Delphi Complete Works of Pausanias

by Pausanias

  [2] οἱ δὲ Ἄβαντος τοῦ Λυγκέως παῖδες τὴν βασιλείαν ἐνείμαντο, καὶ Ἀκρίσιος μὲν αὐτοῦ κατέμεινεν ἐν τῷ Ἄργει, Προῖτος δὲ τὸ Ἡραῖον καὶ Μιδείαν καὶ Τίρυνθα ἔσχε καὶ ὅσα πρὸς θαλάσσῃ τῆς Ἀργείας: σημεῖά τε τῆς ἐν Τίρυνθι οἰκήσεως Προίτου καὶ ἐς τόδε λείπεται. χρόνῳ δὲ ὕστερον Ἀκρίσιος Περσέα αὐτόν τε περιεῖναι πυνθανόμενος καὶ ἔργα ἀποδείκνυσθαι, ἐς Λάρισαν ἀπεχώρησε τὴν ἐπὶ τῷ Πηνειῷ. Περσεὺς δὲ — ἰδεῖν γὰρ πάντως ἤθελε τὸν γονέα τῆς μητρὸς καὶ λόγοις τε χρηστοῖς καὶ ἔργοις δεξιώσασθαι — ἔρχεται παρ᾽ αὐτὸν ἐς τὴν Λάρισαν: καὶ ὁ μὲν οἷα ἡλικίᾳ τε ἀκμάζων καὶ τοῦ δίσκου χαίρων τῷ εὑρήματι ἐπεδείκνυτο ἐς ἅπαντας, Ἀκρίσιος δὲ λανθάνει κατὰ δαίμονα ὑποπεσὼν τοῦ δίσκου τῇ ὁρμῇ.

  [16.2] But the sons of Abas, the son of Lynceus, divided the kingdom between themselves; Acrisius remained where he was at Argos, and Proetus took over the Heraeum, Mideia, Tiryns, and the Argive coast region. Traces of the residence of Proetus in Tiryns remain to the present day. Afterwards Acrisius, learning that Perseus himself was not only alive but accomplishing great achievements, retired to Larisa on the Peneus. And Perseus, wishing at all costs to see the father of his mother and to greet him with fair words and deeds, visited him at Larisa. Being in the prime of life and proud of his inventing the quoit, he gave displays before all, and Acrisius, as luck would have it, stepped unnoticed into the path of the quoit.

  [3] καὶ Ἀκρισίῳ μὲν ἡ πρόρρησις τοῦ θεοῦ τέλος ἔσχεν, οὐδὲ ἀπέτρεψέν οἱ τὸ χρεὼν τὰ ἐς τὴν παῖδα καὶ τὸν θυγατριδοῦν παρευρήματα: Περσεὺς δὲ ὡς ἀνέστρεψεν ἐς Ἄργος — ᾐσχύνετο γὰρ τοῦ φόνου τῇ φήμῃ — , Μεγαπένθην τὸν Προίτου πείθει οἱ τὴν ἀρχὴν ἀντιδοῦναι, παραλαβὼν δὲ αὐτὸς τὴν ἐκείνου Μυκήνας κτίζει. τοῦ ξίφους γὰρ ἐνταῦθα ἐξέπεσεν ὁ μύκης αὐτῷ, καὶ τὸ σημεῖον ἐς οἰκισμὸν ἐνόμιζε συμβῆναι πόλεως. ἤκουσα δὲ καὶ ὡς διψῶντι ἐπῆλθεν ἀνελέσθαι οἱ μύκητα ἐκ τῆς γῆς, ῥυέντος δὲ ὕδατος πιὼν καὶ ἡσθεὶς Μυκήνας ἔθετο τὸ ὄνομα τῷ χωρίῳ.

  [16.3] So the prediction of the god to Acrisius found its fulfillment, nor was his fate prevented by his precautions against his daughter and grandson. Perseus, ashamed because of the gossip about the homicide, on his return to Argos induced Megapenthes, the son of Proetus, to make an exchange of kingdoms; taking over himself that of Megapenthes, he founded Mycenae. For on its site the cap (myces) fell from his scabbard, and he regarded this as a sign to found a city. I have also heard the following account. He was thirsty, and the thought occurred to him to pick up a mushroom (myces) from the ground. Drinking with joy water that flowed from it, he gave to the place the name of Mycenae.

  [4] Ὅμηρος δὲ ἐν Ὀδυσσείᾳ γυναικὸς Μυκήνης ἐν ἔπει τῷδε ἐμνήσθη”Τυρώ τ᾽ Ἀλκμήνη τε ἐυστέφανός τε Μυκήνη.

