Delphi Complete Works of Pausanias

by Pausanias

  [9.4]

  Maenalia is storm-swept, where lies

  Arcas, from whom all Arcadians are named,

  In a place where meet three, four, even five roads;

  Thither I bid you go, and with kind heart

  Take up Arcas and bring him back to your lovely city.

  There make Arcas a precinct and sacrifices.

  This place, where the grave of Arcas is, they call Altars of the Sun.

  [5] τοῦ θεάτρου δὲ οὐ πόρρω μνήματα προήκοντά ἐστιν ἐς δόξαν, τὸ μὲν Ἑστία καλουμένη κοινή, περιφερὲς σχῆμα ἔχουσα: Ἀντινόην δὲ αὐτόθι ἐλέγετο κεῖσθαι τὴν Κηφέως: τῷ δὲ στήλη τε ἐφέστηκε καὶ ἀνὴρ ἱππεὺς ἐπειργασμένος ἐστὶν ἐπὶ τῇ στήλῃ, Γρύλος ὁ Ξενοφῶντος.

  [9.5] Not far from the theater are famous tombs, one called Common Hearth, round in shape, where, they told me, lies Antinoe, the daughter of Cepheus. On it stands a slab, on which is carved in relief a horseman, Grylus, the son of Xenophon.

  [6] τοῦ θεάτρου δὲ ὄπισθεν ναοῦ τε Ἀφροδίτης ἐπίκλησιν Συμμαχίας ἐρείπια καὶ ἄγαλμα ἐλείπετο: τὸ δὲ ἐπίγραμμα τὸ ἐπὶ τῷ βάθρῳ τὴν ἀναθεῖσαν τὸ ἄγαλμα ἐδήλου θυγατέρα εἶναι Πασέου Νικίππην. τὸ δὲ ἱερὸν κατεσκευάσαντο τοῦτο οἱ Μαντινεῖς ὑπόμνημα ἐς τοὺς ἔπειτα τῆς ὁμοῦ Ῥωμαίοις ἐπ᾽ Ἀκτίῳ ναυμαχίας. σέβουσι δὲ καὶ Ἀθηνᾶν Ἀλέαν, καὶ ἱερόν τε καὶ ἄγαλμα Ἀθηνᾶς ἐστιν Ἀλέας αὐτοῖς.

  [9.6] Behind the theater I found the remains, with an image, of a temple of Aphrodite surnamed Ally. The inscription on the pedestal announced that the image was dedicated by Nicippe, the daughter of Paseas. This sanctuary was made by the Mantineans to remind posterity of their fighting on the side of the Romans at the battle of Actium. They also worship Athena Alea, of whom they have a sanctuary and an image.

  [7] ἐνομίσθη δὲ καὶ Ἀντίνους σφίσιν εἶναι θεός: τῶν δὲ ἐν Μαντινείᾳ νεώτατός ἐστιν ὁ τοῦ Ἀντίνου ναός. οὗτος ἐσπουδάσθη περισσῶς δή τι ὑπὸ βασιλέως Ἀδριανοῦ: ἐγὼ δὲ μετ᾽ ἀνθρώπων μὲν ἔτι αὐτὸν ὄντα οὐκ εἶδον, ἐν δὲ ἀγάλμασιν εἶδον καὶ ἐν γραφαῖς. ἔχει μὲν δὴ γέρα καὶ ἑτέρωθι, καὶ ἐπὶ τῷ Νείλῳ πόλις Αἰγυπτίων ἐστὶν ἐπώνυμος Ἀντίνου: τιμὰς δὲ ἐν Μαντινείᾳ κατὰ τοιόνδε ἔσχηκε. γένος ἦν ὁ Ἀντίνους ἐκ Βιθυνίου τῆς ὑπὲρ Σαγγαρίου ποταμοῦ: οἱ δὲ Βιθυνιεῖς Ἀρκάδες τέ εἰσι καὶ Μαντινεῖς τὰ ἄνωθεν.

  [9.7] Antinous too was deified by them; his temple is the newest in Mantineia. He was a great favorite of the Emperor Hadrian. I never saw him in the flesh, but I have seen images and pictures of him. He has honors in other places also, and on the Nile is an Egyptian city named after Antinous. He has won worship in Mantineia for the following reason. Antinous was by birth from Bithynium beyond the river Sangarius, and the Bithynians are by descent Arcadians of Mantineia.

