The Oxford Book of American Short Stories

by Joyce Carol Oates

  It was growing faintly light. There were camels near where he was lying; he could hear their gurgling and their heavy breathing. He could not bring himself to attempt opening his eyes, just in case it should turn out to be impossible. However, when he heard someone approaching, he found that he had no difficulty in seeing.

  The man looked at him dispassionately in the gray morning light. With one hand he pinched together the Professor's nostrils. When the Professor opened his mouth to breathe, the man swiftly seized his tongue and pulled on it with all his might. The Professor was gagging and catching his breath; he did not see what was happening. He could not distinguish the pain of the brutal yanking from that of the sharp knife. Then there was an endless choking and spitting that went on automatically, as though he were scarcely a part of it. The word "operation" kept going through his mind; it calmed his terror somewhat as he sank back into darkness.

  The caravan left sometime toward midmorning. The Professor, not unconscious, but in a state of utter stupor, still gagging and drooling blood, was dumped doubled-up into a sack and tied at one side of a camel. The lower end of the enormous amphitheater contained a natural gate in the rocks. The camels, swift mehara, were lightly laden on this trip. They passed through single file, and slowly mounted the gentle slope that led up into the beginning of the desert. That night, at a stop behind some low hills, the men took him out, still in a state which permitted no thought, and over the dusty rags that remained of his clothing they fastened a series of curious belts made of the bottoms of tin cans strung together. One after another of these bright girdles was wired about his torso, his arms and legs, even across his face, until he was entirely within a suit of armor that covered him with its circular metal scales. There was a good deal of merriment during this decking-out of the Professor. One man brought out a flute and a younger one did a not ungraceful caricature of an Ouled Nail executing a cane dance. The Professor was no longer conscious; to be exact, he existed in the middle of the movements made by these other men. When they had finished dressing him the way they wished him to look, they stuffed some food under the tin bangles hanging over his face. Even though he chewed mechanically, most of it eventually fell out onto the ground. They put him back into the sack and left him there.

  Two days later they arrived at one of their own encampments. There were women and children here in the tents, and the men had to drive away the snarling dogs they had left there to guard them. When they emptied the Professor out of his sack, there were screams of fright, and it took several hours to convince the last woman that he was harmless, although there had been no doubt from the start that he was a valuable possession. After a few days they began to move on again, taking everything with them, and traveling only at night as the terrain grew warmer.

  Even when all his wounds had healed and he felt no more pain, the Professor did not begin to think again; he ate and defecated, and he danced when he was bidden, a senseless hopping up and down that delighted the children, principally because of the wonderful jangling racket it made. And he generally slept through the heat of the day, in among the camels.

  Wending its way southeast, the caravan avoided all stationary civilization. In a few weeks they reached a new plateau, wholly wild and with a sparse vegetation. Here they pitched camp and remained, while the meharawere turned loose to graze. Everyone was happy here; the weather was cooler and there was a well only a few hours away on a seldom-frequented trail. It was here they conceived the idea of taking the Professor to Fogara and selling him to the Touareg.

  It was a full year before they carried out this project. By this time the Professor was much better trained. He could do a handspring, make a series of fearful growling noises which had, nevertheless, a certain element of humor; and when the Reguibat removed the tin from his face they discovered he could grimace admirably while he danced. They also taught him a few basic obscene gestures which never failed to elicit delighted shrieks from the women. He was now brought forth only after especially abundant meals, when there was music and festivity. He easily fell in with their sense of ritual, and evolved an elementary sort of "program" to present when he was called for: dancing, rolling on the ground, imitating certain animals, and finally rushing toward the group in feigned anger, to see the resultant confusion and hilarity.

  When three of the men set out for Fogara with him, they took four mehara with them, and he rode astride his quite naturally. No precautions were taken to guard him, save that he was kept among them, one man always staying at the rear of the party. They came within sight of the walls at dawn, and they waited among the rocks all day. At dusk the youngest started out, and in three hours he returned with a friend who carried a stout cane. They tried to put the Professor through his routine then and there, but the man from Fogara was in a hurry to get back to town, so they all set out on the mehara.

  In the town they went directly to the villager's home, where they had coffee in the courtyard sitting among the camels. Here the Professor went into his act again, and this time there was prolonged merriment and much rubbing together of hands. An agreement was reached, a sum of money paid, and the Reguibat withdrew, leaving the Professor in the house of the man with the cane, who did not delay in locking him into a tiny enclosure off the courtyard.

