The White Princess

by Philippa Gregory

  The woman who stopped me on my way to chapel and begged me to tell my husband the king that his subjects could not pay their fines, could not pay their taxes, is one of very many. Again and again people ask me to intercede for them to get a debt forgiven, and again and again I have to tell them that I cannot. Everyone has to pay their fines, everyone has to pay their taxes, and the tax collectors now go armed and ride with a guard. When we go on progress, this summer to the west, and ride over the green hills of Salisbury Plain, we take Henry’s privy purse officers with us, and everywhere we go they make a new valuation of the properties, lands, and businesses, and present a new bill for taxes.

  Now I am sorry that I told Henry how my father used to look over the heads of the people reading the loyal address and calculate how much they could pay. My father’s system of loans and fines and borrowings has become Henry’s hated tax system and everywhere we go, we are followed by clerks who count the glass windows in the houses, or the flocks of sheep in the meadows, or the crops in the fields, and present the people who come to see us with a demand for payment.

  Instead of being greeted by people cheering in the streets, crowding to wave at the royal children and blow kisses to me, the people are out of sight, bundling their goods into warehouses, smuggling away their account books, denying their prosperity. Our hosts serve the meanest of feasts and hide away their best tapestries and silverware. Nobody dares show the king hospitality and generosity, for either he or his mother will claim it as evidence that they are richer than they pretend, and accuse them of failing to declare their wealth. We go from one great house and abbey to another like grasping tinkers who visit only to steal, and I dread the apprehensive faces that greet us and their looks of relief when we leave.

  And everywhere we go, at every stop, there are hooded men, following us like the figure of Death itself, on foundering horses, who speak to my husband in secret and sleep the night and then ride out the next day on the best mounts in the stables. They head west, where the Cornishmen, landowners, miners, sailors, and fishermen are declaring that they will not pay another penny of the Tudor tax, or they ride east, where the coast lies dangerously open to an invasion, or they go north to Scotland, where we hear that the king is building an army and casting guns the like of which have never been seen before, for his beloved cousin: the boy who would be King of England.

  “At last I have him.” Henry walks into my room, ignoring my ladies, who leap to their feet and drop into low curtseys, ignoring the musicians, who trail into silence and wait for an order. “I have him. Look at that.”

  Obediently I look at the page he shows me. It is a mass of symbols and numbers, saying nothing that I can understand.

  “I can’t read this,” I tell him quietly. “This is the language you use: spies’ language.”

  He tuts with impatience and draws another sheet of paper from under the first. It is a translation of the code from the Portuguese herald, sealed by the King of France himself to prove that it is true. The so-called Duke of York is the son of a barber in Tournai and I have found his parents and can send them to you . . .

  “What do you think of that?” Henry demands of me. “I can prove that the boy is an imposter. I can bring his mother and father to England and they can declare him the son of a barber in Tournai. What do you think?”

  I sense Margaret, my cousin, taking a few steps closer to me, as if she would defend me from the rising volume of Henry’s voice. The more uncertain he is, the more he blusters. I rise to my feet and I take his hand in my own.

  “I think that it proves your case completely,” I say, just as I would soothe my son Harry, if he were arguing with his brother, near to tears with frustration. “I am sure that this will make your case completely.”

  “It does!” he asserts furiously. “It is as I said—he is a poor boy from nowhere.”

  “It is just as you said,” I repeat. I look up at his flushed angry face and I feel nothing but pity for him. “This proves that you are completely right.”

  A little shudder goes through him. “I shall send for them, then,” he says. “These lowborn parents. I shall bring them to England and everyone can see the lowly parentage of this false boy.”

  WESTMINSTER PALACE, LONDON, AUTUMN 1496

  But Henry does not send for the Tournai barber and his wife. He sends yet another spy to Tournai, who cannot find them. I have a brief amusing picture in my mind of Tournai filled with men wrapped in their cloaks with their hoods pulled forwards to hide their faces, looking for someone—anyone—who will say that they had a boy who disappeared from home and who took it upon himself to pretend to be King of England, and who is now married into the royal family of Scotland and personal friend and well beloved of most of the rulers of Christendom.

