The argument went on for a bit. All day I'd been wanting to talk to somebody about this business. It's funny. I'm not a fool, but I'm not a highbrow either, and God knows at normal times I don't have many interests that you wouldn't expect a middle-aged seven-pound-a-weeker with two kids to have. And yet I've enough sense to see that the old life we're used to is being sawn off at the roots. I can feel it happening. I can see the war that's coming and I can see the afterwar, the food-queues and the secret police and the loudspeakers telling you what to think. And I'm not even exceptional in this. There are millions of others like me. Ordinary chaps that I meet everywhere, chaps I run across in pubs, bus drivers, and travelling salesmen for hardware firms, have got a feeling that the world's gone wrong. They can feel things cracking and collapsing under their feet. And yet here's this learned chap, who's lived all his life with books and soaked himself in history till it's running out of his pores, and he can't even see that things are changing. Doesn't think Hitler matters. Refuses to believe there's another war coming. In any case, as he didn't fight in the last war, it doesn't enter much into his thoughts-he thinks it was a poor show compared with the siege of Troy. Doesn't see why one should bother about the slogans and the loudspeakers and the coloured shirts. What intelligent person would pay any attention to such things? he always says. Hitler and Stalin will pass away, but something which old Porteous calls 'the eternal verities' won't pass away. This, of course, is simply another way of saying that things will always go on exactly as he's known them. For ever and ever, cultivated Oxford blokes will stroll up and down studies full of books, quoting Latin tags and smoking good tobacco out of jars with coats of arms on them. Really it was no use talking to him. I'd have got more change out of the lad with tow-coloured hair. By degrees the conversation twisted off, as it always does, to things that happened B.C. Then it worked round to poetry. Finally old Porteous drags another book out of the shelves and begins reading Keat's 'Ode to a Nightingale' (or maybe it was a skylark-I forget).
So far as I'm concerned a little poetry goes a long way. But it's a curious fact that I rather like hearing old Porteous reading it aloud. There's no question that he reads well. He's got the habit, of course-used to reading to classes of boys. He'll lean up against something in his lounging way, with his pipe between his teeth and little jets of smoke coming out, and his voice goes kind of solemn and rises and falls with the line. You can see that it moves him in some way. I don't know what poetry is or what it's supposed to do. I imagine it has a kind of nervous effect on some people like music has on others. When he's reading I don't actually listen, that's to say I don't take in the words, but sometimes the sound of it brings a kind of peaceful feeling into my mind. On the whole I like it. But somehow tonight it didn't work. It was as if a cold draught had blown into the room. I just felt that this was all bunk. Poetry! What is it? Just a voice, a bit of an eddy in the air. And Gosh! what use would that be against machineguns?
I watched him leaning up against the bookshelf. Funny, these public-school chaps. Schoolboys all their days. Whole life revolving round the old school and their bits of Latin and Greek and poetry. And suddenly I remembered that almost the first time I was here with Porteous he'd read me the very same poem. Read it in just the same way, and his voice quivered when he got to the same bit-the bit about magic casements, or something. And a curious thought struck me. He's dead. He's a ghost. All people like that are dead.
It struck me that perhaps a lot of the people you see walking about are dead. We say that a man's dead when his heart stops and not before. It seems a bit arbitrary. After all, parts of your body don't stop working-hair goes on growing for years, for instance. Perhaps a man really dies when his brain stops, when he loses the power to take in a new idea. Old Porteous is like that. Wonderfully learned, wonderfully good taste-but he's not capable of change. Just says the same things and thinks the same thoughts over and over again. There are a lot of people like that. Dead minds, stopped inside. Just keep moving backwards and forwards on the same little track, getting fainter all the time, like ghosts.
