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The Heart Is a Lonely Hunter

Page 20

by Carson McCullers


  ‘Have patience, Daughter.’

  ‘I reckon I have to.’

  ‘There are a few calls I must make, but I will be back shortly.’

  ‘O.K.’

  ‘All will be well,’ he said. Most of his joy was gone in the bright, cool noonday sun. The diseases of his patients lay scattered in his mind. An abscessed kidney. Spinal meningitis. Pott’s disease. He lifted the crank of the automobile from the back seat. Usually he hailed some passing Negro from the street to crank the car for him. His people were always glad to help and serve. But today he fitted the crank and turned it vigorously himself. He wiped the perspiration from his face with the sleeve of his overcoat and hurried to get beneath the wheel and on his way. How much that he had said today was understood? How much would be of any value? He recalled the words he had used, and they seemed to fade and lose their strength. The words left unsaid were heavier on his heart. They rolled up to his lips and fretted them. The faces of his suffering people moved in a swelling mass before his eyes. And as he steered the automobile slowly down the street his heart turned with this angry, restless love. J. HE town had not known a winter as cold as this one for years. Frost formed on the windowpanes and whitened the roofs of houses. The winter afternoons glowed with a hazy lemon light and shadows were a delicate blue. A thin coat of ice crusted the puddles in the streets, and it was said on the day after Christmas that only ten miles to the north there was a light fall of snow.

  A change came over Singer. Often he went out for the long walks that had occupied him during the months when Antonapoulos was first gone. These walks extended for miles in every direction and covered the whole of the town. He rambled through the dense neighborhoods along the river that were more squalid than ever since the mills had been slack this winter. In many eyes there was a look of somber loneliness. Now that people were forced to be idle, a certain restlessness could be felt. There was a fervid outbreak of new beliefs. A young man who had worked at the dye vats in a mill claimed suddenly that a great holy power had come in him. He said it was his duty to deliver a new set of commandments from the Lord, The young man set up a tabernacle and hundreds of people came each night to roll on the ground and shake each other, for they believed that they were in the presence of something more than human. There was murder, too. A woman who could not make enough to eat believed that a foreman had cheated on her work tokens and she stabbed him in the throat. A family of Negroes moved into the end house on one of the most dismal streets, and this caused so much indignation that the house was burned and the black man beaten by his neighbors. But these were incidents. Nothing had really changed. The strike that was talked about never came off because they could not get together. All was the same as before. Even on the coldest nights the Sunny Dixie Show was open. The people dreamed and fought and slept as much as ever. And by habit they shortened their thoughts so that they would not wander out into the darkness beyond tomorrow.

  Singer walked through the scattered odorous parts of town where the Negroes crowded together. There was more gaiety and violence here. Often the fine, sharp smell of gin lingered in the alleys. Warm, sleepy firelight colored the windows.

  Meetings were held in the churches almost every night.

  Comfortable little houses set off in plots of brown grass--Singer walked in these parts also. Here the children were huskier and more friendly to strangers. He roamed through the neighborhoods of the rich. There were houses, very grand and old, with white columns and intricate fences of wrought iron.

  He walked past the big brick houses where automobiles honked in the driveways and where the plumes of smoke rolled lavishly from chimneys. And out to the very edges of the roads that led from the town to general stores where fanners came on Saturday nights and sat around the stove. He wandered often about the four main business blocks that were brightly lighted and then through the black, deserted alleys behind. There was no part of the town that Singer did not know. He watched the yellow squares of light reflect from a thousand windows. The winter nights were beautiful. The sky was a cold azure and the stars were very bright Often it happened now that he would be spoken to and stopped during these walks. All kinds of people became acquainted with him. If the person who spoke to him was a stranger, Singer presented his card so that his silence would be understood. He came to be known through all the town. He walked with his shoulders very straight and kept his hands always stuffed down into his pockets. His gray eyes seemed to take in everything around him, and in his face there was still the look of peace that is seen most often in those who are very wise or very sorrowful. He was always glad to stop with anyone wishing his company. For after all he was only walking and going nowhere.

  Now it came about that various rumors started in the town concerning the mute. In the years before with Antonapoulos they had walked back and forth to work, but except for this they were always alone together in their rooms. No one had bothered about them then--and if they were observed it was the big Greek on whom attention was focused. The Singer of those years was forgotten.

  So the rumors about the mute were rich and varied. The Jews said that he was a Jew. The merchants along the main street claimed he received a large legacy and was a very rich man. It was whispered in one browbeaten textile union that the mute was an organizer for the C.I.O. A lone Turk who had roamed into the town years ago and who languished with his family behind the little store where they sold linens claimed passionately to his wife that the mute was Turkish. He said that when he spoke his language the mute understood. And as he claimed this his voice grew warm and he forgot to squabble with his children and he was full of plans and activity. One old man from the country said that the mute had come from somewhere near his home and that the mute’s father had the finest tobacco crop in all the country. All these things were said about him.

  Antonapoulos! Within Singer there was always the memory of his friend. At night when he closed his eyes the Greek’s face was there in the darkness--round and oily, with a wise and gentle smile. In his dreams they were always together.

