Delphi Complete Works of Pausanias

by Pausanias

  [7] τῶν μὲν δὴ Μασσαλιωτῶν χαλκοῦν τὸ ἀνάθημά ἐστι: χρυσοῦ δὲ ἀσπίδα ὑπὸ Κροίσου τοῦ Λυδοῦ τῇ Ἀθηνᾷ τῇ Προνοίᾳ δοθεῖσαν, ἐλέγετο ὑπὸ τῶν Δελφῶν ὡς Φιλόμηλος αὐτὴν ἐσύλησε. πρὸς δὲ τῷ ἱερῷ τῆς Προνοίας Φυλάκου τέμενός ἐστιν ἥρωος: καὶ ὁ Φύλακος οὗτος ὑπὸ Δελφῶν ἔχει φήμην κατὰ τὴν ἐπιστρατείαν σφίσιν ἀμῦναι τὴν Περσῶν.

  [8.7] The votive offering of the Massiliots is of bronze. The gold shield given to Athena Forethought by Croesus the Lydian was said by the Delphians to have been stolen by Philomelus. Near the sanctuary of Forethought is a precinct of the hero Phylacus. This Phylacus is reported by the Delphians to have defended them at the time of the Persian invasion.

  [8] ἐν δὲ τοῦ γυμνασίου τῷ ὑπαίθρῳ πεφυκέναι ποτὲ ἀγρίαν φασὶν ὕλην, καὶ Ὀδυσσέα, ἡνίκα ὡς τὸν Αὐτόλυκον ἀφικόμενος μετὰ τοῦ Αὐτολύκου τῶν παίδων ἐθήρευε, τότε αὐτὸν τὸ τραῦμα τὸ ὑπὲρ τοῦ γόνατος ἐνταῦθα σχεῖν ὑπὸ τοῦ συός. τραπομένῳ δὲ ἐς ἀριστερὰν ἀπὸ τοῦ γυμνασίου καὶ ὑποκαταβάντι οὐ πλέον ἐμοὶ δοκεῖν ἢ τρία στάδια, ποταμός ἐστιν ὀνομαζόμενος Πλεῖστος: οὗτος ὁ Πλεῖστος ἐπὶ Κίρραν τὸ ἐπίνειον Δελφῶν καὶ τὴν ταύτῃ κάτεισι θάλασσαν.

  [8.8] They say that in the open part of the gymnasium there once grew a wild wood, and that Odysseus, when as the guest of Autolycus he was hunting with the sons of Autolycus, received here from the wild boar the wound above the knee. Turning to the left from the gymnasium and going down not more, I think, than three stades, you come to a river named Pleistus. This Pleistus descends to Cirrha, the port of Delphi, and flows into the sea there.

  [9] ἐκ δὲ τοῦ γυμνασίου τὴν ἐς τὸ ἱερὸν ἀνιόντι ἔστιν ἐν δεξιᾷ τῆς ὁδοῦ τὸ ὕδωρ τῆς Κασταλίας, καὶ πιεῖν ἡδὺ καὶ λοῦσθαι καλόν. δοῦναι δὲ τὸ ὄνομα τῇ πηγῇ γυναῖκα λέγουσιν ἐπιχωρίαν, οἱ δὲ ἄνδρα Καστάλιον: Πανύασσις δὲ ὁ Πολυάρχου πεποιηκὼς ἐς Ἡρακλέα ἔπη θυγατέρα Ἀχελῴου τὴν Κασταλίαν φησὶν εἶναι. λέγει γὰρ δὴ περὶ τοῦ Ἡρακλέους:”Παρνησσὸν νιφόεντα θοοῖς διὰ ποσσὶ περήσας

  ἵκετο Κασταλίης Ἀχελωΐδος ἄμβροτον ὕδωρ.

  “Panyassis, work unknown

  [8.9] Ascending from the gymnasium along the way to the sanctuary you reach, on the right of the way, the water of Castalia, which is sweet to drink and pleasant to bathe in. Some say that the spring was named after a native woman, others after a man called Castalius. But Panyassis, son of Polyarchus, who composed an epic poem on Heracles, says that Castalia was a daughter of Achelous. For about Heracles he says:–

  Crossing with swift feet snowy Parnassus he reached the immortal water of Castalia, daughter of Achelous. Panyassis, work unknown

  [10] ἤκουσα δὲ καὶ ἄλλο τοιόνδε, τὸ ὕδωρ τῇ Κασταλίᾳ ποταμοῦ δῶρον εἶναι τοῦ Κηφισοῦ. τοῦτο ἐποίησε καὶ Ἀλκαῖος ἐν προοιμίῳ τῷ ἐς Ἀπόλλωνα: βεβαιοῦνται δὲ οὐχ ἥκιστα οἱ Λιλαιεῖς, οἳ ἐς τοῦ Κηφισοῦ τὴν πηγὴν πέμματα ἐπιχώρια καὶ ἄλλα ὁπόσα νομίζουσιν ἀφιᾶσιν ἔν τισιν εἰρημέναις ἡμέραις, καὶ αὖθις ἐν τῇ Κασταλίᾳ φασὶν αὐτὰ ἀναφαίνεσθαι.