Old Porteous's mind, I thought, probably stopped working at about the time of the Russo-Japanese War. And it's a ghastly thing that nearly all the decent people, the people who don't want to go round smashing faces in with spanners, are like that. They're decent, but their minds have stopped. They can't defend themselves against what's coming to them, because they can't see it, even when it's under their noses. They think that England will never change and that England's the whole world. Can't grasp that it's just a left-over, a tiny corner that the bombs happen to have missed. But what about the new kind of men from eastern Europe, the streamlined men who think in slogans and talk in bullets? They're on our track. Not long before they catch up with us. No Marquess of Queensbury rules for those boys. And all the decent people are paralysed. Dead men and live gorillas. Doesn't seem to be anything between.
I cleared out about half an hour later, having completely failed to convince old Porteous that Hitler matters. I was still thinking the same thoughts as I walked home through the shivery streets. The trams had stopped running. The house was all dark and Hilda was asleep. I dropped my false teeth into the glass of water in the bathroom, got into my pyjamas, and prised Hilda over to the other side of the bed. She rolled over without waking, and the kind of hump between her shoulders was towards me. It's funny, the tremendous gloom that sometimes gets hold of you late at night. At that moment the destiny of Europe seemed to me more important than the rent and the kids' school-bills and the work I'd have to do tomorrow. For anyone who has to earn his living such thoughts are just plain foolishness. But they didn't move out of my mind. Still the vision of the coloured shirts and the machineguns rattling. The last thing I remember wondering before I fell asleep was why the hell a chap like me should care.
2
The primroses had started. I suppose it was some time in March.
I'd driven through Westerham and was making for Pudley. I'd got to do an assessment of an ironmonger's shop, and then, if I could get hold of him, to interview a life-insurance case who was wavering in the balance. His name had been sent in by our local agent, but at the last moment he'd taken fright and begun to doubt whether he could afford it. I'm pretty good at talking people round. It's being fat that does it. It puts people in a cheery kind of mood, makes 'em feel that signing a cheque is almost a pleasure. Of course there are different ways of tackling different people. With some it's better to lay all the stress on the bonuses, others you can scare in a subtle way with hints about what'll happen to their wives if they die uninsured.
The old car switchbacked up and down the curly little hills. And by God, what a day! You know the kind of day that generally comes some time in March when winter suddenly seems to give up fighting. For days past we'd been having the kind of beastly weather that people call 'bright' weather, when the sky's a cold hard blue and the wind scrapes you like a blunt razor-blade. Then suddenly the wind had dropped and the sun got a chance. You know the kind of day. Pale yellow sunshine, not a leaf stirring, a touch of mist in the far distance where you could see the sheep scattered over the hillsides like lumps of chalk. And down in the valleys fires were burning, and the smoke twisted slowly upwards and melted into the mist. I'd got the road to myself. It was so warm you could almost have taken your clothes off.
I got to a spot where the grass beside the road was smothered in primroses. A patch of clayey soil, perhaps. Twenty yards farther on I slowed down and stopped. The weather was too good to miss. I felt I'd got to get out and have a smell at the spring air, and perhaps even pick a few primroses if there was nobody coming. I even had some vague notion of picking a bunch of them to take home to Hilda.
I switched the engine off and got out. I never like leaving the old car running in neutral, I'm always half afraid she'll shake her mudguards off or something. She's a 1927 model, and she's done a biggish mileage. When you lift the bonnet and look at the engine it reminds you of the old Austri
an Empire, all tied together with bits of string but somehow keeps plugging along. You wouldn't believe any machine could vibrate in so many directions at once. It's like the motion of the earth, which has twenty-two different kinds of wobble, or so I remember reading. If you look at her from behind when she's running in neutral it's for all the world like watching one of those Hawaiian girls dancing the hula-hula.
There was a five-barred gate beside the road. I strolled over and leaned across it. Not a soul in sight. I hitched my hat back a bit to get the kind of balmy feeling of the air against my forehead. The grass under the hedge was full of primroses. Just inside the gate a tramp or somebody had left the remains of a fire. A little pile of white embers and a wisp of smoke still oozing out of them. Farther along there was a little bit of a pool, covered over with duckweed. The field was winter wheat. It sloped up sharply, and then there was a fall of chalk and a little beech spinney. A kind of mist of young leaves on the trees. And utter stillness everywhere. Not even enough wind to stir the ashes of the fire. A lark singing somewhere, otherwise not a sound, not even an aeroplane.
