Delphi Complete Works of Pausanias

by Pausanias

  [3.6] Cratinus of Aegeira in Achaia was the most handsome man of his time and the most skilful wrestler, and when he won the wrestling-match for boys the Eleans allowed him to set up a statue of his trainer as well. The statue was made by Cantharus of Sicyon, whose father was Alexis, while his teacher was Eutychides.

  [7] Εὐπολέμου δὲ Ἠλείου τὴν μὲν εἰκόνα Σικυώνιος εἴργασται Δαίδαλος: τὸ δὲ ἐπίγραμμα τὸ ἐπ᾽ αὐτῷ μηνύει σταδίου μὲν ἀνδρῶν Ὀλυμπίασι νίκην ἀνελέσθαι τὸν Εὐπόλεμον, εἶναι δὲ καὶ δύο Πυθικοὺς αὐτῷ πεντάθλου στεφάνους καὶ ἄλλον Νεμείων. λέγεται δὲ ἐπὶ τῷ Εὐπολέμῳ καὶ τάδε, ὡς ἐφεστήκοιεν τρεῖς ἐπὶ τῷ δρόμῳ τῷ πέρατι Ἑλλανοδίκαι, νικᾶν δὲ τῷ μὲν Εὐπολέμῳ δύο ἐξ αὐτῶν δοῖεν, ὁ τρίτος δὲ Ἀμβρακιώτῃ Λέοντι, καὶ ὡς χρημάτων καταδικάσαιτο ὁ Λέων ἐπὶ τῆς Ὀλυμπικῆς βουλῆς ἑκατέρου τῶν Ἑλλανοδικῶν οἳ νικᾶν τὸν Εὐπόλεμον ἔγνωσαν.

  [3.7] The statue of Eupolemus of Elis was made by Daedalus of Sicyon. The inscription on it informs us that Eupolemus won the foot-race for men at Olympia, and that he also received two Pythian crowns for the pentathlum and another at the Nemean games. It is also said of Eupolemus that three umpires stood on the course, of whom two gave their verdict in favour of Eupolemus and one declared the winner to be Leon the Ambraciot. Leon, they say, got the Olympic Council to fine each of the umpires who had decided in favour of Eupolemus.

  [8] Οἰβώτα δὲ τὸν μὲν ἀνδριάντα Ἀχαιοὶ κατὰ πρόσταγμα ἀνέθεσαν τοῦ ἐν Δελφοῖς Ἀπόλλωνος ἐπὶ Ὀλυμπιάδος ὀγδοηκοστῆς: ἡ δὲ τοῦ σταδίου νίκη τῷ Οἰβώτᾳ γέγονεν Ὀλυμπιάδι ἕκτῃ. πῶς ἂν οὖν τήν γε ἐν Πλαταιαῖς μάχην μεμαχημένος ὁ Οἰβώτας εἴη μετὰ Ἑλλήνων; πέμπτῃ γὰρ ἐπὶ τῇ ἑβδομηκοστῇ Ὀλυμπιάδι τὸ πταῖσμα ἐγένετο τὸ ἐν Πλαταιαῖς Μαρδονίῳ καὶ Μήδοις. ἐμοὶ μὲν οὖν λέγειν μὲν τὰ ὑπὸ Ἑλλήνων λεγόμενα ἀνάγκη, πείθεσθαι δὲ πᾶσιν οὐκέτι ἀνάγκη. τὰ δὲ ἄλλα ὁποῖα τὰ συμβάντα ἦν ἐς τὸν Οἰβώταν, τῇ ἐς Ἀχαιοὺς προσέσται μοι συγγραφῇ.

  [3.8] The statue of Oebotas was set up by the Achaeans by the command of the Delphic Apollo in the eightieth Olympiad, but Oebotas won his victory in the footrace at the sixth Festival. How, therefore, could Oebotas have taken part in the Greek victory at Plataea? For it was in the seventy-fifth Olympiad that the Persians under Mardonius suffered their disaster at Plataea. Now I am obliged to report the statements made by the Greeks, though I am not obliged to believe them all. The other incidents in the life of Oebotas I will add to my history of Achaia.

