victories at the next two Pythian festivals.

  [10.7.5] On that occasion they also offered for the first time prizes for athletes, the competitions being the same as those at Olympia, except the four-horse chariot, and the Delphians themselves added to the contests running-races for boys, the long course and the double course. At the second Pythian Festival they no longer offered prizes for events, and hereafter gave a crown for victory. On this occasion they no longer included singing to the flute, thinking that the music was ill-ome
ned to listen to. For the tunes of the flute were most dismal, and the words sung to the tunes were lamentations.

  [10.7.6] What I say is confirmed by the votive offering of Echembrotus, a bronze tripod dedicated to the Heracles at Thebes. The tripod has as its inscription:–

  Echembrotus of Arcadia dedicated this pleasant gift to Heracles

  When he won a victory at the games of the Amphictyons,

  Singing for the Greeks tunes and lamentations.

  In this way the competition in singing to the flute was dropped. But they added a chariot-race, and Cleisthenes, the tyrant of Sicyon, was proclaimed victor in the chariot-race.

  [10.7.7] At the eighth Pythian Festival they added a contest for harpists playing without singing; Agelaus of Tegea was crowned. At the twenty-third Pythian Festival they added a race in armour. For this Timaenetus of Phlius won the laurel, five Olympiads after Damaretus of Heraea was victorious. At the forty-eighth Pythian Festival they established a race for two-horse chariots, and the chariot won of Execestides the Phocian. At the fifth Festival after this they yoked foals to a chariot, and the chariot of Orphondas of Thebes came in first.

  [10.7.8] The pancratium for boys, a race for a chariot drawn by two foals, and a race for ridden foals, were many years afterwards introduced from Elis. The first was brought in at the sixty-first Pythian Festival, and Iolaidas of Thebes was victorious. At the next Festival but one they held a race for a ridden foal, and at the sixty-ninth Festival a race for a chariot drawn by two foals; the victor proclaimed for the former was Lycormas of Larisa, for the latter Ptolemy the Macedonian. For the kings of Egypt liked to be called Macedonians, as in fact they were.

  The reason why a crown of laurel is the prize for a Pythian victory is in my opinion simply and solely because the prevailing tradition has it that Apollo fell in love with the daughter of Ladon.

  AMPHITYONIC LEAGUE, MYTHICAL HISTORY

  [10.8.1] VIII. Some are of opinion that the assembly of the Greeks that meets at Delphi was established by Amphictyon, the son of Deucalion, and that the delegates were styled Amphictyons after him. But Androtion, in his history of Attica, says that originally the councillors came to Delphi from the neighboring states, that the deputies were styled Amphictions (neighbors), but that as time went on their modern name prevailed.

  [10.8.2] They say that Amphictyon himself summoned to the common assembly the following tribes of the Greek people: — Ionians, Dolopes, Thessalians, Aenianians, Magnesians, Malians, Phthiotians, Dorians, Phocians, Locrians who border on Phocis, living at the bottom of Mount Cnemis.

  AMPHICTYONIC LEAGUE, HISTORY

  But when the Phocians seized the sanctuary, and the war came to an end nine years afterwards, there came a change in the Amphictyonic League. The Macedonians managed to enter it, while the Phocian nation and a section of the Dorians, namely the Lacedaemonians, lost their membership, the Phocians because of their rash crime, the Lacedaemonians as a penalty for allying themselves with the Phocians.

  [10.8.3] When Brennus led the Gallic army against Delphi, no Greeks showed greater zeal for the war than the Phocians, and for this conduct of theirs recovered their membership of the League, as well as their old reputation. The emperor Augustus willed that the Nicopolitans, whose city is near Actium, should be members of the Amphictyonic League, that the Magnesians moreover and the Malians, together with the Aenianians and Phthiotians, should be numbered with the Thessalians, and that all their votes, together with those of the Dolopes, who were no longer a separate people, should be assigned to the Nicopolitans.

  [10.8.4] The Amphictyons to-day number thirty. Nicopolis, Macedonia and Thessaly each send six deputies; the Boeotians, who in more ancient days inhabited Thessaly and were then called Aeolians, the Phocians and the Delphians, each send two; ancient Doris sends one.

  [10.8.5] The Ozolian Locrians, and the Locrians opposite Euboea, send one each; there is also one from Euboea. Of the Peloponnesians, the Argives, Sicyonians, Corinthians and Megarians send one, as Nicopolis send deputies to every meeting of the Amphictyonic League; but each city of the nations mentioned has the privilege of sending members in turn after the lapse of periodic intervals.

  DELPHI

  [10.8.6] When you enter the city you see temples in a row. The first of them was in ruins, and the one next to it had neither images nor statues. The third had statues of a few Roman emperors; the fourth is called the temple of Athena Forethought. Of its two images the one in the fore-temple is a votive offering of the Massiliots, and is larger than the one inside the temple. The Massiliots are a colony of Phocaea in Ionia, and their city was founded by some of those who ran away from Phocaea when attacked by Harpagus the Persian. They proved superior to the Carthaginians in a sea war, acquired the territory they now hold, and reached great prosperity.

  [10.8.7] The votive offering of the Massiliots is of bronze. The gold shield given to Athena Forethought by Croesus the Lydian was said by the Delphians to have been stolen by Philomelus. Near the sanctuary of Forethought is a precinct of the hero Phylacus. This Phylacus is reported by the Delphians to have defended them at the time of the Persian invasion.

