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Seize the Day

Page 12

by Saul Bellow


  “Ah,” she said with a sharp breath. “Now we’re coming to it. How did you imagine it was going to be—big shot? Everything made smooth for you? I thought you were leading up to this.”

  She had not, perhaps, intended to reply as harshly as she did, but she brooded a great deal and now she could not forbear to punish him and make him feel pains like those she had to undergo.

  He struck the wall again, this time with his knuckles, and he had scarcely enough air in his lungs to speak in a whisper, because his heart pushed upward with a frightful pressure. He got up and stamped his feet in the narrow enclosure.

  “Haven’t I always done my best?” he yelled, though his voice sounded weak and thin to his own ears. “Everything comes from me and nothing back again to me. There’s no law that’ll punish this, but you are committing a crime against me. Before God—and that’s no joke. I mean that. Before God! Sooner or later the boys will know it.”

  In a firm tone, levelly, Margaret said to him, “I won’t stand to be howled at. When you can speak normally and have something sensible to say I’ll listen. But not to this.” She hung up.

  Wilhelm tried to tear the apparatus from the wall. He ground his teeth and seized the black box with insane digging fingers and made a stifled cry and pulled. Then he saw an elderly lady staring through the glass door, utterly appalled by him, and he ran from the booth, leaving a large amount of change on the shelf. He hurried down the stairs and into the street.

  On Broadway it was still bright afternoon and the gassy air was almost motionless under the leaden spokes of sunlight, and sawdust footprints lay about the doorways of butcher shops and fruit stores. And the great, great crowd, the inexhaustible current of millions of every race and kind pouring out, pressing round, of every age, of every genius, possessors of every human secret, antique and future, in every face the refinement of one particular motive or essence—I labor, I spend, I strive, I design, I love, I cling, I uphold, I give way, I envy, I long, I scorn, I die, I hide, I want. Faster, much faster than any man could make the tally. The sidewalks were wider than any causeway; the street itself was immense, and it quaked and gleamed and it seemed to Wilhelm to throb at the last limit of endurance. And although the sunlight appeared like a broad tissue, its actual weight made him feel like a drunkard.

  “I’ll get a divorce if it’s the last thing I do,” he swore. “As for Dad—As for Dad—I’ll have to sell the car for junk and pay the hotel. I’ll have to go on my knees to Olive and say, ‘Stand by me a while. Don’t let her win. Olive!’ ” And he thought, I’ll try to start again with Olive. In fact, I must. Olive loves me. Olive—

  Beside a row of limousines near the curb he thought he saw Dr. Tamkin. Of course he had been mistaken before about the hat with the cocoa-colored band and didn’t want to make the same mistake twice. But wasn’t that Tamkin who was speaking so earnestly, with pointed shoulders, to someone under the canopy of the funeral parlor? For this was a huge funeral. He looked for the singular face under the dark gray, fashionable hatbrim. There were two open cars filled with flowers, and a policeman tried to keep a path open to pedestrians. Right at the canopy-pole, now wasn’t that that damned Tamkin talking away with a solemn face, gesticulating with an open hand?

  “Tamkin!” shouted Wilhelm, going forward. But he was pushed to the side by a policeman clutching his nightstick at both ends, like a rolling pin. Wilhelm was even farther from Tamkin now, and swore under his breath at the cop who continued to press him back, back, belly and ribs, saying, “Keep it moving there, please,” his face red with impatient sweat, his brows like red fur. Wilhelm said to him haughtily, “You shouldn’t push people like this.”

  The policeman, however, was not really to blame. He had been ordered to keep a way clear. Wilhelm was moved forward by the pressure of the crowd.

  He cried, “Tamkin!”

  But Tamkin was gone. Or rather, it was he himself who was carried from the street into the chapel. The pressure ended inside, where it was dark and cool. The flow of fan-driven air dried his face, which he wiped hard with his handkerchief to stop the slight salt itch. He gave a sigh when he heard the organ notes that stirred and breathed from the pipes and he saw people in the pews. Men in formal clothes and black homburgs strode softly back and forth on the cork floor, up and down the center aisle. The white of the stained glass was like mother-of-pearl, with the blue of a great star fluid, like velvet ribbon.

  Well, thought Wilhelm, if that was Tamkin outside I might as well wait for him here where it’s cool. Funny, he never mentioned he had a funeral to go to today. But that’s just like the guy.

  But within a few minutes he had forgotten Tamkin. He stood along the wall with others and looked toward the coffin and the slow line that was moving past it, gazing at the face of the dead. Presently he too was in this line, and slowly, slowly, foot by foot, the beating of his heart anxious, thick, frightening, but somehow also rich, he neared the coffin and paused for his turn, and gazed down. He caught his breath when he looked at the corpse, and his face swelled, his eyes shone hugely with instant tears.

  The dead man was gray-haired. He had two large waves of gray hair at the front. But he was not old. His face was long, and he had a bony nose, slightly, delicately twisted. His brows were raised as though he had sunk into the final thought. Now at last he was with it, after the end of all distractions, and when his flesh was no longer flesh. And by this meditative look Wilhelm was so struck that he could not go away. In spite of the tinge of horror, and then the splash of heartsickness that he felt, he could not go. He stepped out of line and remained beside the coffin; his eyes filled silently and through his still tears he studied the man as the line of visitors moved with veiled looks past the satin coffin toward the standing bank of lilies, lilacs, roses. With great stifling sorrow, almost admiration, Wilhelm nodded and nodded. On the surface, the dead man with his formal shirt and his tie and silk lapels and his powdered skin looked so proper; only a little beneath so—black, Wilhelm thought, so fallen in the eyes.

  Standing a little apart, Wilhelm began to cry. He cried at first softly and from sentiment, but soon from deeper feeling. He sobbed loudly and his face grew distorted and hot, and the tears stung his skin. A man—another human creature, was what first went through his thoughts, but other and different things were torn from him. What’ll I do? I’m stripped and kicked out…. Oh, Father, what do I ask of you? What’ll I do about the kids—Tommy, Paul? My children. And Olive? My dear! Why, why, why—you must protect me against that devil who wants my life. If you want it, then kill me. Take, take it, take it from me.”

  Soon he was past words, past reason, coherence. He could not stop. The source of all tears had suddenly sprung open within him, black, deep, and hot, and they were pouring out and convulsed his body, bending his stubborn head, bowing his shoulders, twisting his face, crippling the very hands with which he held the handkerchief. His efforts to collect himself were useless. The great knot of ill and grief in his throat swelled upward and he gave in utterly and held his face and wept. He cried with all his heart.

  He, alone of all the people in the chapel, was sobbing. No one knew who he was.

  One woman said, “Is that perhaps the cousin from New Orleans they were expecting?”

  “It must be somebody real close to carry on so.”

  “Oh my, oh my! To be mourned like that,” said one man and looked at Wilhelm’s heavy shaken shoulders, his clutched face and whitened fair hair, with wide, glinting, jealous eyes.

  “The man’s brother, maybe?”

  “Oh, I doubt that very much,” said another bystander. “They’re not alike at all. Night and day.”

  The flowers and lights fused ecstatically in Wilhelm’s blind, wet eyes; the heavy sea-like music came up to his ears. It poured into him where he had hidden himself in the center of a crowd by the great and happy oblivion of tears. He heard it and sank deeper than sorrow, through torn sobs and cries toward the consummation of his heart’s ultimate nee
d.

 

 

 


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