  It is such a ludicrous proposal that when Henry goes on looking for a bereft mother, for a missing boy, for anything—a name if nothing else—that I see it as the measure not of his determination to unravel a mystery, but of his increasing desperation to create an identity for the boy and pin a name on him. When I suggest that really anyone would do, it does not have to be a Tournai barber—he might as well seek anyone who is prepared to say that the boy was born and raised by them, and then went missing—Henry scowls at me and says: “Exactly, exactly. I could have half a dozen parents and still no one would believe that I have found the right ones.”

  One evening in autumn I am invited into the queen’s rooms—they are still called the queen’s rooms—by My Lady the King’s Mother, who tells me that she needs to talk with me before dinner. I go with Cecily my sister, as Anne is in her confinement, expecting her first child; but when the great double doors are thrown open I see that My Lady’s presence chamber is empty, and I leave Cecily to wait for me there, beside the economical fire of small off-cut timbers, and I go into My Lady’s privy chamber alone.

  She is kneeling before a prie-dieu; but when I come in, she glances over her shoulder, whispers “Amen,” and then rises to her feet. We both curtsey, she to me as I am queen, I to her as she is my mother-in-law; we press cool cheeks against each other as if we were exchanging a kiss, but our lips never touch the other’s face.

  She gestures towards a chair that is the same height as hers, on the other side of the fireplace, and we sit simultaneously, neither one of us taking precedence. I am beginning to wonder what all this is about.

  “I wish to speak to you in confidence,” she begins. “In absolute confidence. What you tell me will not go beyond the walls of this room. You can trust me with anything. I give you my sacred word of honor.”

  I wait. I very much doubt that I am going to tell her anything, so she need not assure me that she will not repeat it. Besides, anything that might be of use to her son, she would repeat to him in the next moment. Her sacred word of honor would not even cause a second’s delay. Her sacred word of honor is worth nothing against her devotion to her son.

  “I want to speak of long-ago days,” she says. “You were just a little girl and none of it was your fault. No blame is attached to you by me or anyone. Not by my son. Your mother commanded everything, and you were obedient to her then.” She pauses. “You do not have to be obedient to her now.”

  I bow my head.

  My Lady seems to have trouble in starting her question. She pauses, she taps her fingers on the carved arm of her chair. She closes her eyes as if in brief prayer. “When you were a young woman in sanctuary, your brother the king was in the Tower, but your little brother Richard was still with you in hiding. Your mother had kept him by her side. When they promised her that your brother Edward was to be crowned they demanded that she send Prince Richard into the Tower, to join his brother, to keep him company. Do you remember?”

  “I remember,” I say. Despite myself I glance towards the heaped logs in the fireplace as if I could see in the glowing embers the arched roof of the sanctuary, my mother’s white desperate face, the dark blue of her mourning gown, and the little boy that we bought from his par
ents, took hold of, washed, commanded to say nothing, and dressed up as my little brother, hat pulled low on his head, a muffler across his mouth. We handed him over to the archbishop, who swore he would be safe, though we did not trust him, we did not trust any of them. We sent that little boy into danger, to save Richard. We thought it would buy us a night, perhaps a night and a day. We could not believe our luck when no one challenged him, when the two boys together, my brother Edward and the pauper child, kept up the deception.

  “The lords of the privy council came and demanded that you hand your little brother over to them,” My Lady says, her voice a lilting murmur. “But now, I wonder if you did?”

  I look at her, meeting her gaze with an honest frank stare. “Of course we did,” I say bluntly. “Everyone knows that we did. The whole privy council witnessed it. Your own husband Thomas, Lord Stanley, was there. Everyone knows that they took my little brother Richard to live with my brother the king, in the Tower, to keep him company before his coronation. You were at court yourself, you must have seen them take him to the Tower. You must remember, everybody knew, that my mother wept as she said good-bye to him, but the archbishop himself swore that Richard would be safe.”