  It was more than a year now since his friend had gone away.

  This year seemed neither long nor short. Rather it was removed from the ordinary sense of time--as when one is drunk or half-asleep. Behind each hour there was always his friend. And this buried life with Antonapoulos changed and developed as did the happenings around him. During the first few months he had thought most of the terrible weeks before Antonapoulos was taken away--of the trouble that followed his Illness, of the summons for arrest, and the misery in trying to control the whims of his friend. He thought of times in the past when he and Antonapoulos had been unhappy. There was one recollection, far in the past, that came back to him several times.

  They never had no friends. Sometimes they would meet other mutes--there were three of them with whom they became acquainted during the ten years. But something always happened. One moved to another state the week after they met him. Another was married and had six children and did not talk with his hands. But it was their relation with the third of these acquaintances that Singer remembered when his friend was gone.

  The mute’s name was Carl. He was a sallow young man who worked in one of the mills. His eyes were pale yellow and his teeth so brittle and transparent that they seemed pale and yellow also. In his blue overalls that hung limp over his skinny little body he was like a blue-and-yellow rag doll.

  They invited him to dinner and arranged to meet him beforehand at the store where Antonapoulos worked. The Greek was still busy when they arrived. He was finishing a batch of caramel fudge in the cooking room at the back of the store. The fudge lay golden and glossy over the long marble-topped table. The air was warm and rich with sweet smells.

  Antonapoulos seemed pleased to have Carl watch him as he glided the knife down the warm candy and cut it into squares.

  He offered their new friend a corner of the fudge on the edge of his greased knife, and showed him the trick that he always perfor
med for anyone when he wished to be liked. He pointed to a vat of syrup boiling on the stove and fanned his face and squinted his eyes to show how hot it was. Then he wet his hand in a pot of cold water, plunged it into the boiling syrup, and swiftly put it back into the water again. His eyes bulged and he rolled out his tongue as though he were in great agony.

  He even wrung his hand and hopped on one foot so that the building shook. Then he smiled suddenly and held out his hand to show that it was a joke and hit Carl on the shoulder.

  It was a pale winter evening, and their breath clouded in the cold air as they walked with their arms interlocked down the street Singer was in the middle and he left them on the sidewalk twice while he went into stores to shop. Carl and Antonapoulos carried the sacks of groceries, and Singer held to their arms tightly and smiled all the way home. Their rooms were cozy and he moved happily about. making conversation with Carl. After the meal the two of them talked while Antonapoulous watched with a slow smile. Often the big Greek would lumber to the closet and pour out drinks of gin. Carl sat by the window, only drinking when Antonapoulos pushed the glass into his face, and then taking solemn little sips. Singer could not ever remember his friend so cordial to a stranger before, and he thought ahead with pleasure to the time when Carl would visit them often.

  Midnight had passed when the thing happened that ruined the festive party. Antonapoulos returned from one of his trips to the closet and his face had a glowering look. He sat on his bed and began to stare repeatedly at their new friend with expressions of offense and great disgust. Singer tried to make eager conversation to hide this strange behavior, but the Greek was persistent. Carl huddled in a chair, nursing his bony knees, fascinated and bewildered by the grimaces of the big Greek. His face was flushed and he swallowed timidly. Singer could ignore the situation no longer, so at last he asked Antonapoulos if his stomach pained him or if he perhaps felt bad and wished to go to sleep. Antonapoulos shook his head.

  He pointed to Carl and began to make all the gestures of obscenity which he knew. The disgust on his face was terrible to see. Carl was small with fear. At last the big Greek ground his teeth and rose from his chair. Hurriedly Carl picked up his cap and left the room. Singer followed him down the stairs.

  He did not know how to explain his friend to this stranger.

  Carl stood hunched in the doorway downstairs, limp, with his peaked cap pulled down over his face. At last they shook hands and Carl went away.

  Antonapoulos let him know that while they were not noticing, their guest had gone into the closet and drunk up all the gin.

  No amount of persuasion could convince Antonapoulos that it was he himself who had finished the bottle. The big Greek sat up in bed and his round face was dismal and reproachful.

  Large tears trickled slowly down to the neck of his undershirt and he could not be comforted. At last he went to sleep, but Singer was awake in the dark a long time. They never saw Carl again.

  Then years later there was the time Antonapoulos took the rent money from the vase on the mantelpiece and spent it all on the slot machines. And the summer afternoon Antonapoulos went downstairs naked to get the paper. He suffered so from the summer heat. They bought an electric refrigerator on the installment plan, and Antonapoulos would suck the cubes of ice constantly and even let a few of them melt in bed with him as he slept. And the time Antonapoulos got drunk and threw a bowl of macaroni in his face.

  Those ugly memories wove through his thoughts during the first months like bad threads through a carpet. And then they were gone. All the times that they had been unhappy were forgotten. For as the year went on his thoughts of his friend spiraled deeper until he dwelt only with the Antonapoulos whom he alone could know.

  This was the friend to whom he told all that was in his heart.