I stayed there for a bit, leaning over the gate. I was alone, quite alone. I was looking at the field, and the field was looking at me. I felt-I wonder whether you'll understand.
What I felt was something that's so unusual nowadays that to say it sounds like foolishness. I felt happy. I felt that though I shan't live for ever, I'd be quite ready to. If you like you can say that that was merely because it was the first day of spring. Seasonal effect on the sex-glands, or something. But there was more to it than that. Curiously enough, the thing that had suddenly convinced me that life was worth living, more than the primroses or the young buds on the hedge, was that bit of fire near the gate. You know the look of a wood fire on a still day. The sticks that have gone all to white ash and still keep the shape of sticks, and under the ash the kind of vivid red that you can see into. It's curious that a red ember looks more alive, gives you more of a feeling of life than any living thing. There's something about it, a kind of intensity, a vibration-I can't think of the exact words. But it lets you know that you're alive yourself. It's the spot on the picture that makes you notice everything else.
I bent down to pick a primrose. Couldn't reach it-too much belly. I squatted down on my haunches and picked a little bunch of them. Lucky there was no one to see me. The leaves were kind of crinkly and shaped like rabbits' ears. I stood up and put my bunch of primroses on the gatepost. Then on an impulse I slid my false teeth out of my mouth and had a look at them.
If I'd had a mirror I'd have looked at the whole of myself, though, as a matter of fact, I knew what I looked like already. A fat man of forty-five, in a grey herring-bone suit a bit the worse for wear and a bowler hat. Wife, two kids, and a house in the suburbs written all over me. Red face and boiled blue eyes. I know, you don't have to tell me. But the thing that struck me, as I gave my dental plate the once-over before slipping it back into my mouth, was that it doesn't matter. Even false teeth don't matter. I'm fat-yes. I look like a bookie's unsuccessful brother-yes. No woman will ever go to bed with me again unless she's paid to. I know all that. But I tell you I don't care. I don't want the women, I don't even want to be young again. I only want to be alive. And I was alive that moment when I stood looking at the primroses and the red embers under the hedge. It's a feeling inside you, a kind of peaceful feeling, and yet it's like a flame.
Farther down the hedge the pool was covered with duckweed, so like a carpet that if you didn't know what duckweed was you might think it was solid and step on it. I wondered why it is that we're all such bloody fools. Why don't people, instead of the idiocies they do spend their time on, just walk round looking at things? That pool, for instance-all the stuff that's in it. Newts, water-snails, water-beetles, caddis-flies, leeches, and God knows how many other things that you can only see with a microscope. The mystery of their lives, down there under water. You could spend a lifetime watching them, ten lifetimes, and still you wouldn't have got to the end even of that one pool. And all the while the sort of feeling of wonder, the peculiar flame inside you. It's the only thing worth having, and we don't want it.
But I do want it. At least I thought so at that moment. And don't mistake what I'm saying. To begin with, unlike most Cockneys, I'm not soppy about 'the country'. I was brought up a damn sight too near to it for that. I don't want to stop people living in towns, or in suburbs for that matter. Let 'em live where they like. And I'm not suggesting that the whole of humanity could spend the whole of their lives wandering round picking primroses and so forth. I know perfectly well that we've got to work. It's only because chaps are coughing their lungs out in mines and girls are hammering at typewriters that anyone ever has time to pick a flower. Besides, if you hadn't a full belly and a warm house you wouldn't want to pick flowers. But that's not the point. Here's this feeling that I get inside me-not often, I admit, but now and again. I know it's a good feeling to have. What's more, so does everybody else, or nearly everybody. It's just round the corner all the time, and we all know it's there. Stop firing that machine-gun! Stop chasing whatever you're chasing! Calm down, get your breath back, let a bit of peace seep into your bones. No use. We don't do it. Just keep on with the same bloody fooleries.