  “Hom. Od. unknown lineταύτην εἶναι θυγατέρα Ἰνάχου γυναῖκα δὲ Ἀρέστορος τὰ ἔπη λέγει, ἃ δὴ Ἕλληνες καλοῦσιν Ἠοίας μεγάλας: ἀπὸ ταύτης οὖν γεγονέναι καὶ τὸ ὄνομα τῇ πόλει φασίν. ὃν δὲ προσποιοῦσιν Ἀκουσιλάῳ λόγον, Μυκηνέα υἱὸν εἶναι Σπάρτωνος, Σπάρτωνα δὲ Φορωνέως, οὐκ ἂν ἔγωγε ἀποδεξαίμην, διότι μηδὲ αὐτοὶ Λακεδαιμόνιοι. Λακεδαιμονίοις γὰρ Σπάρτης μὲν γυναικὸς εἰκών ἐστιν ἐν Ἀμύκλαις, Σπάρτωνα δὲ Φορωνέως παῖδα θαυμάζοιεν ἂν καὶ ἀρχὴν ἀκούσαντες.

  [16.4] Homer in the Odyssey mentions a woman Mycene in the following verse:–

  Tyro and Alcmene and the fair-crowned lady Mycene. Hom. Od.

  She is said to have been the daughter of Inachus and the wife of Arestor in the poem which the Greeks call the Great Eoeae. So they say that this lady has given her name to the city. But the account which is attributed to Acusilaus, that Myceneus was the son of Sparton, and Sparton of Phoroneus, I cannot accept, because the Lacedaemonians themselves do not accept it either. For the Lacedaemonians have at Amyclae a portrait statue of a woman named Sparte, but they would be amazed at the mere mention of a Sparton, son of Phoroneus.

  [5] Μυκήνας δὲ Ἀργεῖοι καθεῖλον ὑπὸ ζηλοτυπίας. ἡσυχαζόντων γὰρ τῶν Ἀργείων κατὰ τὴν ἐπιστρατείαν τοῦ Μήδου, Μυκηναῖοι πέμπουσιν ἐς Θερμοπύλας ὀγδοήκοντα ἄνδρας, οἳ Λακεδαιμονίοις μετέσχον τοῦ ἔργου: τοῦτο ἤνεγκεν ὄλεθρόν σφισι τὸ φιλοτίμημα παροξῦναν Ἀργείους. λείπεται δὲ ὅμως ἔτι καὶ ἄλλα τοῦ περιβόλου καὶ ἡ πύλη, λέοντες δὲ ἐφεστήκασιν αὐτῇ: Κυκλώπων δὲ καὶ ταῦτα ἔργα εἶναι λέγουσιν, οἳ Προίτῳ τὸ τεῖχος ἐποίησαν ἐν Τίρυνθι.

  [16.5] It was jealousy which caused the Argives to destroy Mycenae. For at the time of the Persian invasion the Argives made no move, but the Mycenaeans sent eighty men to Thermopylae who shared in the achievement of the Lacedaemonians. This eagerness for distinction brought ruin upon them by exasperating the Argives. There still remain, however, parts of the city wall, including the gate, upon which stand lions. These, too, are said to be the work of the Cyclopes, who made for Proetus the wall at Tiryns.

  MYCENAE

  [6] Μυκηνῶν δὲ ἐν τοῖς ἐρειπίοις κρήνη τέ ἐστι καλουμένη Περσεία καὶ Ἀτρέως καὶ τῶν παίδων ὑπόγαια οἰκοδομήματα, ἔνθα οἱ θησαυροί σφισι τῶν χρημάτων ἦσαν. τάφος δὲ ἔστι μὲν Ἀτρέως, εἰσὶ δὲ καὶ ὅσους σὺν

  Ἀγαμέμνονι ἐπανήκοντας ἐξ Ἰλίου δειπνίσας κατεφόνευσεν Αἴγισθος. τοῦ μὲν δὴ Κασσάνδρας μνήματος ἀμφισβητοῦσι Λακεδαιμονίων οἱ περὶ Ἀμύκλας οἰκοῦντες: ἕτερον δέ ἐστιν Ἀγαμέμνονος, τὸ δὲ Εὐρυμέδοντος τοῦ ἡνιόχου, καὶ Τελεδάμου τὸ αὐτὸ καὶ Πέλοπος — τούτους γὰρ τεκεῖν διδύμους Κασσάνδραν φασί,