  [8.10] I have heard another account, that the water was a gift to Castalia from the river Cephisus. So Alcaeus has it in his prelude to Apollo. The strongest confirmation of this view is a custom of the Lilaeans, who on certain specified days throw into the spring of the Cephisus cakes of the district and other things ordained by use, and it is said that these reappear in Castalia.

  9. Δελφοῖς δὲ ἡ πόλις ἄναντες διὰ πάσης παρέχεται σχῆμα, κατὰ τὰ αὐτὰ δὲ τῇ πόλει τῇ ἄλλῃ καὶ ὁ ἱερὸς περίβολος τοῦ Ἀπόλλωνος. οὗτος δὲ μεγέθει μέγας καὶ ἀνωτάτω τοῦ ἄστεώς ἐστι: τέτμηνται δὲ καὶ ἔξοδοι δι᾽ αὐτοῦ συνεχεῖς. ὁπόσα δὲ τῶν ἀναθημάτων εἶναί μοι λόγου μάλιστα ἄξια ἐφαίνετο, ποιησόμεθα

  αὐτῶν μνήμην.

  [9.1] IX. The city of Delphi, both the sacred enclosure of Apollo and the city generally, lies altogether on sloping ground. The enclosure is very large, and is on the highest part of the city. Passages run through it, close to one another. I will mention which of the votive offerings seemed to me most worthy of notice.

  VOTIVE OFFERINGS AT DELPHI

  [2] ἀθλητὰς μὲν οὖν καὶ ὅσαι ἀγωνισταὶ μουσικῆς τῶν ἀνθρώπων τοῖς πλείοσιν ἐγίνοντο μετὰ οὐδενὸς λογισμοῦ, μετὰ τῆς οὐ πάνυ τι ἡγοῦμαι σπουδῆς ἀξίους: ἀθλητὰς δὲ ὁπόσοι τι καὶ ὑπελείποντο ἐς δόξαν, ἐν λόγῳ σφᾶς ἐδήλωσα τῷ ἐς Ἠλείους. Φαΰλῳ δὲ Κροτωνιάτῃ — Ὀλυμπίασι μὲν οὐκ ἔστιν αὐτῷ νίκη, τὰς δὲ Πυθοῖ πεντάθλου δύο ἀνείλετο καὶ σταδίου τὴν τρίτην: ἐναυμάχησε δὲ καὶ ἐναντία τοῦ Μήδου ναῦν τε παρασκευασάμενος οἰκείαν καὶ Κροτωνιατῶν ὁπόσοι ἐπεδήμουν τῇ Ἑλλάδι ἀνεβίβασεν — τούτου ἐστὶν ἀνδριὰς ἐν Δελφοῖς. τὰ μὲν δὴ ἐς τὸν Κροτωνιάτην οὕτως εἶχεν, ἐσελθόντι δὲ ἐς τὸ τέμενος

  [9.2] The athletes and competitors in music that the majority of mankind have neglected, are, I think, scarcely worthy of serious attention; and the athletes who have left a reputation behind them I have set forth in my account of Elis. There is a statue at Delphi of Phaylus of Crotona. He won no victory at Olympia, but his victories at Pytho were two in the pentathlum and one in the foot-race. He also fought at sea against the Persian, in a ship of his own, equipped by himself and manned by citizens of Crotona who were staying in Greece.

  [3] χαλκοῦς ταῦρος τέχνη μὲν Θεοπρόπου ἐστὶν Αἰγινήτου, Κορκυραίων δὲ ἀνάθημα. λέγεται δὲ ὡς ταῦρος ἐν τῇ Κορκύρᾳ καταλιπὼν τὰς ἄλλας βοῦς καὶ ἀπὸ τῆς νομῆς κατερχόμενος ἐμυκᾶτο ἐπὶ θαλάσσῃ: γινομένου δὲ ἐπὶ ἡμέρᾳ πάσῃ τοῦ αὐτοῦ κάτεισιν ἐπὶ θάλασσαν ὁ βουκόλος, καὶ εἶδεν ἰχθύων τῶν θύννων ἀτέκμαρτόν τι ἀριθμῷ πλῆθος.