And the next war coming over the horizon, 1941, they say. Three more circles of the sun, and then we whizz straight into it. The bombs diving down on you like black cigars, and the streamlined bullets streaming from the Bren machine-guns. Not that that worries me particularly. I'm too old to fight. There'll be air-raids, of course, but they won't hit everybody. Besides, even if that kind of danger exists, it doesn't really enter into one's thoughts beforehand. As I've said several times already, I'm not frightened of the war, only the after-war. And even that isn't likely to affect me personally. Because who'd bother about a chap like me? I'm too fat to be a political suspect. No one would bump me off or cosh me with a rubber truncheon. I'm the ordinary middling kind that moves on when the policeman tells him. As for Hilda and the kids, they'd probably never notice the difference. And yet it frightens me. The barbed wire! The slogans! The enormous faces! The cork-lined cellars where the executioner plugs you from behind! For that matter it frightens other chaps who are intellectually a good deal dumber than I am. But why! Because it means good-bye to this thing I've been telling you about, this special feeling inside you. Call it peace, if you like. But when I say peace I don't mean absence of war, I mean peace, a feeling in your guts. And it's gone for ever if the rubber truncheon boys get hold of us.
I picked up my bunch of primroses and had a smell at them. I was thinking of Lower Binfield. It was funny how for two months past it had been in and out of my mind all the time, after twenty years during which I'd practically forgotten it. And just at this moment there was the zoom of a car coming up the road.
It brought me up with a kind of jolt. I suddenly realized what I was doing-wandering round picking primroses when I ought to have been going through the inventory at that ironmonger's shop in Pudley. What was more, it suddenly struck me what I'd look like if those people in the car saw me. A fat man in a bowler hat holding a bunch of primroses! It wouldn't look right at all. Fat men mustn't pick primroses, at any rate in public. I just had time to chuck them over the hedge before the car came in sight. It was a good job I'd done so. The car was full of young fools of about twenty. How they'd have sniggered if they'd seen me! They were all looking at me-you know how people look at you when they're in a car coming towards you-and the thought struck me that even now they might somehow guess what I'd been doing. Better let 'em think it was something else. Why should a chap get out of his car at the side of a country road? Obvious! As the car went past I pretended to be doing up a fly-button.
I cranked up the car (the self-starter doesn't work any longer) and got in. Curiously enough, in the very moment when I was doing up the fly-button, when my mind was about three-quarters full of those young fools in the other car, a wonderful idea had occurred to
me.
I'd go back to Lower Binfield!
Why not? I thought as I jammed her into top gear. Why shouldn't I? What was to stop me? And why the hell hadn't I thought of it before? A quiet holiday in Lower Binfield-just the thing I wanted.
Don't imagine that I had any ideas of going back to live in Lower Binfield. I wasn't planning to desert Hilda and the kids and start life under a different name. That kind of thing only happens in books. But what was to stop me slipping down to Lower Binfield and having a week there all by myself, on the Q.T.?
I seemed to have it all planned out in my mind already. It was all right as far as the money went. There was still twelve quid left in that secret pile of mine, and you can have a very comfortable week on twelve quid. I get a fortnight's holiday a year, generally in August or September. But if I made up some suitable story-relative dying of incurable disease, or something-I could probably get the firm to give me my holiday in two separate halves. Then I could have a week all to myself before Hilda knew what was happening. A week in Lower Binfield, with no Hilda, no kids, no Flying Salamander, no Ellesmere Road, no rumpus about the hire-purchase payments, no noise of traffic driving you silly-just a week of loafing round and listening to the quietness?
But why did I want to go back to Lower Binfield? you say. Why Lower Binfield in particular? What did I mean to do when I got there?
The Complete Novels of George Orwell Page 81