  [16.6] In the ruins of Mycenae is a fountain called Persea; there are also underground chambers of Atreus and his children, in which were stored their treasures. There is the grave of Atreus, along with the graves of such as returned with Agamemnon from Troy, and were murdered by Aegisthus after he had given them a banquet. As for the tomb of Cassandra, it is claimed by the Lacedaemonians who dwell around Amyclae. Agamemnon has his tomb, and so has Eurymedon the charioteer, while another is shared by Teledamus and Pelops, twin sons, they say, of Cassandra,

  [7] νηπίους δὲ ἔτι ὄντας ἐπικατέσφαξε τοῖς γονεῦσιν Αἴγισθος — καὶ Ἠλέκτρας: Πυλάδῃ γὰρ συνῴκησεν Ὀρέστου δόντος. Ἑλλάνικος δὲ καὶ τάδε ἔγραψε,
Μέδοντα καὶ Στρόφιον γενέσθαι Πυλάδῃ παῖδας ἐξ Ἠλέκτρας. Κλυταιμνήστρα δὲ ἐτάφη καὶ Αἴγισθος ὀλίγον ἀπωτέρω τοῦ τείχους: ἐντὸς δὲ ἀπηξιώθησαν, ἔνθα Ἀγαμέμνων τε αὐτὸς ἔκειτο καὶ οἱ σὺν ἐκείνῳ φονευθέντες.

  [16.7] whom while yet babies Aegisthus slew after their parents. Electra has her tomb, for Orestes married her to Pylades. Hellanicus adds that the children of Pylades by Electra were Medon and Strophius. Clytemnestra and Aegisthus were buried at some little distance from the wall. They were thought unworthy of a place within it, where lay Agamemnon himself and those who were murdered with him.

  THE HERAEUM

  17. Μυκηνῶν δὲ ἐν ἀριστερᾷ πέντε ἀπέχει καὶ δέκα στάδια τὸ Ἡραῖον. ῥεῖ δὲ κατὰ τὴν ὁδὸν ὕδωρ Ἐλευθέριον καλούμενον: χρῶνται δὲ αὐτῷ πρὸς καθάρσια αἱ περὶ τὸ ἱερὸν καὶ τῶν θυσιῶν ἐς τὰς ἀπορρήτους. αὐτὸ δὲ τὸ ἱερόν ἐστιν ἐν χθαμαλωτέρῳ τῆς Εὐβοίας: τὸ γὰρ δὴ ὄρος τοῦτο ὀνομάζουσιν Εὔβοιαν, λέγοντες Ἀστερίωνι γενέσθαι τῷ ποταμῷ θυγατέρας Εὔβοιαν καὶ Πρόσυμναν καὶ Ἀκραίαν, εἶναι δὲ σφᾶς τροφοὺς τῆς Ἥρας:

  [17.1] XVII. Fifteen stades distant from Mycenae is on the left the Heraeum. Beside the road flows the brook called Water of Freedom. The priestesses use it in purifications and for such sacrifices as are secret. The sanctuary itself is on a lower part of Euboea. Euboea is the name they give to the hill here, saying that Asterion the river had three daughters, Euboea, Prosymna, and Acraea, and that they were nurses of Hera.

  [2] καὶ ἀπὸ μὲν Ἀκραίας τὸ ὄρος καλοῦσι τὸ ἀπαντικρὺ τοῦ Ἡραίου, ἀπὸ δὲ Εὐβοίας ὅσον περὶ τὸ ἱερόν, Πρόσυμναν δὲ τὴν ὑπὸ τὸ Ἡραῖον χώραν. ὁ δὲ Ἀστερίων οὗτος ῥέων ὑπὲρ τὸ Ἡραῖον ἐς φάραγγα ἐσπίπτων ἀφανίζεται. φύεται δὲ αὐτοῦ πόα πρὸς ταῖς ὄχθαις: ἀστερίωνα ὀνομάζουσι καὶ τὴν πόαν: ταύτην τῇ Ἥρᾳ καὶ αὐτὴν φέρουσι καὶ ἀπὸ τῶν φύλλων αὐτῆς στεφάνους πλέκουσιν.

  [17.2] The hill opposite the Heraeum they name after Acraea, the environs of the sanctuary they name after Euboea, and the land beneath the Heraeum after Prosymna. This Asterion flows above the Heraeum, and falling into a cleft disappears. On its banks grows a plant, which also is called asterion. They offer the plant itself to Hera, and from its leaves weave her garlands.