  She nods. “Ah, but then . . . then, did your mother lay a little plot to get them out?” My lady draws closer, her hand reaching out like a claw clasping my hands in my lap. “She was a clever woman, and always alert to danger. I wonder if she was ready for them to come for Prince Richard? Remember, I joined my men with hers in an attack on the Tower to rescue them. I tried to save them too. But after that, after it failed, did she save them—or perhaps just save Richard? Her youngest boy? Did she have a plot that she did not tell me about? I was punished for helping her, I was imprisoned in my husband’s house and forbidden from speaking or writing to anyone. Did your mother, loyal and clever woman that she was, did she get Richard out? Did she get your brother Richard out of the Tower?”

  “You know that she was plotting all the time,” I say. “She was writing to you, she was writing to your son. You would know more than I do about that time. Did she tell you she had him safe? Have you kept that secret, all this long time?”

  She whips back her hand as if I were as hot as the embers in the hearth. “What d’you mean? No! She never told me such a thing!”

  “You were plotting with her to free us, weren’t you?” I ask, as sweet as sugared milk. “You were plotting with her to bring in your son to save us? That was why Henry came to England? To free us all? Not to take the throne, but to restore it to my brother and to free us?”

  “But she didn’t tell me anything,” Lady Margaret bursts out. “She never told me anything. And though everyone said that the boys were dead, she never held a Requiem Mass for them, and we never found their bodies, we never found their murderers nor any trace or whisper of a plot to kill them. She never named their killers and no one ever confessed.”

  “You hoped that people would think it was their uncle Richard,” I observed quietly. “But you didn’t have the courage to accuse him. Not even when he was dead in an unmarked grave. Not even when you publicly listed his crimes. You never accused him of that. Not even Henry, not even you had the gall to say that he murdered his nephews.”

  “Were they murdered?” she hisses at me. “If it was not Richard? It doesn’t matter who did it! Were they murdered? Were they both killed? Do you know that?”

  I shake my head.

  “Where are the boys?” she whispers, her voice barely louder than the flicker of flame in the hearth. “Where are they? Where is Prince Richard now?”

  “I think you know better than me. I think you know exactly where he is.” I turn back to her, and I let her see my smile. “Don’t you think it is him, in Scotland? Don’t you think he is free, and leading an army against us? Against your own son—calling him a usurper?”

  The anguish in her face is genuine. “They’ve crossed the border,” she whispers. “They’ve mustered a massive force, the King of Scotland rides with the boy at the head of thousands of men, he’s cast cannon, bombards, he’s organized them—no one has seen such an army in the North before. And the boy has sent a proclamation . . .” She breaks off, and from inside her gown she draws it out. I cannot deny my curiosity; I put out my hand and she passes it over. It is a proclamation by the boy, he must have had hundreds made, but at the bottom is his signature, RR—Ricardus Rex, King Richard IV of England.

  I cannot take my eyes from the confident swirl of the initial. I put my finger on the dry ink; perhaps this is my brother’s signature. I cannot believe that my fingertip will not sense his touch, that the ink will not grow warm under my hand. He signed this, and now my finger is on it. “Richard,” I say wonderingly, and I can hear the love in my voice. “Richard.”

  “He calls upon the people of England to capture Henry as he flees,” Henry’s mother says, her voice quavering. I hardly hear her, I am thinking of my little brother, signing hundreds of proclamations Ricardus Rex: Richard the King. I find I am smiling, thinking of the little boy that my mother loved so much, that we all loved for his sunny good nature. I think of him signing this flourish and smiling his smile, certain that he will win England back for the House of York.

  “He has crossed the Scottish border, he is marching on Berwick,” she moans.

  At last I realize what she is saying. “They have invaded?”

  She nods.

  “The king is going to go? He has his troops ready?”