  The next day was an important one in the Professor's life, for it was then that pain began to stir again in his being. A group of men came to the house, among whom was a venerable gentleman, better clothed than those others who spent their time flattering him, setting fervent kisses upon his hands and the edges of his garments. This person made a point of going into classical Arabic from time to time, to impress the others, who had not learned a word of the Koran. Thus his conversation would run more or less as follows: "Perhaps at In Salah. The French there are stupid. Celestial vengeance is approaching. Let us not hasten it. Praise the highest and cast thine anathema against idols. With paint on his face. In case the police wish to look close." The others listened and agreed, nodding their heads slowly and solemnly. And the Professor in his stall beside them listened, too. That is, he was conscious of the sound of the old man's Arabic. The words penetrated for the first time in many months. Noises, then: "Celestial vengeance is approaching." Then: "It is an honor. Fifty francs is enough. Keep your money. Good." And the qaouaji squatting near him at the edge of the precipice. Then "anathema against idols" and more gibberish. He turned over panting on the sand and forgot about it.

  But the pain had begun. It operated in a kind of delirium, because he had begun to enter into consciousness again. When the man opened the door and prodded him with his cane, he cried out in a rage, and everyone laughed.

  They got him onto his feet, but he would not dance. He stood before them, staring at the ground, stubbornly refusing to move. The owner was furious, and so annoyed by the laughter of the others that he felt obliged to send them away, saying that he would await a more propitious time for exhibiting his property, because he dared not show his anger before the elder. However, when they had left he dealt the Professor a violent blow on the shoulder with his cane, called him various obscene things, and went out into the street, slamming the gate behind him. He walked straight to the street of the Ouled Nail, because he was sure of finding the Reguibat there among the girls, spending the money. And there in a tent he found one of them still abed, while an Ouled Nail washed the tea glasses. He walked in and almost decapitated the man before the latter had even attempted to sit up. Then he threw his razor on the bed and ran out.

  The Ouled Nail saw the blood, screamed, ran out of her tent into the next, and soon emerged from that with four girls who rushed together into the coffeehouse and told the qaouaji who had killed the Reguiba. It was only a matter of an hour before the French military police had caught him at a friend's house, and dragged him off to the barracks. That night the Professor had nothing to eat, and the next afternoon, in the slow sharpening of his consciousness caused by increasing hunger, he walked aimlessly about the courtyard and the
rooms that gave onto it. There was no one. In one room a calendar hung on the wall. The Professor watched nervously, like a dog watching a fly in front of its nose. On the white paper were black objects that made sounds in his head. He heard them: "Grande Epicerie du Sahel. Juin. Lundi, Mardi, Mercredi. ..."

  The tiny ink marks of which a symphony consists may have been made long ago, but when they are fulfilled in sound they become imminent and mighty. So a kind of music of feeling began to play in the Professor's head, increasing in volume as he looked at the mud wall, and he had the feeling that he was performing what had been written for him long ago. He felt like weeping; he felt like roaring through the little house, upsetting and smashing the few breakable objects. His emotion got no further than this one overwhelming desire. So, bellowing as loud as he could, he attacked the house and its belongings. Then he attacked the door into the street, which resisted for a while and finally broke. He climbed through the opening made by the boards he had ripped apart, and still bellowing and shaking his arms in the air to make as loud a jangling as possible, he began to gallop along the quiet street toward the gateway of the town. A few people looked at him with great curiosity. As he passed the garage, the last building before the high mud archway that framed the desert beyond, a French soldier saw him."Tiens," he said to himself, "a holy maniac."

  Again it was sunset time. The Professor ran beneath the arched gate, turned his face toward the red sky, and began to trot along the Piste d'In Salah, straight into the setting sun. Behind him, from the garage, the soldier took a potshot at him for good luck. The bullet whistled dangerously near the Professor's head, and his yelling rose into an indignant lament as he waved his arms more wildly, and hopped high into the air at every few steps, in an access of terror.

  The soldier watched a while, smiling, as the cavorting figure grew smaller in the oncoming evening darkness, and the rattling of the tin became a part of the great silence out there beyond the gate. The wall of the garage as he leaned against it still gave forth heat, left there by the sun, but even then the lunar chill was growing in the air.

  FLANNERY O'CONNOR (1925-1964)

  Flannery O'Connor is one of the most idiosyncratic and distinctive of American short story writers. Born in Savannah, she lived most of her life on a farm close by Milledgeville, Georgia; she died tragically young, of an inherited disease, lupus. An intensely religious writer, O'Connor took for her subject the provincial Southern world that surrounded her; a world permeated by the "grotesque" (O'Connor's term) that is the consequence of a secular and vulgarized society. Though O'Connor was a Roman Catholic, there is little in her fiction that suggests this faith. Indeed, it is the absence of faith that engages her adamantly unsentimental sympathies.

  Flannery O'Connor published two short novels, Wise Blood (1952) and The Violent Bear It Away (1960), but her genius was clearly for the short story. She published two collections of stories during her lifetime—A Good Man Is Hard To Find (1955), from which "A Late Encounter with the Enemy" is taken, and Everything That Rises Must Converge (1965); her Collected Stories (1979) contains these plus others previously uncollected. Her essays were collected in Mystery and Manners (1969) and her letters in The Habit of Being (1979).