  [9] Ἀντιόχου δὲ ἀνδριάντα ἐποίησε μὲν Νικόδαμος, γένος δὲ ὁ Ἀντίοχος ἦν ἐκ Λεπρέου: παγκρατίῳ δὲ ἄνδρας ἐν Ὀλυμπίᾳ μὲν ἐκράτησεν ἅπαξ, ἐν Ἰσθμῷ δὲ καὶ Νεμέᾳ δὶς πεντάθλῳ ἐν ἑκατέρῳ τῷ ἀγῶνι. οὐ γάρ τι Ἰσθμίων Λεπρεάταις δεῖμα ὥσπερ γε αὐτοῖς ἐστιν Ἠλείοις, ἐπεὶ Ὕσμωνί γε τῷ Ἠλείῳ — πλησίον δὲ τοῦ Ἀντιόχου καὶ Ὕσμων οὗτος ἕστηκε — τούτῳ τῷ ἀνδρὶ ἀθλήσαντι πένταθλον ἥ τε Ὀλυμπικὴ νίκη καὶ Νεμείων γέγονεν ἡ ἑτέρα, Ἰσθμίων δὲ δῆλα ὡς καὶ οὗτος κατὰ ταὐτὰ Ἠλείοις τοῖς ἄλλοις εἴργετο.

  [3.9] The statue of Antiochus was made by Nicodamus. A native of Lepreus, Antiochus won once at Olympia the pancratium for men, and the pentathlum twice at the Isthmian games and twice at the Nemean. For the Lepreans are not afraid of the Isthmian games as the Eleans themselves are. For example, Hysmon of Elis, whose statue stands near that of Antiochus, competed successfully in the pentathlum both at Olympia and at Nemea, but clearly kept away, just like other Eleans, from the Isthmian games.

  [10] λέγεται δὲ παιδὶ ἔτι ὄντι τῷ Ὕσμωνι κατασκῆψαι ῥεῦμα ἐς τὰ νεῦρα, καὶ αὐτὸν ἐπὶ τούτῳ μελετῆσαι πένταθλον, ἵνα δὴ ἐκ τῶν πόνων ὑγιής τε καὶ ἄνοσος ἀνὴρ εἴη: τῷ δὲ ἄρα τὸ μάθημα καὶ νίκας ἔμελλεν ἐπιφανεῖς οὕτω παρασκευάσειν. ὁ δὲ ἀνδριὰς αὐτῷ Κλέωνος μέν ἐστιν ἔργον, ἔχει δὲ ἁλτῆρας ἀρχαίους.

  [3.10] It is said that when Hysmon was still a boy he was attacked by a flux in his muscles, and it was in order that by hard exercise he might be a healthy man free from disease that he practised the pentathlum. So his training was also to make him win famous victories in the games. His statue is the work of Cleon, and he holds jumping-weights of old pattern.

  [11] μετὰ δὲ Ὕσμωνα παλαιστὴς παῖς ἐξ Ἡραίας ἀνάκειται τῆς Ἀρκάδων, Νικόστρατος Ξενοκλείδου: Παντίας δὲ αὐτῷ τὴν εἰκόνα ἐποίησεν, ὃς ἀπὸ Ἀριστοκλέους τοῦ Σικυωνίου καταριθμουμένῳ τοὺς διδαχθέντας ἕβδομος ἀπὸ τούτου ἦν μαθητής.

  Δίκων δὲ ὁ Καλλιβρότου πέντε μὲν Πυθοῖ δρόμου νίκας, τρεῖς δὲ ἀνείλετο Ἰσθμίων, τέσσαρας δὲ ἐν Νεμέᾳ, καὶ Ὀλυμπικὰς μίαν μὲν ἐν παισί, δύο δὲ ἄλλας ἀνδρῶν: καί οἱ καὶ ἀνδριάντες ἴσοι ταῖς νίκαις εἰσὶν ἐν Ὀλυμπίᾳ. παιδὶ μὲν δὴ ὄντι αὐτῷ Καυλωνιάτῃ, καθάπερ γε καὶ ἦν, ὑπῆρξεν ἀναγορευθῆναι: τὸ δὲ ἀπὸ τούτου Συρακούσιον αὑτὸν ἀνηγόρευσεν ἐπὶ χρήμασι.

  [3.11] After Hysmon comes the statue of a boy wrestler from Heraea in Arcadia, Nicostratus the son of Xenocleides. Pantias was the artist, and if you count the teachers you will find five between him and Aristocles of Sicyon. Dicon, the son of Callibrotus, won five footraces at Pytho, three at the Isthmian games, four at Nemea, one at Olympia in the race for boys besides two in the men’s race. Statues of him have been set up at Olympia equal in number to the races he won. When he was a boy he was proclaimed a native of Caulonia, as in fact he was. But afterwards he was bribed to proclaim himself a Syracusan.