  [8] τούτων ἕνεκα ὁ βασιλεὺς κατεστήσατο αὐτῷ καὶ ἐν Μαντινείᾳ τιμάς, καὶ τελετή τε κατὰ ἔτος ἕκαστον καὶ ἀγών ἐστιν αὐτῷ διὰ ἔτους πέμπτου. οἶκος δέ ἐστιν ἐν τῷ γυμνασίῳ Μαντινεῦσιν ἀγάλματα ἔχων Ἀντίνου καὶ ἐς τἄλλα θέας ἄξιος λίθων ἕνεκα οἷς κεκόσμηται καὶ ἀπιδόντι ἐς τὰς γραφάς: αἱ δὲ Ἀντίνου εἰσὶν αἱ πολλαί, Διονύσῳ μάλιστα εἰκασμέναι. καὶ δὴ καὶ τῆς ἐν Κεραμεικῷ γραφῆς, ἣ τὸ ἔργον εἶχε τὸ Ἀθηναίων ἐν Μαντινείᾳ, καὶ ταύτης αὐτόθι ἐστὶ μίμημα.

  [9.8] For this reason the Emperor established his worship in Mantineia also; mystic rites are celebrated in his honor each year, and games every four years. There is a building in the gymnasium of Mantineia containing statues of Antinous, and remarkable for the stones with which it is adorned, and especially so for its pictures. Most of them are portraits of Antinous, who is made to look just like Dionysus. There is also a copy here of the painting in the Cerameicus which represented the engagement of the Athenians at Mantineia.

  [9] Μαντινεῦσι δὲ ἐν τῇ ἀγορᾷ γυναικός τε εἰκὼν χαλκῆ — καὶ Μαντινεῖς καλοῦσι Διομένειαν Ἀρκάδος — καὶ ἡρῷόν ἐστι Ποδάρου: φασὶ δὲ ἀποθανεῖν αὐτὸν ἐν τῇ πρὸς Ἐπαμινώνδαν καὶ Θηβαίους μάχῃ. γενεαῖς δὲ τρισὶν ἐμοῦ πρότερον μετέθεσαν τοῦ τάφου τὸ ἐπίγραμμα ἐς ἄνδρα ἀπόγονον μὲν ἐκείνου Ποδάρου καὶ ὁμώνυμον, γεγονότα δὲ καθ᾽ ἡλικίαν ὡς πολιτείας ἤδη Ῥωμαίων μετειληφέναι.

  [9.9] In the market-place is a bronze portrait-statue of a woman, said by the Mantineans to be Diomeneia, the daughter of Arcas, and a hero-shrine of Podares, who was killed, they say, in the battle with the Thebaus under Epaminondas. Three generations ago they changed the inscription on the grave and made it apply to a descendant of this Podares with the same name, who was born late enough to have Roman citizenship.

  [10] Ποδάρην δὲ ἐπ᾽ ἐμοῦ τὸν ἀρχαῖον ἐτίμων οἱ Μαντινεῖς, λέγοντες ὡς ἄριστος μὲν καὶ αὐτῶν καὶ τῶν συμμάχων γένοιτο ἐν τῇ μάχῃ Γρύλος ὁ Ξενοφῶντος, ἐπὶ δὲ τῷ Γρύλῳ Κηφισόδωρος Μαραθώνιος, οὗτος δὲ τηνικαῦτα Ἀθηναίοις ἐτύγχανεν ἱππαρχῶν: τρίτα δὲ ἀνδραγαθίας Ποδάρῃ νέμουσιν.

  [9.10] In my time the elder Podares was honored by the Mantineans, who said that he who proved the bravest in the battle, of themselves and of their allies, was Grylus, the son of Xenophon; next to Grylus was Cephisodorus of Marathon, who at the time commanded the Athenian horse. The third place for valor they give to Podares.

  MT ALESIUM

  10. ἐς Ἀρκαδίαν δὲ τὴν ἄλλην εἰσὶν ἐκ Μαντινείας ὁδοί: ὁπόσα δὲ ἐφ᾽ ἑκάστης αὐτῶν μάλιστα ἦν θέας ἄξια, ἐπέξειμι καὶ ταῦτα. ἰόντι ἐς Τεγέαν ἐστὶν ἐν ἀριστερᾷ τῆς λεωφόρου παρὰ τοῖς Μαντινέων τείχεσι χωρίον ἐς τῶν ἵππων τὸν δρόμον καὶ οὐ πόρρω τούτου στάδιον, ἔνθα ἐπὶ τῷ Ἀντίνῳ τὸν ἀγῶνα τιθέασιν. ὑπὲρ δὲ τοῦ σταδίου τὸ ὄρος ἐστὶ τὸ Ἀλήσιον, διὰ τὴν ἄλην ὥς φασι καλούμενον τὴν Ῥέας, καὶ Δήμητρος ἄλσος ἐν τῷ ὄρει.