  [3] ἀρχιτέκτονα μὲν δὴ γενέσθαι τοῦ ναοῦ λέγουσιν Εὐπόλεμον Ἀργεῖον: ὁπόσα δὲ ὑπὲρ τοὺς κίονάς ἐστιν εἰργασμένα, τὰ μὲν ἐς τὴν Διὸς γένεσιν καὶ θεῶν καὶ γιγάντων μάχην ἔχει, τὰ δὲ ἐς τὸν πρὸς Τροίαν πόλεμον καὶ Ἰλίου τὴν ἅλωσιν. ἀνδριάντες τε ἑστήκασι πρὸ τῆς ἐσόδου καὶ γυναικῶν, αἳ γεγόνασιν ἱέρειαι τῆς Ἥρας, καὶ ἡρώων ἄλλων τε καὶ Ὀρέστου: τὸν γὰρ ἐπίγραμμα ἔχοντα, ὡς εἴη βασιλεὺς Αὔγουστος, Ὀρέστην εἶναι λέγουσιν. ἐν δὲ τῷ προνάῳ τῇ μὲν Χάριτες ἀγάλματά ἐστιν ἀρχαῖα, ἐν δεξιᾷ δὲ κλίνη τῆς Ἥρας καὶ ἀνάθημα ἀσπὶς ἣν Μενέλαός ποτε ἀφείλετο Εὔφορβον ἐν Ἰλίῳ.

  [17.3] It is said that the architect of the temple was Eupolemus, an Argive. The sculptures carved above the pillars refer either to the birth of Zeus and the battle between the gods and the giants, or to the Trojan war and the capture of Ilium. Before the entrance stand statues of women who have been priestesses to Hera and of various heroes, including Orestes. They say that Orestes is the one with the inscription, that it represents the Emperor Augustus. In the fore-temple are on the one side ancient statues of the Graces, and on the right a couch of Hera and a votive offering, the shield which Menelaus once took from Euphorbus at Troy.

  [4] τὸ δὲ ἄγαλμα τῆς Ἥρας ἐπὶ θρόνου κάθηται μεγέθει μέγα, χρυσοῦ μὲν καὶ ἐλέφαντος, Πολυκλείτου δὲ ἔργον: ἔπεστι δέ οἱ στέφανος Χάριτας ἔχων καὶ Ὥρας ἐπειργασμένας, καὶ τῶν χειρῶν τῇ μὲν καρπὸν φέρει ῥοιᾶς, τῇ δὲ σκῆπτρον. τὰ μὲν οὖν ἐς τὴν ῥοιὰν — ἀπορρητότερος γάρ ἐστιν ὁ λόγος — ἀφείσθω μοι: κόκκυγα δὲ ἐπὶ τῷ σκήπτρῳ καθῆσθαί φασι λέγοντες τὸν Δία, ὅτε ἤρα παρθένου τῆς Ἥρας, ἐς τοῦτον τὸν ὄρνιθα ἀλλαγῆναι, τὴν δὲ ἅτε παίγνιον θηρᾶσαι. τοῦτον τὸν λόγον καὶ ὅσα ἐοικότα εἴρηται περὶ θεῶν οὐκ ἀποδεχόμενος γράφω, γράφω δὲ οὐδὲν ἧσσον.

  [17.4] The statue of Hera is seated on a throne; it is huge, made of gold and ivory, and is a work of Polycleitus. She is wearing a crown with Graces and Seasons worked upon it, and in one hand she carries a pomegranate and in the other a sceptre. About the pomegranate I must say nothing, for its story is somewhat of a holy mystery. The presence of a cuckoo seated on the sceptre they explain by the story that when Zeus was in love with Hera in her maidenhood he changed himself into this bird, and she caught it to be her pet. This tale and similar legends about the gods I relate without believing them, but I relate them nevertheless.

  [5] λέγεται δὲ παρεστηκέναι τῇ Ἥρᾳ τέχνη Ναυκύδους ἄγαλμα Ἥβης, ἐλέφαντος καὶ τοῦτο καὶ χρυσοῦ: παρὰ δὲ αὐτήν ἐστιν ἐπὶ κίονος ἄγαλμα Ἥρας ἀρχαῖον. τὸ δὲ ἀρχαιότατον πεποίηται μὲν ἐξ ἀχράδος, ἀνετέθη δὲ ἐς

  Τίρυνθα ὑπὸ Πειράσου τοῦ Ἄργου, Τίρυνθα δὲ ἀνελόντες Ἀργεῖοι κομίζουσιν ἐς τὸ Ἡραῖον: ὃ δὴ καὶ αὐτὸς εἶδον, καθήμενον ἄγαλμα οὐ μέγα.