  Flannery O'Connor's stories are widely anthologized, but it is always the same two or three stories that are represented. Her range was narrow, but, within that range, she is capable of subtle distinctions of strategy and tone. This wonderfully comic and unexpectedly moving story, though written early in the author's career, is vintage O'Connor; at the same time its ending, immersed in the hallucinatory consciousness of the dying old "general," gives it a human resonance of a kind missing in O'Connor's flatter and more satirical work.

  A Late Encounter with the Enemy

  GENERAL Sash was a hundred and four years old. He lived with his granddaughter, Sally Poker Sash, who was sixty-two years old and who prayed every night on her knees that he would live until her graduation from college. The General didn't give two slaps for her graduation but he never doubted he would live for it. Living had got to be such a habit with him that he couldn't conceive of any other condition. A graduation exercise was not exactly his idea of a good time, even if, as she said, he would be expected to sit on the stage in his uniform. She said there would be a long procession of teachers and students in their robes but that there wouldn't be anything to equal him in his uniform. He knew this well enough without her telling him, and as for the damm procession, it could march to hell and back and not cause him a quiver. He liked parades with floats full of Miss Americas and Miss Daytona Beaches and Miss Queen Cotton Products. He didn't have any use for processions and a procession full of schoolteachers was about as deadly as the River Styx to his way of thinking. However, he was willing to sit on the stage in his uniform so that they could see him.

  Sally Poker was not as sure as he was that he would live until her graduation. There had not been any perceptible change in him for the last five years, but she had the sense that she might be cheated out of her triumph because she so often was. She had been going to summer school every year for the past twenty because when she started teaching, there were no such things as degrees. In those times, she said, everything was normal but nothing had been normal since she was sixteen, and for the past twenty summers, when she should have been resting, she had had to take a trunk in the burning heat to the state teacher's college; and though when she returned in the fall, she always taught in the exact way she had been taught not to teach, this was a mild revenge that didn't satisfy her sense of justice. She wanted the General at her graduation because she wanted to show what she stood for, or, as she said, "what all was behind her," and was not behind them. This them was not anybody in particular. It was just all the upstarts who had turned the world on its head and unsettled the ways of decent living.

  She meant to stand on that platform in August with the General sitting in his wheel chair on the stage behind her and she meant to hold her head very high as if she were saying, "See him! See him! My kin, all you upstarts! Glorious upright old man standing for the old traditions! Dignity! Honor! Courage! See him!" One night in her sleep she screamed, "See him! See him!" and turned her head and found him sitting in his wheel chair behind her with a terrible expression on his face and with all his clothes off except the general's hat and she had waked up and had not dared to go back to sleep again that night.

  For his part, the General would not have consented even to attend her graduation if she had not promised to see to it that he sit on the stage. He liked to sit on any stage. He considered that he was still a very handsome man. When he had been able to stand up, he had measured five feet four inches of pure game cock. He had white hair that reached to his shoulders behind and he would not wear teeth because he thought his profile was more striking without them. When he put on his full-dress general's uniform, he knew well enough that there was nothing to match him anywhere.

  This was not the same uniform he had worn in the War between the States. He had not actually been a general in that war. He had probably been a foot soldier; he didn't remember what he had been; in fact, he didn't remember that war at all. It was like his feet, which hung down now shriveled at the very end of him, without feeling, covered with a blue-gray afghan that Sally Poker had crocheted when she was a little girl. He didn't remember the Spanish-American War in which he had lost a son; he didn't even remember the son. He didn't have any use for history because he never expected to meet it again. To his mind, history was connected with processions and life with parades and he liked parades. People were always asking him if he remembered this or that—a dreary black procession of questions about the past. There was only one event in the past that had any significance for him and that he cared to talk about; that was twelve years ago when he had received the general's uniform and had been in the premiere.

  "I was in that preemy they had in Atlanta," he would tell visitors sitting on his front porch. "Surrounded by beautiful guls. It wasn't a thing
local about it. It was nothing local about it. Listen here. It was a nashnul event and they had me in it—up onto the stage. There was no bob-tails at it. Every person at it had paid ten dollars to get in and had to wear his tuxseeder. I was in this uniform. A beautiful gul presented me with it that afternoon in a hotel room."

  "It was in a suite in the hotel and I was in it too, Papa," Sally Poker would say, winking at the visitors. "You weren't alone with any young lady in a hotel room."

  "Was, I'd a known what to do," the old General would say with a sharp look and the visitors would scream with laughter. "This was a Hollywood, California, gul," he'd continue. "She was from Hollywood, California, and didn't have any part in the pitcher. Out there they have so many beautiful guls that they don't need that they call them a extra and they don't use them for nothing but presenting people with things and having their pitchers taken. They took my pitcher with her. No, it was two of them. One on either side and me in the middle with my arms around each of them's waist and their waist ain't any bigger than a half a dollar."