  [10.1] X. There are roads leading from Mantineia into the rest of Arcadia, and I will go on to describe the most noteworthy objects on each of them. On the left of the highway leading to Tegea there is, beside the walls of Mantineia, a place where horses race, and not far from it is a race-course, where they celebrate the games in honor of Antinous. Above the race-course is Mount Alesium, so called from the wandering (ale) of Rhea, on which is a grove of Demeter.

  [2] παρὰ δὲ τοῦ ὄρους τὰ ἔσχατα τοῦ Ποσειδῶνός ἐστι τοῦ Ἱππίου τὸ ἱ�
�ρόν, οὐ πρόσω σταδίου Μαντινείας. τὰ δὲ ἐς τὸ ἱερὸν τοῦτο ἐγώ τε ἀκοὴν γράφω καὶ ὅσοι μνήμην ἄλλοι περὶ αὐτοῦ πεποίηνται. τὸ μὲν δὴ ἱερὸν τὸ ἐφ᾽ ἡμῶν ᾠκοδομήσατο Ἀδριανὸς βασιλεύς, ἐπιστήσας τοῖς ἐργαζομένοις ἐπόπτας ἄνδρας, ὡς μήτε ἐνίδοι τις ἐς τὸ ἱερὸν τὸ ἀρχαῖον μήτε τῶν ἐρειπίων τι αὐτοῦ μετακινοῖτο: πέριξ δὲ ἐκέλευε τὸν ναὸν σφᾶς οἰκοδομεῖσθαι τὸν καινόν. τὰ δὲ ἐξ ἀρχῆς τῷ Ποσειδῶνι τὸ ἱερὸν τοῦτο Ἀγαμήδης λέγονται καὶ Τροφώνιος ποιῆσαι, δρυῶν ξύλα ἐργασάμενοι καὶ ἁρμόσαντες πρὸς ἄλληλα:

  [10.2] By the foot of the mountain is the sanctuary of Horse Poseidon, not more than six stades distant from Mantineia. About this sanctuary I, like everyone else who has mentioned it, can write only what I have heard. The modern sanctuary was built by the Emperor Hadrian, who set overseers over the workmen, so that nobody might look into the old sanctuary, and none of the ruins be removed. He ordered them to build around the new temple. Originally, they say, this sanctuary was built for Poseidon by Agamedes and Trophonius, who worked oak logs and fitted them together.

  [3] ἐσόδου δὲ ἐς αὐτὸ εἴργοντες ἀνθρώπους ἔρυμα μὲν πρὸ τῆς ἐσόδου προεβάλοντο οὐδέν, μίτον δὲ διατείνουσιν ἐρεοῦν, τάχα μέν που τοῖς τότε ἄγουσι τὰ θεῖα ἐν τιμῇ δεῖμα καὶ τοῦτο ἔσεσθαι νομίζοντες, τάχα δ᾽ ἄν τι μετείη καὶ ἰσχύος τῷ μίτῳ. φαίνεται δὲ καὶ Αἴπυτος ὁ Ἱππόθου μήτε πηδήσας ὑπὲρ τὸν μίτον μήτε ὑποδύς, διακόψας δὲ αὐτὸν ἐσελθὼν ἐς τὸ ἱερόν: καὶ ποιήσας οὐχ ὅσια ἐτυφλώθη τε ἐμπεσόντος ἐς τοὺς ὀφθαλμοὺς αὐτῷ τοῦ κύματος καὶ αὐτίκα ἐπιλαμβάνει τὸ χρεὼν αὐτόν.

  [10.3] They set up no barrier at the entrance to prevent men going inside; but they stretched across it a thread of wool. Perhaps they thought that even this would strike fear into the religious people of that time, and perhaps there was also some power in the thread. It is notorious that even Aepytus, the son of Hippothous, entered the sanctuary neither by jumping over the thread nor by slipping under it, but by cutting it through. For this sin he was blinded by a wave that dashed on to his eyes, and forthwith his life left him.