  [12] Καυλωνία δὲ ἀπῳκίσθη μὲν ἐς Ἰταλίαν ὑπὸ Ἀχαιῶν, οἰκιστὴς δὲ ἐγένετο αὐτῆς Τύφων Αἰγιεύς: Πύρρου δὲ τοῦ Αἰακίδου καὶ Ταραντίνων ἐς τὸν πρὸς Ῥωμαίους πόλεμον καταστάντων ἄλλαι τε τῶν ἐν Ἰταλίᾳ πόλεων ἐγένοντο αἱ μὲν ὑπὸ Ῥωμαίων, αἱ δὲ ὑπὸ τῶν Ἠπειρωτῶν ἀνάστατοι, κατέλαβε δὲ ἐς ἅπαν ἐρημωθῆναι καὶ τὴν Καυλωνίαν ἁλοῦσαν ὑπὸ Καμπανῶν, οἳ Ῥωμαίοις μεγίστη τοῦ συμμαχικοῦ μοῖρα ἦσαν.

  [3.12] Caulonia was a colony in Italy founded by Achaeans, and its founder was Typhon of Aegium. When Pyrrhus son of Aeacides and the Tarentines were at war with the Romans, several cities in Italy were destroyed, either by the Romans or by the Epeirots, and these included Caulonia, whose fate it was to be utterly laid waste, having been taken by the Ca
mpanians, who formed the largest contingent of allies on the Roman side.

  [13] ἐπὶ δὲ τῷ Δίκωνι ἀνάκειται μὲν Ξενοφῶν Μενεφύλου παγκρατιαστὴς ἀνὴρ ἐξ Αἰγίου τῆς Ἀχαιῶν, ἀνάκειται δὲ Πυριλάμπης Ἐφέσιος λαβὼν δολίχου νίκην. τοῦ μὲν δὴ τὴν εἰκόνα ἐποίησεν Ὄλυμπος, Πυριλάμπει δὲ ὁμώνυμος καὶ ὁ πλάστης, γένος δὲ οὐ Σικυώνιος, ἀλλὰ ἐκ Μεσσήνης τῆς ὑπὸ τῇ Ἰθώμῃ.

  [3.13] Close to Dicon is a statue of Xenophon, the son of Menephylus, a pancratiast of Aegium in Achaia, and likewise one of Pyrilampes of Ephesus after winning the long foot-race. Olympus made the statue of Xenophon; that of Pyrilampes was made by a sculptor of the same name, a native, not of Sicyon, but of Messene beneath Ithome.

  [14] Λύσανδρον δὲ τὸν Ἀριστοκρίτου Σπαρτιάτην ἀνέθεσαν ἐν Ὀλυμπίᾳ Σάμιοι, καὶ αὐτοῖς τὸ μὲν πρότερον τῶν ἐπιγραμμάτων ἐστὶν “ἐν πολυθαήτῳ τεμένει Διὸς ὑψιμέδοντος

  ἕστηκ᾽ ἀνθέντων δημοσίᾳ Σαμίων:

  “τοῦτο μὲν δὴ τοὺς τὸ ἀνάθημα ἀναθέντας μηνύει, τὸ δ᾽ ἐφεξῆς ἐς αὐτὸν ἔπαινός ἐστι Λύσανδρον:”ἀθάνατον πάτρᾳ καὶ Ἀριστοκρίτῳ κλέος ἔργων,

  Λύσανδρ᾽, ἐκτελέσας δόξαν ἔχεις ἀρετᾶς.

  “δῆλοι οὖν εἰσιν οἵ τε Σάμιοι καὶ οἱ ἄλλοι Ἴωνες,

  [3.14] A statue of Lysander, son of Aristocritus, a Spartan, was dedicated in Olympia by the Samians, and the first of their inscriptions runs:

  In the much-seen precinct of Zeus, ruler on high,

  I stand, dedicated at public expense by the Samians.

  So this inscription informs us who dedicated the statue; the next is in praise of Lysander himself:

  Deathless glory by thy achievements, for fatherland and for Aristocritus,

  Lysander, hast thou won, and art famed for valour.