  “We’ve sent money,” she says. “A fortune. He is pouring money and arms into the North.”

  “He is riding out? Henry will lead his army against the boy?”

  She shakes her head. “We won’t put an army in the field. Not yet, not in the North.”

  I am bewildered. I look from the bold proclamation in black ink to her old, frightened face. “Why not? He must defend the North. I thought you were ready for this?”

  “We can’t!” she bursts out. “We dare not march an army north to face the boy. What if the troops turn on us as soon as we get there? If they change sides, if the men declare for Richard, then we will have done nothing but give him an army and all our weapons. We dare not take a mustered army anywhere near him. England has to be defended by the men of the North, fighting under their own leaders, defending their own lands against the Scots, and we will hire mercenaries to bolster their ranks—men from Lorraine and from Germany.”

  I look at her incredulously. “You are hiring foreign soldiers because you can’t trust Englishmen?”

  She wrings her hands. “People are so bitter about the taxation and the fines, they speak against the king. People are so untrustworthy, and we can’t be sure . . .”

  “You can’t trust an English army not to change sides and fight against the king?”

  She hides her face in her hands; she sinks into her chair, almost sinking to her knees as if in prayer. I look at her blankly, unable to conjure an expression of sympathy. I have never in my life heard of such a thing as this: a country invaded and the king afraid to march out to defend his borders, a king who cannot trust the army he has mustered, equipped, and paid. A king who looks like a usurper and calls on foreign troops even as a boy, an unblooded boy, demands his throne.

  “Who will lead this northern army if the king won’t go?” I ask.

  This alone gives her some joy. “Thomas Howard, Earl of Surrey,” she says. “We are trusting him with this. Your sister is bearing his child in our keeping, I am certain he won’t betray us. And we have her and his first child as a hostage. The Courtenays will stand by us, and we will marry your sister Catherine to William Courtenay, to make them hold firm. And to have a man who was known to be loyal to the House of York riding against the boy will look good, don’t you think? It must make people stop and think, won’t it? They must see that we kept Thomas Howard in the Tower and he came out safely.”

  “Unlike the boy,” I remark.

  Her eyes snap towards me and I see terror in her face. “Which
boy?” she asks. “Which boy?”

  “My cousin, Edward,” I say smoothly. “You still hold him for no reason, without charge, unjustly. He should be released now, so that people cannot say that you take boys of York and hold them in the Tower.”

  “We don’t.” She answers by rote as if it is the murmured response to a prayer that she has learned by heart. “He is there for his own safety.”

  “I ask for his release,” I say. “The country thinks he should be freed. I, as queen, request it. At this moment, where we should show that we are confident.”

  She shakes her head and sits back in her chair, firm in her determination. “Not until it is safe for him to come out.”

  I rise to my feet, the proclamation still in my hand that calls for the people to rise against Henry, refuse his taxation, capture him as he flees back to Brittany where he came from. “I can’t comfort you,” I say coldly. “You have encouraged your son to tax people to the point of their ruin, you have allowed him to hide himself away and not go out and show himself and make friends, you have encouraged him to pursue and persecute this boy who now invades us, and you have urged him to recruit an army that he cannot trust, and now to bring in foreign soldiers. Last time he brought in foreign soldiers they brought the sweat, which nearly killed us all. The King of England should be beloved by his people, not an enemy to their peace. He should not be afraid of his own army.”

  “But is the boy your brother?” she demands hoarsely. “That’s what I called you here to answer. You know. You must know what your mother did to save him. Is your mother’s favorite boy coming against mine?”

  “It doesn’t matter,” I say, suddenly seeing my way clear and away from this haunting question. I have a sudden lift of my spirits as I understand, at last, what I should answer. “It doesn’t matter who Henry is facing. Whether it is my mother’s favorite boy or another mother’s son. What matters is that you have not made your boy the beloved of England. You should have made him beloved and you have not done so. His only safety lies in the love of his people, and you have not secured that for him.”