  [4] θαλάσσης δὲ ἀναφαίνεσθαι κῦμα ἐν τῷ ἱερῷ λόγος ἐστὶν ἀρχαῖος: ἐοικότα δὲ καὶ Ἀθηναῖοι λέγουσιν ἐς τὸ κῦμα τὸ ἐν ἀκροπόλει καὶ Καρῶν οἱ Μύλασα ἔχοντες ἐς τοῦ θεοῦ τὸ ἱερόν, ὃν φωνῇ τῇ ἐπιχωρίᾳ καλοῦσιν Ὀσογῶα. Ἀθηναίοις μὲν δὴ σταδίους μάλιστα εἴκοσιν ἀφέστηκε τῆς πόλεως ἡ πρὸς Φαληρῷ θάλασσα, ὡσαύτως δὲ καὶ Μυλασεῦσιν ἐπίνειον σταδίους ὀγδοήκοντα ἀπέχον ἐστὶν ἀπὸ τῆς πόλεως: Μαντινεῦσι δὲ ἐκ μακροτάτων τε ἡ θάλασσα ἄνεισι καὶ ἐκφανέστατα δὴ κατὰ τοῦ θεοῦ γνώμην.

  [10.4] There is an old legend that a wave of sea-water rises up in the sanctuary. A like story is told by the Athenians about the wave on the Acropolis, and by the Carians living in Mylasa about the sanctuary of the god called in the native tongue Osogoa. But the sea at Phalerum is about twenty stades distant from Athens, and the port of Mylasa is eighty stades from the city. But at Mantineia the sea rises after a very long distance, and quite plainly through the divine will.

  PODARES OF MANTINEIA, HISTORY

  [5] πέραν δὲ τοῦ ἱεροῦ τοῦ Ποσειδῶνος τρόπαιόν ἐστι λίθου πεποιημένον ἀπὸ Λακεδαιμονίων καὶ Ἄγιδος: λέγεται δὲ καὶ ὁ τρόπος τῆς μάχης. τὸ μὲν δεξιὸν εἶχον οἱ Μαντινεῖς αὐτοί, στρατιάν τε ἀπὸ πάσης ἡλικίας καὶ στρατηγὸν παρεχόμενοι Ποδάρην ἀπόγονον τρίτον Ποδάρου τοῦ Θηβαίοις ἐναντία ἀγωνισαμένου, παρῆν δέ σφισι καὶ μάντις Ἠλεῖος Θρασύβουλος Αἰνέου τῶν Ἰαμιδῶν — οὗτος ὁ ἀνὴρ νίκην τε τοῖς Μαντινεῦσι προηγόρευσε καὶ αὐτός σφισι τοῦ ἔργου μετέσχεν — :

  [10.5] Beyond the sanctuary of Poseidon is a trophy made of stone commemorating the victory over the Lacedaemonians under Agis. The course of the battle was, it is said, after this wise. The right wing was held by the Mantineans themselves, who put into the field all of military age under the command of Podares, the grandson of the Podares who fought against the Thebans. They had with them also the Elean seer Thrasybulus, the son of Aeneas, one of the Iamids. This man foretold a victory for the Mantineans and took a personal part in the fighting.

  [6] ἐπὶ δὲ τῷ εὐωνύμῳ πᾶν τὸ ἄλλο Ἀρκαδικὸν ἐτάσσοντο, ἄρχοντες δὲ κατὰ πόλεις τε ἦσαν καὶ Μεγαλοπολιτῶν Λυδιάδης καὶ Λεωκύδης: Ἀράτῳ δὲ ἐπετέτραπτο καὶ Σικυωνίοις τε καὶ Ἀχαιοῖς τὸ μέσον. Λακεδαιμόνιοι δὲ καὶ Ἆγις ἐπεξέτειναν τὴν φάλαγγα, ὡς τῶν ἐναντίων τῷ στρατεύματι ἀντιπαρήκοιεν: τὸ μέσον δὲ Ἆγις καὶ οἱ περὶ τὸν βασιλέα εἶχον.

  [10.6] On the left wing was stationed all the rest of the Arcadian army, each city under its own leader, the contingent of Megalopolis being led by Lydiades and Leocydes. The center was entrusted to Aratus, with the Sicyonians and the Achaeans. The Lacedaemonians under Agis, who with the royal staff officers were in the center, extended their line so as to make it equal in length to that of their enemies.