  [15] κατὰ τὸ λεγόμενον ὑπ᾽ αὐτῶν Ἰώνων, τοὺς τοίχους τοὺς δύο ἐπαλείφοντες. Ἀλκιβιάδου μέν γε τριήρεσιν Ἀθηναίων περὶ Ἰωνίαν ἰσχύοντος ἐθεράπευον αὐτὸν Ἰώνων οἱ πολλοί, καὶ εἰκὼν Ἀλκιβιάδου χαλκῆ παρὰ τῇ Ἥρᾳ τῇ Σαμίων ἐστὶν ἀνάθημα: ὡς δὲ ἐν Αἰγὸς ποταμοῖς ἑάλωσαν αἱ ναῦς αἱ Ἀττικαί, Σάμιοι μὲν ἐς Ὀλυμπίαν τὸν Λύσανδρον, Ἐφέσιοι δὲ ἐς τὸ ἱερὸν ἀνετίθεσαν τῆς Ἀρτέμιδος Λύσανδρόν τε αὐτὸν καὶ Ἐτεόνικον καὶ Φάρακα καὶ ἄλλους Σπαρτιατῶν ἥκιστα ἔς γε τὸ Ἑλληνικὸν γνωρίμους.

  [3.15] So plainly “the Samians and the rest of the Ionians,” as the Ionians themselves phrase it, painted both the walls. For when Alcibiades had a strong fleet of Athenian triremes along the coast of Ionia, most of the Ionians paid court to him, and there is a bronze statue of Alcibiades dedicated by the Samians in the temple of Hera. But when the Attic ships were captured at Aegospotami, the Samians set up a statue of Lysander at Olympia, and the Ephesians set up in the sanctuary of Artemis not only a statue of Lysander himself but also statues of Eteonicus, Pharax and other Spartans quite unknown to the Greek world generally.

  [16] μεταπεσόντων δὲ αὖθις τῶν πραγμάτων καὶ Κόνωνος κεκρατηκότος τῇ ναυμαχίᾳ περὶ Κνίδον καὶ ὄρος τὸ Δώριον ὀνομαζόμενον, οὕτω μετεβάλλοντο οἱ Ἴωνες, καὶ Κόνωνα ἀνακείμενον χαλκοῦν καὶ Τιμόθεον ἐν Σάμῳ τε ἔστιν ἰδεῖν παρὰ τῇ Ἥρᾳ καὶ ὡσαύτως ἐν Ἐφέσῳ παρὰ τῇ Ἐφεσίᾳ θεῷ. ταῦτα μέν ἐστιν ἔχοντα οὕτω τὸν ἀεὶ χρόνον, καὶ Ἴωσιν ὡσαύτως οἱ πάντες ἄνθρωποι θεραπεύουσι τὰ ὑπερέχοντα τῇ ἰσχύι.

  [3.16] But when fortune changed again, and Conon had won the naval action off Cnidus and the mountain called Dorium, the Ionians likewise changed their views, and there are to be seen statues in bronze of Conon and of Timotheus both in the sanctuary of Hera in Samos and also in the sanctuary of the Ephesian goddess at Ephesus. It is always the same; the Ionians merely follow the example of all the world in paying court to strength.

  4. ἔχεται δὲ τοῦ Λυσάνδρου τῆς εἰκόνος Ἐφέσιός τε πύκτης τοὺς ἐλθόντας κρατήσας τῶν παίδων — ὄνομα δέ οἱ ἦν Ἀθήναιος — καὶ Σικυώνιος Σώστρατος παγκρατιαστὴς ἀνήρ, ἐπίκλησις δὲ ἦν Ἀκροχερσίτης αὐτῷ: παραλαμβανόμενος γὰρ ἄκρων τοῦ ἀνταγωνιζομένου τῶν χειρῶν ἔκλα, καὶ οὐ πρότερον ἀνίει πρὶν ἢ αἴσθοιτο ἀπαγορεύσαντος.

  [4.1] IV. Next to the statue of Lysander is an Ephesian boxer who beat the other boys, his competitors – his name was Athenaeus, – and also a man of Sicyon who was a pancratiast, Sostratus surnamed Acrochersites. For he used to grip his antagonist by the fingers and bend them, and would not let go until he saw that his opponent had given in.

  [2] γεγόνασι δὲ αὐτῷ Νεμείων μὲν νῖκαι καὶ Ἰσθμίων ἀναμὶξ δυόδεκα, Ὀλυμπίασι δὲ καὶ Πυθοῖ, τῇ μὲν δύο, τρεῖς δὲ ἐν Ὀλυμπίᾳ. τὴν τετάρτην δὲ Ὀλυμπιάδα ἐπὶ ταῖς ἑκατόν — πρώτην γὰρ δὴ ἐνίκησεν ὁ Σώστρατος ταύτην — οὐκ

  ἀναγράφουσιν οἱ Ἠλεῖοι, διότι μὴ αὐτοὶ τὸν ἀγῶνα ἀλλὰ Πισαῖοι καὶ Ἀρκάδες ἔθεσαν ἀντ᾽ αὐτῶν.