  [9.3] Such is the story of the athlete of Crotona. On entering the enclosure you come to a bronze bull, a votive offering of the Corcyraeans made by Theopropus of Aegina. The story is that in Corcyra a bull, leaving the cows, would go down from the pasture and bellow on the shore. As the same thing happened every day, the herdsman went down to the sea and saw a countless number of tunny-fish.

  [4] καὶ ὁ μὲν δῆλα τοῖς ἐν τῇ πόλει Κορκυραίοις ἐποίησεν: οἱ δὲ — ἑλεῖν γὰρ τοὺς θύννους προαιρούμενοι τὴν ἄλλως ταλα�
�πωρίαν εἶχον — θεωροὺς ἀποστέλλουσιν ἐς Δελφούς: καὶ οὕτω Ποσειδῶνί τε ἐκεῖνον θύουσι τὸν ταῦρον καὶ αὐτίκα μετὰ τὴν θυσίαν αἱροῦσι τοὺς ἰχθῦς, καί σφισι τὸ ἀνάθημα ἐν Ὀλυμπίᾳ τε καὶ ἐν Δελφοῖς ἐστιν ἡ δεκάτη τῆς ἄγρας.

  [9.4] He reported the matter to the Corcyraeans, who, finding their labour lost in trying to catch the tunnies, sent envoys to Delphi. So they sacrificed the bull to Poseidon, and straightway after the sacrifice they caught the fish, and dedicated their offerings at Olympia and at Delphi with a tithe of their catch.

  [5] ἐφεξῆς δὲ Τεγεατῶν ἀναθήματα ἀπὸ Λακεδαιμονίων Ἀπόλλων ἐστὶ καὶ Νίκη καὶ οἱ ἐπιχώριοι τῶν ἡρώων, Καλλιστώ τε ἡ Λυκάονος καὶ Ἀρκὰς ὁ ἐπώνυμος τῆς γῆς καὶ οἱ τοῦ Ἀρκάδος παῖδες Ἔλατος καὶ Ἀφείδας καὶ Ἀζάν, ἐπὶ δὲ αὐτοῖς Τρίφυλος: τούτῳ δὲ ἦν οὐκ Ἐρατὼ τῷ Τριφύλῳ μήτηρ, ἀλλὰ Λαοδάμεια ἡ Ἀμύκλα τοῦ ἐν Λακεδαίμονι βασιλεύσαντος: ἀνάκειται δὲ καὶ Ἔρασος Τριφύλου παῖς.

  [9.5] Next to this are offerings of the Tegeans from spoils of the Lacedaemonians: an Apollo, a Victory, the heroes of the country, Callisto, daughter of Lycaon, Arcas, who gave Arcadia its name, Elatus, Apheidas, and Azan, the sons of Arcas, and also Triphylus. The mother of this Triphylus was not Erato, but Laodameia, the daughter of Amyclas, king of Lacedaemon. There is also a statue dedicated of Erasus, son of Triphylus.

  [6] οἱ δὲ εἰργασμένοι τὰ ἀγάλματα Παυσανίας ἐστὶν Ἀπολλωνιάτης, οὗτος μὲν τόν τε Ἀπόλλωνα καὶ Καλλιστώ, τὴν δὲ Νίκην καὶ τοῦ Ἀρκάδος τὴν εἰκόνα ὁ Σικυώνιος Δαίδαλος: Ἀντιφάνης δὲ Ἀργεῖος καὶ Σαμόλας Ἀρκάς, οὗτος μὲν τὸν Τρίφυλον καὶ Ἀζᾶνα, Ἔλατον δὲ καὶ Ἀφείδαντά τε καὶ Ἔρασον ὁ Ἀργεῖος. ταῦτα μὲν δὴ οἱ Τεγεᾶται ἔπεμψαν ἐς Δελφούς, Λακεδαιμονίους ὅτε ἐπὶ σφᾶς ἐστρατεύσαντο αἰχμαλώτους ἑλόντες:

  [9.6] They who made the images are as follows: The Apollo and Callisto were made by Pausanias of Apollonia; the Victory and the likeness of Arcas by Daedalus of Sicyon; Triphylus and Azan by Samolas the Arcadian; Elatus, Apheidas and Erasus by Antiphanes of Argos. These offerings were sent by the Tegeans to Delphi after they took prisoners the Lacedaemonians that attacked their city.