  [7] Ἄρατος δὲ ἀπὸ συγκειμένου πρὸς τοὺς Ἀρκάδας ὑπέφευγεν αὐτός τε καὶ ὁ σὺν αὐτῷ στρατὸς οἷα δὴ τῶν Λακεδαιμονίων σφίσιν ἐγκειμένων: ὑποφεύγοντες δὲ ἅμα τὸ σύνταγμα σφῶν ἠρέμα ἐποίουν μηνοειδές. Λακεδαιμόνιοι δὲ καὶ Ἆγις νίκην τε ἤλπιζον καὶ τοῖς περὶ τὸν Ἄρατον ἐνέκειντο ἀθρόοι μᾶλλον: ἐπηκολούθουν δέ σφισι καὶ οἱ ἀπὸ τῶν κεράτων, Ἄρατον καὶ τὴν σὺν αὐτῷ στρατιὰν τρέψασθαι μέγα ἀγώνισμα ἡγούμενοι.

  [10.7] Aratus, acting on an arrangement with the Arcadians, fell back with his command, as though the pressure of the Lacedaemonians was too severe. As they gave way they gradually made their formation crescent-shaped. The Lacedaemonians under Agis, thinking that victory was theirs, pressed in close order yet harder on Aratus and his men. They were followed by those on the wings, who thought it a great achievement to put to flight Aratus and his host.

  [8] ἔλαθόν τε δὴ κατὰ νώτου γενόμενοί σφισιν οἱ Ἀρκάδες καὶ οἱ Λακεδαιμόνιοι κυκλωθέντες τῆς τε ἄλλης στρατιᾶς τὸ πολὺ ἀποβάλλουσι καὶ βασιλεὺς ἔπεσεν Ἆγις Εὐδαμίδου. φανῆναι δὲ καὶ τὸν Ποσειδῶνα ἀμύνοντά σφισιν ἔφασαν οἱ Μαντινεῖς, καὶ τοῦδε ἕνεκα τρόπαιον ἐποιήσαντο ἀνάθημα τῷ Ποσειδῶνι. />
  [10.8] But the Arcadians got in their rear unperceived, and the Lacedaemonians were surrounded, losing the greater part of their army, while King Agis himself fell, the son of Eudamidas. The Mantineans affirmed that Poseidon too manifested himself in their defence, and for this reason they erected a trophy as an offering to Poseidon.

  [9] πολέμῳ δὲ καὶ ἀνθρώπων φόνοις παρεῖναι θεοὺς ἐποίησαν μὲν ὅσοις τὰ ἡρώων ἐμέλησεν ἐν Ἰλίῳ παθήματα, ᾁδεται δὲ ὑπὸ Ἀθηναίων ὡς θεοί σφισιν ἐν Μαραθῶνι καὶ ἐν Σαλαμῖνι τοῦ ἔργου μετάσχοιεν: ἐκδηλότατα δὲ ὁ Γαλατῶν στρατὸς ἀπώλετο ἐν Δελφοῖς ὑπὸ τοῦ θεοῦ καὶ ἐναργῶς ὑπὸ δαιμόνων. οὕτω καὶ Μαντινεῦσιν ἕπεται οὐκ ἄνευ τοῦ Ποσειδῶνος τὸ κράτος γενέσθαι σφίσι.

  [10.9] That gods were present at war and slaughter of men has been told by the poets who have treated of the sufferings of heroes at Troy, and the Athenians relate in song how gods sided with them at Marathon and at the battle of Salamis. Very plainly the host of the Gauls was destroyed at Delphi by the god, and manifestly by demons. So there is precedent for the story of the Mantineans that they won their victory by the aid of Poseidon.

  [10] Λεωκύδους δὲ τοῦ Μεγαλοπολιτῶν ὁμοῦ Λυδιάδῃ στρατηγήσαντος πρόγονον ἔνατον Ἀρκεσίλαον οἰκοῦντα ἐν Λυκοσούρᾳ λέγουσιν οἱ Ἀρκάδες ὡς ἴδοι τὴν ἱερὰν τῆς καλουμένης Δεσποίνης ἔλαφον πεπονηκυῖαν ὑπὸ γήρως: τῇ δὲ ἐλάφῳ ταύτῃ ψάλιόν τε εἶναι περὶ τὸν τράχηλον καὶ γράμματα ἐπὶ τῷ ψαλίῳ, “νεβρὸς ἐὼν ἑάλων, ὅτ᾽ ἐς Ἴλιον ἦν Ἀγαπήνωρ.