  This was the Antonapoulos who no one knew was wise but him. As the year passed his friend seemed to grow larger in his mind, and his face looked out in a very grave and subtle way from the darkness at night. The memories of his friend changed in his mind so that he remembered nothing that was wrong or foolish--only the wise and good.

  He saw Antonapoulos sitting in a large chair before him. He sat tranquil and unmoving. His round face was inscrutable.

  His mouth was wise and smiling. And his eyes were profound.

  He watched the things that were said to him. And in his wisdom he understood.

  This was the Antonapoulos who now was always in his thoughts. This was the friend to whom he wanted to tell things that had come about. For something had happened in this year.

  He had been left in an alien land. Alone. He had opened his eyes and around him there was much he could not understand.

  He was bewildered.

  He watched the words shape on their lips.

  We Negroes want a chance to be free at last. And freedom is only the right to contribute. We want to serve and to share, to labor and in turn consume that which is due to us. But you are the only white man I have ever encountered who realizes this terrible need of my people.

  You see, Mister Singer? I got this music in me all the time. I got to be a real musician. Maybe I don’t know anything now, but I will when I’m twenty. See, Mister Singer? And then I mean to travel in a foreign country where there’s snow.

  Let’s finish up the bottle. I want a small one. For we were thinking of freedom. That’s the word like a worm in my brain.

  Yes? No? How much? How little? The word is a signal for piracy and theft and cunning. We’ll be free and the smartest will then be able to enslave the others. But! But there is another meaning to the word. Of all words this one is the most dangerous. We who know must be wary. The word makes us feel good--in fact the word is a great ideal. But it’s with this ideal that the spiders spin their ugliest webs for us.

  The last one rubbed his nose. He did not come often and he did not say much. He asked questions.

  The four people had been coming to his rooms now for more than seven months. They never came together--always alone.

  And invariably he met them at the door with a cordial smile.

  The want for Antonapoulos was always with him--just as it had been the first months after his friend had gone--and it was better to be with any person than to be too long alone. It was like the time years ago when he had made a pledge to Antonapoulos (and even written it on a paper and tacked it on the wall above his bed)--a pledge that he would give up cigarettes, beer, and meat for one month. The first days had been very bad. He could not rest or be still. He visited Antonapoulos so much at the fruit store that Charles Parker was unpleasant to him. When he had finished all the engraving on hand he would dawdle around the front of the store with the watchmaker and the salesgirl or wander out to some soda fountain to drink a Coca-Cola. In those days being near any stranger was better than thinking alone about the cigarettes and beer and meat that he wanted.

  At first he had not understood the four people at all. They talked and they talked--and as the months went on they talked more and more. He became so used to their lips that he understood each word they said. And then after a while he knew what each one of them would say before he began, because the meaning was always the same.

  His hands were a torment to him. They would not rest. They twitched in his sleep, and sometimes he awoke to find them shaping the words in his dreams before his face. He did not like to look at his hands or to think about them. They were slender and brown and very strong. In the years before he had always tended them with care. In the winter he used oil to prevent chapping, and he kept the cuticles pushed down and his nails always filed to the shape of his finger-tips. He had loved to wash and tend his hands. But now he only scrubbed them roughly with a brush two times a day and stuffed them back into his pockets.

  When he walked up and down the floor of his room he would crack the joints of his fingers and jerk at them until they ached. Or he would strike the palm of one hand with the fist of the other. And then sometimes when he was al
one and his thoughts were with his friend his hands would begin to shape the words before he knew about it. Then when he realized he was like a man caught talking aloud to himself. It was almost as though he had done some moral wrong. The shame and the sorrow mixed together and he doubled his hands and put them behind him. But they would not let him rest.

  Singer stood in the street before the house where he and Antonapoulos had lived. The late afternoon was smoky and gray. In the west there were streaks of cold yellow and rose. A ragged winter sparrow flew in patterns against the smoky sky and at last came to light on a gable of the house. The street was deserted.

  His eyes were fixed on a window on the right side of the second story. This was then--front room, and behind was the big kitchen where Antonapoulos had cooked all their meals.

  Through the lighted window he watched a woman move back and forth across the room. She was large and vague against the light and she wore an apron. A man sat with the evening newspaper in his hand. A child with a slice of bread came to the window and pressed his nose against the pane. Singer saw the room just as he had left it--with the large bed for Antonapoulos and the iron cot for himself, the big overstuffed sofa and the camp chair. The broken sugar bowl used for an ash tray, the damp spot on the ceiling where the roof leaked, the laundry box in the corner.

  On late afternoons like this there would be no light in the kitchen except the glow from the oil-burners of the big stove.

  Antonapoulos always turned the wicks so that only a ragged fringe of gold and blue could be seen inside each burner. The room was warm and full of the good smells from the supper.

  Antonapoulos tasted the dishes with his wooden spoon and they drank glasses of red wine. On the linoleum rug before the stove the flames from the burners made luminous reflections--five little golden lanterns. As the milky twilight grew darker these little lanterns were more intense, so that when at last the night had come they burned with vivid purity. Supper was always ready by that time and they would turn on the light and draw their chairs to the table.

 

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