  [7] Λακεδαιμονίων δὲ ἀπαντικρὺ τούτων ἀναθήματά ἐστιν ἀπ᾽ Ἀθηναίων Διόσκουροι καὶ Ζεὺς καὶ Ἀπόλλων τε καὶ Ἄρτεμις, ἐπὶ δὲ αὐτοῖς Ποσειδῶν τε καὶ Λύσανδρος ὁ Ἀριστοκρίτου στεφανούμενος ὑπὸ τοῦ Ποσειδῶνος, Ἀγίας τε ὃς τῷ Λυσάνδρῳ τότε ἐμαντεύετο καὶ Ἕρμων ὁ τὴν ναῦν τοῦ Λυσάνδρου τὴν στρατηγίδα κυβερνῶν.

  [9.7] Opposite these are offerings of the Lacedaemonians from spoils of the Athenians: the Dioscuri, Zeus, Apollo, Artemis, and beside these Poseidon, Lysander, son of Aristocritus, represented as being crowned by Poseidon, Agias, soothsayer to Lysander on the occasion of his victory, and Hermon, who steered his flag-ship.

  [8] τοῦτον μὲν δὴ τὸν Ἕρμωνα Θεόκοσμος ποιήσειν ἔμελλεν ὁ Μεγαρεὺς ἅτε ὑπὸ τῶν Μεγαρέων ἐγγραφέντα ἐς τὴν πολιτείαν: οἱ δὲ Διόσκουροι Ἀντιφάνους εἰσὶν Ἀργείου καὶ ὁ μάντις τέχνη Πίσωνος ἐκ Καλαυρείας τῆς Τροιζηνίων: Ἀθηνόδωρος δὲ καὶ Δαμέας, ὁ μὲν τὴν Ἄρτεμίν τε καὶ Ποσειδῶνα εἰργάσατο, ἔτι δὲ τὸν Λύσανδρον, Ἀθηνόδωρος δὲ τὸν Ἀπόλλωνα ἐποίησε καὶ τὸν Δία:

  [9.8] This statue of Hermon was not unnaturally made by Theocosmus of Megara, who had been enrolled as a citizen of that city. The Dioscuri were made by Antiphanes of Argos; the soothsayer by Pison, from Calaureia, in the territory of Troezen; the Artemis, Poseidon and also Lysander by Dameas; the Apollo and Zeus by Athenodorus. The last two artists were Arcadians from Cleitor.

  [9] οὗτοι δὲ Ἀρκάδες εἰσὶν ἐκ Κλείτορος. ἀνάκεινται δὲ καὶ ὄπισθεν τῶν κατειλεγμένων ὅσοι συγκατειργάσαντο τῷ Λυσάνδρῳ τὰ ἐν Αἰγὸς ποταμοῖς ἢ αὐτῶν Σπαρτιατῶν ἢ ἀπὸ τῶν συμμαχησάντων, εἰσὶ δὲ οἵδε: Ἄρακος μὲν καὶ Ἐριάνθης, ὁ μὲν αὐτῶν ἐκ Λακεδαίμονος, ὁ δὲ Ἐριάνθης Βοιώτιος * * * ὑπὲρ τοῦ Μίμαντος, ἐντεῦθεν μὲν Ἀστυκράτης, Χῖοι δὲ Κηφισοκλῆς καὶ Ἑρμόφαντός τε καὶ Ἱκέσιος, Τίμαρχος δὲ καὶ Διαγόρας Ῥόδιοι, Κνίδιος δὲ Θεόδαμος, ἐκ δὲ Ἐφέσου Κιμμέριος, καὶ Μιλήσιος Αἰαντίδης.

  [9.9] Behind the offerings enumerated are statues of those who, whether Spartans or Spartan allies, assisted Lysander at Aegospotami. They are these:– Aracus of Lacedaemon, Erianthes a Boeotian . . . above Mimas, whence came Astycrates, Cephisocles, Hermophantus and Hicesius of Chios; Timarchus and Diagoras of Rhodes; Theodamus of Cnidus; Cimmerius of Ephesus and Aeantides of Miletus.