  [4.2] He won at the Nemean and Isthmian games combined twelve victories, three victories at Olympia and two at Pytho. The hundred and fourth Festival, when Sostratus won his first victory, is not reckoned by the Eleans, because the games were held by the Pisans and Arcadians and not by themselves.

  [3] παρὰ δὲ τὸν Σώστρατον παλαιστὴς ἀνὴρ πεποίηται Λεοντίσκος, ἐκ Σικελίας τε ὢν γένος καὶ ἀπὸ τῆς ἐν τῷ πορθμῷ Μεσσήνης: στεφανωθῆναι δὲ ὑπό τε Ἀμφικτυόνων καὶ δὶς ὑπὸ Ἠλείων, εἶναι δὲ αὐτῷ λέγεται τὴν πάλην καθὰ δὴ καὶ τὸ παγκράτιον τῷ Σικυωνίῳ Σωστράτῳ: καὶ γὰρ τὸν Λεοντίσκον καταβαλεῖν μὲν οὐκ ἐπίστασθαι τοὺς παλαίοντας, νικᾶν δὲ αὐτὸν κλῶντα τοὺς δακτύλους.

  [4.3] Beside Sostratus is a statue of Leontiscus, a man wrestler, a native of Sicily from Messene on the Strait. He was crowned, they say, by the Amphictyons and twice by the Eleans, and his mode of wrestling was similar to the pancratium of Sostratus the Sicyonian. For they say that Leontiscus did not know how to throw his opponents, but won by bending their fingers.

  [4] τὸν δὲ ἀνδριάντα Πυθαγόρας ἐποίησεν ὁ Ῥηγῖνος, εἴπερ τις καὶ ἄλλος ἀγαθὸς τὰ ἐς πλαστικήν. διδαχθῆναι δὲ παρὰ Κλεάρχῳ φασὶν αὐτόν, Ῥηγίνῳ μὲν καὶ αὐτῷ, μαθητῇ δὲ Εὐχείρου: τὸν δὲ Εὔχειρον εἶναι Κορίνθιον, φοιτῆσαι δὲ ὡς Συάδραν τε καὶ Χάρταν Σπαρτιάτας.

  [4.4] The statue was
made by Pythagoras of Rhegium, an excellent sculptor if ever there was one. They say that he studied under Clearchus, who was likewise a native of Rhegium, and a pupil of Eucheirus. Eucheirus, it is said, was a Corinthian, and attended the school of Syadras and Chartas, men of Sparta.

  [5] ὁ δὲ παῖς ὁ ἀναδούμενος ταινίᾳ τὴν κεφαλὴν ἐπεισήχθω μοι καὶ οὗτος ἐς τὸν λόγον Φειδίου τε ἕνεκα καὶ τῆς ἐς τὰ ἀγάλματα τοῦ Φειδίου σοφίας, ἐπεὶ ἄλλως γε οὐκ ἴσμεν ὅτου τὴν εἰκόνα ὁ Φειδίας ἐποίησε. Σάτυρος δὲ Ἠλεῖος Λυσιάνακτος πατρός, γένους δὲ τοῦ Ἰαμιδῶν, ἐν Νεμέᾳ πεντάκις ἐνίκησε πυκτεύων καὶ Πυθοῖ τε δὶς καὶ δὶς ἐν Ὀλυμπίᾳ: τέχνη δὲ Ἀθηναίου Σιλανίωνος ὁ ἀνδριάς ἐστι. πλάστης δὲ ἄλλος τῶν Ἀττικῶν Πολυκλῆς, Σταδιέως μαθητὴς Ἀθηναίου, πεποίηκε παῖδα Ἐφέσιον παγκρατιαστήν, Ἀμύνταν Ἑλλανίκου.

  [4.5] The boy who is binding his head with a fillet must be mentioned in my account because of Pheidias and his great skill as a sculptor, but we do not know whose portrait the statue is that Pheidias made. Satyrus of Elis, son of Lysianax, of the clan of the Iamidae, won five victories at Nemea for boxing, two at Pytho, and two at Olympia. The artist who made the statue was Silanion, an Athenian. Polycles, another sculptor of the Attic school, a pupil of Stadieus the Athenian, has made the statue of an Ephesian boy pancratiast, Amyntas the son of Hellanicus.