  [17.5] By the side of Hera stands what is said to be an image of Hebe fashioned by Naucydes; it, too, is of ivory and gold. By its side is an old image of Hera on a pillar. The oldest image is made of wild-pear wood, and was dedicated in Tiryns by Peirasus, son of Argus, and when the Argives destroyed Tiryns they carried it away to the Heraeum. I myself saw it, a small, seated image.

  [6] ἀναθήματα δὲ τὰ ἄξια λόγου βωμὸς ἔχων ἐπειργασμένον τὸν λεγόμενον Ἥβης καὶ Ἡρακλέους γάμον: οὗτος μὲν ἀργύρου, χρυσοῦ δὲ καὶ λίθων λαμπόντων Ἀδριανὸς βασιλεὺς ταὼν ἀνέθηκεν: ἀνέθηκε δέ, ὅτι τὴν ὄρνιθα ἱερὰν τῆς Ἥρας νομίζουσι. κεῖται δὲ καὶ στέφανος χρυσοῦς καὶ πέπλος πορφύρας, Νέρωνος ταῦτα ἀναθήματα.

  [17.6] Of the votive offerings the following are noteworthy. There is an altar upon which is wrought in relief the fabled marriage of Hebe and Heracles. This is of silver, but the peacock dedicated by the Emperor Hadrian is of gold and gleaming stones. He dedicated it because they hold the bird to be sacred to Hera. There lie here a golden crown and a purple robe, offerings of Nero.

  [7] ἔστι δὲ ὑπὲρ τὸν ναὸν τοῦτον τοῦ προτέρου ναοῦ θ�
�μέλιά τε καὶ εἰ δή τι ἄλλο ὑπελίπετο ἡ φλόξ. κατεκαύθη δὲ τὴν ἱέρειαν τῆς Ἥρας Χρυσηίδα ὕπνου καταλαβόντος, ὅτε ὁ λύχνος πρὸ τῶν στεφανωμάτων ἥπτετο. καὶ Χρυσηὶς μὲν ἀπελθοῦσα ἐς Τεγέαν τὴν Ἀθηνᾶν τὴν Ἀλέαν ἱκέτευεν: Ἀργεῖοι δὲ καίπερ κακοῦ τηλικούτου παρόντος σφίσι τὴν εἰκόνα οὐ καθεῖλον τῆς Χρυσηίδος, ἀνάκειται δὲ καὶ ἐς τόδε τοῦ ναοῦ τοῦ κατακαυθέντος ἔμπροσθεν.

  [17.7] Above this temple are the foundations of the earlier temple and such parts of it as were spared by the flames. It was burnt down because sleep overpowered Chryseis, the priestess of Hera, when the lamp before the wreaths set fire to them. Chryseis went to Tegea and supplicated Athena Alea. Although so great a disaster had befallen them the Argives did not take down the statue of Chryseis; it is still in position in front of the burnt temple.

  ROAD TO ARGOS

  18. ἐκ Μυκηνῶν δὲ ἐς Ἄργος ἐρχομένοις ἐν ἀριστερᾷ Περσέως παρὰ τὴν ὁδόν ἐστιν ἡρῷον. ἔχει μὲν δὴ καὶ ἐνταῦθα τιμὰς παρὰ τῶν προσχωρίων, μεγίστας δὲ ἔν τε Σερίφῳ καὶ παρ᾽ Ἀθηναίοις, οἷς Περσέως τέμενος καὶ Δίκτυος καὶ Κλυμένης βωμὸς σωτήρων καλουμένων Περσέως. ἐν δὲ τῇ Ἀργείᾳ προελθοῦσιν ὀλίγον ἀπὸ τοῦ ἡρῴου τούτου Θυέστου τάφος ἐστὶν ἐν δεξιᾷ: λίθου δὲ ἔπεστιν αὐτῷ κριός, ὅτι τὴν ἄρνα ὁ Θυέστης ἔσχε τὴν χρυσῆν, μοιχεύσας τοῦ ἀδελφοῦ τὴν γυναῖκα. Ἀτρέα δὲ οὐκ ἐπέσχεν ὁ λογισμὸς μετρῆσαι τὴν ἴσην, ἀλλὰ τῶν Θυέστου παίδων σφαγὰς καὶ τὰ ᾀδόμενα δεῖπνα ἐξειργάσατο.