  [10] τούτους μὲν δὴ ἐποίησε Τίσανδρος, τοὺς δὲ ἐφεξῆς Ἄλυπος Σικυώνιος, Θεόπομπον Μύνδιον καὶ Κλεομήδην Σάμιον καὶ ἐξ Εὐβοίας Ἀριστοκλέα τε Καρύστιον καὶ Αὐτόνομον Ἐρετριέα καὶ Ἀριστόφαντον Κορίνθιον καὶ Ἀπολλόδωρον Τροιζήνιον καὶ ἐξ Ἐπιδαύρου Δίωνα τῆς ἐν τῇ Ἀργολίδι. ἐχόμενοι δὲ τούτων Ἀξιόνικός ἐστιν Ἀχαιὸς ἐκ Πελλήνης, ἐκ δὲ Ἑρμιόνος Θεάρης, καὶ Φωκεύς τε Πυρρίας καὶ Κώμων Μεγαρεὺς καὶ Ἀγασιμένης Σικυώνιος, ἐκ δὲ Ἀμβρακίας καὶ Κορίνθου τε καὶ Λευκάδος Τηλυκράτης καὶ Πυθόδοτος Κορίνθιος καὶ Ἀμβρακιώτης Εὐαντίδας: τελευτᾷ δὲ Ἐπικυδίδας καὶ Ἐτεόνικος οἱ Λακεδαιμόνιοι: Πατροκλέους δὲ καὶ Κανάχου φασὶν ἔργα.

  [9.10] These were made by Tisander, but the next were made by Alypus of Sicyon, namely:– Theopompus the Myndian, Cleomedes of Samos, the two Euboeans Aristocles of Carystus and Autonomus of Eretria, Aristophantus of Corinth, Apollodorus of Troezen, and Dion from Epidaurus in Argolis. Next to these come the Achaean Axionicus from Pellene, Theares of Hermion, Pyrrhias the Phocian, Comon of Megara, Agasimenes of Sicyon, Telycrates the Leucadian, Pythodotus of Corinth and Euantidas the Ambraciot; last come the Lacedaemonians Epicydidas and Eteonicus. These, they say, are works of Patrocles and Canachus.

  [11] τὴν δὲ πληγὴν Ἀθηναῖοι τὴν ἐν Αἰγὸς ποταμοῖς οὐ μετὰ τοῦ δικαίου συμβῆναί σφισιν ὁμολογοῦσι: προδοθῆναι γὰρ ἐπὶ χρήμασιν ὑπὸ τῶν στρατηγησάντων, Τυδέα δὲ εἶναι καὶ Ἀδείμαντον οἳ τὰ δῶρα ἐδέξαντο παρὰ Λυσάνδρου. καὶ ἐς ἀπόδειξιν τοῦ λόγου Σιβύλλης παρέχονται τὸν χρησμόν: “καὶ τότ᾽
Ἀθηναίοισι βαρύστονα κήδεα θήσει

  Ζεὺς ὑψιβρεμέτης, οὗπερ κράτος ἐστὶ μέγιστον,

  νηυσὶ φερεπτολέμοισι μάχην καὶ δηιοτῆτα

  ὀλλυμέναις δολεροῖσι τρόποις, κακότητι νομήων.

  “τὰ δὲ ἕτερα ἐκ Μουσαίου χρησμῶν μνημονεύουσι:”καὶ γὰρ Ἀθηναίοισιν ἐπέρχεται ἄγριος ὄμβρος

  ἡγεμόνων κακότητι, παραιφασίη δέ τις ἔσται

  ἥττης: οὐ λήσουσι πόλιν, τίσουσι δὲ ποινήν.

  “

  [9.11] The Athenians refuse to confess that their defeat at Aegospotami was fairly inflicted, maintaining that they were betrayed by Tydeus and Adeimantus, their generals, who had been bribed, they say, with money by Lysander. As a proof of this assertion they quote the following oracle of the Sibyl:–

  And then on the Athenians will be laid grievous troubles

  By Zeus the high-thunderer, whose might is the greatest,

  On the war-ships battle and fighting,

  As they are destroyed by treacherous tricks, through the baseness of the captains.

  The other evidence that they quote is taken from the oracles of Musaeus:–

  For on the Athenians comes a wild rain

  Through the baseness of their leaders, but some consolation will there be

  For the defeat; they shall not escape the notice of the city, but shall pay the penalty.

  [12] ταῦτα μὲν δὴ ἐπὶ τοσοῦτον εἰρήσθω: τὸν δὲ ὑπὲρ τῆς καλουμένης Θυρέας Λακεδαιμονίων ἀγῶνα καὶ Ἀργείων, Σίβυλλα μὲν καὶ τοῦτον προεθέσπισεν ὡς συμβήσοιτο ἐξ ἴσου ταῖς πόλεσιν, Ἀργεῖοι δὲ ἀξιοῦντες ἐσχηκέναι πλέον ἐν τῷ ἔργῳ χαλκοῦν ἵππον — τὸν δούρειον δῆθεν — ἀπέστειλαν ἐς Δελφούς: τὸ δὲ ἔργον Ἀντιφάνους ἐστὶν Ἀργείου.