  [10.8.8] They say that in the open part of the gymnasium there once grew a wild wood, and that Odysseus, when as the guest of Autolycus he was hunting with the sons of Autolycus, received here from the wild boar the wound above the knee. Turning to the left from the gymnasium and going down not more, I think, than three stades, you come to a river named Pleistus. This Pleistus descends to Cirrha, the port of Delphi, and flows into the sea there.

  [10.8.9] Ascending from the gymnasium along the way to the sanctuary you reach, on the right of the way, the water of Castalia, which is sweet to drink and pleasant to bathe in. Some say that the spring was named after a native woman, others after a man called Castalius. But Panyassis, son of Polyarchus, who composed an epic poem on Heracles, says that Castalia was a daughter of Achelous. For about Heracles he says:–

  Crossing with swift feet snowy Parnassus he reached the immortal water of Castalia, daughter of Achelous. Panyassis, work unknown

  [10.8.10] I have heard another account, that the water was a gift to Castalia from the river Cephisus. So Alcaeus has it in his prelude to Apollo. The strongest confirmation of this view is a custom of the Lilaeans, who on certain specified days throw into the spring of the Cephisus cakes of the district and other things ordained by use, and it is said that these reappear in Castalia.

  [10.9.1] IX. The city of Delphi, both the sacred enclosure of Apollo and the city generally, lies altogether on sloping ground. The enclosure is very large, and is on the highest part of the city. Passages run through it, close to one another. I will mention which of the votive offerings seemed to me most worthy of notice.

  VOTIVE OFFERINGS AT DELPHI

  [10.9.2] The athletes and competitors in music that the majority of mankind have neglected, are, I think, scarcely worthy of serious attention; and the athletes who have left a reputation behind them I have set forth in my account of Elis. There is a statue at Delphi of Phaylus of Crotona. He won no victory at Olympia, but his victories at Pytho were two in the pentathlum and one in the foot-race. He also fought at sea against the Persian, in a ship of his own, equipped by himself and manned by citizens of Crotona who were staying in Greece.

  [10.9.3] Such is the story of the athlete of Crotona. On entering the enclosure you come to a bronze bull, a votive offering of the Corcyraeans made by Theopropus of Aegina. The story is that in Corcyra a bull, leaving the cows, would go down from the pasture and bellow on the shore. As the same thing happened every day, the herdsman went down to the sea and saw a countless number of tunny-fish.

  [10.9.4] He reported the matter to the Corcyraeans, who, finding their labour lost in trying to catch the tunnies, sent envoys to Delphi. So they sacrificed the bull to Poseidon, and straightway after the sacrifice they caught the fish, and dedicated their offerings at Olympia and at Delphi with a tithe of their catch.

  [10.9.5] Next t
o this are offerings of the Tegeans from spoils of the Lacedaemonians: an Apollo, a Victory, the heroes of the country, Callisto, daughter of Lycaon, Arcas, who gave Arcadia its name, Elatus, Apheidas, and Azan, the sons of Arcas, and also Triphylus. The mother of this Triphylus was not Erato, but Laodameia, the daughter of Amyclas, king of Lacedaemon. There is also a statue dedicated of Erasus, son of Triphylus.

  [10.9.6] They who made the images are as follows: The Apollo and Callisto were made by Pausanias of Apollonia; the Victory and the likeness of Arcas by Daedalus of Sicyon; Triphylus and Azan by Samolas the Arcadian; Elatus, Apheidas and Erasus by Antiphanes of Argos. These offerings were sent by the Tegeans to Delphi after they took prisoners the Lacedaemonians that attacked their city.

  [10.9.7] Opposite these are offerings of the Lacedaemonians from spoils of the Athenians: the Dioscuri, Zeus, Apollo, Artemis, and beside these Poseidon, Lysander, son of Aristocritus, represented as being crowned by Poseidon, Agias, soothsayer to Lysander on the occasion of his victory, and Hermon, who steered his flag-ship.

  [10.9.8] This statue of Hermon was not unnaturally made by Theocosmus of Megara, who had been enrolled as a citizen of that city. The Dioscuri were made by Antiphanes of Argos; the soothsayer by Pison, from Calaureia, in the territory of Troezen; the Artemis, Poseidon and also Lysander by Dameas; the Apollo and Zeus by Athenodorus. The last two artists were Arcadians from Cleitor.

  [10.9.9] Behind the offerings enumerated are statues of those who, whether Spartans or Spartan allies, assisted Lysander at Aegospotami. They are these:– Aracus of Lacedaemon, Erianthes a Boeotian . . . above Mimas, whence came Astycrates, Cephisocles, Hermophantus and Hicesius of Chios; Timarchus and Diagoras of Rhodes; Theodamus of Cnidus; Cimmerius of Ephesus and Aeantides of Miletus.

  [10.9.10] These were made by Tisander, but the next were made by Alypus of Sicyon, namely:– Theopompus the Myndian, Cleomedes of Samos, the two Euboeans Aristocles of Carystus and Autonomus of Eretria, Aristophantus of Corinth, Apollodorus of Troezen, and Dion from Epidaurus in Argolis. Next to these come the Achaean Axionicus from Pellene, Theares of Hermion, Pyrrhias the Phocian, Comon of Megara, Agasimenes of Sicyon, Telycrates the Leucadian, Pythodotus of Corinth and Euantidas the Ambraciot; last come the Lacedaemonians Epicydidas and Eteonicus. These, they say, are works of Patrocles and Canachus.